
SVG Sit-Down: Vizrt's Nicholas Jameson on AI in Workflows, Pushing Boundaries With XR/AR Virtual assets may someday soon be changed by voice command By Ken Kerschbaumer
Thursday, May 8, 2025 - 7:00 am
Print This Story | Subscribe
Story Highlights
There was a time when Vizrt had to do a lot of evangelizing around the role of extended reality and augmented reality in live sports or studio programming. That is no longer the case: XR and AR were two of the buzziest topics at NAB 2025. Couple that with the growth of AI in data visualization, another core aspect of Vizrt systems, and Vizrt Senior Customer Success Manager Nicholas Jameson had plenty to discuss at the show.
What were some of the key messages for Vizrt at NAB 2025?
Obviously, a lot of the news this year is around the investment in AI and focusing on AI functionality, AI features, and AI models that can help end users with their workload as opposed to just creating crazy graphics. One of the results of that is using AI with Reality Connect and Virtual Studio to allow [for example] talent to interact with AR objects and move around them or even do object tracking or telestration by just moving their arm or hand.
At NAB 2025, Vizrt's Nicholas Jameson noted a focus on AI that can help end users with their workload as opposed to just creating crazy graphics.
For workflow purposes, we want to use AI to make things like Libero and Arena and making them a bit faster and more intuitive and bringing them to the masses. Libero Go, for example, has object tracking and detection using AI, thanks to Nvidia cards that are smaller, denser, and can speed up what were previously longer processes. Viz Arena 5.5 has downstream cut detection, which smooths wipes and dissolves in camera feeds. And there are things like making virtual ads easier and cleaner.
What are some of the trends you are hearing from customers?
The consistent theme, especially from some of those core users, is more people are getting involved with AR. If you had asked me five years ago how many sports teams were doing AR graphics on a regular basis, it would be less than 10. Now there is a market of 120 teams in the U.S. alone that are ready to do AR, and they have the budget and appetite as well.
The networks - Fox, ESPN, NBC, CBS - are pushing the boundaries and chasing after AR. All of them are increasing investments, looking to make AR repeatable and available to all their productions.
Now they are looking at virtual-set extensions and doing keying without the need for a green screen, even taking those workflows to remote locations and quickly spinning up a virtual and an AR studio with keyable assets.
Where do you see generative AI helping take that to the next level?
A lot of people are trying to figure out the best way to use AI, and customers are deciding what they want to do with it. We recently put together a data center that is kind of a backbone data distribution inside the Viz Engine and can do things like creating an AI data connection in Libero that can use tracking and stats data to do things like social-media crops and push out player-specific highlights much more quickly than in the past.
Obviously, at NAB 2025, you continue to highlight virtual sets and volumetric capture, and you've been a leader in those spaces. How are those operations improving?
The new Render Pipeline we introduced in Viz Engine 5 gives more photorealism and realistic graphics with things like casting shadows and reflections. Our integration with Unreal opens a huge market for us, as everybody is building in it and playing around with it. We continue to make sure our Viz Engine renderer supports Unreal, but we also support other 3D build and render platforms, like Cinema 4D and Blender.
The name of the game, ultimately, is making sure you're getting the most out of the hardware platform, and it's all about bringing immersion to a new level. We're seeing users move back to using the Viz Engine renderer as the core render platform, and we can use Unreal so our tracking data can create a smooth look for projects in stadiums or volumetric shoots with players and things like that.
It seems like, at some point, we'll be seeing voice commands to create a virtual-studio environment.
I think so. I've seen a couple of CAD design tools that can create a CAD with voice prompts. Right now, we have the ability for on-air talent to interact with a virtual touchscreen in the virtual studio without the need to buy a physical screen. It uses hand gestures, but we're probably closer than we think to being able to use voice commands to change virtual assets.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
06/07/2026
Zhongyi Optics unveils the Dreamy Zone T1 FF Cine Lens Series on Indiegogo with ...
05/07/2026
We've gone to another level of integrating the graphics into the set architecture -Zac Fields, Fox Sports, SVP of Graphic Technology and Integration...
05/07/2026
Browser-based and desktop apps available
Digital Sunset Studios have been busy working on an interesting project: a free software tool that provides compute...
04/07/2026
When Canada qualified for the FIFA World Cup 2026, OneSoccer knew this wasn'...
04/07/2026
Celebrates company's 80th anniversary
Rhodes have recently revealed that they will be producing a limited run of electric pianos in celebration of their...
04/07/2026
Blackmagic Design Cameras Empower Youth Broadcasting Program
Brie Clayton July 3, 2026
0 Comments
Blackmagic Pocket Cinema Camera 6K Pro and Blackmagi...
04/07/2026
iZotope Joins Boris FX
Boris Yamnitsky July 3, 2026
0 Comments
iZotope, the team behind RX and Ozone, is joining Boris FX. A letter from founder Boris...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
03/07/2026
New bundle & three Single Packs
Continuing to expand their already sizeable orchestral collection, VSL's latest release introduces three new Single Pack...
03/07/2026
Venue installs new ATC-equipped control room
LSO St Luke's, a unique music venue that also serves as the home of the London Symphony Orchestra, have rec...
03/07/2026
Caden Pearson appointed new Commissioning Editor for NITV
3 July, 2026
Media releases
National Indigenous Television (NITV) has strengthened its commitment...
03/07/2026
1 February 2023
SHARE Facebook Twitter Linkedin Email
Munich, Germany, 1st February 2023: Cinegy GmbH, the premier provider of software technology for digit...
03/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/07/2026
Death Star
Andy Marken July 2, 2026
0 Comments
Look, I can't get involved. I've got work to do. It's not that I like the Empire; I hate i...
03/07/2026
Berklee's New Visual Identity: Honoring Our History, Building for What's...
03/07/2026
Scripps Research scientists awarded $2M to advance global disease surveillance Two Gates Foundation grants will expand wastewater surveillance and AI-driven dis...
03/07/2026
Joan Pulupa joins Scripps Research faculty to study the organization of DNA in brain cells and its links to neurodegeneration Using smell-sensing neurons and ad...
02/07/2026
Entering her senior year, this hometown girl is paving a career in live sports production gaining experience in replay and audio and as a TD
In the live-sports...
02/07/2026
In-venue and creative video staffers at the professional and collegiate level ha...
02/07/2026
BLAST, a competitive entertainment company focused on esports, has announced more than $133 million in revenue for 2025, representing more than 40% year-over-ye...
02/07/2026
Riedel Communications has announced official SKAARHOJ panel support for SimplyLive production workflows, enabled through the SimplyLive 2.1 release. The integra...
02/07/2026
The Fire Rescue Service of the Czech Republic has deployed LiveU video-over-bond...
02/07/2026
Gravity Media USA has announced the appointment of Brittney Boston as Head of Business Development, effective July 1, 2026. Based in Nashville, Tennessee, Bosto...
02/07/2026
TwelveLabs, a video intelligence company, has announced $100 million in Series B funding co-led by NEA and NAVER Ventures, with participation from Amazon, Radic...
02/07/2026
The Pro Padel League (PPL) has announced a broadcast partnership with USA Sports that will air five PPL championship matches on CNBC during the 2026 season, the...
02/07/2026
LiveLike, a digital fan engagement platform, has announced eight confirmed FIFA ...
02/07/2026
Cobalt Digital has received Future's Best of Show Award, presented by AV Technology at InfoComm 2026, for its blueCORE family of standalone signal processor...
02/07/2026
Synamedia has announced the appointment of Dr. Tzvi Gerstl as Chief Executive Officer. Paul Segre, who has served as CEO for the past six years, will transition...
02/07/2026
The Esports Foundation (EF) and Sony Group Corporation have announced an expanded collaboration for the Esports World Cup 2026 (EWC), taking place in Paris, Fra...
02/07/2026
Zee Entertainment Enterprises Ltd. ( Z') has announced exclusive broadcast and digital rights for the Bundesliga in India for five years, beginning with the...
02/07/2026
An effort uniting News, Sports, Local, and Telemundo, the 50+-camera live produc...
02/07/2026
Zoey Deutch, John Slattery, Ken Marino, Miles Gutierrez-Riley, and Ben Wang appe...
02/07/2026
Stammering, stuttering, strangulated tones
The Crow Hill Company's latest creation promises to be the most original sound set they've produced to d...
02/07/2026
A new era in unmixing and spectral editing
The latest version of Steinberg's spectral audio-editing software has just arrived, building on the strength...
02/07/2026
Aims to simplify additive synthesis
Sine Machine is the debut launch from Melatonin, a Vienna-based developer who have spent the past six years creating wha...
02/07/2026
Products to remain fully active & supported
Following the news of Native Instruments joining the inMusic brand line-up, Academy and Emmy Award-winning visua...
02/07/2026
What you missed!
Last weekend, Saturday 27 June 2026, saw the debut of Sound On Sounds new GearExpo UK event, the largest dedicated pro-audio event to take ...
02/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/07/2026
Following the successful launch of its inaugural APAC Mentoring Programme last month, the Rise AV APAC Regional Council will bring the conversation around mento...
02/07/2026
Blackmagic PYXIS 6K Used to Shoot Director Takahisa Zeze's Cry Out
Brie Clayton July 2, 2026
0 Comments
Highly mobile camera supports tense and de...
02/07/2026
Broadcast Solutions acquires BFE, expanding its lead in European broadcast, medi...
02/07/2026
Berklee Alum and Faculty Perform at Boston Public Library's 250th Anniversar...
02/07/2026
Broadcast Solutions GmbH, a leading systems integrator and provider of innovative solutions for the broadcast media industry, is acquiring BFE Studio und Medien...
02/07/2026
Cinegy GmbH, the premier provider of software-defined television technology, has extended the ingest facility at leading Brazilian sports company LiveMode, work...