
Blackmagic Design has announced the Blackmagic Ambisonic Microphone, a 7th order ambisonic microphone array that captures spatial audio for immersive video production.
The microphone uses 108 digital MEMS microphones mounted flush in a solid, faceted metal body. It is small enough to fit in the palm of a hand and can be mounted on top of a camera. An internal processor running Apple's encoding filters converts the audio from all 108 microphones to 7th order ambisonics in real time, so no encoding software or breakout box is required.
The microphone connects and is powered by a single USB-C cable. It is class compliant, so no drivers or plug-ins are needed. When mounted on top of the Blackmagic URSA Cine Immersive camera, the spatial audio records directly into the camera's immersive files in sync, for Apple Immersive content.
Users can also connect the microphone to a computer to record and mix in real time with Fairlight Live, or record directly to iPhone using the Blackmagic Camera app. A USB to SMPTE ST 2110 converter will be available for broadcast workflows.
This microphone started when we were collaborating with Apple on the Blackmagic URSA Cine Immersive camera. I heard a high resolution spatial audio capture for the first time and it was like hearing an acoustic reality, I was totally blown away, says Grant Petty, CEO, Blackmagic Design. Apple licensed their array geometry and the ambisonic encoding filters, we did the engineering and design, and the result is an ambisonic microphone where you just plug in one cable and capture true spatial audio.
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