
ESPN's College GameDay Pulls Double Duty With Back-to-Back Shows at Auburn on Saturday, South Carolina on Sunday Two teams will be deployed to cover must-see men's and women's games 300 miles apart By Kristian Hern ndez, Senior Editor
Friday, February 14, 2025 - 2:43 pm
Print This Story | Subscribe
Story Highlights
ESPN's College GameDay, the broadcaster's marquee college-basketball studio show, is accustomed to traveling around the nation to different campuses throughout the season. This weekend, though, will be an entirely new experience: the show will not only highlight must-see matchups in both the men's - No. 1 Auburn vs. No. 2 Alabama - and the women's - No. 7 UConn vs. No. 4 South Carolina - game but do it back-to-back on Saturday and Sunday.
For as many times as College GameDay has been to the University of Alabama for college football, last year was the first visit to Alabama for basketball in the 20-year run of College GameDay going on the road, says Judi Weiss, manager, remote operations, ESPN. Both [men's and women's basketball] shows will broadcast from their [respective] basketball arena.
Writing a Plan: Preseason Talks Bring Vendors, Resources on Board for the Road Ahead Prior to tipoff of the first game, ESPN's remote-operations and production teams formulate a thorough plan for the entire regular season. The planning process typically begins in late October, and an initial conference call or email will notify the crew in early January what the first destination will be. The bulk of this phase is handled by two managers from remote operations and an operations specialist, who sift through the onsite surveys and oversee execution of the plan. In total, they work alongside a team of 39, including an operations producer and the vendor partners. Keeping the production crew on the same page requires constant sharing of ideas, and a back-and-forth dialogue is essential.
The 2025 College GameDay schedule tipped off on the Auburn campus on Jan. 25.
Communication with production colleagues is crucial for synergy heading into the season and throughout, says Weiss. Initially, we'll have biweekly calls with our core team, including crewing, network traffic, IT, finance, production, and operations. As the season gets closer, these meetings transition to a weekly cadence and expand to include sales, marketing, legal, security, safety, PR, and school representatives. This structured approach ensures that everyone has a clear blueprint for how each week's show will come together.
One of the key pieces to the puzzle to get locked down is the mobile units, camera equipment, and other technological needs. In addition, available freelance production and operations staff must be found. With College GameDay starting in late January and the expanded College Football Playoff putting the National Championship on Jan. 20, a tight turnaround made crewing a challenge.
Securing vendors and facilities for the season is a time-intensive process, notes Weiss. Studio events present unique and unpredictable challenges. Executing production's creative vision requires adaptability, creativity, and a full-time commitment. Changes can be made, and last-minute production requests are not an exception but the norm.
Luckily, the necessary gear and infrastructure were secured. Coverage of the men's games relies on Game Creek Video GameDay mobile unit; Illumination Dynamics for lighting; West River Light and Sound for the staging/PA mix; CP Communications for RF audio; the JayBird Jibs jib camera; a Bristol, CT-based Steadicam operation; and a new 7- by 13-ft. Versa Screen by Go Vision for talent talkbacks, deeper analysis, and breakdowns. The women's shows have been using a Live Media Group HD21 Lucie mobile unit, which is the same truck used for SEC Nation during the college-football season; True Grip staging, lighting, and PA mix; Faction Media Steadicam and operator; CP Communications RF audio; and JayBird Jibs jib camera. This week, a new workflow will be introduced: a live interview during the show will deploy a Proto Luma Hologram system.
Two Crews: One for the Men's Game in Tuscaloosa; the Other for the Women's in Columbia As the college-basketball season got underway, ESPN was prepared for seven shows for the men's side and five for the women's side. All things were going as planned, until unexpected winter weather in the Southeast disrupted the scheduled game between LSU and the University of South Carolina in late January.
ESPN announcer Rece Davis (right) speaks with reporter Alyssa Lang on the new 7- by 13-ft. Versa Screen by Go Vision.
The season's first weekend for both shows was not the usual back-to-back, with the women's show from the University of South Carolina in Columbia scheduled for Thursday, Jan. 23 and the men's show from Auburn University on Saturday, Jan. 25, says Weiss. Due to weather in New Orleans, LSU was unable to travel to South Carolina, and College GameDay [was canceled]. Despite the setback, the operations team, vendors, and crew - who were already in the middle of preseason truck setup and inventory - were able to conduct a full facility check and dress rehearsal in preparation for our return show on Saturday.
This weekend's show will be separated by more than 300 miles, requiring the broadcaster to roll with two crews. With the end of the college-football season, the basketball version of College GameDay has received a helping hand from staffers who worked on the college-football version. In addition, the mobile units powering the college-football shows will be dedicated to college basketball for the rest of the season.
The advantage of using the college-football trucks is that they are set up in August to accommodate most of our remote studio broadc
More from Sports Video Group
27/06/2025
How smarter compression is creating a sustainable future By Michael Burns
Monday, June 23, 2025 - 14:13
Print This Story
Live sport is especially vulnerab...
27/06/2025
Behind the Mic: FOX Sports Ratchets Up UEFA Women's EURO 2025 With Top-Class...
27/06/2025
RTL Group To Acquire Sky Deutschland By George Bevir, Editorial Director, SVG Europe
Friday, June 27, 2025 - 8:00 am
Print This Story | Subscribe
Story ...
27/06/2025
Frictionless, At Scale: The Current State of Live Video Streaming Techology Leaders from Bitmovin, Comcast Technology Solutions, Harmonic, IMAX, and Phenix brea...
27/06/2025
Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending...
27/06/2025
NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandem...
26/06/2025
10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for th...
26/06/2025
The Big Cloud Debate: Public vs. Private vs. Hybrid Tech leaders from CineSys, Diversified, and Net Insight breaks down all flavors of cloud By Jason Dachman, ...
26/06/2025
Program Productions' Jess Kowatch on Training the Next and Current Gener...
25/06/2025
SVG College Summit 2025: Select Sessions Now Available to Watch on SVG PLAY Tackling the latest in college sports video: NIL, live production, virtual productio...
25/06/2025
ESPN Is Set To Bring AR Graphics to Wimbledon, Revamps Bunker and Studio 18 VO B...
24/06/2025
2025 NBA Draft: ABC/ESPN Prepares for Two-Day Draft at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By M...
24/06/2025
Cloud Broadcast Tech Update: Google Cloud's Jane Day on the Impact of AI on ...
24/06/2025
Cloud Broadcast Tech Update: AWS's Dana LaGattuta on Data-Driven Innovation ...
24/06/2025
Lions live: Dublin opener sees Sky Sports take remote route By Fergal Ringrose ...
24/06/2025
Pumas maul Lions as S4C and TG4 deliver first-ever joint host in Dublin By Ferg...
24/06/2025
ABC/ESPN Prepares for 2025 NBA Draft, the First at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By Mark ...
23/06/2025
Adventures in Live Cloud Production: Stories From the Trenches with MLB, NHL, NB...
23/06/2025
Finding the edge: How Badger & Combes produces live-streamed coverage of county ...
23/06/2025
Masters of Madness: New football format shakes up the rules of sportainment By Adrian Pennington
Monday, June 16, 2025 - 11:38
Print This Story
The ball i...
23/06/2025
New State-of-the-Art Mountain Media Center Launches in Former Starz Encore Build...
23/06/2025
ESPN Says Goodbye to Seaport Studios, Hello to New State-of-the-Art Production F...
20/06/2025
Feeling Unlimited, Part 1: Athletes Unlimited Softball League Deploys Remote Pro...
20/06/2025
A True Test? Cricket's Growth on the Global Stage and the Role Broadcast Can...
20/06/2025
Sky Sports goes large for the British & Irish Lions Tour with AR graphics, UHD a...
20/06/2025
ESPN's Men's College World Series Finals Coverage Combines Innovation, L...
19/06/2025
SVG Rewind: PGA Tour Introduces Drone AR Smart Tracing, Reflects on Winning Geor...
18/06/2025
Technology focus: Fan expectations drive advances in the in-stadium experience By Jo Ruddock
Tuesday, June 3, 2025 - 08:36
Print This Story
For years, att...
18/06/2025
Making connections: How stadiums are meeting the ever-growing demand for data an...
18/06/2025
SVG Venues & Teams Summit Keynote: RWS Global Powers the Stadium Environment at ...
18/06/2025
SVG Rewind: Behind the Scenes of Producing Tottenham Hotspur's Europa League...
17/06/2025
SVG New Sponsor Spotlight: Mercury Intermedia's Tom Richardson, Mike Ligon o...
17/06/2025
Total Sports Performance from Relo Metrics, VideoAmp, Offers Next-Level Media, B...
17/06/2025
From Stage to Stream: Producing Live Esports Events in 2025 Leaders from ESL FACEIT Group, Riot Games, and more break down the latest trends By Jason Dachman, ...
17/06/2025
Inside FIFA 2025 Club World Cup Operations With FIFA's Oscar Sanchez, HBS...
17/06/2025
Production ambitions: Over Exposed on making the National League Promotion Final...
17/06/2025
DAZN Brings Global Ambition to U.S. Soil With Production of 2025 FIFA Club World...
17/06/2025
Diversified's Christine Williamson on How UT's New State-of-the-Art Prod...
16/06/2025
Grass Valley 4K Cameras Head to Greece for View Master Events' New Productio...
16/06/2025
Behind The Broadcast Booth, Ep. 3: Golf. My Future. My Game. Founder and CEO Cra...
16/06/2025
The REMI Revolution Is Here: How Remote Production Technology in Esports Pioneer...
16/06/2025
From Super Bowl to Indy 500, New Orleans Artist Frenchy' Captures Energy of...
16/06/2025
NFL Films Enhances Post Studio With Dolby Atmos Audio Forty-three channels of audio enable the facility to migrate to immersive By Dan Daley, Audio Editor
Mo...
16/06/2025
SVG New Sponsor Spotlight: Storj's David Colantuoni on Expanding Cloud-Based...
16/06/2025
Grass Valley 4K Cameras Head to Greece for View Master Events' New OB Truck By Ken Kerschbaumer, Editorial Director
Monday, June 16, 2025 - 2:33 pm
Pri...
13/06/2025
SVG Sit-Down: Backblaze's Gleb Budman Talks Products, Partnerships, and the ...
13/06/2025
SVG Sit-Down: DAZN's Walker Jacobs Calls Streaming the FIFA Club World Cup ...
13/06/2025
New Sponsor Spotlight: Vecima Networks' Paul Strickland on How Improving QoE...
13/06/2025
Pitch Perspective: Where's Next for Specialty Cameras in Soccer? Leaders from Sky Austria and ACS discuss the possibilities of camera placement pitchside B...