
Conceived and presented by the climate activist and filmmaker Jack Harries, Seat at the Table is a 12-part YouTube series produced by Studio Silverback. Giving voice to people worldwide who stand to lose most to climate change, it incorporates segments filmed in many different countries, and yet was produced in the most sustainable manner possible. Cinematographer Josua St bler speaks here about why he chose the ALEXA Mini LF, what benefits large format brought, and how the complex, pandemic-hit production unfolded.
Could you describe how the project came about and how you got involved?
Back in early 2021, Jack Harries and Studio Silverback came up with the idea of a film that gives the people on the front lines of climate change a voice. The project was commissioned by YouTube and I was approached to be the director of photography. Originally the plan was to travel the globe for six months, finding these people and telling their stories, but then another wave of Covid-19 hit and the whole project had to be rethought. They came up with the idea of shooting for three months only in the UK and collaborating with local crews in 11 different countries to tell the international stories. It was my job to develop a visual style for the project and to brief the international crews on that visual style.
DP Josua St bler operating the ALEXA Mini LF handheld on the UK coast.
What led you to large format, and to the ALEXA Mini LF?
As a DP, around 70% of my work is commercials and 30% is documentaries, and for commercials I shoot on ALEXA exclusively when Im not shooting analog. I really like what the ALEXA does with colors; I know how to work with ALEXA and how to expose the sensor, so for me that choice was clear from the start.
For this project we wanted to have 4K and to be as close to the characters as Covid rules allowed, shooting handheld with wide-angle lenses for a sense of physical intimacy. This led us to large format and to the ALEXA Mini LF. Usually we used lenses between 24 mm and 35 mm, and the LF sensor looks really cool at those focal lengths because of the shallow depth field. When we shot huge landscapes, the LF sensor somehow made them even more epic.
How did you handle the international crews having different camera equipment?
Of course, not every local crew had the opportunity to source an ALEXA in their country. Quite early on I did a test with my colorist in Germany where we compared the ALEXA Mini LF to Canon and Sony large-format cameras, and we came up with a show LUT and a system to convert the Sony and Canon images into our color space. The final grade was done at another post house in Bristol, in the UK, but they were able to make use of the work I had done with my colorist to conform footage from all the cameras to match the look of our show LUT.
Presenter Jack Harries behind ALEXA Mini LF with mirror rig for socially-distanced eye contact interviews.
What else was in your brief to the international crews?
The most obvious and detailed thing was how to set up, frame, and light the interviews. Throughout the show, we interviewed people in front of a black backdrop, so it was important that the backdrop and lighting were the same for everyone, whether they were a scientist with 30 years of climate experience or a farmer who realized two years ago that his crop isn't growing anymore. I did detailed tests and was very specific in my briefing about light sources, distances, exposure, and contrast ratios.
For the overall look of the show, my briefing contained stuff like shooting B-roll in slow motion for a cinematic feel; always shooting wide open for shallow depth of field and to take advantage of the large-format sensor; using gimbals for certain types of shot, or long lenses and tripods for other kinds of shots. But I also encouraged the local filmmakers to come up with their own creative ideas, and I was really happy with what we got back. It was great to see how many talented filmmakers are working around the world, even in places like the Maldives and Cambodia, where there are no big film schools.
Setting up the black background for one of the interviews.
Did you go to as many different kinds of environment within the UK as you could?
Yes, we went everywhere from the Isles of Scilly in the far south to the Orkney Islands, which are almost the most northern tip of the UK. We had a really diverse experience of British landscapes, with some places that looked like the Caribbean to me, and others that were incredibly rough and wild, with harsh winds. Finally in November we ended up in Glasgow for COP26, the UN climate conference, where we shot our final two episodes.
The wildness of some of the locations was one of the reasons why I chose the ALEXA Mini LF, because I knew I could trust it. We were trying to travel carbon neutral, so we were always on different vehicles, like tiny sail boats in rough seas, with the camera bumping against everything. We shot in rainy forests in the middle of Scotland; we hiked up mountains chasing sunsets. On the Isle of Skye, we had to cross a river with the camera on my shoulder, so it was really tested, and it didn't let us down.
DP Josua St bler (left) and presenter Jack Harries at COP26 in Glasgow.
You did a lot of operating yourself, but what crew did you have?
I had a camera assistant, but he was also a production assistant. We were such a small crew that he had to help with other stuff. Focus wise, I was managing the camera on my own. He helped me with batteries and changing lenses, but in terms of the camera setup, I needed to be self-reliant. The ARRI Master Grips came in handy; I had a cforce motor on the lenses and I used the Master Grips to control focus and dial-in the iris. Thats also why I chose Canon EF lenses, because theyre quite small and I can carry two or three in my backpack.
It was easy t
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
15/04/2026
Open Broadcast Systems has announced that BBC World Service has selected its IP ...
15/04/2026
LiveU has announced an expansion of its collaboration with Sony Corporation, add...
15/04/2026
Ateme has announced a collaboration with NVIDIA to support live Apple Immersive ...
15/04/2026
The Professional Fighters League (PFL) has announced a multi-year partnership renewal with DAZN DACH, covering Germany, Switzerland, Austria, Liechtenstein, and...
15/04/2026
Canon U.S.A. (NAB Booth C3825) today took the lid off of the CINE-SERVO 40-1200m...
15/04/2026
Panasonic Video and Audio Systems North America and NEP Group will demonstrate a...
15/04/2026
For the fourth year running, independent analysts found businesses across all industries and verticals pay roughly the same amount in fees as they spend on stor...
15/04/2026
The Soccer Tournament (TST) has announced a media rights deal with NBC Sports to...
15/04/2026
JB&A will host the Pre-NAB 2026 Technology Event on April 17-18 at Flamingo Las Vegas, ahead of NAB Show. The event features hands-on demonstrations and technic...
15/04/2026
The Sennheiser Group will exhibit at NAB Show 2026 (Booth 4931, Central Hall), with demonstrations from Sennheiser, Neumann, and Merging across three areas: Rel...
15/04/2026
NAB Show 2026 will take place April 18-22 at the Las Vegas Convention Center, wi...
15/04/2026
AI-Media has announced the LEXI Text Encoder and LEXI Voice Encoder at NAB Show 2026, the company's first new encoder hardware release in more than a decade...
15/04/2026
Italian camera support manufacturer Cartoni will introduce several new products at NAB Show 2026 (Booth C6540, Central Hall), including the Master 30 OB fluid h...
15/04/2026
Lawo and swXtch.io have announced a memorandum of understanding at NAB Show 2026, under which Lawo will explore incorporating swXtch.io's groundSwXtch softw...
15/04/2026
CacheFly will exhibit at NAB Show 2026 (Booth W3129, April 19-22, Las Vegas Convention Center), showcasing three new additions to its content delivery platform:...
15/04/2026
Synamedia has announced GO Shorts, a new module within its Synamedia Go OTT platform that uses AI to convert an operator's existing content library into a s...
15/04/2026
The NAB Show kicks off on Saturday, and the SVG and SVG Europe editorial teams a...
15/04/2026
AJA Video Systems has announced an agreement to acquire Comprimato, a live video encoding and processing software company. The deal will unite the two companies...
15/04/2026
Prime Video Sports' NBA Playoffs coverage, which includes the entire SoFi NB...
15/04/2026
Just announced, the SDE standard provides a unified method and file format to ensure consistent and reliably comparable noise predictions
Sports and entertainm...
15/04/2026
From immersive storytelling to laugh-out-loud comedies, podcasts are booming in ...
15/04/2026
Books have always moved with us, whether tucked in our bags or humming in our he...
15/04/2026
For many artists, independent venues are where music careers begin and fan communities take shape. Independent venue operators work hard every day to keep local...
15/04/2026
From gripping thrillers to poignant memoirs, the 21st century has had no shortage of unforgettable books. To celebrate the standout storytelling of our modern e...
15/04/2026
Vintage broadcast experts release second plug-in
Telsie T is the second plug-in to be released by SonicWorld, a German audio company who specialise in servi...
15/04/2026
Includes eight free UAD plug-ins
Universal Audio's latest bundle brings together a selection of their renowned plug-ins and virtual instruments, and is ...
15/04/2026
Maximum uptime for broadcasters: Rohde & Schwarz launches R&S BroadcastShield at...
15/04/2026
Image courtesy of MD Helicopters...
15/04/2026
Virginia Gov. Abigail Spanberger, L3Harris VP Mark Farley, and state and local l...
15/04/2026
U.S. Space Forces Ground-Based Optical Sensor System upgrade at the Maui Space S...
15/04/2026
NBCU-Versant notches 13.1% of TV viewing in February, its best since August 2024...
15/04/2026
New data reveals older Kiwis are financially resilient, loyal to local products,...
15/04/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, announces the market launch of the ACCE...
15/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/04/2026
Evergent introduces its Agentic Revenue Orchestration Platform, transforming how subscription businesses across direct-to-consumer streaming, pay-TV, telecommun...
15/04/2026
Harmonic's XOS Media Processor Delivers Exceptional Video Quality to More than Half of U.S. Public Media Viewership
Harmonic (NASDAQ: HLIT) today announce...
15/04/2026
LONGMONT, COLORADO, APRIL 15, 2026 DPA Microphones N Series Digital Wireless System users in North America can now take full advantage of the system's exc...
15/04/2026
Cobalt Iron, a leading provider of SaaS-based enterprise data protection, today announced the launch of Compass Tape Gateway (CTG), a transformative enhancemen...
15/04/2026
Disguise to Showcase Cutting-Edge Experience Tech for Sports, Broadcast and More...
15/04/2026
Arooj Aftab Makes the Music She Wants to Hear The singular artist explores the juxtaposition of grief and joy, dark and light, in her distinctive sound.
Apri...
15/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/04/2026
Interra Systems, a provider of end-to-end quality assurance solutions for the digital media industry, is proud to announce its central role in the digital trans...