The Band the xx Joins DPA Microphones d:facto Vocal Mic Fan Club

The Band The xx Joins DPA Microphones d:facto Vocal Mic Fan Club

The Mercury Music Prize-winning band switched to d:facto Vocal Microphones after appreciating their clarity and superior gain before feedback.

Romy Madley-Croft with her d:facto II Vocal Mic

Oliver Sim of The xx

The xx live sound engineer Rik Dowding

Award-winning band The xx has bought two DPA d:facto II Vocal Microphones after being impressed by their audio quality and ability to deliver an incredibly natural sound during a recent tour of the US.

The band, which comprises Oliver Sim, Romy Madley-Croft and Jamie Smith, won the 2010 Mercury Music Prize for their debut album xx. They were introduced to DPA's d:facto Vocal Microphones by their live sound engineer Rik Dowding who was keen to find an alternative to the microphones Oliver and Romy had been using.

One of the most important things about working with this band is the translation of the very intimate, late night vocals of the albums to a live situation, Dowding says. Higher mic gains introduce unwanted stage noise into the microphones, especially in smaller venues. In order to get that in your face', yet delicate sound, I needed a mic that had great feedback rejection. In truth, I'd been looking to improve our microphone choice for some time.

Dowding's solution was to hold a microphone shoot-out to see what else might work. His monitor engineer, Craig Donaldson, recommended including the new DPA d:facto vocal microphone after reading an article about them in the trade press.

DPA has a great reputation for audio quality so we were interested to see what this new vocal microphone was capable of, Dowding says. DPA's UK distributor Sound Network was happy to supply a demo unit and the battle began.

It was immediately obvious that the d:facto was the best microphone on show, especially for Romy who has a very warm, breathy and distinctive voice with some sibilance, Dowding says. To deal with that we needed a microphone that could deliver exceptional audio clarity, yet not display the usual Rock n' Roll coloured sound associated with proximity effect and artificial high mid boosting. The d:facto was perfect in fact Romy noticed the difference immediately, noting how much clearer her voice sounded when she heard it through her in-ear monitors. It was also noticeable to me how good the mic's feedback rejection was.

The DPA d:facto Vocal Microphone was tested even more thoroughly at a pre-US tour gig at Brixton Academy, London, and once again it performed flawlessly.

At that point we decided to use it for Oliver's vocals as well because we were so pleased with the sound we were getting, Dowding says.

The xx toured the US with d;facto vocal microphones and are using them on the next leg of their tour which takes place in Australia. They also used them for a gig at Abbey Road Studios where they were recorded for a live session on Absolute Radio.

There is no doubt that the d:facto Vocal Microphone does take a while to get used to because it doesn't colour the sound and has a flat response, Dowding adds. But once you realise how good it is in dealing with proximity effect, and how much clarity it delivers, you quickly become a convert. Add to that the ability to use it with most wireless systems without compromise and you have a very powerful package.

LINK:	http://www.dpamicrophones.com/en/News/Archive/Press Releases/The-Band-...
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