
Based on the series of novels by Eoin Colfer, the feature Artemis Fowl finds its namesake a precocious, hyperintelligent 12-year-old boy (played by Ferdia Shaw) just after his father (Colin Farrell) has gone missing from their estate in Ireland. Young Artemis soon finds the first in a trail of clues that, in leading him back to his father, will also unlock a magical world populated by fairies, trolls and other creatures the young boy had thought to be merely the stuff of legend and myth.
Artemis Fowl was cinematographer Haris Zambarloukos, BSC, GSC's sixth feature collaboration with director Kenneth Branagh; their seventh, Death on the Nile, is slated for release later this year. Over the course of their collaboration, Zambarloukos notes, There's a trust that's built up, an understanding, a similar love of storytelling, certain social views that you want to share in filmmaking and that then enrich a professional friendship. That's what it's become: a very rewarding professional friendship. We push each other and encourage each other very well.
As prep got underway on Artemis Fowl, Branagh and Zambarloukos looked at a wide range of visual references, including a certain type of entertaining storytelling in the vein of Spielberg and Indiana Jones, where things have a breadth and happen quickly, the cinematographer says. Inspired by the same Irish mythology from which Artemis Fowl draws, the filmmakers also looked to nature itself. The documentary series Blue Planet II became a really big influence and provided our references for [the subterranean] Haven City. We were going to the natural world to get something extremely fictional and that was always the case with Irish mythology, which had its roots in a love of the Earth, in a natural beauty that blends into a more magical beauty.
The filmmakers considered shooting on 65mm film but ultimately opted for anamorphic 35mm, working primarily with Primo anamorphic primes. Ken was talking about a fast-paced camera, and [the Millennium XL2 35mm camera system allowed for] a few more tricks up our sleeve, Zambarloukos shares. But we still wanted the extreme high fidelity and immersion that you have from 65mm, and we found a middle ground between traditional 35mm and 65mm by using Primo anamorphics and, as much as we could, lower ASA film, Kodak's 200T [Vision3 5213, for day interiors] and 50D [5203, for day exteriors], and we only went to 500T [5219] when we needed it.
Zambarloukos sourced his camera and lens package with the help of Panavision's Hugh Whittaker and Charlie Todman. Supplementing the Primo anamorphics, the production carried G Series primes primarily for Steadicam shots, operated by Stamos Triantafyllos and select other optics. In picking his lens package, the cinematographer followed what he calls his standard procedure. He explains, Charlie Todman, 1st AC Dean Thompson and I will sit in the lens-projection room at [Panavision's facility in] Greenford and project as many lenses as we can to pick our sets. Despite going Primo, I still look for a teeny bit of falloff on the edges, and the extreme sharpness in the middle.
On set, the cinematographer predominantly used focal lengths in the 35mm to 75mm range, he says. We definitely went wider, but that midrange is where you spend most of your time, especially with kids. That's where the human eye sits, really.
Principal photography on Artemis Fowl took place in 2018, with the majority of the shooting done at Longcross Studios in Chertsey, England. There, the production built Fowl Manor the mansion home to the film's eponymous hero as a self-contained location, with a fully realized interior and exterior that allowed the camera to roam from inside to outside and back in continuous shots, Zambarloukos explains.
It took a lot of planning to give Haris and Ken full rein to shoot where they wanted to at any time, says gaffer Julian White, whose collaboration with Zambarloukos traces back to the 2004 feature Spivs. HMIs were positioned on cranes outside to push hard daylight into the house interior, while bi-color LED banks were rigged to provide an aggressive soft light through the huge windows, White notes. Inside, he adds, Rigging gaffer Dan Lowe and his team installed a steel rig in the ceiling very much like you would have on a traditional stage, which meant that electric hoists could be added and repositioned quickly. The whole set was installed with a full electrical three-phase system and Wi-Fi control.
On top of all that, Zambarloukos says, practical lighting was done hand in hand with Jim Clay, our production designer. So Julian White, Dan Lowe and practical electrician Joe McGee made a plan and fitted out the house [with bi-color LEDs] so everything was DMX-able, everything had temperature control, and everything went back to the same [lighting console]. The overall approach to Fowl Manor allowed Zambarloukos to shoot inside with the 200 ASA stock at his preferred stop of T4.
The production's lighting package was sourced through Panalux. With Ken, we do these really intricate, difficult sets and studio pictures that require you to rethink everything every time, the cinematographer says. It's so bespoke; there's no set way of doing this. No one's built a house like that for a set, three stories high, inside and out, all functioning, all lit. So when we go to Panalux and we say, Can we do this?' we all start together. And there's a fantastic sense that, Of course we can,' and please come and test.' It's a team effort.
We spent a lot of time testing and sourcing the right materials, White adds. Rob Garvie, Paul Dooley and the Panalux team were fantastic in their support from prep through to finish. The movie was never straightforward in its
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Blendkit Expands Beyond Blender
Brie Clayton August 4, 2026
0 Comments
Popular 3D Asset Library Launches Alpha Plugins for Maya, Godot, and Rhino
Blend...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Ikegami has chosen the 11-14 September 2026 International Broadcasting Convention in Amsterdam as the European market launch venue for additions to its UNICAM p...
04/08/2026
Appear (IBC2026 booth 1.C61) will showcase new X & VX Platform capabilities that extend broadcast-grade performance from venue to cloud
Appear ASA (OSE: APR), ...
04/08/2026
LiveU, the global leader in live IP-video solutions, today highlighted the crucial role its EcoSystem played in Broadcast Management Group's (BMG) successfu...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Homecoming Artist Spotlight: Dreion The singer, songwriter, and producer talks about finding his village at Berklee ahead of his Homecoming performance on Sep...
04/08/2026
Surging AI demands are driving the need for massive datasets and context windows that burst past the confines of system memory.
But rising needs aren't me...
04/08/2026
For robotaxis and other autonomous vehicles (AVs), the hardest problems aren'...
04/08/2026
Members of the Open Secure AI Alliance - now more than 120 organizations strong - are developing new guidelines to strengthen agentic AI cybersecurity as the an...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
03/08/2026
SVG's annual TranSPORT conference returns to New York City for a full day of sessions focused on the current state of live-sports-transmission technology. S...
03/08/2026
A five-time Emmy winner, this esports vet has built a production career on live storytelling, audience connection, and meeting viewers wherever they are
The sp...
03/08/2026
Live production in the cloud is a growing trend across the industry and Major Le...
03/08/2026
(L-R) Nyah B., Nala B., Shannon Elizabeth S., Celia K., Olive G., and Nikki B. attend the Q&A for Cookie Queens by Alysa Nahmias, an official selection of the...
03/08/2026
Recreates a 1977 Hohner Clavinet D6
After launching a software recreation of their own electric piano, Rhodes set about capturing another classic instrument...
03/08/2026
A modern solution for an old technique
Peak Tamer is a new standalone application that automatically applies gain automation to keep rogue peaks under cont...
03/08/2026
Plug-in gains object metadata automation export
Sound Particles have just released an update that adds a new Metadata Automation function to their their rec...
03/08/2026
SGL Carbon and X-energy today announced a binding agreement to double SGL's production capacity for medium-grain isotropic graphite ( NBG-18 ), a specialize...
03/08/2026
Glensound will launch the Greater Divine Supernal at PLASA Show 2026, extending its intelligent loudspeaker range for professional studio monitoring and live au...
03/08/2026
How Agua Tinta's Class Project Launched Her Songwriting Career Two years after graduating from Berklee, the songwriter has a Latin Grammy nomination, a So...
03/08/2026
Leiden University's new Campus Spui, located in the heart of The Hague, the diplomatic and administrative centre of the Netherlands, opened in February 2026...
03/08/2026
Bitfocus, the specialist in media control and monitoring, has received a further boost to its plans for continuing growth, particularly in Europe and North Amer...
03/08/2026
Jason Flemyng, Tessa Peake-Jones, Lee Ingleby and Georgia Tennant join the cast ...
03/08/2026
Building on the momentum of a landmark year for soccer in North America, Leagues...
02/08/2026
Classic EQ design goes virtual
Following on from the launch of the 500-series version of their BAX EQ unit, Dangerous Music have now teamed up with modellin...
02/08/2026
The Government's Missing Dimension
This article was originally published on the National Preparedness Commission website on 25 June 2026.
----------------...
01/08/2026
Latest free Vaults instrument released
The Crow Hill Company's Vaults collection offers a continually rotating selection of virtual instruments and samp...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
COW Jobs: Lead Generation Representative - Animation Services
Brie Clayton July 31, 2026
0 Comments
Lead Generation Representative - Animation Service...
01/08/2026
Emilie Lowe Shoots Award Winning Short Film Where Dead Things Grow with Blackmag...
01/08/2026
Early Registration Opens for the 2026 SMPTE Media Technology Summit
Brie Clayton July 31, 2026
0 Comments
Initial Program Announced Alongside New Medi...
31/07/2026
With an emphasis on local, the league is looking beyond the initial four teams t...
31/07/2026
The 2026 Sundance Institute Directors Lab fellows in Estes Park, Colorado (Photo by Gabe Rovick)
Dear Friends,
This has been an extraordinary year for our ar...
31/07/2026
Offers 360-degree sound placement in any DAW
Audiocube have just announced the launch of a new plug-in that embeds a complete 3D acoustic environment inside...