
Sean Baker, managing director at ERA Ltd, explains why media production companies must find faster, more efficient hardware and software systems to support flexible working and mass data volumes
By Contributor
Published: October 30, 2023 Updated: November 2, 2023
Sean Baker, managing director at ERA Ltd, explains why media production companies must find faster, more efficient hardware and software systems to support flexible working and mass data volumes
target=_blank title=Share on LinkedIn class=share-linkedin>
As the quality of media content improves and the technology required to create it grows more sophisticated, production, post production, VFX and other creative houses face unprecedented IT and data storage challenges.
The media and entertainment (M&E) industry handles some of the largest and most complex content files out there, meaning companies in this sector must have more secure, flexible IT architecture than ever before to ensure capacity for demanding projects.
Additionally, as the industry shifts to a work-from-anywhere model in the wake of the pandemic, remote technicians need access to the same efficient hardware and software systems that can manage bandwidth-hungry technology with significant power, cooling and connectivity requirements.
So, how can media production companies ensure they have high-speed internet connectivity and high-performance infrastructures to process, store and analyse large volumes of data? How do they scale? And is there a way of doing so that allows these companies to meet project demands and ensure no resources are underutilised?
For many businesses, the answer to these questions lies in one flexible cloud solution: Infrastructure as a Service (IaaS).
Tackling M&E computing challenges with IaaS These days, media and post production companies often struggle to keep up with high-resolution content requirements using legacy on-premises systems, with some files reaching hundreds of gigabytes - or even terabytes - for a single job.
In a standard environment, these large pieces of content can lead to lengthy upload and download times, system failures and slow productivity - limitations no modern business can afford.
To keep up with increasingly sophisticated CGI, rendering, workstation and other computing requirements without breaking the bank, M&E companies must find faster, more powerful solutions that allow them to ramp up for major projects without delays.
That is where IaaS comes in.
An IaaS model allows businesses to seamlessly migrate physical infrastructure to a hosted environment managed by an expert provider.
This solution is growing increasingly popular, with Gartner revealing the worldwide infrastructure services market grew by 29.7% to reach a total of $120.3 billion (£98.3 billion) in 2022, up from $92.8 billion (£75.8 billion) the previous year thanks to growing cloud adoption and demand for low-cost IT infrastructure.
The main selling point of IaaS is that it delivers essential resources such as servers, storage and networking on a pay-as-you-go basis, meaning companies need not make a capital investment to access dedicated hardware.
In the M&E sector, this can prove particularly valuable for handling complex renders and files as they consume more data, requiring extra power and storage.
IaaS customers can rent servers, storage and workstations instead of purchasing additional architecture upfront - and then turn them off when the job is complete. As a result, media companies can take on more work at shorter notice without making long-term financial commitments to maintain surplus hardware.
Taking IT performance to the next level In the post-pandemic landscape, many M&E businesses have embraced the IaaS model to provide media professionals with everything they need, no matter where they are.
For example, as the demand for skilled VFX artists grows and VFX technologies evolve, we are witnessing the globalisation of this industry's workforce, with VFX houses spreading worldwide and embracing remote work to cater to international projects.
By harnessing IaaS solutions, VFX companies can enable distributed employees to work on centralised servers and get rapid access to state-of-the-art hardware and operating systems on demand with no upfront expenses - minimising unnecessary spending for the ultimate cost-effectiveness.
Not only is this good for innovation and productivity, but it can also help improve security whether teams work onsite or at home.
With robust defensive protocols and incident response implemented to control remote access and secure data centres, companies can be assured that their resources are safe from downtime.
As a result, M&E houses can continue delivering quality content and meeting SLAs whilst saving money on powering, cooling, maintaining and storing the necessary software and hardware for their projects - reducing the need for additional office space, the costs associated with maintaining equipment for remote workers and the energy emissions generated by on-premises servers.
Plus, IaaS solutions offer much-needed scalability to suit the needs of growing businesses. M&E teams often need to scale IT infrastructure up or down to meet the requirements of different projects, and hosted IaaS solutions allow studios to quickly and easily spin up additional resources wherever needed - or cut them back to save on costs.
With these flexible capabilities, content houses of all sizes and sectors can keep delivering seamless user experiences and optimising workloads, freeing creatives to concentrate on what matters: producing high-quality work that continues to push boundaries.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
You've seen the headlines, now it's time to go Behind the Story
RT News has today (Wednesday) launched a brand-new news podcast, Behind the Story, h...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...