
Thursday Night Football Kickoff: Inside Amazon Prime Video's New State-of-the-Art IP Prime One Truck From Game Creek Video Prime Two studio-show mobile unit, Prime Three office trailer are also along for the 15-city ride this season By Jason Dachman, Chief Editor
Thursday, September 15, 2022 - 3:04 pm
Print This Story | Subscribe
Story Highlights
Tonight's a historic night for the NFL, which kicks off its first-ever broadcast package carried exclusively on a streaming platform with Amazon Prime's Video's Thursday Night Football. However, that's not the only historic debut taking place during tonight's Chiefs-Chargers matchup. The broadcast also marks the launch of arguably the most state-of-the-art set of mobile units ever built: Amazon's Prime One and Prime Two native-IP fleet from Game Creek Video.
Amazon Prime Video will pull back the curtain on its new fleet of Prime One' mobile units for tonight's TNF regular season kickoff
From a tool-set standpoint, says JP Palmer, senior manager, live production technical operations, Prime Video, we are bringing a Super Bowl-level show out every week, and we needed a facility that could support that. We didn't approach this [thinking about] what [other broadcasters] had done in the past. Instead, we asked, How can we provide the best customer experience humanly possible?'
We started with a clean slate and looked at every single element of the production from that lens, he continues. We ended up taking many new approaches with this [mobile unit] so that we could provide our production team with the tools and the core technology to produce the most amazing game possible.
A Truck Unlike Any Other Is Built on a Tight Timeline Prime One, the main game truck, is composed of five units (A, B, C, D, and E), and Prime Two is a standalone truck that will serve TNF's traveling pre/postgame and halftime studio show over the next 15 weeks. In addition, Prime Three is a custom-built, fully loaded office trailer that one Prime Video staffer described as an office palace.
Prime One's B unit houses the largest production gallery ever in a mobile unit, as well as the largest monitor wall in a truck
Prime One is 4K HDR-ready today (although 2022 games will be produced in 1080p SDR) with top-of-the-line hardware across the board, including a Grass Valley Kayenne K-Frame XP switcher, Calrec Apollo audio consoles, 18 12-channel EVS XT-VIA replay systems, and 20+ Sony HDC-5500 cameras (more than 50 cameras will be deployed). In addition, the Prime One infrastructure offers plenty of extra rack space for future expansion.
The production-control room (PCR) where Executive Producer Fred Gaudelli and Lead Director Pierre Moossa will run the show is unlike any truck-based PCR ever built. Not only is it the largest production gallery in a mobile unit, but it also features the largest monitor wall in a truck (10 three-monitor columns of Boland 32.5 OLED monitors). Also, the PCR has two rows instead of the traditional three, creating more space for the production team, and has significantly more headroom than a traditional truck; Gaudelli often likes to stand and move around the front bench during production.
Our primary goal with [the layout] was to make everyone feel as comfortable as possible, says Palmer. Our production-control room is configured in a way that has never been done before, with things like more headroom, two rows instead of three, and rotating back benches so everyone has line of sight to the monitor wall. Every little detail you could imagine has been taken into account, and, even though it's a big space, it feels very intimate since you don't have so many people crammed in.
A mobile unit like Prime One is no easy build under normal circumstances. Add in an ultra-aggressive timeframe of less than a year (because Amazon took over the TNF rights a year earlier than expected) and constant supply-chain issues, and the immensity of the undertaking is obvious.
The scale and magnitude of this project is pretty much unprecedented, notes Palmer, and we were trying to get it done on a very aggressive timeline as well as dealing with unprecedented supply-chain issues. It's definitely the wildest build I've ever been a part of. We were building a plane while it was already in the air, and we were trying to build it for opening week. That couldn't have been done without the hard work of our team and our amazing partners.
Primed for Success: Cutting-Edge Tech Across the Board Built around a SMPTE ST 2022-7 IP routing core, Prime One is fully redundant in every facet. That redundancy starts with a pair of Evertz EXE 3.0 high-capacity IP routing cores, which are configured in a spine/leaf red/blue architecture across all five trucks. The core is managed by Evertz Magnum software, and all edge routing is handled by the Evertz NATX switch fabric. A separate purple network has been installed to ensure that even ancillary devices on the production are fully redundant and resilient.
While Prime One rolls out of the gate as one of the most powerful mobile units in history, it also has plenty of room to grow due to the robust IP infrastructure already in place.
Bullet point number one from [Prime Video] was that everything had to be fully redundant, explains Jason Taubman, SVP, technology, Game Creek Video. Amazon paid a great deal of attention to redundancy and wanted to make sure that every possible disaster-recovery scenario was accounted for.
Prime Two (which gets its DNA from Game Creek's recent Bravo, Columbia, Gridiron, and Celtic builds) is built around a redundant Arista/Lawo IP routing core for the studio-show productions.
Prime One's Kayenne K-Frame XP switcher is capable of 192 96 64 out/in scale in 4K HDR, the largest currently available on th
More from Sports Video Group
11/07/2025
Behind the Mic: Amazon Prime Preps for First Season of NBA Action; MSG Networks ...
11/07/2025
SVG New Sponsor Spotlight: Suite Studios' Craig Hering on Adapting to Client...
11/07/2025
2025 SVG Content Management Forum Breaks Down AI's Impact, Continued Transit...
11/07/2025
A Journey HOME: University of Nebraska's HuskerVision Goes IP Leaders from the HuskerVision and Lawo share their IP learnings By SVG Staff
Friday, July 1...
11/07/2025
CMSI, Remote Picture Labs, Ace ESPN's Cloud-Based Editing Efforts for Wimble...
11/07/2025
Netflix Enters the Live-Boxing-Production Ring for Round 2 With Historic Taylor-...
10/07/2025
5G for all? What the DFL's use of Easy5G and RefCam could mean for events in...
10/07/2025
Save the Date: PGA TOUR Studios Welcomes SVG Remote Production Summit on Oct 14-...
10/07/2025
Cloud on the Road: How Remote-Production-Service Providers Are Adapting to a New...
10/07/2025
Seattle Kraken's Ryan Schaber on the NHL Team Taking Live Game Productions I...
10/07/2025
FOX Sports Reboots Small Control Room in Los Angeles as Hub for Vertical-First P...
10/07/2025
SVG Sit-Down: MSE's Zach Leonsis, ViewLift's Rick Allen Go Deep on Joint...
09/07/2025
Monumental Sports & Entertainment, ViewLift Unveil Broadcast/Streaming Joint Ven...
09/07/2025
SVG Europe Audio State of Wireless Mics Forum: If we lose the spectrum, it...
09/07/2025
Tech Focus: Athlete Audio - Venues Provide Sound Just for the Players From locker room to field of play, personalized systems help rev up the athletes By Dan D...
08/07/2025
Groundbreaking Gamecocks: Inside University of South Carolina's Four-Control...
08/07/2025
Monumental Sports & Entertainment's Samantha Brady on the Power of the RSN...
08/07/2025
Live From 2025 FIFA Club World Cup: FIFA, HBS Focus on Tournament Wrap, With an ...
08/07/2025
SVG Rewind: NESN Goes Behind the Scenes of 1975 Red Sox Retro Broadcast NESN is following up the retrocast with a week-long celebration of the Green Monster By...
07/07/2025
1-2 Punch: The Cloud, Generative AI, and the Future of Sports-Content Distributi...
07/07/2025
Tests and decisions: Formula E host broadcaster Aurora on launching new AR graph...
07/07/2025
Building tension: Using new AR graphics for storytelling at the Formula E penult...
07/07/2025
Altitude Sports' Matt Krol on the Success of the RSN's In-Arena Postgame...
07/07/2025
SVG Rewind: Four NFL Clubs Bring Us on Set of Respective Media Day Shoots An in-depth conversation with 49ers Laura Johnson, Ravens Jay O'Brien, Las Vegas R...
07/07/2025
Cosm To Build Fifth Shared Reality Venue in Cleveland as Part of Bedrock's ...
02/07/2025
Progressive realism: Aurora on taking up the broadcast reins for World RX alongs...
02/07/2025
Great speed: New host broadcaster Aurora on getting the World RX 2025 season pro...
02/07/2025
Seat of its pants: Aurora boxes clever and looks ahead for the FIA as new host b...
02/07/2025
UEFA Women's Euro 2025: EBU, BBC Sport and Sunset Vine talk coverage plans, ...
02/07/2025
UEFA Women's Euro 2025: Women's Super League launches new content series...
02/07/2025
UEFA Women's Euro 2025: Ignite puts fans and players front and centre with t...
02/07/2025
Storytelling in the Live Game Broadcast: ESPN Director Jimmy Platt Breaks Down t...
02/07/2025
CONCACAF's Miguel Angel Garcia on the Gold Cup's Enhanced 2025 Productio...
01/07/2025
SVG New Sponsor Spotlight: Spyrosoft's Jonathan Witty on Futher Business Exp...
01/07/2025
The NIL Effect: How the Shifting Business of College Athletics Impacts On-Campus...
01/07/2025
Cherry on the cake: Inside the technical production of the Tour de France 2025 w...
01/07/2025
NESN's Josh Jun on Keeping Alternative Broadcasts Fresh for Boston Red Sox, ...
01/07/2025
TNT Sports Races Back Into NASCAR With Fresh Look, Familiar Edge Production approach emphasizes creative freedom, bold storytelling, casual-fan-friendly tone B...
27/06/2025
How smarter compression is creating a sustainable future By Michael Burns
Monday, June 23, 2025 - 14:13
Print This Story
Live sport is especially vulnerab...
27/06/2025
Behind the Mic: FOX Sports Ratchets Up UEFA Women's EURO 2025 With Top-Class...
27/06/2025
RTL Group To Acquire Sky Deutschland By George Bevir, Editorial Director, SVG Europe
Friday, June 27, 2025 - 8:00 am
Print This Story | Subscribe
Story ...
27/06/2025
Frictionless, At Scale: The Current State of Live Video Streaming Techology Leaders from Bitmovin, Comcast Technology Solutions, Harmonic, IMAX, and Phenix brea...
27/06/2025
Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending...
27/06/2025
NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandem...
26/06/2025
10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for th...
26/06/2025
The Big Cloud Debate: Public vs. Private vs. Hybrid Tech leaders from CineSys, Diversified, and Net Insight breaks down all flavors of cloud By Jason Dachman, ...
26/06/2025
Program Productions' Jess Kowatch on Training the Next and Current Gener...
25/06/2025
SVG College Summit 2025: Select Sessions Now Available to Watch on SVG PLAY Tackling the latest in college sports video: NIL, live production, virtual productio...
25/06/2025
ESPN Is Set To Bring AR Graphics to Wimbledon, Revamps Bunker and Studio 18 VO B...
24/06/2025
2025 NBA Draft: ABC/ESPN Prepares for Two-Day Draft at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By M...