
NAGRAs Christopher Schouten looks at the on-going problem of illegal streaming
Author:
ContributorPublish date:
Jul 27, 2017Social count:
0
NAGRAs Christopher Schouten looks at the on-going problem of illegal streaming
0
SHARES
With millions of fans globally, the English Premier League (EPL) is one of the most exciting football leagues in the world. A lesser known fact is that the EPL is also one of the most valuable sports leagues of all time. This is in part due to the huge TV deals the EPL signs with broadcasters every three years.
Highlighting the mammoth demand for world-class football, the EPL sold the UK domestic rights to broadcast its matches for the 2016-2019 seasons for a whopping £5.1 billion with the overseas rights going for an equally impressive £5.3 billion. This brings an enormous amount of money into the game, leading to the £90 million transfers and £300,000 per week wages that have become familiar to every reader of the sports pages in the national newspapers.
But for TV rights holders, we are starting to see a different story altogether. One of the biggest EPL rights holders, Sky, has seen profits fall by six per cent in the last 12 months as the broadcaster continues to be hit by the rising costs of live Premier League football. But where are these costs coming from? There are several opinions on this: from a drop in live football viewers to the rise of illegal video streams.
The situation is complicated by the current change in consumption patterns: with a recent report suggesting that viewers are moving from pay-TV to alternatives like OTT and IPTV. And, with a panoply of pirate sites on the internet, many fans will ask themselves why pay to stream a football match over the internet when I could do it for free? And, crucially, only a fraction are paying any attention to the obvious answer: because it's illegal.
Piracy has always been dangerous to the pay-TV industry. Older traditional forms of piracy included modified original smart cards, cloned cards, and control word sharing. These and other forms of signal piracy have been largely eliminated by the current generation of conditional access systems, not to mention the fact that pirates needed specialist knowledge and expensive equipment to successfully steal content.
However, as the pay-TV industry's technology developed so did the pirates', and content sharing via the internet was born. Because it was so much more accessible to the average consumer, online content sharing also represented an exponentially more damaging risk to pay-TV operators. Pirate content sources grew at a rapid pace, creating illegal streaming sites where pirates made money from advertising banners, pop-up ads and even malware. But web-based delivery could never fully recreate the lean-back experience of watching legitimate TV content on the big screen until pirate IPTV devices came along.
IPTV devices have become a blight to the pay-TV industry, enabling families to watch illegal streams on their TV as if they were watching paid-for TV. To compound the issue, the quality of IPTV boxes is also improving with many now mimicking a real pay-TV user experience by incorporating OTT services like Netflix and more sophisticated user interfaces. All this means the pay-TV industry is up against serious competition when it comes to modern piracy. So what can content providers and broadcasters do to protect themselves against the pirates?
In March 2017, several of the UK's major broadcasters gathered to discuss the issue of fully-loaded streaming media players. These set-top boxes are usually Android-based and use the open-source Kodi media player with pirate plug-ins that enable users to illegally stream pay-TV channels straight out of the box. There is no silver bullet when it comes to flighting this kind of piracy, however the key objective is to disrupt the supply and demand of illegal content, making piracy an unattractive, unprofitable, and risky business.
A ruling from the European Court of Justice in April 2017 may give hope to content rights owners based in the European Union. The Court ruled it illegal to distribute set-top boxes pre-loaded with any software that enables users to view illegal content. Over time, this will give legitimate content owners a more powerful legal basis on which to fight piracy but, in the meantime, the fight goes on.
So what can content owners and distributors do to continue this fight? Some of the larger organisations may create their own targeted anti-piracy programmes to protect their content. The more popular idea however is to engage strategic security partners like NAGRA who boast over 20 years' experience in monitoring and protecting live and recorded content for over 130 international customers, including some of the world's largest pay-TV service providers like Virgin Media (UK), Dish (US), and StarHub (Singapore).
Outsourcing content protection enables providers to benefit from a wealth of knowledge. Security partners understand the piracy landscape and can pinpoint where and when to hurt the pirates who are illegally copying and distributing their content. NAGRA works with customers to help them better understand where they can strengthen their defence, such as embedding their content with watermarks which allows monitoring tools to track who is illegally distributing a piece of live or on-demand content.
With the help of an experienced anti-piracy and cybersecurity expert like NAGRA, organisations such as the EPL can benefit from the support of investigators, security engineers, lawyers, and former law-enforcement agents. These additional resources enable providers to block millions of illegal streams, seize illegal pirate set-top boxes and websites, and prevent millions of pounds in lost revenue.
Anti-piracy services must constantly innovate to ensure
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Home to leading manufacturers, robotics pioneers and infrastructure builders, Japan is one of the world's centers of AI - building across the full stack wit...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
14/07/2026
Victory+ telecasts to be simulcast on TEGNA-owned station, expanding free local distribution...
14/07/2026
Plug-ins for heavy music
Avalanche Tones is the brainchild of Ava Toton, a 17-year-old musician and developer who says her goal is to make the lives of gui...
14/07/2026
Launched alongside new Singer Showcase purchase model
IK Multimedia's innovative vocal-synthesis software has just gained its latest voice add-on, the R...
14/07/2026
Registration open until 1 September 2026
The MIDI Association have revealed that the registration deadline for this year's MIDI Innovation Awards has no...
14/07/2026
88-note model completes MK4 range
Novation have just introduced the final model in their flagship MIDI controller keyboard range, the Launchkey MK4 88. Roun...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
IBC2026 has unveiled a powerful Conference programme bringing together global media leaders, technology innovators, creators, sports organisations, broadcasters...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Broadcast Solutions, a leading systems integrator and provider of innovative solutions for the broadcast media industry, has delivered two highly capable outsid...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Editor's note: This post is part of the Nemotron Labs blog series, which exp...
14/07/2026
Techtel Successfully Relocates AICD Broadcast Studio to New Sydney Headquarters
BroadcastBroadcast EquipmentLive StreamingBroadcast Studio2026
14 July Writ...
14/07/2026
Tuesday 14 July 2026
First look revealed for Friday the 13th prequel, Crystal ...
14/07/2026
When immersive audio dominates industry headlines, it's easy to assume that every broadcaster is preparing for an Atmos future. The reality is quite differ...
14/07/2026
Emma and Sophie from ICG's marketing team joined thousands of fellow marketers, brands and agencies at MAD//Fest London 2026, one of the UK's biggest ma...
14/07/2026
Why Trusted and Secure Media Operations Matter In this series, we explore the technologies, architectures and operational realities shaping modern media operati...
14/07/2026
Pilot Project Shows How Retailers Are Prepared for the Next Step in the Evolution of Digital Commerce
Arvato Systems Drives Agentic Commerce Forward
G terslo...
14/07/2026
As part of this commitment, weve joined the SME Climate Hub, publicly pledging to:
measure our greenhouse gas emissions
reduce them in line with a net zero p...
14/07/2026
Power is AI infrastructure's inescapable constraint. How many tokens an AI factory can generate within a fixed power budget determines its revenue and profi...
13/07/2026
The Braves opted to keep production in-house rather than hand it off to MLB...
13/07/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
13/07/2026
Eurovision Sport is making live athletics more accessible to fans than ever befo...
13/07/2026
The Milwaukee Bucks will return to full-season over-the-air television for the 2...
13/07/2026
SMPTE has announced an expanded education pathway for media technology professio...
13/07/2026
Vizrt has announced that its graphics technology was used by broadcast design agency Girraphic for Netflix's debut MVP MMA event, broadcast live from the In...
13/07/2026
ARRI has announced an agreement to sell its global rental activities in Europe, the United Kingdom, and North America to H2 Equity Partners through a management...
13/07/2026
DAZN has announced a partnership with Premier Boxing Champions (PBC) to bring PBC fight nights to DAZN subscribers globally. The partnership begins Saturday, Ju...