
Live From the US Open: Sky Sports UK Delivers HDR to Viewers, Expands Presence Across the Grounds By Ken Kerschbaumer, Editorial Director
Wednesday, September 4, 2024 - 8:51 am
Print This Story | Subscribe
Story Highlights
It's year two for the Sky Sports UK team at the US Open and James Thomas, Sky Sports tennis production manager, says the big changes are delivering the event in HDR as well as expanding the team's ability to roam the grounds.
We are on a more robust RF network so we can roam the Tennis Center and be in and amongst the event, says Thomas. We want to get close to the action and we have a bit more kit to help us do that this year. We are always looking to grow and innovate our production and next year we'll probably look to evolve even more.
Thomas says Sky UK has a large remote production crew of about 40 people on site, and a remote team back in the UK of about 20 people. At the center of the coverage is the main presentation stage on the Plaza, right next to ESPN. There is a three-camera set up, including a jib that is tied to a Hawkeye AR system and a PTZ camera which integrates AR graphics into the show. Sky UK also has two roaming RF Sony cameras (one an FX6 and the other an FX9) giving the production team the ability to have the presentation team at the Plaza to throw to other courts.
James Thomas of Sky Sports UK says operations have improved for year two, especially as coverage is in HDR for viewers back home in the UK.
Our Sky Sport tennis team very much wanted to be out and amongst the US Open, adds Thomas who says a phone on a gimble running the LiveU Central app is in use by Sky talent who are in the Whisper position in the lower bowl of Arthur Ashe Stadium.
We are connecting that to WiFi and that enables us to get as close to the action as possible as we can flip the phone between [the talent or guest] and the players on the court, he adds.
As for roaming the grounds, Thomas says the USTA has been great in letting the production team cover the event from numerous locations.
I don't think we've used the same location twice so far and it's really good that we're able to do so much, he explains. There are a lot of fans here as well, which is a little bit tricky at times but the areas that we can go to and the vast scale of it all is really good.
Commentary is done from two booths alongside each other at the top of Arthur Ashe stadium. There are also commentary cameras as well as the ability to have talk back with the core production team back in Sky Studios in Osterley. Five LiveU units send court and switchable feeds back to the team in Osterley.
We are sending all the feeds back and everything is cut from Sky Studios in a production gallery, says Thomas. We have two main channels showing tennis: Sky Sport Tennis and Sky Sport Plus with Plus offering all the court feeds on the red button.
The Sky Sports UK team is also working closely with Sky Sports Deutschland who is also on site. The team from Germany are working closely with Sky UK and share some onsite facilities.
They also get all of our feeds via Sky MCR London, adds Thomas.
Sky Sports UK also has a presence in the USTA Broadcast Center. It is there where all of the court feeds are monitored and this year the Hawkeye AR team is working onsite. There is also a local analysis paint system, an EVS IP director for clips, and more.
With respect to the HDR feed, Sky Sports Operational Technical Specialist Jonathan Craggs says the camera all arrive in London in HDR with the exception of the small commentary POV cameras. The RF cameras capture the color of the tournament in full rec. 2020 color space.
We use the BBC lut because we have been involved with them from an early stage and this year, we are also sticking to the native 1080p signal [the USTA provides], he adds. We do a lot of HDR back home for football, cricket, and F1, so this is a bit business usual for us.
More from Sports Video Group
23/12/2025
How guilas Cibae as Dominican Winter League Games Are Locally Produced for Glob...
23/12/2025
BitFire's Jim Akimchuk on Supplying Scalability and Customization in the Clo...
23/12/2025
CAMB.AI Enables European Athletics to Offer Multi-Language SupportPlan is to eventually offer translation into all languages spoken in EuropeBy Ken Kerschbaumer...
23/12/2025
Analysis: As sports media values trend negative, scarcity and quality are king By Callum McCarthy, Editor-at-Large
Monday, December 22, 2025 - 14:08
Print ...
23/12/2025
ESPN, Disney, and NBA Return to the Animated Altcast Fray With Second Edition of...
23/12/2025
End the Year on a High Note and Donate to the Sports Broadcasting Fund Today! By Ken Kerschbaumer, Editorial Director
Tuesday, December 23, 2025 - 12:25 pm
...
22/12/2025
SVG New Sponsor Spotlight: Presidio's Neerav Shah on the Role of Its Captiva...
22/12/2025
Hitting the bullseye: Sky Sports readies itself for the biggest PDC World Darts ...
22/12/2025
Unique skillset: Bringing new directors to the world of darts at The Worlds with...
22/12/2025
Gravity Media prepares for a flight of fancy with the PDC World Darts Championsh...
22/12/2025
One hundred and eighty: Gravity Media on hitting the production bullseye at the ...
22/12/2025
The Famous Group's Jon Slusser on Fascinating Fans Through Immersive Content...
22/12/2025
ESPN's Meg Aronowitz on Continuing High-Quality Broadcasts of Collegiate Spo...
22/12/2025
ESPN Takes Data-Driven Storytelling to New Heights with MNF Playbook with Next ...
19/12/2025
SVG Sit-Down: Diversified's Jared Timmins on AI for Broadcast Sports and Cre...
19/12/2025
2025 SVG Summit Audio Recap: Say What?The Audio Production and Distribution Workshop at the SVG Summit 20 took on issues including speech intelligibility, Next-...
19/12/2025
Gamified fun: Channel 5 on its NFL Big Game Night ambitions with Hungry Bear Med...
19/12/2025
College Football Playoff Preview: For ESPN, Round 1 is a Fantastic Yet Familia...
19/12/2025
AWS's Jason Dvorkin on Developing Partnerships With the NBA and PGA Tour, Em...
19/12/2025
Netflix Kicks Off Packed Sports Week with Paul-Joshua Fight Before Shifting to N...
19/12/2025
SVG New Sponsor Spotlight: Presidio's Nareev Shah on the Role of Its Captiva...
18/12/2025
SVG Campus Shot Callers: Kurt Sutton, Director of Broadcast Operations, Clemson ...
18/12/2025
Follow the Money Episode 2: Inside the Sports Media Biz with Sam McCleery and St...
18/12/2025
SVG Sit-Down: Google Cloud's Anshul Kapoor on the Future of Generative Prod...
18/12/2025
The 2025 SVG Summit Draws Record Crowd for 20th-Annual Sports-Production Industr...
17/12/2025
Sports Broadcasting Hall of Fame Inducts 10 Industry Icons During Unforgettable ...
17/12/2025
ESPN to Debut MNF Playbook with Next Gen Stats, a New AI-Driven NFL Data-AltCastThe series, powered by Adrenaline TruPlay AI, launches Dec. 22 and runs through ...
17/12/2025
Inaugural Optum Golf Channel Games Debut Under the Lights' in Primetime on ...
15/12/2025
Harlem Globetrotters Celebrate 100th Anniversary With New Brand Campaign From Th...
12/12/2025
SVG Summit 2025 Preview: Everything You Need to Know for Next Week's Big Sho...
11/12/2025
ESPN's Aims for Spectacular With Heisman Trophy ShowEvent firsts include 1080p HDR production airing on both national broadcast and cableBy Dan Daley, Audio...
11/12/2025
SVG Students To Watch: Frankie Patton, University of ColoradoThe 2025 grad is hitting the ground running as a PA on national broadcastsBy Brandon Costa, Directo...
11/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 3By SVG Staff
Thursday, December 11, 2025 - 7:24 am
Print This Story | Subscribe
Story Highlights
The 2...
11/12/2025
SVG Sit-Down: What Makes Gen Z, X, and Y Fans Tick? Dave Gavant of WSC Sports Go...
11/12/2025
SVG Summit 2025 Preview: 5G, MXL, Spectrum Loss, and Outerspace on Tap for Tues...
11/12/2025
2025 Sports Broadcasting Hall of Fame: David Levy, Turner Titan and Master of Al...
11/12/2025
SVG Launches Follow the Money' Podcast: Go Inside the Sports Media Biz with...
11/12/2025
A Deep Dive Inside Game Creek Video's Bird and Magic Mobile Units, Home to A...
11/12/2025
How Sound Effects for Monsters Funday Football' Emulated the Sonic Soul of ...
11/12/2025
SVG New Sponsor Spotlight: CSP Mobile Productions' Len Chase on Upgrading Tr...
10/12/2025
Sound-Alike Commercials Are Part of Sports' Soundtrack Johnny Cash for Coca-Cola is the latest in a long litany of sonic approximationsBy Dan Daley, Audio ...
10/12/2025
Immersive Sound Is Logical Next Step for Sports VenuesSound-systems suppliers are sanguine, but the market has its challengesBy Dan Daley, Audio Editor
Wednes...
10/12/2025
The Romans Built Arenas for Immersive Sound 2,000 Years AgoThe historic Arena of Nimes in France is still in use todayBy Dan Daley, Audio Editor
Wednesday, De...
10/12/2025
SVG Summit 2025 Preview: Audio Workshop Hits on Immersive, Virtualized, and Next...
10/12/2025
SVG Summit 2025 Technology Exhibits Preview: Audio SpotlightBy SVG Staff
Wednesday, December 10, 2025 - 8:21 am
Print This Story | Subscribe
Story Highlig...
10/12/2025
SVG Europe Audio: Listening to the sounds of powder and ice at Milano Cortina wi...
10/12/2025
Advancements in audio technology: Capturing the atmosphere of live sports By David Davies
Tuesday, November 25, 2025 - 09:27
Print This Story
Although wor...
10/12/2025
Everything smelled of popcorn: The art of bringing the complex sound of esports ...
09/12/2025
2025 Sports Broadcasting Hall of Fame: Pam Oliver, Sideline Icon Who Redefined t...