
-- --
Facebook
Twitter
Google
Pinterest
SCREEN AFRICA EXCLUSIVE: The exponential rise of mobile-driven (and funded) content platforms is starting to have some interesting, and potentially problematic side-effects in terms of selection (curatorship), censorship and the freedom of creative expression.
As the emergence of short form content as an industry driver becomes more and more clear, producers find themselves in a complex situation in terms of what they produce and how it is distributed.
-- --
Social media, and of course YouTube, have been the dominant platforms for sharing and monetising this content over the past decade. Brand and digital agencies have also looked to short form producers to produce impactful content around specific narratives and briefs.
Short form content then could be broken down into two main categories; firstly, creative driven short films are often developed on the hopes of securing a place and accolades at film festivals, going viral on social media or similar platforms and possibly promoting the career of the producer/filmmaker or securing funding for a full feature or TV series.
A second category of commercially driven content has been driven by brands and agencies looking to capitalise on the power and impact of social media. The prevalence of this content has opened up lucrative career paths for many young producers, but ultimately falls within the world of advertising.
The reality for purely creative driven short form producers has been that apart from niche categories at film festivals, and social media sharing, opportunities to drive or monetise their content were slim.
However, as mobile platforms start to become the primary platform for more and more people to watch any kind of video content, creative short form is now taking its place as the most lucrative and essential format on the market.
The massive hunger now being shown particularly by mobile operators for short content however must not only be seen as a positive driver of the industry. While it is true that the opportunities for exposure and monetisation, especially for young African producers, are real, there is a cost to this process.
The biggest area of concern, as I see it, is in terms of selection and curation. For all its ills and algorithms, social media, at least to a certain extent, and in certain countries is somewhat democratic. Commercial content often goes viral due to massive budgets and boosts, but often, quirky and original producer uploaded content manages to go global based purely on word of mouth and sharing.
Mobile content platforms however are heavily curated, moderated and gate-kept. Is anyone asking who exactly within the mobile platforms is selecting the content, on what criteria and for what markets? Clearly its all about expected profit. The content selected by any mobile platform, especially the content promoted within those platforms, is going to be that which is determined to gather the most eyeballs for as long as possible.
The gatekeepers of these mobile content platforms then are often found within the marketing departments - and content is selected often not for any kind of creative originality but rather on projected returns or within very narrow prescriptive norms.
As these platforms become more dominant destinations for content consumption amongst consumers, one has to consider the role of these all-powerful gatekeepers and what it means for the future of creative and perhaps even controversial content. Mobile platforms will inherently shy away from political content, or any content that offends certain governments, think Google in China. So if mobile platforms become the main source of news and information for an entire generation it is essential to look at the impact that this highly curated environment will have on both the viewers and the producers.
Already many bemoan the apparent censorship and narrowcasting of content on social media, but this will be exponentially increased when mobile operators control both the access and the content itself.
Producers will find themselves having to make more of the same - shorter and shorter bits of content aimed to please the most number of viewers without offending or taking any risks. This is the kind of content that will be rewarded financially leading to a process of self-censorship within the industry.
So while we celebrate the income and opportunities that arise from the growth of mobile content platforms - let's also be mindful of the potential pitfalls in terms of creative, free and fair expression.
Facebook
Twitter
Google
Pinterest
-- --
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
14/04/2026
ToolsOnAir and Omnistream Bring Mobile SRT Contribution into Professional 24/7 P...
14/04/2026
Haivision has announced the Falkon X4, a 5G mobile video transmitter for live broadcast and remote production. The device will be showcased at NAB Show 2026.
...
14/04/2026
Founded by veterans of the production-truck world, Stripe TV was born out of a d...
14/04/2026
Grass Valley has expanded its partnership with Studio Berlin, supplying 12 LDX 135 UHD/HDR camera systems and 12 LDX 180 Super 35mm cinematic cameras, including...
14/04/2026
LTN has announced two senior appointments ahead of NAB Show 2026: Mark Romano as Vice President, Multichannel Platforms, and Edward Cox as Vice President, Sales...
14/04/2026
Sennheiser and Italian rental company Agor have begun preparations for their Eu...
14/04/2026
DAZN and ADI Predictstreet have announced a partnership to integrate ADI Predict...
14/04/2026
Deltatre has announced the completion of a direct-to-fan website and app for Leg...
14/04/2026
Daktronics, will exhibit at NAB Show 2026 in partnership with Grass Valley at Booth C2408, Las Vegas Convention Center, April 19-22.
Daktronics will showcase a...
14/04/2026
Backblaze will host a series of partner presentations at NAB Show 2026 (Booth N1259, North Hall), open to all exhibition hall badge holders. Showcase partners i...
14/04/2026
BRAHMA AI will exhibit at NAB Show 2026 (Booth W2415, West Hall), demonstrating its Enterprise AI Content Platform for media, entertainment, sports, and technol...
14/04/2026
Bridge Technologies has announced that its VB440 production probe has been integrated into NEP Platform, NEP Group's software orchestration system. The inte...
14/04/2026
Clear-Com will introduce new products and demonstrate its communications ecosystem for broadcast and live production at NAB Show 2026 (Booth C5807, April 19-22)...
14/04/2026
EZDRM will use NAB Show 2026 (Booth W2260) to introduce the Revenue Security Prism, a framework for combining multiple security technologies to protect streamin...
14/04/2026
Telos Alliance will introduce the following products at NAB Show 2026:
TV and Media
Telos Infinity MK2 Panels: A new generation of hardware control panels for...
14/04/2026
Panasonic Video and Audio Systems North America will exhibit at NAB Show 2026 (Booth C3509), demonstrating IP- and IT-based production solutions for sports, bro...
14/04/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
14/04/2026
Blackmagic Design will exhibit at NAB Show 2026 (Booth N2502). CEO Grant Petty s product announcement livestream is available at youtube.com. The company announ...
14/04/2026
The deal establishes a close strategic alignment' between the iconic cinema...
14/04/2026
BIGSHOT Media, with support from Teradek, produced untamed African mountain-bike race' with daily coverage and highlights show
The 2026 Absa Cape EPIC, an...
14/04/2026
The Sports Video Group (SVG) today announced the launch of the SVG AI Innovation...
14/04/2026
Captures a trio of renowned polysynths
The latest software to join AIR Music Tech's extensive catalogue captures the sound of three sought-after polysyn...
14/04/2026
Free offering includes 10 powerful plug-ins
United Plugins have announced the launch of a new bundle that brings together 10 of their pro-audio plug-ins, an...
14/04/2026
Julian Coryell joins virtual session player line-up
Announced at NAMM 2026, Celemony's Tonalic kits DAW users out with real performances by world-class ...
14/04/2026
WESCAM MX -Series EO/IR Systems Provide Critical Visibility During NASA Re-Entry Operations....
14/04/2026
DiSCO reduces uncertainty during the fog of war in modern threat environments an...
14/04/2026
GOES-19 imagery captured by L3Harris-built Advanced Baseline Imager technology helps forecasters issue life-saving weather warnings. Credit: NOAA/NASA...
14/04/2026
For decades, understanding the physical world from space has required a trade-of...
14/04/2026
Ruiz has helped fuel growth for both client-side and media companies, including, most recently, TelevisaUnivision.
He will spearhead transformation, innovatio...
14/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/04/2026
Shotoku Introduces the World to Aura P2 PTZ Prompter Panner at NAB 2026
New system removes PTZ pan restrictions for teleprompter-based productions
Shotoku US...
14/04/2026
Integration of Vantage, Pulse, and Telestream UP with Grass Valley AMPP Ecosystem enables scalable, interoperable workflows spanning live production and file-ba...
14/04/2026
Enterprise growth leader to scale Dalet's next phase of innovation and global expansion
New York, NY April 14, 2026 Dalet, a leading technology and ser...
14/04/2026
Berklee Celebrates Prince's Legacy in Two-Night Signature Series Event Directed by Tia Fuller, the Prince Project (April 16-17) brings together more than ...
14/04/2026
Arooj Aftab Is Anything but Predictable The singular artist explores the juxtaposition of grief and joy, dark and light, in her distinctive sound.
April 14, ...
14/04/2026
Appear launches include XM estate management and new X Platform processing enhancements to add density for next-generation hybrid & IP workflows, X5 is also now...
14/04/2026
Addressing the needs of a new generation's viewing habits, Synamedia launches GO Shorts. The AI-powered module turns existing catalogues into TikTok-style ...
14/04/2026
Vubiquity, an Amdocs company and global leader in technology-led media services, will be showcasing a new end-to-end streaming solution in collaboration with El...
14/04/2026
LiveU today announced a significant expansion of its collaboration with Sony Corporation, introducing integrated support for Sony's file-based workflow solu...
14/04/2026
Open Broadcast Systems (https://www.obe.tv/) has announced that BBC World Service has selected its decoders for IP Television distribution. The high-quality, lo...
14/04/2026
Blackmagic Design Announces DaVinci Resolve 21
Brie Clayton April 14, 2026
0 Comments
Major update adds new Photo page bringing Hollywood's most a...