
Tonzauber manages to make magic with Lawo mc 36 classic sound El ingeniero de sonido y fundador de Tonzauber, Georg Burdicek, opta por una consola de mezclas de producci n de audio en directo Lawo mc 36 con 24 faders y una unidad de E/S Lawo Compact para entradas y salidas adicionales.
Renowned classical music study Tonzauber (sonido m gico) ha puesto en marcha un nuevo estudio en las instalaciones del Casino Baumgarten (Viena, Austria) complementando as su ubicaci n principal en la Vienna Concert Hall (Wiener Konzerthaus).
Para el hist rico recinto, Tonzauber requer a un compact but flexible mixing system con capacidad total de 96kHz que tambi n se pudiera utilizar para aplicaciones m viles en producciones exteriores m s grandes.
Tras estudiar varias posibilidades, el ingeniero de sonido y fundador de Tonzauber, Georg Burdicek, opt por una consola de mezclas de producci n de audio en directo Lawo mc 36 con 24 faders y una unidad de E/S Lawo Compact para entradas y salidas adicionales.
La mc 36 es una de las pocas consolas que ofrece todas las production and dissemination functions music, incluyendo una estructura de mezcla y bus 5.1, incluso a 96 kHz, en un sistema todo en uno. Otros sistemas est n orientados hacia el sonido en vivo, tecnol gicamente obsoletos, no pueden manejar 96kHz o tienen un n cleo DSP externo. Para nosotros, el requisito era poder utilizar la consola tanto en el nuevo estudio sin sala de m quinas como en aplicaciones m viles. Estos criterios solo los cumpli Lawo , comenta Burdicek.
Aunque el ingeniero de sonido utiliza consolas de otros fabricantes para su trabajo en el estudio de grabaci n, Burdicek ha estado trabajando regularmente con consolas de audio Lawo mc en varias unidades m viles en cooperaci n con la productora TVN (Hannover) durante muchos a os.
Como resultado, est muy familiarizado con el producto y el concepto de manejo. Adem s de las c modas funciones de grabaci n en directo, Lawo impresiona por su fiabilidad, calidad de sonido sin concesiones y atenci n al cliente con una excelente reputaci n. Los preamplificadores de micr fono se acercan mucho a mi ideal de sonido , reconoce.
Audio para broadcast Tonzauber es una empresa peque a pero muy diversificada. Con la nueva consola, no solo estamos actualizando el Casino Baumgarten, un lugar muy especial e hist rico, con tecnolog a sin concesiones, sino que tambi n estamos ampliando nuestra cartera de servicios de audio para broadcast. En el futuro, le daremos una gran importancia a esta rea, ya sea para el uso creciente del streaming o como proveedor de servicios externo para las emisoras establecidas. Con el Lawo mc 36, nos presentamos como un socio fiable con una tecnolog a s lida y flexible .
Una y otra vez me preguntan por qu , como estudio de grabaci n orientado principalmente a la grabaci n en tiempos de sofisticados DAWs y sus controladores, seguimos invirtiendo en consolas mezcladoras. Como proveedor de servicios, debemos ser lo m s flexibles posible. No hace falta decir que trabajamos con software la mayor parte del tiempo y que tambi n nos gusta utilizar las plataformas preferidas por nuestros clientes. La ventaja de una consola mezcladora, sin embargo, es que es completamente agn stica en comparaci n con lo que sucede detr s de ella. El flujo de trabajo musical y la ergonom a que son importantes para la producci n, por otro lado, siempre son los mismos , a ade Georg Burdicek.
For this entrepreneur is precisely this Ergonomics playing the leading role en el estudio hasta la mezcla final: el equipo sigue prefiriendo trabajar con una consola mezcladora h ptica .
Tuve el placer de recoger personalmente mi consola en Rastatt y pasar un d a con el equipo que la configurar a de antemano para adaptarla de forma ptima a mis necesidades. Todav a estoy sorprendido de lo f cil y flexible que es configurar esta peque a consola para satisfacer mis necesidades. Esto aumenta significativamente los beneficios ergon micos de todo el sistema , concluye Burdicek.
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