Sony Pixel Power calrec Sony

Houston-based Clear Life Media Finds Niche in MMA, Pro-Wrestling, HS Football Production

24/03/2025

Houston-based Clear Life Media Finds Niche in MMA, Pro-Wrestling, HS Football Production Young company aims to add second production trailer, perhaps expand beyond Texas By Mark J Burns, SVG Contributor

Monday, March 24, 2025 - 2:26 pm

Print This Story | Subscribe

Story Highlights

Years ago, Curt Casper and Gardy Garcia met at a local church before becoming friends and morning radio co-hosts on KHEA 99.5 FM in La Marque, TX, in the late 2010s. They livestreamed their daily 2 -hour show on Facebook and YouTube, a now common practice in the media industry.

Today, Casper, a former teacher, and Garcia, a former touring musician, are co-owners of Houston-based Clear Life Media, a media enterprise concentrating on video production, livestreaming, podcasts, and television commercials.

At the onset of the pandemic, local nonprofits reached out to the radio co-hosts and asked for help livestreaming their fundraising galas. The duo jumped at the opportunity and quickly found a niche where they could provide immediate value.

Our mission statement when we decide to pick projects, says Casper, is that we stand behind community and positivity. We are not trying to be somebody doing gotcha news or covering a shooting or anything like that. We believe positivity is important in our society.

Clear Life Media has a 16-ft. production trailer and is considering a second to be able to execute multiple events on the same day.

Officially established as an LLC in February 2020, Clear Life Media initially livestreamed the nonprofit galas throughout Galveston County during the COVID-19 pandemic. It helped local organizations raise about $750,000 in 2 years, according to Garcia.

About the same time, he and Casper produced a $250 video for a local restaurant before moving to a $10,000 paying client, a local municipality. The two projects proved to be key milestones and momentum-drivers as the pair considered what the future could look like for Clear Life.

For me, Garcia says, It was like Wow, we can make this work as a business.' There was that feeling of, Let's do this.'

Both co-owners, who identify as huge sports fans, attribute part of their success - from the launch of Clear Life to the present - to Australia-based Blackmagic, a digital-cinema and technology company.

After incorporating Blackmagic products into the company's toolkit, our quality went through the roof, says Casper. And we started getting bigger clients. Clear Life's first big camera purchase, he notes, was Blackmagic's 4K Pocket Cinema Camera. Previously, the company used a Canon T5i to film professional videos.

The success from working with the nonprofits combined with early-paying clients and a passion for the production and media business spurred Casper and Garcia to step away from their full-time salaried positions in radio and commit to Clear Life Media.

We are pretty much like, Hey, we can handle it. Do you need something? We can do it,' says Casper. One day, I may be 14 stories high filming at a power plant or a petrochemical plant or setting up to do a boxing show. I may be sitting in the podcast studio, recording a podcast one day and, the next day, taking photos at a restaurant. Every day is something different.

Clear Life Media's production trailer houses eight stations for director, producer, colorist, graphics, audio, and other roles.

Clear Life's business currently focuses on four key formats: video production, television shows, podcasts, and livestreaming. Each category comprises roughly 25% of the overall enterprise, he estimates.

The company entered the sports space in 2022 after seeing an opportunity in combat sports regionally and locally. It's focused particularly on mixed martial arts, boxing, professional wrestling, and high school football.

Among Clear Life's first sports productions have been broadcasting submission grappling in jujitsu at the Booker T World Arena in Texas City and high school football in Texas. In 2023, Oscar De La Hoya's Golden Boy Promotions reached out to the company for broadcast.

Football is a different animal, Casper points out. With boxing, you're in a confined arena. At a football game, you have hundreds of feet of cable; you're outside in the weather. At the time, we didn't have a trailer. We worked underneath a tent. In Texas, it may be summer at 3:00 and downpouring at 7. You're like, This is awful.'

He and Garcia realized the business needed a production trailer and acquired a 16-ft. fiber-based mobile unit - which can fit inside Clear Life's new 2,000-sq.-ft. streaming, television, and podcasting studio. According to Casper, 90% of the gear in the trailer is from Blackmagic.

The trailer houses eight stations: designated spots for a director, producer, colorist, graphics, audio, replay, and other roles. Curt's a wizard when it comes to setting up our broadcast trailer, Garcia says of Casper.

Both the studio and the trailer are built around a Blackmagic workflow: URSA broadcast G2 camera, 6K Pro studio camera, Pocket Cinema Camera 4K digital film cameras, ATEM Constellation HD live production switchers, studio fiber converters, and DaVinci Resolve editing, color grading, visual effects (VFX). and audio-postproduction software.

Additional Blackmagic gear includes HyperDeck Studio HD mini disk recorders, UltraStudio 4K mini capture and playback devices, Blackmagic Cloud Store and Blackmagic Cloud Pod network-attached storage solutions, and Blackmagic Web Presenter 4K streaming encoders.

One of the joys of utilizing Blackmagic equipment, says Casper, is that we're able to plug almost anybody into anything and teach them how to use it pretty fast.

Inside Clear Life Media's production trailer

Clear Life, which employs about a half dozen contractors and
LINK: https://www.sportsvideo.org/2025/03/24/houston-based-clear-life-media-...
See more stories from svg

More from Sports Video Group

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...

20/04/2026

NAB 2026: IABM rebrands as IAMT and launches AI discovery platform and global alliance

International Association of MediaTech (IAMT), formerly known as IABM, announced...

20/04/2026

NAB 2026: Harmonic supports DIRECTV DTH platform upgrade with VOS Media Software

Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software. The deployment is...

20/04/2026

NAB 2026: Wasabi Technologies acquires Seagate Lyve Cloud business

Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...

20/04/2026

NAB 2026: EVS introduces Choreon robotics orchestration platform for unified production control

EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...

20/04/2026

SportsTechBuzz at NAB 2026, Day 2: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

20/04/2026

NAB 2026: Skyline Communications launches DataMiner packages on Grass Valley AMPP App Store

Skyline Communications announced the availability of its DataMiner xOps platform...

20/04/2026

NAB 2026: SNS launches Outpost, Trio and AI Suite for connected post-production workflows

Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...

20/04/2026

NAB 2026: Dell Technologies and NVIDIA present AI data platform for media workflows

Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...

20/04/2026

NAB 2026: Blackmagic Design Announces Fairlight Live Software Audio Mixer

Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...

20/04/2026

Live From NAB 2026: Imagine Comms Jimbo Haneklau Talks Prismon, Hybrid IP/SDI Workflows, and Cloud Playout

At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...

20/04/2026

Live From NAB 2026: LiveUs Phillip Broaddus on LU900Q Launch, Nexus Cloud Platform, and REMI Growth

At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...

19/04/2026

NAB Show 2026 Is Here! Follow All of our Live Coverage!

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Live From NAB 2026: Grass Valley CEO Jon Wilson on AMPPs Explosive Growth, Hybrid Workflows, and Whats New at the Show

Grass Valley is finding the right balance between its hardware heritage with an ...

19/04/2026

Live From NAB 2026: Oracles Kip Schauer on Why OCI Is Doubling Down on Media, Sports, and Broadcast

Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...

19/04/2026

Live From NAB 2026: Program Productions Jess Kowatch on Whats New with ProCrewz and the Impact of AI on Crewing

Program Productions, the live sports production industry's leading crewer, i...

19/04/2026

Live From NAB 2026: Aggrekos Joe Scionti on Powering the Super Bowl, PGA Championship, and the Road to the FIFA World Cup

At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...

19/04/2026

NAB 2026: Evertz to highlight evertz.io XChange for live event management and market switching

Evertz (Booth N817) is set to present new services within its evertz.io platform...

19/04/2026

NAB 2026: Evertz to showcase IPMX-certified NUCLEUS and MMA platforms for AV and ST 2110 integration

Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...

19/04/2026

NAB 2026: Evertz to showcase ENX media core for hybrid SDI and IP facilities

Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...

19/04/2026

NAB 2026: Evertz introduces Studer VistaVUE Touch for broadcast control

Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...

19/04/2026

NAB 2026: Evertz highlights X-CALIBER high-density encoding platform for media transport

Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...

19/04/2026

NAB 2026: Cobalt Digital introduces blueCORE standalone processors for SDI and ST 2110 workflows

Cobalt Digital (Booth N1340) will introduce the blueCORE family of standalone si...

19/04/2026

NAB 2026: Chyron and Asport to demonstrate AI-driven end-to-end sports production and distribution workflows

Chyron and Asport (Booth N2441) will demonstrate an integrated sports video work...

19/04/2026

NAB 2026: MediaKind outlines growth of Multiview deployments as Charter rollout expands in North America

MediaKind (Booth W1743) provided an update on its Multiview deployments at NAB S...

19/04/2026

NAB 2026: Calrec and Grass Valley announce partnership to integrate ImPulseV with AMPP platform

Calrec (Booth C6907) and Grass Valley (Booth C2408) announced a long-term broadc...

19/04/2026

NAB 2026: Oracle and partners to demo MoQ-based streaming ecosystem

Oracle is bringing a multi-partner demonstration of Media over QUIC (MoQ)-based live streaming to NAB Show 2026, showcasing how independent systems from multipl...

19/04/2026

NAB 2026: Encompass Digital Media and Oracle Cloud Infrastructure expand partnership for cloud-native broadcast operations

Encompass Digital Media announced an expanded partnership with Oracle Cloud Infr...

19/04/2026

SportsTechBuzz at NAB 2026, Day 1: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

19/04/2026

NAB 2026: Blackmagic Design Announces ATEM 4 M/E Constellation IP Switchers

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

18/04/2026

NAB 2026: MultiDyne begins shipping C16-AM-12G audio monitor for SDI and IP workflows

MultiDyne Video & Fiber Optic Systems has begun shipping the C16-AM-12G audio mo...

18/04/2026

NAB 2026: FOR-A America announces AI updates for IMPULSE platform and release of MixBoard and HVS-Q12 switchers

FOR-A America is set to detail AI functionality for its software-defined IMPULSE...

18/04/2026

NAB 2026: Cobalt Digital and SineSix Media integrate audio description technology for broadcast workflows

Cobalt Digital and SineSix Media have announced a partnership to integrate the v...

18/04/2026

NAB 2026: ATSC focuses on 3.0 broadcast standard implementation at NAB Show 2026

The ATSC, the broadcast standards association, is highlighting the status of the ATSC 3.0 internet protocol-based broadcast standard at the 2026 NAB Show. The e...

18/04/2026

NAB 2026: Bolin Technology introduces Range PTZR camera, R9-L420N PTZ, and KBD Plus controller

Bolin Technology has introduced a new range of hardware for live production envi...

18/04/2026

NAB 2026: KMH Integration showcases AV Casting workflow approach and new technology at NAB 2026

KMH Integration is participating in the 2026 NAB Show, focusing on its AV Casti...

18/04/2026

NAB 2026: Appear appoints Mike Burk as vice president of business development

Appear has appointed Mike Burk as vice president of business development for North America. Burk brings over two decades of experience in the broadcast and live...

18/04/2026

NAB 2026: Skyline Communications demonstrates DataMiner platform and AI capabilities at NAB Show

Skyline Communications is showcasing its DataMiner platform and the new DataMine...

18/04/2026

NAB 2026: Telos Alliance unveils new broadcast audio hardware and software at NAB Show

Telos Alliance is exhibiting its portfolio of broadcast audio products at the 20...

18/04/2026

NAB 2026: TAG Video Systems adds real-time monitoring to AWS Elemental MediaConnect Router

TAG Video Systems has announced an integration with the AWS Elemental MediaConne...

18/04/2026

NAB 2026: Blackmagic Design Announces DaVinci Resolve 21

Blackmagic Design has announced DaVinci Resolve 21, with a public beta available now for download. The update will be demonstrated at NAB Show 2026 (Booth N2502...

18/04/2026

NAB 2026: Calrec and Grass Valley Announce Audio Technology Partnership

Calrec (Booth C6907) and Grass Valley (Booth C2408) have announced a long-term broadcast audio technology partnership at NAB Show 2026, integrating Calrec's...