
SVG Sit-Down: Vizrt's Nicholas Jameson on AI in Workflows, Pushing Boundaries With XR/AR Virtual assets may someday soon be changed by voice command By Ken Kerschbaumer
Thursday, May 8, 2025 - 7:00 am
Print This Story | Subscribe
Story Highlights
There was a time when Vizrt had to do a lot of evangelizing around the role of extended reality and augmented reality in live sports or studio programming. That is no longer the case: XR and AR were two of the buzziest topics at NAB 2025. Couple that with the growth of AI in data visualization, another core aspect of Vizrt systems, and Vizrt Senior Customer Success Manager Nicholas Jameson had plenty to discuss at the show.
What were some of the key messages for Vizrt at NAB 2025?
Obviously, a lot of the news this year is around the investment in AI and focusing on AI functionality, AI features, and AI models that can help end users with their workload as opposed to just creating crazy graphics. One of the results of that is using AI with Reality Connect and Virtual Studio to allow [for example] talent to interact with AR objects and move around them or even do object tracking or telestration by just moving their arm or hand.
At NAB 2025, Vizrt's Nicholas Jameson noted a focus on AI that can help end users with their workload as opposed to just creating crazy graphics.
For workflow purposes, we want to use AI to make things like Libero and Arena and making them a bit faster and more intuitive and bringing them to the masses. Libero Go, for example, has object tracking and detection using AI, thanks to Nvidia cards that are smaller, denser, and can speed up what were previously longer processes. Viz Arena 5.5 has downstream cut detection, which smooths wipes and dissolves in camera feeds. And there are things like making virtual ads easier and cleaner.
What are some of the trends you are hearing from customers?
The consistent theme, especially from some of those core users, is more people are getting involved with AR. If you had asked me five years ago how many sports teams were doing AR graphics on a regular basis, it would be less than 10. Now there is a market of 120 teams in the U.S. alone that are ready to do AR, and they have the budget and appetite as well.
The networks - Fox, ESPN, NBC, CBS - are pushing the boundaries and chasing after AR. All of them are increasing investments, looking to make AR repeatable and available to all their productions.
Now they are looking at virtual-set extensions and doing keying without the need for a green screen, even taking those workflows to remote locations and quickly spinning up a virtual and an AR studio with keyable assets.
Where do you see generative AI helping take that to the next level?
A lot of people are trying to figure out the best way to use AI, and customers are deciding what they want to do with it. We recently put together a data center that is kind of a backbone data distribution inside the Viz Engine and can do things like creating an AI data connection in Libero that can use tracking and stats data to do things like social-media crops and push out player-specific highlights much more quickly than in the past.
Obviously, at NAB 2025, you continue to highlight virtual sets and volumetric capture, and you've been a leader in those spaces. How are those operations improving?
The new Render Pipeline we introduced in Viz Engine 5 gives more photorealism and realistic graphics with things like casting shadows and reflections. Our integration with Unreal opens a huge market for us, as everybody is building in it and playing around with it. We continue to make sure our Viz Engine renderer supports Unreal, but we also support other 3D build and render platforms, like Cinema 4D and Blender.
The name of the game, ultimately, is making sure you're getting the most out of the hardware platform, and it's all about bringing immersion to a new level. We're seeing users move back to using the Viz Engine renderer as the core render platform, and we can use Unreal so our tracking data can create a smooth look for projects in stadiums or volumetric shoots with players and things like that.
It seems like, at some point, we'll be seeing voice commands to create a virtual-studio environment.
I think so. I've seen a couple of CAD design tools that can create a CAD with voice prompts. Right now, we have the ability for on-air talent to interact with a virtual touchscreen in the virtual studio without the need to buy a physical screen. It uses hand gestures, but we're probably closer than we think to being able to use voice commands to change virtual assets.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
08/06/2026
The two execs discuss the goals and the challenges of building a huge multi-cult...
08/06/2026
This industry legend has been a road warrior since the early '90s and is, today, a lynchpin on College GameDay
The sports-production industry continues to ...
08/06/2026
DAZN has agreed a multi-year rights partnership with Extreme Fighting Championship (EFC), expanding its global combat sports portfolio.
DAZN will broadcast EFC...
08/06/2026
As fans move across broadcast, streaming, social, mobile and creator-led platforms, and they expect every angle, in real time, TVU Networks has released a new e...
08/06/2026
Infront has further strengthened the 2026 Diamond League's international bro...
08/06/2026
Grass Valley has announced the appointment of Sam Craig as Vice President, Global Pre-Sales. Based in the United States, Craig will lead Grass Valley's glob...
08/06/2026
SMPTE has announced its summer 2026 education lineup covering IP networking and SMPTE ST 2110, including two standalone courses, a 13-week boot camp, and a hand...
08/06/2026
Sportradar Group AG has announced a multi-year global agreement with Kalshi, a p...
08/06/2026
FIFA and Gamefam have announced the launch of a FIFA World Cup 2026 event on Roblox, running June 5 through July 31, 2026. The event centers on FIFA Super Socce...
08/06/2026
A collaboration of NHL Productions, Monumental Sports, and Michael Levitt Produc...
08/06/2026
CBS Sports production staffer Bryce Adair has died at the age of 31 after sustaining injuries during a car accident on Wednesday while in Ohio working the the P...
08/06/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
08/06/2026
WMT Digital today announced the launch of WMT Fan Intelligence, designed to unif...
08/06/2026
The Heat are the seventh NBA team to air their games over-the-air next season...
08/06/2026
Paramount and UFC have announced an expansion of their media rights partnership making Paramount the exclusive home of UFC Numbered Event main cards in Canada ...
08/06/2026
The Qatar Football Association (QFA), in cooperation with Sponix and broadcaster...
08/06/2026
Project B has announced the appointment of Host Broadcast Services (HBS) as Offi...
08/06/2026
The Buckeyes now produce and stream upwards of 200 sports events annually with a...
08/06/2026
At Spotify, our commitment to the LGBTQIA community is year-round. Through GLOW, our global music program, we celebrate and amplify the contributions of queer ...
08/06/2026
Get Hands-on With Keyboard & Synth Brands
GearExpo UK wouldn't be complete without some synth action, and we've got some of the industry's most ...
08/06/2026
50 popular in-ear monitoring system profiles added
The latest update for IK Multimedia's headphone-correction system has just arrived, and introduces ca...
08/06/2026
Manny Marroquin signature cans upgraded with SLAM Technology
The flagship model in Audeze's Manny Marroquin Signature Series has just been treated to an...
08/06/2026
Air domain supremacy redefined - New counter UAS, space solutions and directiona...
08/06/2026
he BBC and BritBox have announced that Edward Bluemel (We Might Regret This, My ...
08/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/06/2026
Dante interfaces, intercom and control systems for modern AV environments
Glensound will showcase a focused range of networked audio and intercom solutions fo...
08/06/2026
Bminty is proud to celebrate the first anniversary of T18, the new free national French DTT channel launched on June 6, 2025. This symbolic milestone also marks...
08/06/2026
DaVinci Resolve Used For Global Collaboration on Tony Foster Documentary
Brie Clayton June 8, 2026
0 Comments
DaVinci Resolve Studio and Blackmagic Cl...
08/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/06/2026
Plus, 20% off TVs ahead of kick-offMonday 8 June 2026
Sky introduces Real Time...
08/06/2026
FOX Secures Live NFL Game Package in Mexico Starting in Fall 2026 Agreement Features Thursday Night Football, Sunday Games Package, Thanksgiving Day Games, al...
08/06/2026
FOX One, FOX Sports and Indeed Name Austin Franklin and Kevin Akoto as FOX One C...
08/06/2026
Meet us on the show floor
Stand #286310 Discover Nara, the media management tool used by major facilities including Harbor and Molinare.
Nara v2 introduces re...
08/06/2026
L'art de l'Image dans Reflet dans un diamant mort' Une conversation avec le directeur de la photographie Manuel Dacosse, SBC et l' talonneur Pe...
08/06/2026
Embracing today's modern media workflows: FilmLight presents Nara 2.0, with FilmLight API Designed to support the growing demands of today's production ...
08/06/2026
Moderated by Andy Minuth, FilmLight's Colour Workflow Specialist
Wednesday 18 February
6:00pm / Doors open
7:00pm / Presentation in German
8:00pm / Drin...
08/06/2026
Join us on April 14 at 10:00am for a technical roundtable with the Filmlight dev...
08/06/2026
You're invited to FLAPI Classroom The fundamentals of coding and machine-assisted development
These sessions will help you build the skills needed to cre...
08/06/2026
With Sylvain Canaux (St Louis, Paris) and J r me Cloutier (MELS, Montreal)
Wednesday 6 May
Pick your time: 1:00PM / 5:00PM
Note: The presentation will be hel...
08/06/2026
FilmLight, 1107 N El Centro Ave, Los Angeles
Doors open at 3:30pm
Join the FilmLight team on June 9th at 4pm to learn how FilmLight products and APIs can stre...
08/06/2026
The Creators List launched to Help Brands Connect With Top Creators In CannesThe curated directory launched by Tubefilter, Comscore, Whalar Group and Gospel Sta...
08/06/2026
Irish YouTube star DavidMC joins Aisling O'Reilly to tackle all things socce...
07/06/2026
Company introduce 21 new protective covers
Decksaver have just announced their Sping 2026 Drop, which sees a total of 21 new models added to their ever-grow...
07/06/2026
How to Recreate the Star Trek TNG jump to warp in After Effects
Graham Quince June 7, 2026
0 Comments
In 1987, John Knoll at ILM had to use labor-inte...
07/06/2026
Filming Coffee Communities with Blackmagic PYXIS
Brie Clayton June 7, 2026
0 Comments
Remote travel, fast setups and hard sun shaped this documentary ...
07/06/2026
NVIDIA and Doosan Group are expanding their collaboration to advance new opportu...