Live From Men's Final Four: CBS Sports, WBD Sports Continue to Innovate With Big Show in Houston A drone, two-headed RailCam, and a compound loaded with mobile unit firepower highlight at NRG Stadium By Brandon Costa, Director of Digital Saturday, April 1, 2023 - 5:26 pm
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The NCAA Men's Basketball Final Four is an annual breeding ground for technology and sports broadcast innovation, and while that's true again here in Houston in 2023, this year's show is, seemingly more than ever, about the production's people.
More than 60 cameras, including this jib, fill NRG Stadium for game and studio coverage of the 2023 NCAA Men's Basketball Final Four on CBS. (Photo: Kristian Hernandez, SVG)
A last Final Four in the storied career of Sports Broadcasting Hall of Fame play-by-play man Jim Nantz is also the first in the 40-year career of lead director Mark Grant. The long-standing relationships between the teams at CBS Sports and Warner Bros. Discovery Sports is also driving innovation in new and unique ways as a Final Four featuring three schools who have never been to this event before takes shape.
Among some of the key production and operations highlights here is the debut of a live drone flying inside NRG Stadium, the rollout of a new version of the RailCam system that sports two cameras instead of one, the move to Game Creek Video's Encore mobile production unit as the main game truck, and a more comprehensive arsenal of super slow-mos and robotic camera systems.
CBS Sports' VP, Remote Technical Operations Jason Cohen and Warner Bros. Discovery Sports' VP, Production Operations and Technology Chris Brown in the truck compound outside NRG Stadium in Houston for the 2023 NCAA Men's Basketball Final Four.
The [WBD Sports] team and our team at CBS, started really good, healthy discussions as early as September to talk about, not just the Final Four, but quite frankly all of March Madness, says Jason Cohen, VP, Remote Technical Operations for CBS Sports. It's one giant event, as far as we're concerned. So mapping out everything from mobile units for each round in each city to the technology that goes into each game the number of cameras, super slow motions, EVSs, robotics, Steadicams, power providers, and so on - it's all a part of the plan and we just transition to what we have here at the Final Four.
There are north of 60 cameras inside NRG Stadium between the game production and studio shows. Many of those resources get shared by both sides. The game show has access to a whopping 16 super slow-motion cameras - including at standard hard camera and handheld positions, as well as on robos above the rims (4K, two-times cutout), ones shooting at 6x above the backboards, and on Pico cameras buried in the basket stanchion.
There are also three cameras in the arsenal shooting in shallow depth-of-field: A Steadicam (from AVS) carrying a Sony FX9, a Sony 4800 outfitted with a FUJINON 25-1000mm PL lens on a pedolly (from Chapman/Leonard Studio Equipment) at one of the corners of the court, and one of two cameras - a Sony P43 (shooting 6x) riding along on a new, two-headed RailCam.
More From Men's Final Four: Double-Headed RailCam Debuts For CBS Sports, WBD Sports
Another star of the camera arsenal is a drone, which has been approved to fly inside NRG Stadium and capture live images for the broadcast. It marks the first time that a drone has been allowed to fly inside the stadium during Final Four and National Championship Games. Last year, then-Turner Sports was able to add a drone to its lineup in New Orleans but it was only permitted to fly outside the Caesars Superdome for exterior scenics.
More From Men's Final Four: A Live Drone Flies Inside NRG Stadium For Game Coverage
A live drone, provided by CNN AIR, will fly inside NRG Stadium to capture live shots for game and studio coverage. One of the reasons for pushing for the drone at this year's Men's Final Four is that CBS Sports and WBD Sports were unable to utilize a SkyCam due the layout of NRG Stadium's centerhung videobaord. (Photo: CBS Sports/WBD Sports)
The drone being used this year is a product of the CNN Aerial Imagery and Reporting (CNN AIR) division which if, of course, in the Warner Bros. Discovery family.
It's a wide breadth of toys to play with the front bench which, this year, has a new face. Producer Mark Wolf will work alongside veteran director Mark Grant, who takes the reigns from the retired Bob Fishman, who directed the Final Four for CBS Sports (and Turner Sports) each year dating back to 1982 (the only year he missed was 1990 when he was undergoing cancer treatment).
More From Men's Final Four: CBS Sports Director Mark Grant Gets His Shot In the Chair After 40+ Years In The Industry
For the operations team, it's been a fun process enjoying a new creative take from the director's chair.
I think Mark did a tremendous job of embracing a lot of the architecture that was built by [former director] Bob Fishman and appreciating a lot of the foundation of what we've done that's worked from a coverage perspective for a major event like this, says Cohen. While respecting all of that tradition, he was able to really, in a unique way, add some flair of his own and his own twist. There hasn't been an idea that we've brought to him that he has been against. If anything, he's been pushing us to push the envelope even more. Push the drone to different boundaries. What else can the RailCam do? What is great about [Mark] is that he's not going to rest on the laurels of what something can do. He's going to, like any great director should, turn to Chris and I and say, what else can it do? Can we do this?' I think the fruits of his creativity will be seen
