
ESPN's College GameDay Pulls Double Duty With Back-to-Back Shows at Alabama on Saturday, South Carolina on Sunday Two teams will be deployed to cover must-see men's and women's games 300 miles apart By Kristian Hern ndez, Senior Editor
Friday, February 14, 2025 - 2:43 pm
Print This Story | Subscribe
Story Highlights
ESPN's College GameDay, the broadcaster's marquee college-basketball studio show, is accustomed to traveling around the nation to different campuses throughout the season. This weekend, though, will be an entirely new experience: the show will not only highlight must-see matchups in both the men's - No. 1 Auburn vs. No. 2 Alabama - and the women's - No. 7 UConn vs. No. 4 South Carolina - game but do it back-to-back on Saturday and Sunday.
For as many times as College GameDay has been to the University of Alabama for college football, last year was the first visit to Alabama for basketball in the 20-year run of College GameDay going on the road, says Judi Weiss, manager, remote operations, ESPN. Both [men's and women's basketball] shows will broadcast from their [respective] basketball arena.
Writing a Plan: Preseason Talks Bring Vendors, Resources on Board for the Road Ahead Prior to tipoff of the first game, ESPN's remote-operations and production teams formulate a thorough plan for the entire regular season. The planning process typically begins in late October, and an initial conference call or email will notify the crew in early January what the first destination will be. The bulk of this phase is handled by two managers from remote operations and an operations specialist, who sift through the onsite surveys and oversee execution of the plan. In total, they work alongside a team of 39, including an operations producer and the vendor partners. Keeping the production crew on the same page requires constant sharing of ideas, and a back-and-forth dialogue is essential.
The 2025 College GameDay schedule tipped off on the Auburn campus on Jan. 25.
Communication with production colleagues is crucial for synergy heading into the season and throughout, says Weiss. Initially, we'll have biweekly calls with our core team, including crewing, network traffic, IT, finance, production, and operations. As the season gets closer, these meetings transition to a weekly cadence and expand to include sales, marketing, legal, security, safety, PR, and school representatives. This structured approach ensures that everyone has a clear blueprint for how each week's show will come together.
One of the key pieces to the puzzle to get locked down is the mobile units, camera equipment, and other technological needs. In addition, available freelance production and operations staff must be found. With College GameDay starting in late January and the expanded College Football Playoff putting the National Championship on Jan. 20, a tight turnaround made crewing a challenge.
Securing vendors and facilities for the season is a time-intensive process, notes Weiss. Studio events present unique and unpredictable challenges. Executing production's creative vision requires adaptability, creativity, and a full-time commitment. Changes can be made, and last-minute production requests are not an exception but the norm.
Luckily, the necessary gear and infrastructure were secured. Coverage of the men's games relies on Game Creek Video GameDay mobile unit; Illumination Dynamics for lighting; West River Light and Sound for the staging/PA mix; CP Communications for RF audio; the JayBird Jibs jib camera; a Bristol, CT-based Steadicam operation; and a new 7- by 13-ft. Versa Screen by Go Vision for talent talkbacks, deeper analysis, and breakdowns. The women's shows have been using a Live Media Group HD21 Lucie mobile unit, which is the same truck used for SEC Nation during the college-football season; True Grip staging, lighting, and PA mix; Faction Media Steadicam and operator; CP Communications RF audio; and JayBird Jibs jib camera. This week, a new workflow will be introduced: a live interview during the show will deploy a Proto Luma Hologram system.
Two Crews: One for the Men's Game in Tuscaloosa; the Other for the Women's in Columbia As the college-basketball season got underway, ESPN was prepared for seven shows for the men's side and five for the women's side. All things were going as planned, until unexpected winter weather in the Southeast disrupted the scheduled game between LSU and the University of South Carolina in late January.
ESPN announcer Rece Davis (right) speaks with reporter Alyssa Lang on the new 7- by 13-ft. Versa Screen by Go Vision.
The season's first weekend for both shows was not the usual back-to-back, with the women's show from the University of South Carolina in Columbia scheduled for Thursday, Jan. 23 and the men's show from Auburn University on Saturday, Jan. 25, says Weiss. Due to weather in New Orleans, LSU was unable to travel to South Carolina, and College GameDay [was canceled]. Despite the setback, the operations team, vendors, and crew - who were already in the middle of preseason truck setup and inventory - were able to conduct a full facility check and dress rehearsal in preparation for our return show on Saturday.
This weekend's show will be separated by more than 300 miles, requiring the broadcaster to roll with two crews. With the end of the college-football season, the basketball version of College GameDay has received a helping hand from staffers who worked on the college-football version. In addition, the mobile units powering the college-football shows will be dedicated to college basketball for the rest of the season.
The advantage of using the college-football trucks is that they are set up in August to accommodate most of our remote studio broad
More from Sports Video Group
24/10/2025
NEP CEO Martin Stewart on $700M Investment, Restructuring, and the Challenges Fa...
24/10/2025
FOX Sports Debuts Next-Gen Graphics, Celebrates Career of Lead Producer Pete Mac...
24/10/2025
GROUP MEDIAPRO Chairman and CEO Tatxo Benet Steps DownBy Ken Kerschbaumer, Editorial Director
Friday, October 24, 2025 - 2:37 pm
Print This Story | Subscri...
24/10/2025
NBA Tip-Off: Amazon Prime Video Debuts Cutting-Edge Studio, Mobile Units, Global...
23/10/2025
Unlocking character: Sportcast on executing the Bundesliga and Bundesliga 2 new ...
23/10/2025
Clear coordination: Juggling the new Bundesliga rights cycle requirements and pu...
23/10/2025
Analysis: Is piracy just the cost of doing business? By Callum McCarthy, Editor-at-Large
Tuesday, October 21, 2025 - 09:58
Print This Story
It's high ...
23/10/2025
ESPN's Adam Whitlock on Driving Real-World Innovation Across the Video-Trans...
23/10/2025
SVG TranSPORT 2025 Unites 300+ Industry Leaders in New York for Deep Dive Into L...
23/10/2025
NBA Tip-Off: League Starts Season With Two New Broadcast Partners, In-House NBA ...
23/10/2025
NFL Deepens Business Partnership with EA Sports; More Madden Casts to Come?EA Sports will remain the exclusive producer and distributor of Madden NFL video game...
23/10/2025
NFL Moves Pro Bowl Games Indoors and to Super Bowl Week; Leans Into a Made-for-T...
22/10/2025
Prime Video Inks Deal To Present NFL Black Friday Game Worldwide By SVG Staff
Wednesday, October 22, 2025 - 10:06 am
Print This Story | Subscribe
Story ...
22/10/2025
NBA Tip-Off: ESPN Goes 1080p HDR End-to-End, Flipping HDR Switch on REMI and REM...
22/10/2025
FloSports Empowers Division II, III Athletic Departments With Turnkey Production...
22/10/2025
Wall Street Video Summit Debuts, Bringing Together 200 Financial Enterprise Vide...
22/10/2025
Dueling Pianos: International Chopin Piano Competition Is as Competitive as a Ba...
21/10/2025
NAB New York 2025: Although AES Show Is on Its Own, Audio Will Be a Major Part o...
21/10/2025
NAB New York 2025: Business of Broadcast and Media,' Future of Content'...
21/10/2025
SVG All-Stars: Ethan Folz, Senior Director, Digital Operations and Quality of Ex...
21/10/2025
NBA on NBC/Peacock: Livestream Offers Graphic Overlays, Predictive Gaming, Ancil...
21/10/2025
NBA on NBC/Peacock: At the Front Bench With Producer Frank DiGraci and Director ...
21/10/2025
NBA on NBC/Peacock: NBC Sports, NEP Build Ultra-Flexible Production Plan That Se...
20/10/2025
Inside TAMS: How Time-Addressable Media Stores could redefine sports workflows By Paul Markham
Friday, October 17, 2025 - 08:57
Print This Story
A penalty...
20/10/2025
Transformational production: Inside TVN's remote production push for the DFL...
20/10/2025
How NBC Sports Transitioned Stamford Facility to One Format: 1080p HDRMulti-year plan harmonizes workflows, simplifies operationsBy Ken Kerschbaumer, Editorial ...
20/10/2025
NBA on NBC' Studio Production Team Is Ready for Tip-Off With Coast-to-Coast...
20/10/2025
Under pressure: TVN CEO Markus Osthaus considers the German sports broadcasting ...
17/10/2025
NEP Group Receives New Equity Investment From 26North Partners LP, Co-InvestorsCarlyle remains the largest shareholder as the company prepares for the futureBy ...
17/10/2025
Apple Lands Five-Year Deal for F1 Distribution in the U.S.Besides airing on Apple TV, the sport will be amplified on other Apple servicesBy Ken Kerschbaumer, Ed...
17/10/2025
SVG Sit-Down: Marshall Electronics' Bernie Keach on the Future of PTZ Camera...
17/10/2025
L2 Productions' REMI Facility in Austin Can Produce Content From AnywhereMusic festivals, sports events are produced via flypacks and remote control roomsBy...
16/10/2025
SVG Sit-Down: FUJIFILM Execs on GFX ETERNA 55 Camera, Importance of Shallow-Dept...
16/10/2025
Squash's Most Ambitious Broadcast Production To Be Deployed at Comcast Busin...
16/10/2025
Main Street Sports Group Inks Deal With Omaha Productions, Launches Original-Con...
16/10/2025
A Historic Precursor? FIFA, HBS, DAZN Offer an Inside Look at Production of FIFA...
16/10/2025
Prime Video Offers Sneak Peak at New NBA on Prime StudioThe massive 13,000-sq-ft, two-story studio features a LED regulation half court and hoopBy Jason Dachman...
16/10/2025
SVG Remote Production Forum Draws Record Crowd for Visit to PGA TOUR Studios, De...
16/10/2025
BitFire's Ben Grafchik on How Growing Cloud Workflows Are Impacting the Live...
15/10/2025
St. Louis Blues Pay Tribute to Ozzy Osbourne in New Pregame Open VideoThe NHL franchise worked with production firms 2WEI and 4th Floor CreativeBy Mark J Burns,...
15/10/2025
Cobalt Digital, G3DVu, Proxima Vision, and Telos Alliance Renew Premier Sponsors...
14/10/2025
SVG Europe Summit 2025: All Sessions Now Available to Watch on SVG PLAYNetworking event that preceded IBC2025 shone a light on elite live sports innovation acro...
14/10/2025
SVG Sit-Down: Author Rich Podolsky on Writing Madden & Summerall: How They Revo...
14/10/2025
SVG All-Stars: Michael Reiners, Coordinating Producer, FloRacingThe Illinois State grad steers a vast schedule of motorsports events at tracks across the countr...
14/10/2025
Content protection: Getting the right management for your DRM By Neal Romanek
Friday, October 10, 2025 - 10:11
Print This Story
Eluvio power the EPCR'...
14/10/2025
As League Takes Over Ops, NBA TV and NBA App Add 60 Games, Weekday Studio Show, ...
14/10/2025
Time and effort: World's largest student-led broadcast prepares to go On Air...
13/10/2025
Spectrum Brings Selected L.A. Lakers Games to Apple Vision Pro With New Immersiv...
13/10/2025
Media Climate Accord aims to offer united approach to M&E industry sustainabilit...
13/10/2025
Riot Games streamlines production of Valorant Champions Paris with ST 2110 flypa...