
During my trip to the HPA Tech Retreat it became abundantly clear that the conversations around cloud workflows, cloud storage and archiving in particular, is becoming more sensible as organisations re-evaluate the best home for their content based on the requirements of their businesses. It made me wonder, is hybrid cloud the new tiered storage? This is not new information though, people have been making this choice in the M&E market for the last decade or so, with content either living on production storage, nearline or LTO, or quite often on a mixture of all three tiers.
What is new is that LTO is being replaced, at quite a rate, by a mixture of private and public cloud platforms as organisations look to hand-off responsibility for preserving their content for the long-term.
So whilst cloud storage is taking its place in tiered media workflow architecture, the requirements to put content on the most appropriate platform has not changed.
So What is the Most Appropriate Storage Platform and How Should We Define the Storage Tiers These Days?
Performance Tier High in bandwidth and IOPS performance with guaranteed QoS on writes and reads. Typical workflows include editing and playout.
Storage Technology: SAN, NAS, DAS, public and private cloud
Cost: $$ to $$$$$
Instant or Nearline Tier TTFB (Time To First Byte) is still sub-second, but designed for digital content governance, security, resilience and scalability. Enables media-focused workflows through API integrations and metadata management. Ideal as a primary copy in archive workflows.
Storage Technology: On-prem object storage, public and private cloud
Cost: $$ to ?????
Cold Tier Data is available when it can be found and loaded (If not in the LTO Library) or via agreed times and costs on public cloud (and some private clouds)
Storage Technology: LTO, public and private cloud
Cost: $$ to ?????
Frozen Tier Data is available when loaded into the library for LTO or via agreed times and costs on public cloud (and some private clouds)
Storage Technology: LTO, public and private cloud
Cost: $$ to ?????
Note: ????? accounts for egress fees on public cloud
So what is the most appropriate tier or mix of tiers for media workflows?
Self-Serve Archive Access and Global Collaboration Internal and external teams need instant access to content from anywhere with no gatekeepers or blockers. For organisations requiring frequent access to archive content (news, sports, agencies etc.).
Proposed Platform: Hybrid Instant / Nearline Tier On-prem object storage and cloud storage platforms with no-egress fees (MatrixStore Cloud). The on-prem copy in some instances is in JGE format.. as in Just Good Enough to put out on digital channels etc.
Frozen Tier LTO or Cloud
Pros:
Keeping a copy on an instant-access tier ensures content is available to all, increasing productivity
If the instant-access tier is on-prem, then access to content will be instant and fast
Keeping an insurance copy in the deep freeze ensures you have an SLA so that your data is available in the rare event you need it back
Multi-cloud workflows ensure content is more likely to be available and you avoid vendor lock-in
Cons:
Some like to avoid working with more than one vendor and prefer to keep all their eggs in that one basket they will not like this approach
Could You Use Other Platforms? Yes:
On-prem object storage in two locations can match or better the economics of deep archive cloud storage.
No:
If you do not want to manage and maintain data centres or machine rooms then a hybrid approach using private and public cloud is the way to go.
Fire and Forget Workflows Content that rarely, if ever, needs to be accessed, or an insurance/oopsie copy of content that is used elsewhere.
Proposed Platform: Public Cloud Storage/LTO Pros:
Pricing is ridiculously low to archive
You have an SLA to ensure your data is available in the rare event you need it back
Paying the egress fees might be worth it at the time if this is your insurance copy
Cons:
Someone else, often your competitor, has control of your content
Often called the ultimate in ransomware, as you have to pay to get the data back that you own
Could You Use Other Platforms? Yes:
On-prem object storage in two locations can match or better the economics of deep archive cloud storage.
No:
If you do not want to manage and maintain data centres or machine rooms then cloud storage is the way to go.
Hybrid Storage Conclusion Hybrid storage workflows are with us for the foreseeable future, as companies like us here at Object Matrix can provide an on-prem copy of content (high-res or mezzanine) on MatrixStore On-Prem object storage (actually on-prem or in a co-lo), whilst managing having a 2nd copy of the content in their deep cloud archive bucket, for an extremely compelling price.
Implementing 20PB of MatrixStore On-Prem, with all the media and cloud sync tools, works out at approx $0.0018 / GB per month if you break it down to the capex costs (including 5 years support and application subscriptions). 5PB works out to about $0.0024 GB/Month. And that includes everything.
A platform that is simple to deploy, manage and use with all content (and metadata) synchronised by Object Matrix into your cloud bucket in a non-proprietary way. This means our customers have instant 10G access to everything from anywhere, coupled with an insurance or air-gapped copy in their public cloud bucket.
A Complete Solution! If you would like to receive more information about MatrixStore Hybrid, please let us know.
More InformationGet In Touch
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
05/05/2026
Following a successful NAB Show in Las Vegas, DHD will promote examples from its wide range of broadcast-quality audio production equipment at the May 13th-14th...
05/05/2026
LucidLink today announced its programme for MPTS 2026, where it will exhibit at Stand M59 at Olympia London, 13 to 14 May. The company will showcase its latest ...
05/05/2026
Limecraft today announces the release of Limecraft 2026.3, the third platform update in its 2026 release cycle. Limecraft is an AI-powered production platform t...
05/05/2026
Huge leap forward in revenues and engagement...
05/05/2026
Broadcast Solutions, a leading system integrator and provider of innovative solutions for the broadcast media industry, has taken another significant step in st...
05/05/2026
Operative today announced the appointment of Dang Ly as Chief Product Officer, signaling the company's accelerating commitment to delivering the next genera...
05/05/2026
The Media Talent Manifesto (MTM) today announces the return of the World Skills Caf at IBC2026, positioning the event as a critical industry forum to confront ...
05/05/2026
ARRI unveils Omnibar: compact, modular, battery-powered IP65 LED bars with preci...
05/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/05/2026
Digital Domain Welcomes Award-Nominated VFX Supervisor Jelmer Boskma
Brie Clayton May 4, 2026
0 Comments
Digital Domain, a global leader in visual eff...
04/05/2026
just:play pro 2026 and just:live pro 2026 are available to download!
More Details:At NAB 2026, ToolsOnAir showcased just:play pro 2026 and just:live pro 2026, ...
04/05/2026
just:in mac pro 2026 - The Next Level of Professional Recording on macOS
More Details:The headline innovation in just:in mac pro 2026 is the new Auto format si...
04/05/2026
Hardware is still an emphasis - Supershooter 11 is new, and REMI-based 65 is in ...
04/05/2026
Head of International Business Development Min Joo Kim explores the league's...
04/05/2026
Audio-Technica has announced that its ATND1061 ceiling array microphone and ATUC...
04/05/2026
Triple B Media has launched Bowling TV, a free ad-supported television (FAST) channel dedicated to bowling. The channel is available on Prime Video, LG Channels...
04/05/2026
PlayMetrics, a provider of operations management software for youth sports organizations, has announced the completion of its acquisition of substantially all t...
04/05/2026
IHSE GmbH has announced that Dr. Thomas Niessen has joined as CEO and Managing Director, effective May 1, 2026. He joins Frank Breitenfelder, who has served as ...
04/05/2026
PMY Group deployed its AI-powered crowd intelligence platform, Optic, at the For...
04/05/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
04/05/2026
Last week, guests gathered in New York City for On Air, In Style: An Evening with Spotify-a night of conversation, culture, and connection celebrating the inter...
04/05/2026
New music & post-production features added
Avid's latest DAW update delivers an array of helpful features aimed at both music and post-production users,...
04/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/05/2026
Student Spotlight: Joshua Griffin The New Orleans native, who was named the 2026 student commencement speaker for Boston Conservatory at Berklee, talks about ...
04/05/2026
It's Andrew! stomps onto screens this June 4 May 2026
The ABC and Screen Australia are delighted to announce that brand new preschool series, It's Andr...
03/05/2026
Polysynth now features Mutable Instruments' macro oscillators
Melbourne Instruments have just released a free firmware update that brings the engine beh...
03/05/2026
Introducing the new Mistika Workflows Suite: transformative and cost-effective f...
03/05/2026
Introducing the new Mistake Workflows Suite: transformative and cost-effective f...
03/05/2026
Back to All News
Filming begins on the third and final season of Breathless
Entertainment
03 May 2026
GlobalSpain
Link copied to clipboard
Discover the vi...
02/05/2026
(L-R) Dustin Hoffman and Leo Woodall appear in Tuner by Daniel Roher, an official selection of the 2026 Sundance Film Festival. (Photo courtesy of Sundance In...
02/05/2026
Versatile re-amping tool announced
Warm Audio are best known for their recreations of sought-after vintage studio gear, but their latest release brings a ne...
02/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/05/2026
Scripps Research immunologist Dennis Burton elected to American Academy of Arts and Sciences A leader in broadly neutralizing antibodies, Burton has helped driv...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
01/05/2026
BKB Bare Knuckle Boxing ( BKB ), today announced the appointment of Will Wright ...
01/05/2026
Lawo has been at the center of the industry's transition to IP and other next-generation technologies. At NAB 2026, its story was the Edge One AV stagebox, ...
01/05/2026
HBA Media, acting on behalf of NBC Sports and Churchill Downs Incorporated, has announced broadcast and streaming distribution for Kentucky Derby 152, taking pl...
01/05/2026
By Bailey Pennick
One of the most exciting things about the Sundance Film Festi...
01/05/2026
Florals for spring? Groundbreaking. But a playlist that tells you which The Devi...