
With public cloud ready to transform live sports distribution models right now, Arqiva's Greg Burns argues that democratisation - making cloud simple, accessible and cost effective for all - is key to unlocking its true potential.
If content rules, then distribution is the power behind the throne. And increasingly, distribution is changing.
Gone are the days when the only options of delivering live sports content were through fibre in the ground or satellites in the sky. The public cloud has changed all that.
Rights holders and broadcasters can now take advantage of the capabilities of cloud to radically simplify partner distribution, streamline and automate production operations and transform the cost base by moving from traditional CAPEX approaches to OPEX-based models.
So, instead of having to invest in physical fibre or satellite infrastructure (or interchanges) for content contribution and distribution, rights holders can send their live event footage via the internet to public cloud. Broadcasters can pick it up in the same place; process it, then distribute it via the internet to platforms and channel partners all over the world. Suddenly, the world of live sports becomes available all over the world. And all you pay for is the bandwidth and services you use, when you use it.
This allows broadcasters and rights holders to be much more agile. They can test new markets, experiment with new fan experiences and take advantage of a growing cloud-based ecosystem of partners and technology providers to do things differently, more quickly and with considerably less risk than ever before. In short, everyone gets to innovate and learn without the fear (or financial costs) of failure.
Public cloud has, for example, made it possible for golf fanatics to see every shot live from every green. This kind of real-time scale' is simply not possible with traditional fibre and satellite models. It would be too expensive to get all the infrastructure in place.
In the same way, football fans can view highlights mere seconds after the action has happened on their social media apps. If the content's already in the cloud, it can be processed there without the (relative) time and expense of moving content from one infrastructure to another to create the clips, then having to move it back again to deliver to the social platforms. It all happens in one place.
Similarly, racing enthusiasts can analyse engine and driver performance in real time because multiple concurrent feeds are radically easier to manage in the cloud. And, of course, commentators and presenters can share an almost innumerable number of live action stats thanks to AI-driven analysis services that working away in real time (again in the cloud).
This isn't about technology. Cloud is all about reach, audience experience and getting maximum ROI from your rights and channel partnerships.
While this may be nothing new these capabilities and services have been around for a number of years. However, such cloud-enabled innovations havent always been accessible to everyone. Smaller rights holders or broadcasters/platforms lack the budgets and technical expertise to create these advanced, cloud-based models. To put it bluntly, NFL-style fan experiences have necessitated NFL-style budgets.
Happily, as adoption grows in the live sports space, and as service and application developer communities expand, the capabilities previously only available to a few major rights holders and networks are now perfectly accessible by everyone.
Much of this is down to the fact that cloud perhaps uniquely brings services closer to the content. Rather than spending time and money moving content from one physical infrastructure to another, it can be delivered directly into the cloud (whether by traditional or IP delivery) and processed while it's up there. Then it can be distributed in any format, wherever it needs to go. Simple.
More to the point, as cloud maturity grows and wider ecosystems develop, brands be they broadcasters or rights holders no longer have to manage the heavy lifting themselves. They can, and arguably should, plug into existing communities. Not only is there no need to reinvent the wheel but creating more open and accessible ecosystems benefits everyone delivering economies of scale, driving innovation and optimising returns.
Arqiva's Arqade is one such platform that's aiming to do exactly that. Taking advantage of public cloud, Aqade brings rights holders/originators and broadcasters/recipients together. The former have a single virtual interchange where they can showcase and syndicate content to the latter who can rapidly discover, review and request that content to create new channels or fill live event schedules. All in the cloud, without having to invest in masses of physical infrastructure or build their own future-ready cloud environments.
So, let's democratise the public cloud to unlock its very real transformational impact on live sports distribution. Next time, we'll look in more depth at the developing public cloud ecosystem and why integration is the catalyst for ever greater innovation and transformation.
Published
04/07/2022
Author
Greg Burns, Head of Media Products
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
08/05/2026
One-button synth generates random four-track ideas
Cyma Forma and French artist Bambounou have announced RND synth, a compact hardware synthesizer built aro...
08/05/2026
Portable four-layer granular and sampling instrument
Tasty Chips have announced the GR-2, a new granular synthesizer and sampling instrument that combines e...
08/05/2026
Video Show Report
Video of SUPERBOOTH 26: Polyend Drums
Polyends big announcement for Superbooth 2026 is the Drums, a new drum machine that features both ...
08/05/2026
Deal agreed as NI enters new chapter
Native Instruments CEO Nick Williams has announced that a definitive agreement has been signed for the company to be ac...
08/05/2026
Video Show Report
Video of SUPERBOOTH 26: Erica Bullfrog Drums
The Bullfrog Drums is the latest collaboration between Erica Synths and Richie Hawtin, and ...
08/05/2026
In our latest blog, Tim Pearson reflects on the recent launch of Play Snooker, the new digital home of snooker by the World Professional Billiards and Snooker A...
08/05/2026
Pete reunites with Dogs Trust for a fourth series and a two-part overseas special
London, Friday 8th May 2026: The award winning factual entertainment series P...
08/05/2026
Wuppertal May 8, 2026
Riedel to Support Glasgow 2026 as Official Connectivity Integration Provider Riedel Communications today announced its return as a spons...
08/05/2026
ICG is excited to share news of our official launch in Northern Ireland, marking a significant milestone in the agency's growth.
Led by Digital Marketing M...
08/05/2026
Over the past ten years, Thames Water, in partnership with Arqiva, has installed more than 1.2 million smart meters, creating one of the most extensive advanced...
07/05/2026
Journalists reporting on Sudan are working in one of the most complex and fast-m...
07/05/2026
Seit dem Start im Jahr 2023 hat DJ (Beta) das personalisierte H rerlebnis von 94...
07/05/2026
Da quando stata presentata nel 2023, DJ (beta) ha aiutato a definire un'esperienza d'ascolto pi personalizzata per 94 milioni di utenti Spotify Premi...
07/05/2026
Since launching in 2023, DJ (beta) has helped shape a more personalized listenin...
07/05/2026
Desde o lan amento em 2023, o DJ (beta) j ajudou a deixar a experi ncia de ouvi...
07/05/2026
From our earliest days, Spotify has been built on a simple principle: Great audio should be easy to reach. It's what's driven us to expand from music to...
07/05/2026
Asian and Pacific Islander artists continue to shape the global soundscape, pushing creative boundaries and connecting with fans worldwide. This Asian & Pacific...
07/05/2026
Company announce long-requested choir instrument
In the latest expansion of their Symphonic Elements series, UJAM have introduced an all-new vocal instrumen...
07/05/2026
Modular-inspired sound generation with digital control
Buchla have introduced Ziggy, a new compact synthesizer built around the company's complex oscill...
07/05/2026
Combines analogue voices with digital synthesis and sequencing
Polyend have announced Drums, a new hybrid analogue and digital drum machine that combines sy...
07/05/2026
Control surface now officially supports four DAWs
When Nektar launched the Panorama CS12 control surface, it worked exclusively with Apple's Logic Pro, ...
07/05/2026
In the first quarter 2026, SGL Carbon generated consolidated sales of 184.5 million, which was 49.8 million, or 21.3%, lower than in the prior year (Q1 2025: ...
07/05/2026
Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characteriz...
07/05/2026
January 8, 2024
Colorfront (colorfront.com), a leader in high-performance, on-s...
07/05/2026
February 9, 2024
Colorfront (colorfront.com), the multi-award-winning pioneer i...
07/05/2026
March 20, 2024
NAB 2024, Las Vegas - Colorfront (colorfront.com), the multi-awa...
07/05/2026
April 1, 2025
CINEMACON, APRIL 1, 2025 - Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming syste...
07/05/2026
June 15, 2025
Colorfront (colorfront.com), an Academy and Emmy Award-winning de...
07/05/2026
June 15, 2025
Colorfront participated in the ICTA Barcelona Cinema Technology Summit on Sunday, June 15, 2025. Held at The Phenomena Experience, the event feat...
07/05/2026
July 1, 2025
Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming systems for motion pictures, OTT,...
07/05/2026
July 1, 2025
Passion and dedication will take you places. Come with us on a short trip to the heart of India, where Annapurna Studios is living-up to the inspi...
07/05/2026
July 3, 2025
Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming systems for motion pictures, OTT,...
07/05/2026
September 1, 2025
IBC 2025, Amsterdam - Colorfront (colorfront.com) - the Acade...
07/05/2026
April 17, 2026
LOS ANGELES - April 17, 2026 - Colorfront today announced Colorf...
07/05/2026
April 23, 2026
NAB 2026, Las Vegas - the Academy and Emmy Award-winning develop...
07/05/2026
Comscore to Announce First Quarter 2026 Financial ResultsRESTON, Va., May 7, 2026 - Comscore, Inc. (Nasdaq: SCOR), a trusted partner for planning, transacting a...
07/05/2026
Thursday 7 May 2026
Sky continues Sphere Abacus partnership with The Death of S...
07/05/2026
Thursday 7 May 2026
Sky Confirms Saturday Night Live UK will return this September for Series Two
Saturday Night Live UK will return for a second series, as S...
07/05/2026
Save 20% on the Sky Glass Gen 2 and Sky Glass Air TVsThursday 7 May 2026
How to watch the World Cup on Sky Glass
Tune into the World Cup on the BBC and ITV vi...
07/05/2026
Production sound mixer Dirk Sciarrotta has mixed Family Feud for 28 seasons. Thats up to 200 syndicated episodes per year, plus primetime celebrity specials - a...
07/05/2026
As audience expectations have evolved, Owen has stopped trying to hide microphones or excuse amplification. Instead, he treats sound as a fully immersive part o...
07/05/2026
Well known Irish faces pushed to the edge in new series of
Uncharted with Ray G...
07/05/2026
RT will premiere A Traveller Family, a compelling new documentary exploring the...
06/05/2026
New pricing tiers for vocal/dialogue restoration tool
NoiseWorks Audio's AI-powered vocal and dialogue processing plug-in is now available in three diff...
06/05/2026
Popular mixing & routing software overhauled
Following a recent public beta test, RME have launched the final release version of the powerful mixing and rou...