
SVG Sit-Down: Notre Dame's Mike Bonner, Brock Raum on Creating a Video Philosophy for The House That Rockne Built' What it's like to balance up-to-date tech with 175-year-old tradition By Karen Hogan Ketchum, Senior Editor
Tuesday, September 12, 2017 - 12:51 pm
Print This Story
Story Highlights
In the two years since the historic announcement that Notre Dame would add video to the football game-day experience, Notre Dame Stadium has been transformed. The university partnered with ANC Sports to install a 10-mm Mitsubishi Electric video display measuring 54 ft. high x 95.5 ft. wide to the stadium's south end zone and surround the bowl with a wealth of LED displays. To run all this video, the university turned to Mike Bonner, formerly with the Denver Broncos and New York Yankees, and Brock Raum, formerly with the Kansas City Chiefs and University of Nebraska. SVG sat down with Bonner, now executive producer, live events, and Raum, now supervising producer, prior to the Sept. 2 home opener to discuss how each found his way to Fighting Irish Media, the lessons they've learned in creating a video-production philosophy from scratch, and the importance of blending the old with the new when telling the story of Notre Dame football.
Two years ago, Notre Dame makes an announcement that they're going to add a videoboard in Notre Dame Stadium and construct a new Digital Media Center. At what point in the process were you both brought into the project?
Mike Bonner: When I worked for the Yankees, we hosted a Notre Dame home game against Army. It was that game in 2010 that people were saying to me, Yankee Stadium is an iconic place and you guys have videoboards; you run your show the right way; you may help us get a videoboard. I actually [went] to South Bend a few weeks before that game to take in the scene and everything and try to duplicate it in the Bronx. The game went great, Notre Dame beat Army, and, following the game, a couple folks said, You might have just helped us get a videoboard at Notre Dame Stadium. And I said, Well, if you do, let me know, I'd be interested in running it.
Legendary Notre Dame Stadium has its first-ever videoboard.
We stayed in touch for quite some time, and, I think it was around 2014, I started talking to Dan Skendzel [now executive director, Notre Dame Studios] about this whole Campus Crossroads Project. He said, We are going to have a videoboard as part of this process; would you be interested? And I said, Yes, I definitely would be. After talking to them and another visit to campus in November 2015 for a game, [where] I spent a good portion of the day with Dan, I applied for the job, and they offered me the job. I gave my two weeks to the Broncos, but I still had a trip to Rio for the Olympics before that, so I started [at Notre Dame] in September 2016.
It was pretty interesting being a videoboard guy without a videoboard for a football season, and, when I realized what the layout was - a layout that's becoming a little more commonplace in sports: control room and replay room without a view to the stadium and a producer box up on the ninth floor [in the stadium] - I realized, Wow, I need someone really strong to direct this game that I can trust and count on. I had heard great things about Brock and the job he did with the Chiefs. So we started talking to each other.
Brock Raum: I had known that Notre Dame had been looking to put in a videoboard [for a while], and I always thought it would be a great opportunity. I started my career at the University of Nebraska, then worked for the Chiefs for the past four seasons. I think Mike and I were always familiar with each other's work; we were both in the NFL, we both were in the AFC West. So, when Mike got my name, I think it just made a lot of sense. When I heard it was Mike Bonner, I knew it was somebody I trusted and respected in the industry; when I heard it was Notre Dame, I knew it was a brand that is one of the most respected in all of sports, not just college football. It was an opportunity that I couldn't pass up.
You both decided to join Notre Dame to build this video-production program. Walk me through the process of joining the university to now. What do you have ahead before your first game?
MB: When the process began, I hit the ground running. I got home from Rio on a Friday, and my first day was supposed to be on Monday. But, the day I got back from Rio, they were doing camera shootouts against Michigan State, and so I [went to Notre Dame on Saturday]. I've been a part of the process of making some of the decisions on what camera systems we're using: what replay systems, router, switcher. There are folks that, before I got here, made decisions: Chris Williams at WJHW, Scott Rinehart from Notre Dame Studios Group, BeckTV. Then, from that point, it was getting to know the team, getting to know not only who the players were but starting to establish the trust [and] build relationships. I actually sat in the stands as a fan for three games this past year to get what the fan was getting without a videoboard. There were times a play would happen and I would turn my neck to the left and look for the replay and it wasn't there. I took a lot of notes. We started interviewing players in May, sitting guys down for reads for the board, green-screen stuff, headshots, interviews. At this point, it's a lot of testing.
BR: One of the biggest differences between here and pretty much anywhere else in the country is, a lot of our screen time on the board isn't taken up by advertising. We don't have any sponsored features; we're just here to promote Notre Dame: the team, the brand, and the university. One of the big things has been identifying what different sorts of features look like and how we make them entertaining and engaging. That'
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...
15/07/2026
DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration.
Anyone w...
15/07/2026
BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Home to leading manufacturers, robotics pioneers and infrastructure builders, Japan is one of the world's centers of AI - building across the full stack wit...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
14/07/2026
Victory+ telecasts to be simulcast on TEGNA-owned station, expanding free local distribution...
14/07/2026
Plug-ins for heavy music
Avalanche Tones is the brainchild of Ava Toton, a 17-year-old musician and developer who says her goal is to make the lives of gui...
14/07/2026
Launched alongside new Singer Showcase purchase model
IK Multimedia's innovative vocal-synthesis software has just gained its latest voice add-on, the R...
14/07/2026
Registration open until 1 September 2026
The MIDI Association have revealed that the registration deadline for this year's MIDI Innovation Awards has no...
14/07/2026
88-note model completes MK4 range
Novation have just introduced the final model in their flagship MIDI controller keyboard range, the Launchkey MK4 88. Roun...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
IBC2026 has unveiled a powerful Conference programme bringing together global media leaders, technology innovators, creators, sports organisations, broadcasters...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Broadcast Solutions, a leading systems integrator and provider of innovative solutions for the broadcast media industry, has delivered two highly capable outsid...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Editor's note: This post is part of the Nemotron Labs blog series, which exp...
14/07/2026
Techtel Successfully Relocates AICD Broadcast Studio to New Sydney Headquarters
BroadcastBroadcast EquipmentLive StreamingBroadcast Studio2026
14 July Writ...
14/07/2026
Tuesday 14 July 2026
First look revealed for Friday the 13th prequel, Crystal ...
14/07/2026
When immersive audio dominates industry headlines, it's easy to assume that every broadcaster is preparing for an Atmos future. The reality is quite differ...
14/07/2026
Emma and Sophie from ICG's marketing team joined thousands of fellow marketers, brands and agencies at MAD//Fest London 2026, one of the UK's biggest ma...
14/07/2026
Why Trusted and Secure Media Operations Matter In this series, we explore the technologies, architectures and operational realities shaping modern media operati...
14/07/2026
Pilot Project Shows How Retailers Are Prepared for the Next Step in the Evolution of Digital Commerce
Arvato Systems Drives Agentic Commerce Forward
G terslo...
14/07/2026
As part of this commitment, weve joined the SME Climate Hub, publicly pledging to:
measure our greenhouse gas emissions
reduce them in line with a net zero p...
14/07/2026
Power is AI infrastructure's inescapable constraint. How many tokens an AI factory can generate within a fixed power budget determines its revenue and profi...
13/07/2026
The Braves opted to keep production in-house rather than hand it off to MLB...
13/07/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
13/07/2026
Eurovision Sport is making live athletics more accessible to fans than ever befo...
13/07/2026
The Milwaukee Bucks will return to full-season over-the-air television for the 2...
13/07/2026
SMPTE has announced an expanded education pathway for media technology professio...