
Live From the US Open: Sky Sports UK Delivers HDR to Viewers, Expands Presence Across the Grounds By Ken Kerschbaumer, Editorial Director
Wednesday, September 4, 2024 - 8:51 am
Print This Story | Subscribe
Story Highlights
It's year two for the Sky Sports UK team at the US Open and James Thomas, Sky Sports tennis production manager, says the big changes are delivering the event in HDR as well as expanding the team's ability to roam the grounds.
We are on a more robust RF network so we can roam the Tennis Center and be in and amongst the event, says Thomas. We want to get close to the action and we have a bit more kit to help us do that this year. We are always looking to grow and innovate our production and next year we'll probably look to evolve even more.
Thomas says Sky UK has a large remote production crew of about 40 people on site, and a remote team back in the UK of about 20 people. At the center of the coverage is the main presentation stage on the Plaza, right next to ESPN. There is a three-camera set up, including a jib that is tied to a Hawkeye AR system and a PTZ camera which integrates AR graphics into the show. Sky UK also has two roaming RF Sony cameras (one an FX6 and the other an FX9) giving the production team the ability to have the presentation team at the Plaza to throw to other courts.
James Thomas of Sky Sports UK says operations have improved for year two, especially as coverage is in HDR for viewers back home in the UK.
Our Sky Sport tennis team very much wanted to be out and amongst the US Open, adds Thomas who says a phone on a gimble running the LiveU Central app is in use by Sky talent who are in the Whisper position in the lower bowl of Arthur Ashe Stadium.
We are connecting that to WiFi and that enables us to get as close to the action as possible as we can flip the phone between [the talent or guest] and the players on the court, he adds.
As for roaming the grounds, Thomas says the USTA has been great in letting the production team cover the event from numerous locations.
I don't think we've used the same location twice so far and it's really good that we're able to do so much, he explains. There are a lot of fans here as well, which is a little bit tricky at times but the areas that we can go to and the vast scale of it all is really good.
Commentary is done from two booths alongside each other at the top of Arthur Ashe stadium. There are also commentary cameras as well as the ability to have talk back with the core production team back in Sky Studios in Osterley. Five LiveU units send court and switchable feeds back to the team in Osterley.
We are sending all the feeds back and everything is cut from Sky Studios in a production gallery, says Thomas. We have two main channels showing tennis: Sky Sport Tennis and Sky Sport Plus with Plus offering all the court feeds on the red button.
The Sky Sports UK team is also working closely with Sky Sports Deutschland who is also on site. The team from Germany are working closely with Sky UK and share some onsite facilities.
They also get all of our feeds via Sky MCR London, adds Thomas.
Sky Sports UK also has a presence in the USTA Broadcast Center. It is there where all of the court feeds are monitored and this year the Hawkeye AR team is working onsite. There is also a local analysis paint system, an EVS IP director for clips, and more.
With respect to the HDR feed, Sky Sports Operational Technical Specialist Jonathan Craggs says the camera all arrive in London in HDR with the exception of the small commentary POV cameras. The RF cameras capture the color of the tournament in full rec. 2020 color space.
We use the BBC lut because we have been involved with them from an early stage and this year, we are also sticking to the native 1080p signal [the USTA provides], he adds. We do a lot of HDR back home for football, cricket, and F1, so this is a bit business usual for us.
More from Sports Video Group
02/07/2025
Progressive realism: Aurora on taking up the broadcast reins for World RX alongs...
02/07/2025
Great speed: New host broadcaster Aurora on getting the World RX 2025 season pro...
02/07/2025
Seat of its pants: Aurora boxes clever and looks ahead for the FIA as new host b...
02/07/2025
UEFA Women's Euro 2025: EBU, BBC Sport and Sunset Vine talk coverage plans, ...
02/07/2025
UEFA Women's Euro 2025: Women's Super League launches new content series...
02/07/2025
UEFA Women's Euro 2025: Ignite puts fans and players front and centre with t...
02/07/2025
Storytelling in the Live Game Broadcast: ESPN Director Jimmy Platt Breaks Down t...
02/07/2025
CONCACAF's Miguel Angel Garcia on the Gold Cup's Enhanced 2025 Productio...
01/07/2025
SVG New Sponsor Spotlight: Spyrosoft's Jonathan Witty on Futher Business Exp...
01/07/2025
The NIL Effect: How the Shifting Business of College Athletics Impacts On-Campus...
01/07/2025
Cherry on the cake: Inside the technical production of the Tour de France 2025 w...
01/07/2025
NESN's Josh Jun on Keeping Alternative Broadcasts Fresh for Boston Red Sox, ...
01/07/2025
TNT Sports Races Back Into NASCAR With Fresh Look, Familiar Edge Production approach emphasizes creative freedom, bold storytelling, casual-fan-friendly tone B...
27/06/2025
How smarter compression is creating a sustainable future By Michael Burns
Monday, June 23, 2025 - 14:13
Print This Story
Live sport is especially vulnerab...
27/06/2025
Behind the Mic: FOX Sports Ratchets Up UEFA Women's EURO 2025 With Top-Class...
27/06/2025
RTL Group To Acquire Sky Deutschland By George Bevir, Editorial Director, SVG Europe
Friday, June 27, 2025 - 8:00 am
Print This Story | Subscribe
Story ...
27/06/2025
Frictionless, At Scale: The Current State of Live Video Streaming Techology Leaders from Bitmovin, Comcast Technology Solutions, Harmonic, IMAX, and Phenix brea...
27/06/2025
Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending...
27/06/2025
NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandem...
26/06/2025
10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for th...
26/06/2025
The Big Cloud Debate: Public vs. Private vs. Hybrid Tech leaders from CineSys, Diversified, and Net Insight breaks down all flavors of cloud By Jason Dachman, ...
26/06/2025
Program Productions' Jess Kowatch on Training the Next and Current Gener...
25/06/2025
SVG College Summit 2025: Select Sessions Now Available to Watch on SVG PLAY Tackling the latest in college sports video: NIL, live production, virtual productio...
25/06/2025
ESPN Is Set To Bring AR Graphics to Wimbledon, Revamps Bunker and Studio 18 VO B...
24/06/2025
2025 NBA Draft: ABC/ESPN Prepares for Two-Day Draft at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By M...
24/06/2025
Cloud Broadcast Tech Update: Google Cloud's Jane Day on the Impact of AI on ...
24/06/2025
Cloud Broadcast Tech Update: AWS's Dana LaGattuta on Data-Driven Innovation ...
24/06/2025
Lions live: Dublin opener sees Sky Sports take remote route By Fergal Ringrose ...
24/06/2025
Pumas maul Lions as S4C and TG4 deliver first-ever joint host in Dublin By Ferg...
24/06/2025
ABC/ESPN Prepares for 2025 NBA Draft, the First at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By Mark ...
23/06/2025
Adventures in Live Cloud Production: Stories From the Trenches with MLB, NHL, NB...
23/06/2025
Finding the edge: How Badger & Combes produces live-streamed coverage of county ...
23/06/2025
Masters of Madness: New football format shakes up the rules of sportainment By Adrian Pennington
Monday, June 16, 2025 - 11:38
Print This Story
The ball i...
23/06/2025
New State-of-the-Art Mountain Media Center Launches in Former Starz Encore Build...
23/06/2025
ESPN Says Goodbye to Seaport Studios, Hello to New State-of-the-Art Production F...
20/06/2025
Feeling Unlimited, Part 1: Athletes Unlimited Softball League Deploys Remote Pro...
20/06/2025
A True Test? Cricket's Growth on the Global Stage and the Role Broadcast Can...
20/06/2025
Sky Sports goes large for the British & Irish Lions Tour with AR graphics, UHD a...
20/06/2025
ESPN's Men's College World Series Finals Coverage Combines Innovation, L...
19/06/2025
SVG Rewind: PGA Tour Introduces Drone AR Smart Tracing, Reflects on Winning Geor...
18/06/2025
Technology focus: Fan expectations drive advances in the in-stadium experience By Jo Ruddock
Tuesday, June 3, 2025 - 08:36
Print This Story
For years, att...
18/06/2025
Making connections: How stadiums are meeting the ever-growing demand for data an...
18/06/2025
SVG Venues & Teams Summit Keynote: RWS Global Powers the Stadium Environment at ...
18/06/2025
SVG Rewind: Behind the Scenes of Producing Tottenham Hotspur's Europa League...
17/06/2025
SVG New Sponsor Spotlight: Mercury Intermedia's Tom Richardson, Mike Ligon o...
17/06/2025
Total Sports Performance from Relo Metrics, VideoAmp, Offers Next-Level Media, B...
17/06/2025
From Stage to Stream: Producing Live Esports Events in 2025 Leaders from ESL FACEIT Group, Riot Games, and more break down the latest trends By Jason Dachman, ...
17/06/2025
Inside FIFA 2025 Club World Cup Operations With FIFA's Oscar Sanchez, HBS...
17/06/2025
Production ambitions: Over Exposed on making the National League Promotion Final...