
Wimbledon 2022: IMG and Wimbledon Uncovered By George Bevir
Tuesday, August 2, 2022 - 10:03
Print This Story
IMG-produced channel Wimbledon Uncovered
Having produced the first official review of the Championships back in 1968, IMG has a longstanding relationship with the All England Lawn Tennis Club (AELTC).
IMG still produces the review film of the tournament, but its relationship has broadened to include working with host broadcaster Wimbledon Broadcast Service (WBS) to provide the world feed for some 200 territories, producing the Wimbledon Radio Channel, partnering with AELTC on media rights and sponsorship, and producing Wimbledon Uncovered.
Wimbledon Uncovered - which until this year used to be known as the Wimbledon Channel was available during the 2022 Championships via Wimbledon.com, YouTube and social media. As well as providing live video and radio coverage of the Championships, it is also a source of news with behind-the-scenes interviews with players, weather reports and score updates.
Read more Live from Wimbledon 2022: AELTC's Paul Davies on balancing innovation & tradition
It's amazing how the channel has evolved since 2012, says IMG VP and executive producer Tim Lacy. It's a great opportunity to use the live rights that [AELTC] has carved out of the broadcaster contracts.
The aim of the channel, says Lacy, is to complement rather than conflict with the broadcast offering. We run a ticker on the bottom of the screen with information about the 10 or so major broadcasters to let viewers know that they can find full coverage via their local channels, such as ESPN, to draw viewers to the main broadcasters.
Visitors to Wimbledon.com in the UK were also able to watch the BBC's coverage of Centre Court, while visitors to Wimbledon.com in the US were provided access to all of ESPN's coverage.
Big screen interviews
During the Championships, the channel is available from 1pm to 7pm every day, and consists of three main elements; live rights of one game per set, per match across the 18 televised courts; roving crews around the grounds providing some colour via interviews with fans and celebrities or updates from the practice courts; and studio locations around the grounds as settings for informal interviews with guests and players.
An outdoor setup based around a large screen, known as the Fountain Studio because of its location, continues post-pandemic to provide IMG with the opportunity to drive interviews off site, says Lacy.
It's nice to be able to conduct interviews with journalists who can't get to Wimbledon, and we can do that via the screen. It's very informal, with guests and presenters on benches. We also use the ESPN and BBC platform as our second position and then we have our third position over in the AMEX building, which is a stand-up position. So we have a good mix of informal benches in the morning for a much more casual chat, and then you've got the stand-up position in the afternoon for looking out over the courts.
New for Wimbledon Uncovered this year was a series of 360-degree streams from Wimbledon's official connectivity partner' Vodafone (pictured, above).
Essentially, it replicates what we're doing on Wimbledon Uncovered, says Lacy. They have four 360-degree cameras on the show courts: Centre, 1, 2 and 3, as well as a number of fixed cameras where we have our studio locations.
In terms of crew on site, IMG has just about returned to pre-pandemic levels, says Lacy, with approximately 50 editorial roles on site with similar numbers working on the official film and world feed and a slightly reduced number working on Wimbledon Uncovered.
One aspect of last year's production setup that was retained this year was the decision to base some team members working on producing highlights of the Championships at IMG's Stockley Park base in order to free up space in the Wimbledon media facility to allow for social distancing.
It made sense to keep them there, because they don't really need to be based at Wimbledon I think WBS were probably quite pleased to keep the space, especially as it's a busy year for them with the Netflix documentary crew on site and the 360 production.
Read more Live from Wimbledon 2022: ESPN on the future of The Championships and the importance of player access
More from Sports Video Group
23/12/2025
How guilas Cibae as Dominican Winter League Games Are Locally Produced for Glob...
23/12/2025
BitFire's Jim Akimchuk on Supplying Scalability and Customization in the Clo...
23/12/2025
CAMB.AI Enables European Athletics to Offer Multi-Language SupportPlan is to eventually offer translation into all languages spoken in EuropeBy Ken Kerschbaumer...
23/12/2025
Analysis: As sports media values trend negative, scarcity and quality are king By Callum McCarthy, Editor-at-Large
Monday, December 22, 2025 - 14:08
Print ...
23/12/2025
ESPN, Disney, and NBA Return to the Animated Altcast Fray With Second Edition of...
23/12/2025
End the Year on a High Note and Donate to the Sports Broadcasting Fund Today! By Ken Kerschbaumer, Editorial Director
Tuesday, December 23, 2025 - 12:25 pm
...
22/12/2025
SVG New Sponsor Spotlight: Presidio's Neerav Shah on the Role of Its Captiva...
22/12/2025
Hitting the bullseye: Sky Sports readies itself for the biggest PDC World Darts ...
22/12/2025
Unique skillset: Bringing new directors to the world of darts at The Worlds with...
22/12/2025
Gravity Media prepares for a flight of fancy with the PDC World Darts Championsh...
22/12/2025
One hundred and eighty: Gravity Media on hitting the production bullseye at the ...
22/12/2025
The Famous Group's Jon Slusser on Fascinating Fans Through Immersive Content...
22/12/2025
ESPN's Meg Aronowitz on Continuing High-Quality Broadcasts of Collegiate Spo...
22/12/2025
ESPN Takes Data-Driven Storytelling to New Heights with MNF Playbook with Next ...
19/12/2025
SVG Sit-Down: Diversified's Jared Timmins on AI for Broadcast Sports and Cre...
19/12/2025
2025 SVG Summit Audio Recap: Say What?The Audio Production and Distribution Workshop at the SVG Summit 20 took on issues including speech intelligibility, Next-...
19/12/2025
Gamified fun: Channel 5 on its NFL Big Game Night ambitions with Hungry Bear Med...
19/12/2025
College Football Playoff Preview: For ESPN, Round 1 is a Fantastic Yet Familia...
19/12/2025
AWS's Jason Dvorkin on Developing Partnerships With the NBA and PGA Tour, Em...
19/12/2025
Netflix Kicks Off Packed Sports Week with Paul-Joshua Fight Before Shifting to N...
19/12/2025
SVG New Sponsor Spotlight: Presidio's Nareev Shah on the Role of Its Captiva...
18/12/2025
SVG Campus Shot Callers: Kurt Sutton, Director of Broadcast Operations, Clemson ...
18/12/2025
Follow the Money Episode 2: Inside the Sports Media Biz with Sam McCleery and St...
18/12/2025
SVG Sit-Down: Google Cloud's Anshul Kapoor on the Future of Generative Prod...
18/12/2025
The 2025 SVG Summit Draws Record Crowd for 20th-Annual Sports-Production Industr...
17/12/2025
Sports Broadcasting Hall of Fame Inducts 10 Industry Icons During Unforgettable ...
17/12/2025
ESPN to Debut MNF Playbook with Next Gen Stats, a New AI-Driven NFL Data-AltCastThe series, powered by Adrenaline TruPlay AI, launches Dec. 22 and runs through ...
17/12/2025
Inaugural Optum Golf Channel Games Debut Under the Lights' in Primetime on ...
15/12/2025
Harlem Globetrotters Celebrate 100th Anniversary With New Brand Campaign From Th...
12/12/2025
SVG Summit 2025 Preview: Everything You Need to Know for Next Week's Big Sho...
11/12/2025
ESPN's Aims for Spectacular With Heisman Trophy ShowEvent firsts include 1080p HDR production airing on both national broadcast and cableBy Dan Daley, Audio...
11/12/2025
SVG Students To Watch: Frankie Patton, University of ColoradoThe 2025 grad is hitting the ground running as a PA on national broadcastsBy Brandon Costa, Directo...
11/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 3By SVG Staff
Thursday, December 11, 2025 - 7:24 am
Print This Story | Subscribe
Story Highlights
The 2...
11/12/2025
SVG Sit-Down: What Makes Gen Z, X, and Y Fans Tick? Dave Gavant of WSC Sports Go...
11/12/2025
SVG Summit 2025 Preview: 5G, MXL, Spectrum Loss, and Outerspace on Tap for Tues...
11/12/2025
2025 Sports Broadcasting Hall of Fame: David Levy, Turner Titan and Master of Al...
11/12/2025
SVG Launches Follow the Money' Podcast: Go Inside the Sports Media Biz with...
11/12/2025
A Deep Dive Inside Game Creek Video's Bird and Magic Mobile Units, Home to A...
11/12/2025
How Sound Effects for Monsters Funday Football' Emulated the Sonic Soul of ...
11/12/2025
SVG New Sponsor Spotlight: CSP Mobile Productions' Len Chase on Upgrading Tr...
10/12/2025
Sound-Alike Commercials Are Part of Sports' Soundtrack Johnny Cash for Coca-Cola is the latest in a long litany of sonic approximationsBy Dan Daley, Audio ...
10/12/2025
Immersive Sound Is Logical Next Step for Sports VenuesSound-systems suppliers are sanguine, but the market has its challengesBy Dan Daley, Audio Editor
Wednes...
10/12/2025
The Romans Built Arenas for Immersive Sound 2,000 Years AgoThe historic Arena of Nimes in France is still in use todayBy Dan Daley, Audio Editor
Wednesday, De...
10/12/2025
SVG Summit 2025 Preview: Audio Workshop Hits on Immersive, Virtualized, and Next...
10/12/2025
SVG Summit 2025 Technology Exhibits Preview: Audio SpotlightBy SVG Staff
Wednesday, December 10, 2025 - 8:21 am
Print This Story | Subscribe
Story Highlig...
10/12/2025
SVG Europe Audio: Listening to the sounds of powder and ice at Milano Cortina wi...
10/12/2025
Advancements in audio technology: Capturing the atmosphere of live sports By David Davies
Tuesday, November 25, 2025 - 09:27
Print This Story
Although wor...
10/12/2025
Everything smelled of popcorn: The art of bringing the complex sound of esports ...
09/12/2025
2025 Sports Broadcasting Hall of Fame: Pam Oliver, Sideline Icon Who Redefined t...