
Three Medias Mark Rawlings-Smith details how media companies can use Web3 for both transcoding and media storage, as well as ownership of their data
By Contributor
Published: May 25, 2023
Three Media's Mark Rawlings-Smith details how media companies can use Web3 for both transcoding and media storage, as well as ownership of their data
target=_blank title=Share on LinkedIn class=share-linkedin>
If you read some of the things in the press at the moment, you could be forgiven for believing that Web3 is all about shady cryptocurrencies and people paying stupid amounts for JPEG cartoons in NFT form. Elon Musk said that Web3 seems more marketing buzzword than reality right now .
What I hope to do in this article is to convince you that all the underlying technologies behind Web3 are real and available today and that those technologies have the potential to transform the way we work in the media industry. Done right, it has the possibility to bring massive cost savings, greater security and network and operating resilience. Which sound like good things.
We should start with a definition of what we mean by Web3. It is a new iteration of the web, built upon some key concepts including decentralisation, blockchain and token-based economics. The underlying concepts have been a part of our digital world for decades: what we are doing now is using the ability to freely communicate digitally to bring emerging technologies into the mainstream.
Decentralisation is at the heart of everything. Today you may have all your assets in your building, where you are responsible for maintaining the locks and keys, and all the cybersecurity needed to prevent intrusions.
Or you may outsource to one of the major cloud providers. They are pretty good at maintaining security, and I would definitely not want to criticise them in that regard. But a single corporation has control over your assets, and they could turn you off or change the terms of the contract. And your log-in details are held in a central register which is a high-profile target for data breaches.
Web3 moves from data servers to the concept of nodes. Anyone - including you - can own and operate one or a number of nodes. But your data is distributed in a highly resilient manner across large numbers of these nodes, in a way which is determined by the network, and creates security through the use of a consensus protocol (I'll explain that in a moment).
There may be tens of thousands of nodes in the environment. And the more there are, the more secure and resilient it becomes.
Blockchains are new ways of managing data: the Web3 database if you like. A blockchain is, simply, a chain of blocks of data, where each block contains a number of transactions. What makes a blockchain different, and uniquely powerful, is that in a well-architected blockchain, once written, a block cannot be changed. Ever. That is where the consensus protocols come in.
So if your data is written across some unknown but potentially large number of nodes, in a form in which it cannot be changed, then you no longer need to trust the body looking after your data, whether that is your IT manager or a cloud provider. You have a trustless environment, which is at the heart of Bitcoin and other cryptocurrencies, but is obviously of benefit to any organisation with digital assets or looking to transact in globally available, open, public marketplaces.
Which brings us back to NFTs: non-fungible tokens. The high-profile cases have been around rich people buying artwork, but an episode of a television series could be an NFT. The ownership of that NFT could be stored on a blockchain; sale of the rights to the programme could be added to the blockchain; subscription charges to view it on pay-per-view could be recorded in the blockchain, and so on along the line.
From that, you will readily see that you can use the same Web3 environment to create smart contracts which, in our case, provide access to content including programmes. Once established, these contracts are maintained by passing tokens around, entirely automatically, including the financial reckoning at every stage. Consider the infrastructure OTT or pay-TV operators could lift out of their networks in a Web3 deployment or the ease with which one-off or new customers can be brought online.
If you have read this far, you may still be asking why you should be interested in Web3. Let me point out a couple of benefits.
The cost savings are astounding. Conversations with suppliers indicate that costs for both transcoding and mass storage for media files could be less than 20 per cent of today's cloud-based pricing.
The nature of Web3 depends upon highly secure cryptography. The result is that you have complete control over your identity and ownership of your data, and can clearly identify the people and the assets with whom, and over which, you are doing business. Both sides of the transaction are protected. With the risk from hackers and even hostile governments, this provides a new level of security.
Resilience is boosted through its distribution across large numbers of nodes. You could lose access to 40 per cent of those nodes at any time and still be able to deliver the content. How many nines resilience do you want? 15 nines if you like.
I have only had space to touch on the absolute basics of Web3, how it works and what it can do. If you want a fuller brief for media companies I have written a short e-book, which you can download at https://three-media.tv/brochures-videos/. And of course my colleagues and I at Three Media are here to help.
But I would urge you to at least start thinking about Web3 and how you can benefit from it. We all know that the media industry reacts slowly: we have been talking about IP connectivity for more than 20 years, the cloud for over a decade. Now is the time to dig deep
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
15/05/2026
Join Calrec at MPTS 2026 | May 13-14 | Stand A40 | Olympia, London We're looking forward to meeting up with customers and partners at this year's Media ...
15/05/2026
86% of media planners would move more linear TV budget to CTV if they had show-level targeting and reporting - and 65% would also shift dollars from programmati...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Clear-Com will showcase new communications solutions and major platform updates at InfoComm 2026 (Booth N7005), June 17-19, in the North and Central Halls of t...
15/05/2026
Following an outstanding inaugural year in 2025, Rise AV is proud to announce the return of its flagship leadership initiative, Elevate. The programme continues...
15/05/2026
Berklee Announces Lineup for Inaugural AI Music Summit The three-day event puts musicians at the center of the future of music creation, ethics, and the indus...
15/05/2026
Lightware returns to InfoComm 2026 with a focused showcase of scalable USB-C connectivity, next-generation AV-over-IP solutions, and technologies that help over...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Delivering a live, arena-scale production of a massively popular band is no small feat. Between expansive in-arena LED walls and a global live stream fed to onl...
15/05/2026
Connection is the heartbeat of any strong community, and with live streaming becoming more accessible in the modern era, it's much easier for faith-based or...
15/05/2026
Powered by GX 3 media servers, optimised IP-VFC workflows and on-site engineering expertise, the production delivers high-performance visuals for one of the wor...
15/05/2026
Against that backdrop, IAB UK has added retail media to its Gold Standard. Jan Pitt, Commercial Director at ABC, spoke with Liv McCullagh, Retail Media Lead at ...
15/05/2026
Further to RT 's statement released yesterday and in the interest of full transparency, with the full permission of Derek Mooney, we are now publishing the ...
14/05/2026
Sweetwater and Airstream have announced a custom-built Dolby Atmos mobile recording studio inside an Airstream trailer, set to tour music festivals, schools, tr...
14/05/2026
The American Association of Professional Baseball (AAPB) has announced a new par...
14/05/2026
ESPN has announced plans to transform Santa Monica Beach into a broadcast hub du...
14/05/2026
Amagi has announced a significant update to Amagi CLOUDPORT, its cloud-based broadcast playout platform. The update includes 250-plus features shipped in FY25-2...
14/05/2026
Clear-Com will exhibit at InfoComm 2026 (Booth N7005, June 17-19, Las Vegas Convention Center), introducing a new product that builds on Arcadia Central Station...
14/05/2026
Ikegami will exhibit at BroadcastAsia 2026 (Stand 5D3-1, Singapore Expo, May 20-22), introducing two new viewfinders alongside its existing camera, control, and...
14/05/2026
Grass Valley has announced that dB Broadcast has delivered new IP-based outside ...
14/05/2026
NAGRAVISION, a Kudelski Group company, has announced a partnership with the World Professional Billiards and Snooker Association (WPBSA) to launch Play Snooker,...
14/05/2026
Belden Inc. has announced a definitive agreement to acquire RUCKUS Networks from Vistance Networks for approximately $1.85 billion. The transaction has been app...
14/05/2026
NVIDIA has released the Content Localization Blueprint, a modular reference arch...
14/05/2026
Disney has announced that Disney will be the exclusive U.S. streaming home of the Banana Bowl, the Banana Ball league season championship, streaming live this ...
14/05/2026
Arkona technologies and technology partner manifold will demonstrate their production solutions on the Magna Systems and Engineering stand (Booth 5D1-1) at Broa...
14/05/2026
Haivision will host a webinar on Thursday, May 21 at 10 a.m. ET / 4 p.m. CET cov...
14/05/2026
The CW Network and ESPN have announced a sublicense broadcast agreement for The CW to televise ACC football and men's and women's college basketball gam...
14/05/2026
The agreement marks Scripps Sports' first NBA local rights deal...
14/05/2026
A new report from education-technology company Wiingy testing post-ChatGPT predictions against three years of real-world data has identified broadcasting as one...
14/05/2026
Global Citizen and FIFA have announced that Madonna, Shakira, and BTS will headl...
14/05/2026
LOS ANGELES, CA, May 14, 2026 - The nonprofit Sundance Institute announced today the cohort selected for the 2026 Episodic Lab program, taking place at Dunaway ...
14/05/2026
At Spotify, we're focused on making every listening experience feel intentio...
14/05/2026
Spotify recently welcomed songwriters, artists, executives, and music students t...
14/05/2026
New articulations, ostinatos, Motion Scoring Articulation Sets & more
Sonuscore's flagship cinematic string library has just been treated to a significa...
14/05/2026
World-class studio opens on T rkiye's Aegean coast
P r Recording & Residence have announced their official opening, introducing a new world-class reside...
14/05/2026
Now supports channel layouts up to 9.1.6
Nugen Audio have just released an update for their AI-powered dialogue intelligibility and compliance tool. Set to ...
14/05/2026
New recordings & one-key chord tool
UVI have just announced the release of Orchestral Suite 2, a ground-up redesign of their all-in-one symphonic orchestra ...
14/05/2026
Two new arrivals & expanded factory content
Rob Papen's all-encompassing plug-in and virtual instrument collection has just been treated to another upda...
14/05/2026
Embed QR codes into DAW sessions
FSK Audio's latest plug-in doesn't process audio, but serves as an organisational tool that allows QR codes to be e...
14/05/2026
SBS Board appoints Jane Palfreyman Managing Director
13 May, 2026
Media releases
The Special Broadcasting Service (SBS) Board of Directors is pleased to an...
14/05/2026
Transforming bold ideas into market-ready productions: Digital Originals returns
14 May, 2026
Media releases
SBS, NITV and Screen Australia have announced ...
14/05/2026
Australia Uncovered Returns to SBS with Bold New Season Featuring John Safran on...