
Wind in Her Sails: SailGP's on Its Plans to Exploit Even More Data Points for Fan Engagement in the Upcoming Season By Heather McLean, Editor
Tuesday, May 3, 2022 - 8:00 am
Print This Story | Subscribe
Story Highlights
SailGP season three is returning to screens on May 14 as this thrilling wind-powered racing series takes to the seas around Bermuda. SVG Europe caught up with SailGP's Director of Technology Warren Jones to discuss the main learnings from the mass of new broadcast technologies implemented during the sport's second season and find out what we might expect to see coming up in the broadcast of the new season.
On SailGP's second season which closed at the end of March 2022 in San Francisco, Jones comments on what the main learnings were from the mass of new broadcast technologies implemented during the period.
He says: Going back to the first event in season two, the UK was under lockdown. As we were leaving the UK, we were greeted by police telling us that we are not allowed to leave. We had to have a document saying that we're working overseas, so for that point alone, to get out of the country to do a TV global event in another was extremely difficult.
For us not to be able to travel with huge amounts of people like we used to, and have people working from London and being able to work in their homes around the UK or around the world, connecting to London to do what they needed to do, was really, really important because I don't think we'd be able to get the Bermuda and the Toronto events away without [remote broadcast] technology.
We're extremely lucky that we started [SailGP] with a blank sheet of paper, and therefore we could push it into a direction where we wanted to go and we didn't have the constraints of legacy software, legacy hardware, and all these type of things. We're constantly looking and trying to iterate these improvements and be more sustainable and more efficient in how we do things
Timeline TV has facilitated SailGP's epic remote production since its first season. Notes Jones: We've been working with Timeline from the start and we're going into our third year with them. We're really, really proud to be working with these guys and girls because we can throw them a problem and say, we want to do something a little bit differently , and they huff and puff a little bit, and then they say, yeah, this is probably the right way to go . The people there are really, really collaborative. It works well for SailGP and Timeline.
Timeline TV has facilitated SailGP's epic remote production since its first season. Here crew are hard at work during season two form the London, Ealing Timeline TV studios
Exploiting the data points
Part of what is being further developed for season three is the use of the masses of data generated by the boats while racing. Says Jones: We have around 30,000 data points per F50, the sailboat that the athletes compete in. From that, we generate around 40 billion data requests every afternoon, once the boats are out there [on the water]. So we've over-engineered the F50's in a way. When we produced the boat and created the architecture of the data, [we're still looking at] where that all that data goes into the Oracle Cloud, and how can we utilise more information from it.
We're constantly looking at the data. What information can this tell us? Where can this go? How can we make the boat go faster? And we're also looking now about the sustainability angles of it; we know the wind [speed], the water temperature, all this around [the boats], and we're open to giving this information to local sustainability partners in venues. We can use that to test when we go back in the following year, or over a certain amount of time, as well, so that's quite interesting; it's the first time we're not using technology to make the boat go faster. We're actually using it to monitor other things around the environment.
Currently, only around 25% of the data generated by the F50's is utilised, which is invested heavily in tracking the boats and course in real time and translating that information into augmented reality graphics to give viewers a strong sense of what is happening on the screen.
Jones says: We're not in a football field where we have a goal and a halfway line. We work on the water, so we use augmented reality graphics that we introduced in 2021. We need to know everything about the racecourse; we need to know where the boats are and we need to know within one centimetre where the boats are. We need to know where the marks are. We need to know where the everything is. From that information, everything goes into the Oracle Cloud and from the Oracle Cloud then we draw a map of what that [racecourse] looks like in a virtual world.
As to what SailGP could do with the 75% of unused data, Jones says, there's tons of stuff we want to do . He goes on: There's a couple of things [I would really like to do]. I can't really talk about it at the moment, but there's some things that we think are going to probably blow the broadcast industry away; we think it's something that will revolutionise a lot of it. We're doing some testing in Bermuda, and we're also doing some testing in Chicago. We'll review those tests and then we will probably look to release those tests to the public.
Looking at season three, Jones says that a large focus will be placed on exploiting more of the data points created by the F50's. For season three, we're looking to double down on our data. In partnership with Oracle, we have a platform called SailGP Insights. [We're going to be] utilising more data and letting the fan go behind the scenes and look at that data and be able to choose what data they wa
More from Sports Video Group
22/07/2026
Among other tweaks to coverage, the broadcaster added announce positions in the ...
22/07/2026
The Australian Sports Technologies Network (ASTN) has reported a sharp acceleration in Australia's sportstech sector, with revenue growth rising from 10% in...
22/07/2026
From a retrofitted broadcast bus to packed Match Day Live! events, Bennett detai...
22/07/2026
TMRW Sports has named Brendan Donohue as President, Flag Football, where he will lead the company's professional flag football business in partnership with ...
22/07/2026
Stephen Arnold Music (SAM) designed and produced soundtracks for nine projection...
22/07/2026
Harmonic has announced a $25,000 donation to Global Empowerment Mission (GEM) fo...
22/07/2026
Telemundo has announced it has acquired from UC3 exclusive U.S. Spanish-language...
22/07/2026
The Rest Is Football, hosted by Gary Lineker, Alan Shearer, and Micah Richards, ...
22/07/2026
Sports Studio has announced a partnership with TheSoul Group to distribute Free ...
22/07/2026
Daktronics has concluded its 2026 High School Video Summit, a two-day hybrid event combining virtual sessions with hands-on host school visits across the countr...
22/07/2026
FOR-A America will exhibit at the MMCA Show in Pensacola, Florida (July 21-24), marking the company's first appearance at the house of worship AV event. FOR...
22/07/2026
The New York Yankees have selected Lumen Technologies (NYSE: LUMN) to connect Ya...
22/07/2026
Calrec will exhibit at IBC 2026 (Stand 8.C47) with demonstrations of its IP-native audio ecosystem built around the Argo console range, and will announce two ne...
22/07/2026
Solid State Logic has announced the appointment of Algam EKO as its distributor for SSL large format consoles in Italy, covering the Live, Broadcast, and Studio...
22/07/2026
FloSports has announced the launch of the FloSports Channel, a free ad-supported streaming channel premiering on Prime Video in the U.S. on July 21. The channel...
22/07/2026
Banana Ball TV (BTV), the broadcast operation of the Savannah Bananas, has insta...
22/07/2026
SiriusXM and Audacy have announced an agreement bringing 42 Audacy sports, news, and talk stations from 29 U.S. markets to SiriusXM. Twenty-three Audacy sports ...
22/07/2026
The collaboration produced more than 500 short-form videos across four cities th...
22/07/2026
At 2,600 sq. ft., the new home of digital content houses a main studio, podcast space, and an auxiliary control room
NFL franchises are accelerating their prod...
21/07/2026
With winners Spain having already paraded the World Cup trophy through Madrid in front of millions of fans and the dust now settling on an epic tournament of th...
21/07/2026
In a time of disarray in regional sports broadcasting, the league will provide c...
21/07/2026
When NEP designed one of its largest recurring mobile production unit fleets for PGA TOUR
coverage, the leading media services provider faced a familiar challe...
20/07/2026
The former Northwestern broadcast-operations leader is helping train the next generation of live-sports-production talent across the Big Ten
The sports-product...
19/07/2026
Justin Bieber, Madonna, Shakira, BTS make for a diverse lineup, and the venue ad...
19/07/2026
The stage is set: three-time champion Argentina will defend its World Cup title ...
18/07/2026
Topics include pre-match ceremonies, live performances, the tournament's fir...
18/07/2026
When FIFA and HBS set out to produce the 2026 FIFA World Cup, the numbers alone ...
17/07/2026
In-venue and creative video staffers at the professional and collegiate level ha...
17/07/2026
Production workers at Brooklyn Bowl's Williamsburg location voted 15-1 to join IATSE Local 4. The bargaining unit covers 24 production workers at the venue,...
17/07/2026
DAZN and ADI Predictstreet have announced an exclusive global strategic partners...
17/07/2026
Zixi and Comcast Technology Solutions (CTS) have announced a strategic integrati...
17/07/2026
Professional Fighters League (PFL) has announced a multi-year partnership with E...
17/07/2026
Spectrum Business has announced Spectrum TV Control Pro, a centralized app-based...
17/07/2026
Clark Wire and Cable has announced that Rick Fernandez, Managing Director of Axxion Consulting, will serve as Independent Manufacturers Representative for Centr...
17/07/2026
TikTok, the NBA, and the WNBA have announced a multi-year global content partnership covering highlights distribution, creator access to marquee events, live-ga...
17/07/2026
Company alleges article contained false and misleading claims regarding customer data...
17/07/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
16/07/2026
This recent graduate and Georgia native has turned an early fascination with live production into a growing passion for camera work
In the live-sports-video in...
16/07/2026
TNDV is marking the first anniversary of Aspiration 35, a mobile production truck built around ARRI Alexa 35 Live camera systems. Over its first year, the truck...
16/07/2026
ATSC has completed a major revision to its A/85 Recommended Practice: Techniques...
16/07/2026
FloSports has announced an exclusive global media partnership with CrossFit for the 2026 CrossFit Games, presented by Air National Guard, beginning July 21 in S...
16/07/2026
Sennheiser has released firmware version 1.4 for its Spectera wireless system and announced the Spectera Command Button (Cat. No. 701014). The update adds comma...
16/07/2026
ESPN and the Southwestern Athletic Conference (SWAC) have announced a multi-year...
16/07/2026
Audio-Technica has announced the 20 Series Control Application, a Stream Deck plug-in for compatible Audio-Technica USB microphones. The application is compatib...
16/07/2026
The fifteenth season of The Voice - La plus belle voix on TF1 used four Solid St...
16/07/2026
Gray Media and the Atlanta Hawks have announced a broadcast partnership that wil...
16/07/2026
Season 3 of Netflix's docuseries, which dropped this week, follows Jayden Da...
16/07/2026
The Texas Rangers and Rangers Sports Network presented by Progressive (RSN) have announced BZZR as the new direct-to-consumer distributor for Rangers game broad...
16/07/2026
With England's FIFA World Cup 2026 team getting ready to fly home after losi...
16/07/2026
In a return to Royal Birkdale, the team enjoys partnering with ETP and Gravity M...