
Wimbledon 2022: IMG and Wimbledon Uncovered By George Bevir
Tuesday, August 2, 2022 - 10:03
Print This Story
IMG-produced channel Wimbledon Uncovered
Having produced the first official review of the Championships back in 1968, IMG has a longstanding relationship with the All England Lawn Tennis Club (AELTC).
IMG still produces the review film of the tournament, but its relationship has broadened to include working with host broadcaster Wimbledon Broadcast Service (WBS) to provide the world feed for some 200 territories, producing the Wimbledon Radio Channel, partnering with AELTC on media rights and sponsorship, and producing Wimbledon Uncovered.
Wimbledon Uncovered - which until this year used to be known as the Wimbledon Channel was available during the 2022 Championships via Wimbledon.com, YouTube and social media. As well as providing live video and radio coverage of the Championships, it is also a source of news with behind-the-scenes interviews with players, weather reports and score updates.
Read more Live from Wimbledon 2022: AELTC's Paul Davies on balancing innovation & tradition
It's amazing how the channel has evolved since 2012, says IMG VP and executive producer Tim Lacy. It's a great opportunity to use the live rights that [AELTC] has carved out of the broadcaster contracts.
The aim of the channel, says Lacy, is to complement rather than conflict with the broadcast offering. We run a ticker on the bottom of the screen with information about the 10 or so major broadcasters to let viewers know that they can find full coverage via their local channels, such as ESPN, to draw viewers to the main broadcasters.
Visitors to Wimbledon.com in the UK were also able to watch the BBC's coverage of Centre Court, while visitors to Wimbledon.com in the US were provided access to all of ESPN's coverage.
Big screen interviews
During the Championships, the channel is available from 1pm to 7pm every day, and consists of three main elements; live rights of one game per set, per match across the 18 televised courts; roving crews around the grounds providing some colour via interviews with fans and celebrities or updates from the practice courts; and studio locations around the grounds as settings for informal interviews with guests and players.
An outdoor setup based around a large screen, known as the Fountain Studio because of its location, continues post-pandemic to provide IMG with the opportunity to drive interviews off site, says Lacy.
It's nice to be able to conduct interviews with journalists who can't get to Wimbledon, and we can do that via the screen. It's very informal, with guests and presenters on benches. We also use the ESPN and BBC platform as our second position and then we have our third position over in the AMEX building, which is a stand-up position. So we have a good mix of informal benches in the morning for a much more casual chat, and then you've got the stand-up position in the afternoon for looking out over the courts.
New for Wimbledon Uncovered this year was a series of 360-degree streams from Wimbledon's official connectivity partner' Vodafone (pictured, above).
Essentially, it replicates what we're doing on Wimbledon Uncovered, says Lacy. They have four 360-degree cameras on the show courts: Centre, 1, 2 and 3, as well as a number of fixed cameras where we have our studio locations.
In terms of crew on site, IMG has just about returned to pre-pandemic levels, says Lacy, with approximately 50 editorial roles on site with similar numbers working on the official film and world feed and a slightly reduced number working on Wimbledon Uncovered.
One aspect of last year's production setup that was retained this year was the decision to base some team members working on producing highlights of the Championships at IMG's Stockley Park base in order to free up space in the Wimbledon media facility to allow for social distancing.
It made sense to keep them there, because they don't really need to be based at Wimbledon I think WBS were probably quite pleased to keep the space, especially as it's a busy year for them with the Netflix documentary crew on site and the 360 production.
Read more Live from Wimbledon 2022: ESPN on the future of The Championships and the importance of player access
More from Sports Video Group
18/02/2026
Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...
18/02/2026
The Olympic Games are not only a showcase of athletic excellence, they are also ...
18/02/2026
Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side.
Most Valuable Promotions and Netflix ...
18/02/2026
Grass Valley announces that Network18 Media & Investments Ltd., one of India'...
18/02/2026
Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...
18/02/2026
Production is divided between a studio in the mountains and a brand-new studio i...
18/02/2026
At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...
18/02/2026
The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...
18/02/2026
At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen
We are exactly where we want to be, Karl Malone,...
18/02/2026
With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...
18/02/2026
Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...
18/02/2026
A typical Winter Olympics day - or should I say evening - inside the Warner Bros...
18/02/2026
The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...
18/02/2026
At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure
Into the second week of Milan Cortina 2026, eigh...
18/02/2026
AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...
18/02/2026
DNA Inc. specializes in crafting next level digital experiences in the Media, St...
18/02/2026
Conflicts have increased, but so have solutions, driven chiefly by pragmatism and the threat of AI music
The only persons on the Figure Skating ice at the 2026...
18/02/2026
Canadian rightsholder deploys its most complex setup at an Olympics ever with ...
18/02/2026
A crew of 1,685 people and 13 control rooms produce nearly every on-air minute f...
17/02/2026
Eutelsat announces the renewal of multiple capacity agreements with Viewsat, rei...
17/02/2026
At Milano Cortina 2026, one statistic stood out across industry reporting: 70% of global signal distribution is now happening over public cloud. What began as e...
17/02/2026
CP Communications provided broadcast support for Super Bowl LX in Santa Clara, Calif. at Levi's Stadium, marking 27 years of working around the Big Game. Th...
17/02/2026
Street-level images of iconic Los Angeles landmarks are incorporated into the regular-season look
With NBC Sports just months into its return to NBA coverage a...
16/02/2026
The production infrastructure scaled seamlessly from regular-season games to the...
16/02/2026
The operations team reimagined traditional workflows were reimagined and built a...
16/02/2026
Once again an in-house operation, the league's network is producing shows fr...
16/02/2026
The league is producing its first All-Star with NBC, Intuit Dome, and, once agai...
16/02/2026
When a customer in London needed a 4K video wall that could take 12G input, the media company found no video wall suppliers that could meet their specs and time...
16/02/2026
Grass Valley, a media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadc...
16/02/2026
Comcast Business announces it is again partnering with NBCUniversal to architect and manage critical components of the linear and digital broadcast for three of...
16/02/2026
Week two of the 2026 Milano Cortina Winter Olympics are underway and crucial to the NBC Sports efforts has been the NEP Group which is providing a full range of...
15/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
15/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
15/02/2026
New to NBA coverage, the viewer experience offers several angles in addition to ...
15/02/2026
Coverage features 4X-slo-mo Supracam and Steadicam, Nucleus 4K cameras, closer play-by-play angle, 10 player mics
NBC Sports is in the midst of its first NBA A...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...
13/02/2026
Partnering with Worldwide Olympic Partner TCL, OBS deploys connected Athlete Mom...
13/02/2026
The men's figure skating long-form program is tonight, and it promises to be an exciting night for fans in the stands, fans at home, and even the production...
13/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
13/02/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
13/02/2026
Teradek announces the launch of RF-X Auto Switcher, a revolutionary appliance designed to deliver flawless, uncompromised signal integrity for the world's m...
13/02/2026
Globecast and Synamedia announces that Pitch International (Pitch), the leading London-based sports marketing agency, has gone live with cloud-based distributi...
13/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
13/02/2026
Far from the action in the snow and on the ice, the team controls the production...
13/02/2026
The Daytona 500 is called The Super Bowl of Racing for a reason. Whether it's the culmination to five days of action on the track, the sheer size and scop...
13/02/2026
For the Milano Cortina Games, Olympic Broadcasting Services (OBS) is delivering more than 6,500 hours of content, with more than 900 hours of live action, sprea...
13/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
12/02/2026
Chyron unveils PRIME 5.3, the latest software release of the company's powerful engine for live production graphics. PRIME 5.3 delivers the first official i...
12/02/2026
The vendor's VP of Product Management explains how quality assurance, monito...