Based on the series of novels by Eoin Colfer, the feature Artemis Fowl finds its namesake a precocious, hyperintelligent 12-year-old boy (played by Ferdia Shaw) just after his father (Colin Farrell) has gone missing from their estate in Ireland. Young Artemis soon finds the first in a trail of clues that, in leading him back to his father, will also unlock a magical world populated by fairies, trolls and other creatures the young boy had thought to be merely the stuff of legend and myth.
Artemis Fowl was cinematographer Haris Zambarloukos, BSC, GSC's sixth feature collaboration with director Kenneth Branagh; their seventh, Death on the Nile, is slated for release later this year. Over the course of their collaboration, Zambarloukos notes, There's a trust that's built up, an understanding, a similar love of storytelling, certain social views that you want to share in filmmaking and that then enrich a professional friendship. That's what it's become: a very rewarding professional friendship. We push each other and encourage each other very well.
As prep got underway on Artemis Fowl, Branagh and Zambarloukos looked at a wide range of visual references, including a certain type of entertaining storytelling in the vein of Spielberg and Indiana Jones, where things have a breadth and happen quickly, the cinematographer says. Inspired by the same Irish mythology from which Artemis Fowl draws, the filmmakers also looked to nature itself. The documentary series Blue Planet II became a really big influence and provided our references for [the subterranean] Haven City. We were going to the natural world to get something extremely fictional and that was always the case with Irish mythology, which had its roots in a love of the Earth, in a natural beauty that blends into a more magical beauty.
The filmmakers considered shooting on 65mm film but ultimately opted for anamorphic 35mm, working primarily with Primo anamorphic primes. Ken was talking about a fast-paced camera, and [the Millennium XL2 35mm camera system allowed for] a few more tricks up our sleeve, Zambarloukos shares. But we still wanted the extreme high fidelity and immersion that you have from 65mm, and we found a middle ground between traditional 35mm and 65mm by using Primo anamorphics and, as much as we could, lower ASA film, Kodak's 200T [Vision3 5213, for day interiors] and 50D [5203, for day exteriors], and we only went to 500T [5219] when we needed it.
Zambarloukos sourced his camera and lens package with the help of Panavision's Hugh Whittaker and Charlie Todman. Supplementing the Primo anamorphics, the production carried G Series primes primarily for Steadicam shots, operated by Stamos Triantafyllos and select other optics. In picking his lens package, the cinematographer followed what he calls his standard procedure. He explains, Charlie Todman, 1st AC Dean Thompson and I will sit in the lens-projection room at [Panavision's facility in] Greenford and project as many lenses as we can to pick our sets. Despite going Primo, I still look for a teeny bit of falloff on the edges, and the extreme sharpness in the middle.
On set, the cinematographer predominantly used focal lengths in the 35mm to 75mm range, he says. We definitely went wider, but that midrange is where you spend most of your time, especially with kids. That's where the human eye sits, really.
Principal photography on Artemis Fowl took place in 2018, with the majority of the shooting done at Longcross Studios in Chertsey, England. There, the production built Fowl Manor the mansion home to the film's eponymous hero as a self-contained location, with a fully realized interior and exterior that allowed the camera to roam from inside to outside and back in continuous shots, Zambarloukos explains.
It took a lot of planning to give Haris and Ken full rein to shoot where they wanted to at any time, says gaffer Julian White, whose collaboration with Zambarloukos traces back to the 2004 feature Spivs. HMIs were positioned on cranes outside to push hard daylight into the house interior, while bi-color LED banks were rigged to provide an aggressive soft light through the huge windows, White notes. Inside, he adds, Rigging gaffer Dan Lowe and his team installed a steel rig in the ceiling very much like you would have on a traditional stage, which meant that electric hoists could be added and repositioned quickly. The whole set was installed with a full electrical three-phase system and Wi-Fi control.
On top of all that, Zambarloukos says, practical lighting was done hand in hand with Jim Clay, our production designer. So Julian White, Dan Lowe and practical electrician Joe McGee made a plan and fitted out the house [with bi-color LEDs] so everything was DMX-able, everything had temperature control, and everything went back to the same [lighting console]. The overall approach to Fowl Manor allowed Zambarloukos to shoot inside with the 200 ASA stock at his preferred stop of T4.
The production's lighting package was sourced through Panalux. With Ken, we do these really intricate, difficult sets and studio pictures that require you to rethink everything every time, the cinematographer says. It's so bespoke; there's no set way of doing this. No one's built a house like that for a set, three stories high, inside and out, all functioning, all lit. So when we go to Panalux and we say, Can we do this?' we all start together. And there's a fantastic sense that, Of course we can,' and please come and test.' It's a team effort.
We spent a lot of time testing and sourcing the right materials, White adds. Rob Garvie, Paul Dooley and the Panalux team were fantastic in their support from prep through to finish. The movie was never straightforward in its
Most recent headlines
06/10/2025
France T l visions, France's leading broadcaster, has received the 2025 EBU ...
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
29/08/2025
Australian Red Cross and SBS launch training to help workplaces in the fight aga...
29/08/2025
The National Film and Video Foundation (NFVF), an agency of the Department of Sp...
29/08/2025
L3Harris Technologies has concentrated decades of expertise across the entire enterprise to develop affordable and reliable best-of-breed solutions to rapidly c...
29/08/2025
BURBANK, Calif. The CW Network and the Pac-12 Conference have announced a new media rights deal that will extend their broadcast partnership beginning with the ...
29/08/2025
NEW YORK Gracenote has released a new analysis of its global video dataset showing that the number of FAST channels grew nearly 14% from Q1 2025 and 76% since 2...
29/08/2025
SAN JOSE, Calif. Harmonic has announced a series of improvements to its live sports streaming solution that the company said will improve fan engagement, protec...
29/08/2025
NEW YORK and LOS ANGELES Fox Corp. and YouTube TV last night announced a renewal of the full portfolio of Fox networks, including Fox News Channel, Fox Business...
29/08/2025
Budapest, Hungary, August 2025 - The integration of Microsoft Teams Rooms (MTR) with Lightware's Taurus universal matrix switchers delivers a new level of f...
29/08/2025
Frequency, the engine behind many of the world's best-known streaming television channels, today announced it will launch Studio Live, a next-generation uni...
29/08/2025
In an era when AI and cyber resilience are essential, Scality will mark the 10th anniversary of Scality Day on October 16, 2025 in Paris. This flagship global e...
29/08/2025
Disguise's In-House Creative and Technical Teams Pre-Visualised, Programmed and Delivered Content for the Experience, All Powered by EX 3+
Technology solu...
29/08/2025
Disguise will be demonstrating the latest workflows for TV, film and live events on a number of partner booths at the show
Disguise, the industry-leading tech...
29/08/2025
STOCKHOLM, Sweden Accedo will showcase Accedo Compose, its AI agent-powered modular orchestration layer that assists streaming providers in transitioning client...
29/08/2025
LOS ANGELES Cineverse has announced that it is working with Xperi to bring four of its streaming channels to automobiles for the first time as part of the DTS A...
29/08/2025
DALLAS & ATLANTA Gray Media has announced an agreement with the sports streaming service Victory+ to simulcast 17 Dallas Stars NHL games in 15 television market...
29/08/2025
NEW YORK AND CULVER CITY Comcast NBCUniversal and Amazon have announced new and extended distribution agreements that will expand the content available on their...
29/08/2025
FOOTHILL RANCH, Calif. RED Digital Cinema will feature its Cine-Broadcast Module supporting live broadcast workflows during IBC2025, Sept. 12-15, at the RAI Ams...
29/08/2025
29 Aug 2025
Kyivstar Rings Opening Bell at Nasdaq Marking Landmark Listing and ...
29/08/2025
More than half of all NFL games live on Sky for the first timeFriday 29 August 2025
Sky Sports has announced a new three-year deal with the NFL, extending its ...
29/08/2025
Back to All News
RIV4LRIES: The Trailer of the New Series With Samuele Carrino ...
29/08/2025
Get ready for an inspiring and emotional insight into the world of competitive Irish dancing with My Story: Tomi Champion of the World airing on RT 2 this monda...
29/08/2025
RT has today announced that David McCullagh is to be the new presenter of RT Radio 1's flagship Today programme, which airs every weekday at 10am, replaci...
28/08/2025
By Kristin Feeley, Director, Documentary Film & Artist Programs
If you want to tell untold stories, if you want to give voice to the voiceless, you've got ...
28/08/2025
Directed by Steven Bognar and Julia Reichert, Sundance Institute-supported Amer...
28/08/2025
Corridos have been a cornerstone of M sica Mexicana for generations, telling stories rooted in everyday life. Now, a new chapter is taking shape: motivational c...
28/08/2025
Los corridos han sido un pilar de la M sica Mexicana durante generaciones, contando historias enraizadas en la vida cotidiana. Ahora, un nuevo cap tulo est tom...
28/08/2025
Earlier this month, we promised our Verano Forever party would bring the heat, a...
28/08/2025
L3Harris will provide the Polish F-16V fleet with the Viper Shield electronic warfare system as part of an upgrade program....
28/08/2025
Bilbao, August 26, 2025 - AgileTV, an international television and video technol...
28/08/2025
Ken Wilkinson is an Emmy Awards nominated New York audio engineer who specialises in production sound mixing for film, commercial, episodic and documentary work...
28/08/2025
NEW YORK FuboTV today announced that it will launch Fubo Sports, a skinny bundle that focuses on sports with a subscription price of $56 monthly....
28/08/2025
NEVADA City, Calif. At IBC2025, Sept. 12-15 at the RAI Amsterdam, Telestream will debut its new Global Ingest strategy, introducing a next-generation ingest arc...
28/08/2025
Dr. Rhoda Bernard Releases Groundbreaking Debut Book on Accessible Arts Educatio...
28/08/2025
TAG Video Systems, the leader in software-based IP end-to-end workflow monitoring, deep probing, and real-time visualization, has named Oliver Gappa as Sales Di...
28/08/2025
AI-based voice enhancement will be among a series of innovations making their IBC 2025 debut on the DHD stand B46 in Hall 8 at the RAI Amsterdam Convention Cent...
28/08/2025
Telef nica Servicios Audiovisuales (TSA), the leading system integrator and service provider in the media sector in Spain, with the support of Appear, the globa...
28/08/2025
To fully immerse sailing fans in the world's biggest offshore yacht race, production company, Optical Media turned to LiveU's On-site Production solutio...
28/08/2025
Working with Calrec on its most recent overhaul, radio and television broadcaster, WNED has migrated to a fully IP infrastructure with multiple Type R consoles,...
28/08/2025
Cleeng, the Subscriber Retention Management (SRM ) inventor, has unveiled Cleeng Pro, the first-ever direct-to-consumer (D2C) subscription management platform t...
28/08/2025
Zixi, the industry leader in live broadcast-quality video over IP, today announced that French media distribution platform OKAST has selected Zixi to enable rel...
28/08/2025
Solution offers a streamlined, speaker-free architecture to optimize integration with premium external loudspeakers and advanced loudness metering
Nixer Pro Au...
28/08/2025
Cinegy, the premier provider of software-defined television technology, has announced a strategic partnership with Vision One Touch Film Production Services L.L...
28/08/2025
Telestream, a global leader in media workflow technologies, will debut its new Global Ingest strategy at IBC2025, introducing a next-generation ingest architect...
28/08/2025
Tier 1 operator selects Broadpeak to power high-performance, unified CDN solution across Norway, Sweden and Finland
Broadpeak, a leader in streaming and moneti...
28/08/2025
Leading video software provider, Synamedia, today announced that 24 Frames Digital, one of India's leading live event streaming service providers, has chose...
28/08/2025
Meet VisualOn at IBC2025: See What's Next in AI-Powered Video Streaming Join VisualOn at IBC2025 and discover how our AI-driven Optimizer and advanced media...
28/08/2025
IBC stand 5.F81
Wowza to Reveal Next-Gen Video Streaming Innovations at IBC 2025
Amsterdam, August 28, 2025 Wowza, a leader in video streaming infrastructur...
Based on the series of novels by Eoin Colfer, the feature Artemis Fowl finds its namesake a precocious, hyperintelligent 12-year-old boy (played by Ferdia Shaw) just after his father (Colin Farrell) has gone missing from their estate in Ireland. Young Artemis soon finds the first in a trail of clues that, in leading him back to his father, will also unlock a magical world populated by fairies, trolls and other creatures the young boy had thought to be merely the stuff of legend and myth.
