Sony Pixel Power calrec Sony

Can Web3 really deliver for the media industry?

25/05/2023

Three Medias Mark Rawlings-Smith details how media companies can use Web3 for both transcoding and media storage, as well as ownership of their data

By Contributor

Published: May 25, 2023

Three Media's Mark Rawlings-Smith details how media companies can use Web3 for both transcoding and media storage, as well as ownership of their data

target=_blank title=Share on LinkedIn class=share-linkedin>

If you read some of the things in the press at the moment, you could be forgiven for believing that Web3 is all about shady cryptocurrencies and people paying stupid amounts for JPEG cartoons in NFT form. Elon Musk said that Web3 seems more marketing buzzword than reality right now .

What I hope to do in this article is to convince you that all the underlying technologies behind Web3 are real and available today and that those technologies have the potential to transform the way we work in the media industry. Done right, it has the possibility to bring massive cost savings, greater security and network and operating resilience. Which sound like good things.

We should start with a definition of what we mean by Web3. It is a new iteration of the web, built upon some key concepts including decentralisation, blockchain and token-based economics. The underlying concepts have been a part of our digital world for decades: what we are doing now is using the ability to freely communicate digitally to bring emerging technologies into the mainstream.

Decentralisation is at the heart of everything. Today you may have all your assets in your building, where you are responsible for maintaining the locks and keys, and all the cybersecurity needed to prevent intrusions.

Or you may outsource to one of the major cloud providers. They are pretty good at maintaining security, and I would definitely not want to criticise them in that regard. But a single corporation has control over your assets, and they could turn you off or change the terms of the contract. And your log-in details are held in a central register which is a high-profile target for data breaches.

Web3 moves from data servers to the concept of nodes. Anyone - including you - can own and operate one or a number of nodes. But your data is distributed in a highly resilient manner across large numbers of these nodes, in a way which is determined by the network, and creates security through the use of a consensus protocol (I'll explain that in a moment).

There may be tens of thousands of nodes in the environment. And the more there are, the more secure and resilient it becomes.

Blockchains are new ways of managing data: the Web3 database if you like. A blockchain is, simply, a chain of blocks of data, where each block contains a number of transactions. What makes a blockchain different, and uniquely powerful, is that in a well-architected blockchain, once written, a block cannot be changed. Ever. That is where the consensus protocols come in.

So if your data is written across some unknown but potentially large number of nodes, in a form in which it cannot be changed, then you no longer need to trust the body looking after your data, whether that is your IT manager or a cloud provider. You have a trustless environment, which is at the heart of Bitcoin and other cryptocurrencies, but is obviously of benefit to any organisation with digital assets or looking to transact in globally available, open, public marketplaces.

Which brings us back to NFTs: non-fungible tokens. The high-profile cases have been around rich people buying artwork, but an episode of a television series could be an NFT. The ownership of that NFT could be stored on a blockchain; sale of the rights to the programme could be added to the blockchain; subscription charges to view it on pay-per-view could be recorded in the blockchain, and so on along the line.

From that, you will readily see that you can use the same Web3 environment to create smart contracts which, in our case, provide access to content including programmes. Once established, these contracts are maintained by passing tokens around, entirely automatically, including the financial reckoning at every stage. Consider the infrastructure OTT or pay-TV operators could lift out of their networks in a Web3 deployment or the ease with which one-off or new customers can be brought online.

If you have read this far, you may still be asking why you should be interested in Web3. Let me point out a couple of benefits.

The cost savings are astounding. Conversations with suppliers indicate that costs for both transcoding and mass storage for media files could be less than 20 per cent of today's cloud-based pricing.

The nature of Web3 depends upon highly secure cryptography. The result is that you have complete control over your identity and ownership of your data, and can clearly identify the people and the assets with whom, and over which, you are doing business. Both sides of the transaction are protected. With the risk from hackers and even hostile governments, this provides a new level of security.

Resilience is boosted through its distribution across large numbers of nodes. You could lose access to 40 per cent of those nodes at any time and still be able to deliver the content. How many nines resilience do you want? 15 nines if you like.

I have only had space to touch on the absolute basics of Web3, how it works and what it can do. If you want a fuller brief for media companies I have written a short e-book, which you can download at https://three-media.tv/brochures-videos/. And of course my colleagues and I at Three Media are here to help.

But I would urge you to at least start thinking about Web3 and how you can benefit from it. We all know that the media industry reacts slowly: we have been talking about IP connectivity for more than 20 years, the cloud for over a decade. Now is the time to dig deep
LINK: https://www.tvbeurope.com/media-management/can-web3-really-deliver-for...
See more stories from tvb

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

23/04/2026

NAB Honors Rob Lowe and John Tesh With Hall of Fame Induction

Share Copy link Facebook X Linkedin Bluesky Email...

23/04/2026

Roku, Samsung Dominate CTV Platform Market in U.S.

Share Copy link Facebook X Linkedin Bluesky Email...

23/04/2026

G&D and VuWall Strengthen International Sales Team

Share Copy link Facebook X Linkedin Bluesky Email...

23/04/2026

The 2026 NAB Show Reports More than 58,000 Attendees

Share Copy link Facebook X Linkedin Bluesky Email...

23/04/2026

SmallHD Monitor Overlay License for Hi-5 and Hi-5 SX deli...

Partnership between ARRI and SmallHD brings new Hi-5 license Configurable monitor overlays adapt to individual working styles Supported by SmallHD monitors ru...

23/04/2026

Jeff Cronenweth ASC Sheds Light on Tron Ares with Astera

Lighting Master Cronenweth ASC brings a unique look to each grid world with the help of Astera Jeff Cronenweth on the set of Disney's TRON: ARES. Photo by...

23/04/2026

ZEISS Supreme Primes Shine in Star-Driven Short Dr Sam

DP Chloe Smolkin ( The Late Show, Kidz Bop ) joins director Danielle Beckmann and writer/actor Raji Ahsan behind the camera for the heartfelt short comedy Dr...

23/04/2026

Apply now to join the 2026 Producer Delegation to TIFF: The Market

Apply now to join the 2026 Producer Delegation to TIFF: The Market 23 April 2026 Screen Australia, in partnership with Ontario Creates, has opened application...

23/04/2026

Tag, You're It: GeForce NOW Levels Up Game Discovery With Xbox Game Pass and Ubisoft+ Labels

GeForce NOW is doubling down on what matters most: gamers. This week's upgra...

22/04/2026

Live From NAB 2026: Solid State Logics Berny Carpenter on Expanding System T With Virtual DSP, Cloud Workflows

Solid State Logic is advancing its System T platform with a stronger focus on IP...

22/04/2026

Live From NAB 2026: Dolbys Giles Baker on the Growth of Dolby OptiView, Immersive Vision and Audio for Live Sports

From immersive audio to live streaming, Dolby Laboratories is focused on the fut...

22/04/2026

Live From NAB 2026: Blackmagic Design's Bob Caniglia on Implementing Cinematic Looks in Live Broadcasts

Shallow depth-of-field cameras have taken the industry by storm. Its debut a han...

22/04/2026

NAB 2026: Eastern Kentucky University deploys campus-wide ST 2110 network with Riedel and Bridge Digital

Riedel Communications (Booth C4908) announced that Eastern Kentucky University (...

22/04/2026

SportsTechBuzz at NAB 2026, Day 4: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

22/04/2026

NAB 2026: Blackmagic Design Announces URSA Cine 12K LF 100G

Blackmagic Design has announced the URSA Cine 12K LF 100G, a new model in the URSA Cine family adding 100G Ethernet for SMPTE 2110 live production output up to ...

22/04/2026

Live From NAB 2026: NEPs Martin Stewart Talks 40 Years, the NEP Platform, and Scaling for FIFA World Cup

Celebrating its 40th anniversary, NEP is leaning into hybrid production with the...

22/04/2026

Live From NAB 2026: NEPs Dan Murphy on NEP Platform, TFC, and the Shift to Software-Defined Workflows

NEP VP, Platform Dan Murphy sits down at the 2026 NAB Show to unpack what NEP P...

22/04/2026

Spotify and WNBA's New York Liberty Bring Basketball and Music Together With New Partnership

Spotify and the New York Liberty are teaming up to give music and basketball fan...

22/04/2026

The story of the Focusrite ISA preamp

New 20-minute documentary explores iconic design The Focusrite Room in Mesa, Arizona, where John Aquilino hosts the Studio Console 005. In 2025, Focusrite co...

22/04/2026

EverSync SP-10 wireless from Cloudvocal

Offers compact wireless solution for pedalboards Taiwanese audio brand Cloudvocal have announced the availability of a new pedalboard-friendly wireless syst...

22/04/2026

Arturia release Augmented Persia

Latest hybrid sampling/synthesis instrument arrives Arturia's Augmented series offerings rely on a mixture of sampling and synthesis, allowing users to ...

22/04/2026

Acustica Audio launch Salt 2

Combines three distinct analogue EQ emulations The latest addition to Acustica Audio's ever-expanding collection of analogue-emulation plug-ins combines...

22/04/2026

Analog Empire: Bass & Lead from Melda Production

Final instalment in vintage-inspired instrument series Analog Empire: Bass & Lead marks the final instalment in Melda Production's vintage hardware-insp...

22/04/2026

Strymon reveal the Canoga

Fuzz pedal joins all-analogue Series A line Given that Strymons reputation was built on unapologetically digital pedals, it was a little surprising to see t...

22/04/2026

SBS names shortlisted brands for 2026 SBS Media Sustainability Challenge

SBS names shortlisted brands for 2026 SBS Media Sustainability Challenge 22 April, 2026 Media releases National broadcaster also releases its second annual...

22/04/2026

The Frequency That Decides the Fight

Why Low Band Electronic Warfare Matters...

22/04/2026

Polish national football team play-off games top monthly programme list

The nation unites around football team's World Cup dream Warsaw, Poland, 20.04.26: Nielsen, a global leader in audience measurement, data, and media intell...

22/04/2026

Nielsen and the Polish Organisation of Advertisers announce strategic partnership to elevate marketing standards in Poland

Warsaw, Poland, 22.04.26: Nielsen, a global leader in audience measurement, data...

22/04/2026

Nielsen helps New Zealand brands expand internationally with greater clarity and confidence

New market intelligence offering gives businesses a clearer view of local consum...

22/04/2026

Glookast Unveils New UX, YouTube and Social Media Connectors, Premiere Panel, Cinnafilm Tachyon Plugin and More at NAB

Glookast Unveils New UX, YouTube and Social Media Connectors, Premiere Panel, Ci...

22/04/2026

Lightcraft Technology to Preview Spark Story at NAB 2026 with Interactive Previs Experience

Lightcraft Technology to Preview Spark Story at NAB 2026 with Interactive Previs...

22/04/2026

Bolin Demos New PTZ Cameras and Controller at 2026 NAB Show

Share Copy link Facebook X Linkedin Bluesky Email...

22/04/2026

Anchor Audio Launches Beacon 3

Share Copy link Facebook X Linkedin Bluesky Email...

22/04/2026

FCC Grants WSWB TV License Transfer to Sinclair

Share Copy link Facebook X Linkedin Bluesky Email...

22/04/2026

Telemundo Puerto Rico Streaming Channel Launches On Prime Video

Share Copy link Facebook X Linkedin Bluesky Email...

22/04/2026

Chyron Announces PRIME Translate

Share Copy link Facebook X Linkedin Bluesky Email...

22/04/2026

TV Tech Announces Winners of Best of Show Awards at 2026 NAB Show

Share Copy link Facebook X Linkedin Bluesky Email...

22/04/2026

VEON's Banglalink to Bring Starlink Mobile to Customers in Bangladesh

22 Apr 2026 VEON's Banglalink to Bring Starlink Mobile to Customers in Bangladesh Bangladesh becomes the third market where VEON and Starlink Mobile partne...

22/04/2026

FIRST LOOK FOR NEW U DRAMA SERIES HIT POINT

U have unveiled exclusive first-look images for their six-part police thriller Hit Point, starring Nick Blood (Day of the Jackal) and BAFTA nominee Saffron Hock...

22/04/2026

UKTV Highlights: Saturday May 9th -15th 2026

What can I watch on UKTV and stream on U this week? This week on UKTV and the free streaming service U, viewers can watch a range of new and returning programm...

22/04/2026

Sky announces fifth year of WNT Fund with 30,000 bursary supporting players and grassroots football

Wednesday 22 April 2026 Sky announces fifth year of WNT Fund with 30,000 bursa...

22/04/2026

This Earth Day, Discover the Sustainable Productions Behind Our Films and Series

Back to All News This Earth Day, Discover the Sustainable Productions Behind Our Films and Series Emma Stewart, Ph.D. Netflix Sustainability Officer Enterta...

22/04/2026

Retail Media Standards Are Expanding Into Commerce Media - Here's Why That Matters for Measurement

The move from Retail Media to Commerce Media is about broadening the scope of th...