
Snapdragon Stadium Is Shiny New Home for San Diego State University Athletics, NWSL's San Diego Wave In past five seasons, SDSU's Aztecs played in San Diego Stadium, Dignity Health Sports Park By Kristian Hern ndez, Senior Editor
Wednesday, November 23, 2022 - 7:00 am
Print This Story | Subscribe
Story Highlights
San Diego might not pop up in a discussion of large media markets, but, at the collegiate level, the city boasts one of the newest football stadiums in the U.S. At just over three months old, Snapdragon Stadium, the $310 million permanent home of San Diego State University (SDSU) Athletics, is providing a stellar fan experience for a community that's passionate about sports.
I think [the Aztecs] are thrilled to have a place to call home and create an experience that's 100% their own, says Brian Smith, director, operations, Snapdragon Stadium, Oak View Group, which manages the venue. They can now come in and develop a show that they want without someone telling them they can't do something.
Amongst the Bricks: Crew Overcomes Challenges Throughout Construction A little over two years after the groundbreaking, Smith joined the project in November 2021. Having served as director, events, during LAFC's first season at Banc of California Stadium in 2018, among other positions, he offered in-venue production experience tailor-made for the SDSU project. New builds always pose multiple challenges, but, with the stadium inaccessible until a month and a half before the first football game (vs. University of Arizona on Saturday, Sept. 3), Smith was particularly integral to navigating this phase. During construction, Oak View Group and SDSU relied on the partners chosen for the job, particularly Clair Global Integration for equipment procurement and installation and AmpThink for networking.
A mix of professional freelancers and SDSU students work productions in the control room.
When the workload of technologies became heavier in April and May, [Oak View Group A/V Broadcast Manager Ceci Becerra] and I sat down to plan out the venue, says Smith. Some of the areas that we discussed were the modifications that were needed, what training needed to be done, and what systems needed to be worked on.
Besides figuring out the necessary adjustments on the tech side, Becerra was tasked with recruiting freelancers who had worked at Dodgers Stadium, SoFi Stadium, and other sports venues throughout Southern California and pairing them with students working on games inside the control room. To bring the recruits up to speed, the department relied on Ross Video for training on the Ross-powered production tools deployed. Getting the crew acclimated to the new space was pivotal, and, although the team successfully grasped these workflows, these lessons were done amid unforeseen changes to construction.
Timelines shifted constantly, Smith explains. Working within a post-COVID world, we've dealt with the ongoing supply-chain crisis, so we secured more than one set of pieces from different places and saw which one came first. Today, there are still some things that we'll eventually replace with more of what is in line with what we were looking for.
In-Venue Arsenal: Control-Room Technologies, 7.5 Million Pixels of LED Heading into the Aztecs' first full season in Snapdragon Stadium, the in-venue production crew is armed with some of the industry's newest technologies. Inside the control room near the top of the building, Ross Video has a heavy presence throughout the back-of-house infrastructure. Driving each show are a Carbonite production switcher, Mira replay stations, XPression graphics for real-time and engaging visuals, and an Ultrix router. Other notables in the space are ClearCom for seamless communication, a Yamaha QL5 audio console, and Daktronics' Show Control system software that drive the LED displays throughout the stadium. Equipment in the control room is also managing the Tripleplay IPTV system in the concourse, suite level, and general areas.
Ross Video has a heavy presence at Snapdragon Stadium, including a Carbonite production switcher.
Outside of the control room, fans at Snapdragon Stadium are treated to an exciting in-venue show featuring 19 Daktronics LED video displays at 10-mm pixel spacing. Totaling 8,400 sq. ft. and 7.5 million pixels, several fixtures anchor each production, including a 42-ft-high by 73-ft.-wide main display at 3,000 sq. ft. and a 26.5-ft.-high by 50.5-ft.-wide structure in the opposite corner.
The LEDs provide real-time stats and pre-produced content, along with social-media-generated material through a partnership with Tagboard. For sponsorship opportunities and activations, two large ribbon displays - one measuring 2.5 ft. high by 420 ft. long, the other 2.5 ft. high by 400 ft. long - are mounted to the seating fascia. In addition, 14 ribbon boards offer advertising-partner messaging: nine at 2.5 ft. high and a total of 290 linear ft., five at 6 ft. high and a total of 167 linear ft. On the building's exterior, a 13-ft.-high by 23-ft.-wide marquee display welcomes fans.
A 42-ft.-high by 73-ft.-wide video display with 3,000 sq. ft. of LED is the main video attraction at Snapdragon Stadium.
Besides SDSU football, the marketing department is responsible not only for men's and women's soccer and other programs but also for providing entertainment for the National Women's Soccer League's (NWSL) San Diego Wave. Headlined by U.S. Women's National Team standouts Alex Morgan and Abby Dahlkemper, the first-year franchise made it all the way to the NWSL Semifinal vs. eventual champion Portland Thorns. The club's inaugural season was played mostly in the University of San Diego's Torero Stadium - less than 10 miles from Snapdragon Stadium - before moving to their new digs
More from Sports Video Group
02/06/2026
Tennis Channel has completed a transition from satellite-based distribution to a...
02/06/2026
Daktronics has announced the 2026 High School Video Summit, a two-day educational event for high school educators and student production teams, taking place Jun...
02/06/2026
Fandango will bring Telemundo's live Spanish-language coverage of the FIFA W...
02/06/2026
All Women's Sports Network (AWSN) has announced the live television schedule...
02/06/2026
Spalk, a cloud-based multilingual commentary and production platform, has announced three new partnerships: Ligue 1 (English and Portuguese highlights), Eurolea...
02/06/2026
NHL Network's 2026 Stanley Cup Final coverage began June 1 with NHL Tonight: Stanley Cup Final Media Day from the Carolina Hurricanes' Lenovo Center at ...
02/06/2026
Matrox Video has announced the Maevex MGX Series, a lineup of IPMX-ready video e...
02/06/2026
Marshall Electronics will exhibit at InfoComm 2026 (Booth C7521), showcasing a lineup of 4K and HD compact POV cameras for corporate, education, hospitality, wo...
02/06/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated have...
02/06/2026
MultiDyne Video and Fiber Optic Systems will exhibit at InfoComm 2026 (Booth C50...
02/06/2026
Advanced Systems Group (ASG) has announced the promotion of Joe Marchitto to Western Regional CTO. In his new role, Marchitto will oversee system design across ...
02/06/2026
The NHL has announced that Brothers Osborne will headline a free outdoor concert...
02/06/2026
CP Communications has announced the appointment of its first two female executives in the company's 40-year history. Tabitha Coleman has been named Vice Pre...
02/06/2026
The Lighting Design Group (LDG) has announced the completion of Studio C at Yahoo's headquarters at 770 Broadway in Manhattan. The studio launched April 24 ...
02/06/2026
Zee Entertainment Enterprises Ltd. (Z) has announced a partnership with FIFA to broadcast FIFA World Cup 2026, FIFA World Cup 2030, FIFA Women's World Cup 2...
02/06/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
02/06/2026
The department is broadcasting NCAA Baseball Super Regionals at Plainsman Park this weekend
Broadcast and production crews at Division I institutions are busy ...
02/06/2026
The initiative is extends beyond the league's arenas to team training rinks,...
01/06/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
01/06/2026
Designed to solve a common problem in broadcasting, the automated workflow detects, identifies, removes, and documents copyrighted music
AudioShake has introdu...
01/06/2026
The sports-analytics company combines its data with proprietary AI to help leagu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
29/05/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
29/05/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
28/05/2026
FOX Sports' MLB coverage dominated the night at the 47th Annual Sports Emmy ...
28/05/2026
One of the most memorable postseasons in baseball history would have had no memo...
28/05/2026
NBC's Sunday Night Football is among the most-decorated and most-watched pro...
28/05/2026
The 2026 Sports Emmys marked a watershed moment for Prime Video Sports. After bu...
28/05/2026
Hosted by ESPN Senior Writer Ryan McGee, the ceremony honored winners from athletic departments, conference offices, professional networks, production companies...
28/05/2026
Major rights-holders rolled out their 2026 college football slates today, offering a first look at marquee windows, kickoff partners, and conference distributio...
28/05/2026
The 4 Nations Face-Off, an international competition that launched in February 2...
28/05/2026
Soccer is a truly global sport, and, to match the U.S. viewing audience's in...
28/05/2026
The NFL Today, CBS Sports' top-of-the-line NFL studio show, has a storied hi...
28/05/2026
Prime Video is no stranger to innovation, and, within the realm of live streamin...