
The industry is at breaking point in the midst of seismic change but it can survive if stakeholders act collectively starting now, urged Jeff Rosica, President and Chief Executive Officer, Avid Technology.
Presenting a keynote at the HPA Tech Retreat in Palm Springs this month, Rosica was frank about the uphill task faced by everyone involved in media and entertainment. As industry leaders we need to come to grips with the fact that we're standing at the precipice of breaking an industry' and are facing an industry-wide mess, he said.
I am truly worried that we could be heading for a disastrous time. Some things are already breaking and some we will have to break in future, but we can avoid disaster if as an industry we look carefully at what is hitting us, we all get aligned on the same page and we collaborate better.
Rosica is a widely respected media technology leader who has spent nearly four decades at the top of the industry for companies including Phillips, Grass Valley and Avid. In that time he said the industry has encountered change and always managed transitions effectively.
I'm worried that we're in an unprecedented time where we're facing significant headwinds from what feels like all directions North, South, East and West at once. We are in danger of breaking apart, but I believe we can also unbreak this trend.
Rosica essayed four areas of change that are impacting the industry globally. These include the wholesale disruption to business models as traditional production and distribution is forced to adjust to streaming and access to content by consumers anytime, anywhere on myriad digital devices.
We are in the midst of this change which is creating a lot of angst and pressures on each business, Rosica said. But if that wasn't enough there are three other areas coming at us fast.
We are also witnessing significant change in operating practices, he said: Processes and workflows developed and proven over decades are being ripped and replaced. Those practices have tended to be incremental to a linear approach of creating content, from script to production through post, that have barely changed in a century. The evolution to digital tools and IP networks has paved the way for a change in that methodology, the pace of which is now being accelerated by automation.
A third headwind comes from changing technologies and deployment patterns. Covid irreversibly altered the expectations of workers when it comes to the flexibility of being able to work from anywhere and caused the industry to rethink how content is created, he said. Remote, collaborative and hybrid production models are the new norm.
We must get much more drastic in our efficiencies, Rosica urged. We are still inefficient as an industry. We need to do more.
On top of this, Rosica expressed concern about the industry's talent drain. When the skills required of innovators and technologists in the M&E industry are no longer purely engineering and electronics - but also computer programming and software-based skills from adjacent industries in professional AV, video gaming and IT, the M&E industry must fight harder to recruit and retain talent.
Our industry is running out of people, he warned. We have to be very careful about leveraging global talent.
The fourth area of change Rosica identified is within the ecosystem of providers and service providers. Few companies are not facing financial challenges, which were only exacerbated by the strikes last year. In addition, companies face the existential threat of disintermediation. The nature of who is doing what with whom is changing dramatically.
Technologies like Cloud, IP and Artificial Intelligence are game changers in their own right but the tech revolution isn't stopping there. There are issues of data security and data integrity and combatting deepfakes to contend with. Interactive media and new depth-enhanced immersive experiences to be embraced.
There have always been technology shifts in our industry, but we've never seen this many happening in parallel, Rosica said. Across the board, technology is creating substantive change. It is unprecedented.
No-one is immune and everyone should be involved in navigating the industry's future.
No matter if you are a technology supplier, a postproduction house, a production company, studio, freelance artist, content creator or content owner everybody in media and entertainment needs to unite in discussion. If the industry can't function effectively we will all suffer.
He urged attendees and the wider community to talk. We've all got so much going on at once and so much coming at us that we have to spend more time talking about how we are going to prioritize, get aligned and stay aligned, and avoid a more difficult situation in future.
His speech wasn't all gloom and doom. There is light at the end of the tunnel, he said. The good news is consumers have a raging appetite for compelling content and they will pay for it. We are not making something as an industry that people don't want.
The other good news is that we have very fine organizations and bodies like HPA, MovieLabs, SMPTE, DPP, ACES and more who can be the vehicle for organizing collective discussion and change. But we still have to get aligned between them all. Each organization has its own prioritization, messaging and agenda. Not that that's a bad thing but there's so much going on we've got to make sure everybody realigns on the same path.
He added, I know that we all see these things from our own perspective but I'm not sure we are all internalizing them and really understanding the profound nature of what we are facing. We need to start talking about how to navigate change. We've got to realize that we cannot tackle all these headwi
North America Stories
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
How Chris Bolte Builds the Sound of PlayStation Games Chris Bolte '16 is a technical sound designer at Sucker Punch Productions, where he helps create the...
19/03/2026
It's a double feature on GFN Thursday. This week, GeForce NOW offers smoother sights in virtual reality (VR) and a sprawling new land to conquer.
Streaming...
18/03/2026
Newly named chief product officer (CPO), Larissa G rner Meeus will return to Net Insight on May 4.
Larissa G rner Meeus will become CPO of Net Insight on May 4...
18/03/2026
SVG Europe's The Football Summit 2026 explored how the sports broadcasting i...
18/03/2026
The 2026 NAB Show kicks off one month from today and SVG is once again set to cover the show from every angle. SVG's SportsTech@NAB Show Blog is now live - ...
18/03/2026
(L-R) The cast and crew of Dead Lover at The Ray Theater for its premiere at the 2025 Sundance Film Festival. (Photo by Robin Marshall/Shutterstock for Sundan...
18/03/2026
SMPTE Unveils 2026 NAB Show Educational Presentations
Brie Clayton March 18, 2026
0 Comments
SMPTE , the home of media professionals, technologists, a...
18/03/2026
Auditel Ad Campaign Shot on Blackmagic PYXIS 12K
Brie Clayton March 18, 2026
0 Comments
LED wall virtual production blends 12K open gate acquisition w...
18/03/2026
Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched on Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
18/03/2026
Back to All News
Preparatevi Alla Terza E Ultima Stagione De La Legge di Lidia ...
18/03/2026
Back to All News
Netflix Drops Teaser and First Look Images for The Chestnut M...
17/03/2026
NASA+'s Rebecca Sirmons and Brittany Brown offer unique look at live streami...
17/03/2026
The transition to IP has fundamentally reshaped professional media infrastructures. Video, audio, and increasingly metadata now circulate as independent, precis...
17/03/2026
Live sports streaming can push every element in your video delivery chain to its limit, exposing every potential weakness in seconds. When the Super Bowl, the O...
17/03/2026
Texas Athletics sought to modernize its media production, enhance fan experience...
17/03/2026
Ikegami USA will demonstrate the latest additions to its wide range of broadcast...
17/03/2026
TNA Wrestling and iHeartMedia announces a new multi-platform collaboration that will integrate iHeartMedia across TNA's premium live events, weekly televisi...
17/03/2026
The goal was to transform Hard Rock Stadium into a global leader in sports and e...
17/03/2026
Spectrum has announced the launch of its new Multiview feature in the Spectrum TV App, giving customers the ability to watch up to four NCAA men's or women&...
17/03/2026
Genius Sports deal also covers data technology, AI, fan engagement, and performance analysis....
17/03/2026
Net Insight is supporting the rollout of a new state-wide centralized operation with Rede Massa, which is an SBT affiliate, the Brazilian regional television ne...
17/03/2026
Featuring audio from practice sessions, qualifying races, and Grand Prix races, the film represents Apple's sports-media ambitions
At Sunday night's Ac...
17/03/2026
Live broadcast has always been one of the most demanding environments in media a...
17/03/2026
DirecTV is introducing several new viewing features, including a multi-screen March Madness Mix channel and an updated Sports Central mobile app hub, ahead of...
17/03/2026
Deltatre has announced a multi-year partnership with ATP Media, the media arm of the ATP Tour, covering broadcast graphics, data, and production across the 2026...