Sony Pixel Power calrec Sony

Sennheiser Asks FCC To Compensate Wirele-Mic Owners Facing Second Spectrum Reallocation

03/12/2013

Wireless-microphone-systems manufacturer Sennheiser has petitioned the FCC to compel compensation for wireless users whose 600 MHz systems will be rendered obsolete by the agency's pending auction of that spectrum, slated for sometime during the second half of 2014.

In comments filed on Nov. 4, Sennheiser asserts that the auction will force many broadcast, film, and live-production professionals to attempt to stage their shows using little more than half of the currently available UHF spectrum.

The company argues that the winning buyers of the spectrum auction should compensate owners of wireless-microphone equipment that will be rendered obsolete as a direct result of the planned spectrum repacking. It notes that wireless users will have to make significant investments in new equipment for the second time within a few years, a reference to the 2010 reallocation of the 700 MHz band to 4G mobile-services providers, which pushed professional and commercial wireless users into lower UHF frequencies, including the 600 MHz band, around which new series of wireless systems were developed and sold.

According to Joe Ciaudelli, spectrum affairs correspondent at Sennheiser, those users are now they are being told that they must vacate this UHF space and with no contingency or recourse to recover their equipment investments. This is grossly unfair, especially considering that this will be the second time this has occurred within a few years. This time, mics and monitors won't be able to simply be relocated into lower portions of the UHF because it is already packed with other mics for ones rendered obsolete by the 700 MHz reallocation. TV stations currently operating in 600 MHz will also be relocated to lower channels, exacerbating the congestion.

As a precedent, he cited the relocation of fixed-service microwave-link-service providers from the 2.1 GHz and 1.7 GHz bands in 2006, whose costs were borne by some of the Advanced Wireless Services (AWS) mobile and wireless vendors that were moved into that part of the spectrum. This was handled through the CTIA Spectrum Clearinghouse, established by CTIA-The Wireless Association, a wireless providers trade organization, to act as a non-profit, cost-sharing administrator to facilitate the cost-sharing process pertaining to the relocation of incumbent facilities in the AWS spectrum band.

Compensation Formula

Sennheiser has suggested a formula for such compensation. It would take the number of months between the June 2010 loss of the 700 MHz band and the upcoming auction of the 600 MHz spectrum and divide that by the 120 months (10 years) of projected useful life of a typical professional wireless system. Subtracting that quotient from 1 would establish a factor value that could be used to establish the pro rata value of wireless systems for the 600 MHz band already purchased. For instance, if the 600 MHZ auction takes place in September 2014, the calculation would look like this:

51 months [June 2010 to September 2014] / 120 [months] = 0.425

1 - 0.425 = 0.575 [which converts to 57.5 %]

Under this calculation, a typical wireless microphone system costing $3,000 would have a remaining value of $1,725, an amount that would be applied to the cost of another wireless system that is compliant with whatever spectrum becomes available for wireless-microphone applications, such as the current 500 MHz range or, for broadcasters, 944-952 MHz.

The question remains who would be liable to pay that compensation. CTIA has already made its opposition to the topic clear.

Sennheiser's premise has the backing of several competitors in the wireless space, including Audio-Technica, Lectrosonics, and Shure. In a statement filed with the FCC on Nov. 7, Audio-Technica states, A-T agrees with Sennheiser that the Commission has the authority to require spectrum-auction-winning bidders to reimburse wireless-microphone users who will be displaced from the band as result of the auction and that basic fairness requires such reimbursement.

However, not all agree on the form any reimbursement should take. Karl Winkler, director of business development at Lectrosonics, tells SVG, We are not yet convinced of the exact mechanism for reimbursement, but, at the very least, this issue should be made public for a proper debate.

Asked whether the gambit had a realistic chance of succeeding, Ciaudelli replies, I do think that, if fairness and objectivity were applied to the subject, then, yes, we'd see some compensation. But, he adds, that doesn't always prevail in Washington.
LINK: http://sportsvideo.org/main/blog/2013/12/sennheiser-asks-fcc-to-compen...
See more stories from svg

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

21/04/2026

Diversified Appoints Tyler Affolter Chief Revenue Officer

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

TV Azteca to Bring Dolby Atmos to Free-To-Air TV in Mexico

Share Copy link Facebook X Linkedin Bluesky Email...

21/04/2026

Maxon Announces Free Tools and Mobile Expansion of ZBrush...

Cinema 4D brings professional 3D workflows to iPad. The return of Autograph now free for individual users. ZBrush expands to Windows on Arm. See it all at NAB...

21/04/2026

Bitfocus improves availability, security and user managem...

Software version 1.6 extends enterprise functionality to place Buttons at the heart of media operations at any scale Bitfocus, the Norwegian software develope...

21/04/2026

Cobalt Digital Announces Launch of blueCORE at NAB Show 2...

Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse Signal Processors for SDI and ST 2110 Workflows Compact, multi-function stan...

21/04/2026

Applications open for 2026 AISF and Screen Australia Writer/Director Virtual Sessions

Applications open for 2026 AISF and Screen Australia Writer/Director Virtual Ses...

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...

20/04/2026

NAB 2026: IABM rebrands as IAMT and launches AI discovery platform and global alliance

International Association of MediaTech (IAMT), formerly known as IABM, announced...

20/04/2026

NAB 2026: Harmonic supports DIRECTV DTH platform upgrade with VOS Media Software

Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software. The deployment is...

20/04/2026

NAB 2026: Wasabi Technologies acquires Seagate Lyve Cloud business

Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...

20/04/2026

NAB 2026: EVS introduces Choreon robotics orchestration platform for unified production control

EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...

20/04/2026

SportsTechBuzz at NAB 2026, Day 2: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

20/04/2026

NAB 2026: Skyline Communications launches DataMiner packages on Grass Valley AMPP App Store

Skyline Communications announced the availability of its DataMiner xOps platform...

20/04/2026

NAB 2026: SNS launches Outpost, Trio and AI Suite for connected post-production workflows

Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...

20/04/2026

NAB 2026: Dell Technologies and NVIDIA present AI data platform for media workflows

Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...

20/04/2026

NAB 2026: Blackmagic Design Announces Fairlight Live Software Audio Mixer

Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...

20/04/2026

Live From NAB 2026: Imagine Comms Jimbo Haneklau Talks Prismon, Hybrid IP/SDI Workflows, and Cloud Playout

At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...

20/04/2026

Live From NAB 2026: LiveUs Phillip Broaddus on LU900Q Launch, Nexus Cloud Platform, and REMI Growth

At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...

20/04/2026

3 New Ways to Dive Deeper Into the Music You Love

A song that perfectly captures a moment is magic. But when you uncover the story behind it, who made it, what inspired it, and the meaning woven into the lyrics...

20/04/2026

Deity Microphones announce the PR-4

Ultra-compact 32-bit recorder set for launch Deity Microphones will soon be launching a new 32-bit six-track recorder that's been designed with producti...

20/04/2026

Lectrosonics preview the S1

Uncoming lightweight shotgun mic announced Production-sound experts Lectrosonics have recently announced the upcoming launch of a new lightweight shotgun mi...

20/04/2026

The story of Focusrite ISA

New 20-minute documentary explores iconic preamp In 2025, Focusrite commissioned a new short-form documentary with filmmaker Chris Mayes-Wright - the direct...

20/04/2026

Sampleson release Boomcha

Turn quick sketches into real drum grooves Sampleson have been experimenting with assitive production tools recently, and their latest creation aims to make...

20/04/2026

Rohde & Schwarz rolls out its full ARDRONIS counter UAS suite in a demonstration van at Counter UAS Technology Europe 2026

Rohde & Schwarz rolls out its full ARDRONIS counter UAS suite in a demonstration...

20/04/2026

Protecting America's Shores: L3Harris Keeps the Coast Guard Mission-Ready

L3Harris delivers integrated communications, navigation and C4ISR capabilities that empower the U.S. Coast Guard to protect Americas maritime interests and resp...

20/04/2026

Google Cloud Embraces the Rise of Agentic Production

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Creators Go All in on AI, Niche Content

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

NBC Sports' Jon Miller: Broadcast Is Having a Moment'

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Beyond the Lift and Shift': Cloud Migration's New Mandate

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Virtual Production Finds Its Footing

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Corporate Creators: All Companies Are Media Companies Now

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

IABM Rebrands as the International Association of MediaTech

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

CBS Detroit Debuts New AR/VR Technology-Driven Studio

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Fox Sports Taps Appear X Platform for Remote Production

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

CueScript and Lighting Design Group Expand Customer Oppor...

CueScript and Lighting Design Group Expand Customer Opportunities Through New Partnership Find both companies at 2026 NAB Show in CueScript Booth # C 4720 ...

20/04/2026

Layercake Deepens Bitmovin Integration to Power End-to-En...

[Sydney, NSW, 20 April 2026] - Layercake, the company behind the intelligent media orchestration platform Streamcake, today announced the formalisation of its i...

20/04/2026

FOX Sports selects Appear X Platform for next-generation...

Deployment spans FOX Sports' REMI infrastructure, IP production for a major global soccer event, and its Jewel Events production systems Appear, a global l...