Sony Pixel Power calrec Sony

Cinematographer Haris Zambarloukos, BSC, GSC on Artemis Fowl

06/09/2024

Based on the series of novels by Eoin Colfer, the feature Artemis Fowl finds its namesake a precocious, hyperintelligent 12-year-old boy (played by Ferdia Shaw) just after his father (Colin Farrell) has gone missing from their estate in Ireland. Young Artemis soon finds the first in a trail of clues that, in leading him back to his father, will also unlock a magical world populated by fairies, trolls and other creatures the young boy had thought to be merely the stuff of legend and myth.

Artemis Fowl was cinematographer Haris Zambarloukos, BSC, GSC's sixth feature collaboration with director Kenneth Branagh; their seventh, Death on the Nile, is slated for release later this year. Over the course of their collaboration, Zambarloukos notes, There's a trust that's built up, an understanding, a similar love of storytelling, certain social views that you want to share in filmmaking and that then enrich a professional friendship. That's what it's become: a very rewarding professional friendship. We push each other and encourage each other very well.

As prep got underway on Artemis Fowl, Branagh and Zambarloukos looked at a wide range of visual references, including a certain type of entertaining storytelling in the vein of Spielberg and Indiana Jones, where things have a breadth and happen quickly, the cinematographer says. Inspired by the same Irish mythology from which Artemis Fowl draws, the filmmakers also looked to nature itself. The documentary series Blue Planet II became a really big influence and provided our references for [the subterranean] Haven City. We were going to the natural world to get something extremely fictional and that was always the case with Irish mythology, which had its roots in a love of the Earth, in a natural beauty that blends into a more magical beauty.

The filmmakers considered shooting on 65mm film but ultimately opted for anamorphic 35mm, working primarily with Primo anamorphic primes. Ken was talking about a fast-paced camera, and [the Millennium XL2 35mm camera system allowed for] a few more tricks up our sleeve, Zambarloukos shares. But we still wanted the extreme high fidelity and immersion that you have from 65mm, and we found a middle ground between traditional 35mm and 65mm by using Primo anamorphics and, as much as we could, lower ASA film, Kodak's 200T [Vision3 5213, for day interiors] and 50D [5203, for day exteriors], and we only went to 500T [5219] when we needed it.

Zambarloukos sourced his camera and lens package with the help of Panavision's Hugh Whittaker and Charlie Todman. Supplementing the Primo anamorphics, the production carried G Series primes primarily for Steadicam shots, operated by Stamos Triantafyllos and select other optics. In picking his lens package, the cinematographer followed what he calls his standard procedure. He explains, Charlie Todman, 1st AC Dean Thompson and I will sit in the lens-projection room at [Panavision's facility in] Greenford and project as many lenses as we can to pick our sets. Despite going Primo, I still look for a teeny bit of falloff on the edges, and the extreme sharpness in the middle.

On set, the cinematographer predominantly used focal lengths in the 35mm to 75mm range, he says. We definitely went wider, but that midrange is where you spend most of your time, especially with kids. That's where the human eye sits, really.

Principal photography on Artemis Fowl took place in 2018, with the majority of the shooting done at Longcross Studios in Chertsey, England. There, the production built Fowl Manor the mansion home to the film's eponymous hero as a self-contained location, with a fully realized interior and exterior that allowed the camera to roam from inside to outside and back in continuous shots, Zambarloukos explains.

It took a lot of planning to give Haris and Ken full rein to shoot where they wanted to at any time, says gaffer Julian White, whose collaboration with Zambarloukos traces back to the 2004 feature Spivs. HMIs were positioned on cranes outside to push hard daylight into the house interior, while bi-color LED banks were rigged to provide an aggressive soft light through the huge windows, White notes. Inside, he adds, Rigging gaffer Dan Lowe and his team installed a steel rig in the ceiling very much like you would have on a traditional stage, which meant that electric hoists could be added and repositioned quickly. The whole set was installed with a full electrical three-phase system and Wi-Fi control.

On top of all that, Zambarloukos says, practical lighting was done hand in hand with Jim Clay, our production designer. So Julian White, Dan Lowe and practical electrician Joe McGee made a plan and fitted out the house [with bi-color LEDs] so everything was DMX-able, everything had temperature control, and everything went back to the same [lighting console]. The overall approach to Fowl Manor allowed Zambarloukos to shoot inside with the 200 ASA stock at his preferred stop of T4.

The production's lighting package was sourced through Panalux. With Ken, we do these really intricate, difficult sets and studio pictures that require you to rethink everything every time, the cinematographer says. It's so bespoke; there's no set way of doing this. No one's built a house like that for a set, three stories high, inside and out, all functioning, all lit. So when we go to Panalux and we say, Can we do this?' we all start together. And there's a fantastic sense that, Of course we can,' and please come and test.' It's a team effort.

We spent a lot of time testing and sourcing the right materials, White adds. Rob Garvie, Paul Dooley and the Panalux team were fantastic in their support from prep through to finish. The movie was never straightforward in its
LINK: https://www.panavision.com/highlights/highlights-detail/magic-and-myst...
See more stories from panavision

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

06/09/2026

Dolby and MagentaTV Bring Fans Closer to the FIFA World Cup 2026 in Germany with Dolby Vision and Dolby Atmos

June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

24/06/2026

Gray Media Launches Political 360 Digital Advertising Solution

Share Copy link Facebook X Linkedin Bluesky Email...

24/06/2026

Walmart to Pay $1.4 Billion to Acquire Ad Tech Firm Vibe.co

Share Copy link Facebook X Linkedin Bluesky Email...

24/06/2026

FCC Flooded with Nearly 28K Comments on 'The View'

Share Copy link Facebook X Linkedin Bluesky Email...

24/06/2026

First Rush Brings SDI Multicam ProRes Recording to Apple Silicon Macs

First Rush Brings SDI Multicam ProRes Recording to Apple Silicon Macs Brie Clayton June 23, 2026 0 Comments First Rush is a native macOS application d...

24/06/2026

Vertical Drama Beneath Crimson Sails Created with Blackmagic Design

Vertical Drama Beneath Crimson Sails Created with Blackmagic Design Brie Clayton June 23, 2026 0 Comments Thunder Child Productions relies on cameras&...

23/06/2026

Case Study: YES Networks IP Transition Expands Production Possibilities and Redefines Workflows

When we began planning our transition from an SDI-based infrastructure to a new ...

23/06/2026

Imagine Communications Appoints Greg Garmon as SVP, Americas Video Sales

Imagine Communications has announced the appointment of Greg Garmon as Senior Vice President, Americas Video Sales. Garmon will oversee account growth and busin...

23/06/2026

Snap Promotes Emma Wakely to Head of Sports and Media Partnerships, Americas

Snap has promoted Emma Wakely to Head of Sports and Media Partnerships, Americas, succeeding Anmol Malhotra, who has been elevated to Global Head of Content and...

23/06/2026

YES Network and Gotham Sports App to Air MI New York Major League Cricket Matches

YES Network and The Gotham Sports App will air MI New York's Major League Cr...

23/06/2026

HAND Issues Persistent Digital IDs to 2026 NBA Draft Class

The Universal Talent Identifier (HAND) has issued HAND IDs to 34 top projected prospects in the 2026 NBA Draft class, including AJ Dybantsa, Cameron Boozer, and...

23/06/2026

World Boxing Launches World Boxing TV Streaming Platform

World Boxing has announced the launch of World Boxing TV, a subscription-based streaming platform built on the Joymo platform, offering live events, on-demand c...

23/06/2026

FloRacing to Stream 32 Off-Road Motorcycle Racing Events Including AMA Amateur National Motocross Championship

FloSports will stream 32 off-road motorcycle racing events on FloRacing, includi...

23/06/2026

SES Adds 14 Regional Channels and New Set-Top Boxes to ASTRA TV in Spain

SES has announced the expansion of its ASTRA TV platform in Spain with the addition of 14 regional channels in HD and UHD quality and the launch of new hybrid s...

23/06/2026

Appear Supports Rede Legislativas Contribution Workflow for Brazils TV 3.0 Trials

Appear ASA has announced its role in Rede Legislativa de R dio e TV's contri...

23/06/2026

PBS Selects LTN for Nationwide IP Video Network Across 330 Member Stations

LTN has announced that PBS has selected it as its IP video partner to modernize content distribution and contribution across more than 330 public television sta...

23/06/2026

Ease Live Powers Interactive Experience on Rally.TV for WRC

Ease Live has announced that its graphics overlay platform is powering an interactive fan experience on Rally.TV, the official streaming platform of the FIA Wor...

23/06/2026

Chyron LIVE Adds Haivision StreamHub Integration, SCTE-35 Ad Insertion, and Switcher Updates

Chyron has announced updates to Chyron LIVE, its cloud-native live production pl...

23/06/2026

ESPN Announces ESPN Fan House, Fan Engagement Hub Powered by Flowcode

ESPN has announced ESPN Fan House, a fan engagement hub powered by Flowcode, launching in August ahead of the 2026 college football season. Publicis Sports will...

23/06/2026

Sennheiser Relocates Americas Regional Hub to Nashville

The city's solid position in broadcast, entertainment, and sports attracted the major microphone manufacturer Sennheiser Group is moving its Americas Regio...

23/06/2026

Violet Audio's dMix 128 now shipping

128 channels of signal routing & DSP Announced just before the NAMM Show 2026, Violet Audio's latest digital audio matrix offers 128 channels of signal ...

23/06/2026

Minimal Audio launch Memory Rites

Latest Current expansion created by EPROM Minimal Audio have just launched the latest Current Expansion, Memory Rites. Designed in collaboration with renown...

23/06/2026

Undertone Audio's MPEQ-1 goes virtual

Popular hardware EQ gets official plug-in emulation Undertone Audio have just launched a new plug-in that brings one of their most popular hardware designs ...

23/06/2026

Colorfront Support for AWS CDI Unlocks New Potential for Cloud-Based Visual Effects and Content Creation

December 7, 2022 Colorfront (colorfront.com) - the multi-award-winning develope...

23/06/2026

Colorfront Delivers Even More AI Automation Power and Extends Technology Partnerships with Dolby, Apple

April 23, 2026 NAB 2026, Las Vegas - the Academy and Emmy Award-winning develop...

23/06/2026

IAB Tech Lab Releases SupplyChain v1.1

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

Besco to Represent PlayBox Neo in South Korea

PlayBox Neo appoints Besco as Channel Reseller to establish a firm foothold in Asia Pacific's thriving high-tech export-driven economic boom PlayBox Neo, t...

23/06/2026

PBS Selects LTN to Power Nationwide IP Video Network

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

PBS selects LTN for nationwide IP video network

LTN, a global leader in IP-based video transport and network services, today announced that PBS has selected LTN as its IP video partner to modernize and future...

23/06/2026

The LiveU Q Era Arrives in ANZ with the LU900Q at ABE2026

LiveU will introduce its Q Era to Australia and New Zealand for the first time at ABE2026 on Stand No. 25, (July 30 31). Leading the showcase is the LU900Q, a n...

23/06/2026

Miri Technologies Ships V410 Live 4K Video Encoder-Decode...

Miri Technologies Inc. has begun shipping its highly anticipated V410 live 4K video encoder/decoder for streaming, IP-based production workflows and AV-over-IP ...

23/06/2026

DHD SX2 and TX2 Consoles Go On-Air at Radio Tzafon

DHD audio reports the completion of an upgrade to the audio production facilities at the Galilee headquarters of Radio Tzafon. The station broadcasts two progra...

23/06/2026

Nagravision Launches Nagra Venturi Security Offering

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

ITN Expands Programmatic Local TV Platform

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

Warner Bros. Discovery Taps AWS for New AI-Powered Ad Tech

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

Study: Younger Viewers More Distracted But More Receptive to Ads

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

Chilevisin, ClaroVTR Tap Pixop for 4K FIFA World Cup Feed

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

Imagine Communications Names Greg Garmon as Senior Vice P...

Multifaceted Growth Executive Brings 20+ Years of Experience Leading Organizations Across Tech and M&E Imagine Communications today announced the appointment ...

23/06/2026

Australians in Film and Screen Australia's talent development initiative UNTAPPED returns for 2026

Australians in Film and Screen Australia's talent development initiative UNT...

23/06/2026

Visual Productions Unveils RdmRelay2 Four-channel Relay Control at InfoComm 2026

Visual Productions Unveils RdmRelay2 Four-channel Relay Control at InfoComm 2026 Brie Clayton June 22, 2026 0 Comments New Relay Solution Combines DMX, ...

23/06/2026

SMPTE Makes Its Standards Freely Accessible, Opening Standards Library to the Global Media Technology Community

SMPTE Makes Its Standards Freely Accessible, Opening Standards Library to the Gl...

23/06/2026

NVIDIA and AWS Collaborate to Bring AI to Production at Scale

Building AI systems at scale is demanding, requiring low-latency inference, fast vector search, strong GPU price-performance and infrastructure that can grow wi...

23/06/2026

UKTV and BBC Entertainment join forces on first joint comedy entertainment co-commission

23rd June 2026, London: UKTV and BBC Entertainment have unveiled a joint co-comm...

23/06/2026

Gugu Mbatha-Raw leads Sky Original supernatural thriller Possession in first teaser

Also starring Jonny Lee Miller, Sheldon Shepherd and Bel Powley, the ambitious f...

23/06/2026

Arqiva response to DCMS Green Paper

The priority now is a clear and credible plan June 23, 2026, Winchester, UK - Arqiva, the UK's leading communications infrastructure provider, welcomes tod...

23/06/2026

RT AND COMMUNITY FOUNDATION IRELAND ANNOUNCE RT TOY SHOW APPEAL GRANT AWARDS 2026

The RT Toy Show Appeal has raised over 31 million since its inception in 2020 ...

23/06/2026

NVIDIA Powers Over 400 of the World's 500 Fastest Supercomputers

News Highlights: NVIDIA technology runs 81% of the TOP500 and 90% of the systems new to the list. 26 systems on the TOP500 adopted the NVIDIA Grace CPU, up ei...