Sony Pixel Power calrec Sony

Under the Hood of OBs Part 2: Exploring the Future of the Supertruck and Changing OB Culture

13/05/2021

Under the hood of OBs Part 2: Exploring the future of the supertruck and changing OB culture By Heather McLean, Editor

Monday, May 10, 2021 - 17:18

Print This Story

NVP's new truck for 2021, OB7, features machine learning and artificial intelligence tools

Supertrucks used to be all the rage in sports broadcasting, but are they still today? Although we are still seeing the launch of brand new large, cutting edge outside broadcasting (OB) trucks to enable live sports coverage, we are also seeing a rise in demand for smaller vans that are being used to facilitate remote broadcasts.

Here we talk to a panel of experts from the OB industry in part two of our series exploring the future for uber OBs and where this industry is going moving forwards.

Modular trend setters

Prior to the pandemic, new supertrucks were big news. Although several large vans have been launched over 2020 and into 2021, Christer P lsson, president of NEP Central and Southern Europe, says modular systems are setting the trend today.

Outside of the deliverables for specific contracts, we don't have any current plans to build more of the really big supertrucks in the next year or two. When it comes to speculative builds, we've seen a shift in demand and our solutions need to be more modular.

With technologies evolving so rapidly at the moment, the typical depreciation cycle of core technology is decreasing, meaning we need to amortise our costs over a shorter period of time, notes P lsson.

Crew inside CTV OB's OB12A hard at work for European Tour Productions in October 2020

The best way we can do this is through increased utilisation, he states. By having a modular approach, and ensuring our facilities are all cross compatible, we can combine a number of medium size units to create the super size' fire power, when required, but we can then split them back out and have them working harder on a week to week basis.

Arena Television's deputy director of operations, Daf Rees, has noted the same trend towards modular set ups for OBs: The days of supertrucks aren't numbered quite yet, but I think there'll be a shift toward a different configuration of units.

He continues: Our goal is to send fewer trucks to site as that has the greatest impact on sustainability, so I think we'll see more versatile trucks that can carry cable and equipment, as well as serve as the technical hub of the on-site operation. Our trucks will always be super!

I believe that the OB on site will be always a good part of this job. If everything goes remote I think this work is dead

Peter Bates, EMG UK managing director, agrees: Supertrucks will always have a place in delivering major OB productions, however new builds will reduce to allow smaller, but still powerful units to deliver the increased requirement for remote productions.

We launched OB12A and its sister unit OB12B last summer, continues Bates. This is a scalable setup with its datacentre located at the front of the tender connected by four fibre cables, enabling maximum operational capacity for personnel within the production units.

Neville Hooper, NEP UK's deputy head of sound, says that while we will see less uber trucks being built in the immediate future, they still have a place: It is unlikely that any new large trucks will be built in the short to medium term. Focus has shifted to advancing remote style delivery, which often does not require such a large vehicle. But there are still those jobs which, for a variety of reasons, are not able to be delivered remotely. Jobs such as state events, due to their size and complexity, still require large trucks, along with certain major sporting and entertainment events.

CTV OB launched its large truck OB12A's little sister, OB12B [pictured], in late 2020. It is fitted with diPloy and works alongside OB12A to create a powerhouse in the TV compound

While Dan Regan, sound guarantee at Timeline TV, comments: Full size OB trucks still have a part to play in the coverage of large sporting events. These smaller more compact vehicles are enabling the sports that previously might have struggled to justify having a full OB unit onsite, to be covered with the high-end production values a large OB unit could facilitate.

Meanwhile, Andrea Buonomo, Cinevideo's executive sales manager, says that OB truck providers have spent recent years preparing for demand for the latest technologies, so the lull in large truck builds now is simply part of the natural cycle. He explains: I think that OB companies [have already] moved in time for the next future request about 4K, so this is why [over] the last three years we have seen a lot of new OB's [being built]. Actually in Italy we have 10 or 12 UHD trucks [at Cinevideo] but [there is] no request for UHD (or very poor demand). Maybe in the future [this demand] will increase.

Big love for big trucks

As to where the big trucks are needed in sports broadcasting today, and where we will see this changing as we move ahead, P lsson comments: For the big premium broadcasts the demand for big trucks will remain, and for a variety of reasons. A lot of clients want to be on site and have their preferred crew alongside them. Often it will be linked to the spec of the production where there is a lot of additional kit, high SLA's, or other pressures; some clients feel more comfortable in known surroundings and the technical fire power of the big truck makes sense. Sometimes it's a straightforward financial decision, where often it just doesn't it doesn't make commercial sense to remote everyone. For this reason we believe we will continue to see big trucks on the roads for many years to come.

However, P lsson adds: Where we have seen a transition is on some of the big once every four years' type of productions, who
LINK: https://www.svgeurope.org/blog/headlines/under-the-hood-of-obs-part-2-...
See more stories from svg

North America Stories

22/05/2026

Germanys Magenta TV Selects DMC to Provide FIFA World Cup Technical Support for Studios in Munich, New York City

Germany's Magenta TV, which will have 44 exclusive FIFA World Cup match broa...

22/05/2026

DAZN Grabs IFAF Flag Football Global Rights

DAZN, the world's leading sports entertainment platform, has acquired global broadcast rights to the International Federation of American Football's ( I...

22/05/2026

ATHLOS 2026 Season Set for October Debut in London; Aurora Media Worldwide Named Host Broadcast Partner

ATHLOS, the all-women's professional track and field league, has announced i...

22/05/2026

NATAS to Stream Sports, News, and Documentary Emmy Awards Live on YouTube

The National Academy of Television Arts & Sciences (NATAS) today announced that the 47th Annual Sports Emmy Awards and the 47th Annual News & Documentary Emmy A...

22/05/2026

Wooden Camera Rolls Out New Blackmagic URSA Accessories

Wooden Camera today announced the release of new accessories for the Blackmagic URSA Cine Immersive. The new lineup includes a redesigned Top Plate and Side Rai...

22/05/2026

YES Network, OTT Advisors Extend Streaming Partnership for Sixth Season

YES Network and OTT Advisors have announced a sixth consecutive season of their streaming partnership, continuing their collaboration on the Gotham app. OTT Adv...

22/05/2026

NESN Monster Week' Returns With Full Red Sox Broadcast From Atop Green Monster

NESN, New England's premier sports network, will again turn its camera to Fe...

22/05/2026

Dale Pro Audio RF Over Fiber Webinar Set for May 28

Dale Pro Audio is hosting an RF over Fiber Livestream Webinar on May 28 from 1-2:30 pm EST. With major sporting events and large-scale productions putting incre...

22/05/2026

Audio-Technica Appoints Humrichouser, Schanz to New Roles

Audio-Technica has announced key leadership appointments designed to further strengthen its sales organization and drive continued growth across the Americas. M...

22/05/2026

Scott Coker Launches Global MMA League With $60 Million in Backing

After nearly four decades shaping the global combat sports landscape, Scott Coker has announced a powerful return as he looks to build a new international mixed...

22/05/2026

Skyline Launches xOps Vanguard Runway for Autonomous Era

Skyline Communications, the company behind the globally deployed DataMiner xOps platform, today announced the launch of xOps Vanguard Runway, a strategic accele...

22/05/2026

The American Rodeo Takes Over Globe Life Field for Championship Weekend

For the fully onsite production, 30 cameras - including a SkyCam and Megalodon - will capture the action in Texas One of the world's biggest rodeo producti...

22/05/2026

Argentinas Torneos Taps Imagine Versio for Playout Operations Upgrade

Leading Argentina-based sports media company Torneos y Competencias S.A. has modernized its playout operations, implementing a fully redundant, multichannel env...

22/05/2026

Owl AI and Major League Pickleball Go Live with First-Ever AI Officiating System Powered by Broadcast Cameras and the Cloud

As the 2026 Major League Pickleball season kicks off this weekend in Dallas, it ...

22/05/2026

Shure, Edge Sound Research Look to Innovate via Partnership

Shure has become a minority investor in Edge Sound Research, a start-up company that is developing new experiential audio technologies that redefine how many au...

22/05/2026

SVG Rewind: MLBs UmpCam AR System Puts Fans Inside the Strike Zone Like Never Before

In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...

22/05/2026

Jelly Roll Offers Up 2026 Stanley Cup Playoff Theme Song for NHL, Amazon Music

The National Hockey League (NHL) and Amazon Music announced that GRAMMY Award-winning superstar Jelly Roll will provide the official theme song of the 2026 Stan...

22/05/2026

David Pogue, Andy Beach Keynotes Highlight Silicon Valley Video Summer Camp, July 14 at De Anza College

David Pogue will keynote SVV Summer Camp and discuss Apple at 50: How the World...

22/05/2026

FOX Sports, IMS Productions Scale Up Indy 500 Production in Year Two With New In-Car Cameras, AR Graphics, and Cinematic Sets

In its second year as rightsholder, FOX Sports goes bigger across the board for ...

22/05/2026

FOX Sports' Indy 500 Director Mitch Riggin on the Tech and Storytelling for the Greatest Spectacle in Racing

Heading into FOX Sports' second Indianapolis 500, Lead Director Mitch Riggin...

22/05/2026

Polsat Reclaims Second Place and ByteDance Enters Top 10 as Polish Viewing Moves Beyond the Living Room in April

Latest data reveals steady distributor rankings, a seasonal shift toward digital...

22/05/2026

FCC Votes to Update Disaster Information Reporting System

Share Copy link Facebook X Linkedin Bluesky Email...

22/05/2026

Amagi delivers 30 per cent revenue growth in FY26 Adjuste...

Amagi Media Labs Limited (NSE: AMAGI, BSE: 544679), a cloud-native SaaS platform providing AI-enabled solutions to global media and entertainment companies, tod...

22/05/2026

Annima Post Relies on Cintel to Revive Classic Mexican Films

An nima Post Relies on Cintel to Revive Classic Mexican Films Brie Clayton May 22, 2026 0 Comments Film scanner and DaVinci Resolve Studio help manage...

22/05/2026

Boris FX Sapphire Adds Optical Beauty and Hypnotic Textures

Boris FX Sapphire Adds Optical Beauty and Hypnotic Textures Jessie Electa Petrov May 22, 2026 0 Comments The 2026.5 release introduces advanced defocu...

22/05/2026

Deployment Preserves Trusted Workflows While Enabling a P...

Deployment Preserves Trusted Workflows While Enabling a Path to UHD and SMPTE ST 2110 Leading Argentina-based sports media company Torneos y Competencias S.A....

22/05/2026

Study: AI Labeling Does Not Hurt Video Ad Performance

Share Copy link Facebook X Linkedin Bluesky Email...

22/05/2026

NAB Show Makes 200+ Sessions Available on Demand

Share Copy link Facebook X Linkedin Bluesky Email...

22/05/2026

Torneos Upgrades Multichannel Playout with Imagine's Versio

Share Copy link Facebook X Linkedin Bluesky Email...

22/05/2026

Ex-Husband, Current Husband, One Wild Rescue: Korean Action Comedy Husbands in Action' Premieres June 19

Back to All News Ex-Husband, Current Husband, One Wild Rescue: Korean Action Co...

21/05/2026

CBS Sports Expands WNBA Tip-Off Show To Cover Half of 20-Game, Regular-Season Package

Game Creek Video Columbia and Celtic, NEP Supershooter 8 will house onsite produ...

21/05/2026

SVG Students To Watch: Christina Zelin, Rowan University

Freshly graduated, this upstart producer, director, and camera operator is already working as an AP on videoboard shows for the Philadelphia Phillies In the li...

21/05/2026

Media Links Announces Channel Partnership with Clearcast Asia Ahead of BroadcastAsia 2026

Media Links has announced a channel partnership with Clearcast Asia, a broadcast...

21/05/2026

SiriusXM and NASCAR Announce Multi-Year Broadcasting Agreement Renewal

SiriusXM and NASCAR have announced a multi-year renewal of their broadcasting agreement. SiriusXM will continue to carry live broadcasts of every NASCAR Cup Ser...

21/05/2026

Audio-Technica Hosts High-Density Wireless Microphone Demo at Technica House in New York City

Audio-Technica held a demonstration event at its Technica House location in New ...

21/05/2026

RTL Deutschland Selects Ateme Frame-Rate Conversion Technology for Live Event Workflows

Ateme has announced that RTL Deutschland has selected Ateme's software-based...

21/05/2026

BCC Live Deploys LiveU LU900Q for Record-Breaking IRONMAN Texas Broadcast

LiveU has announced that BCC Live deployed the LU900Q intelligent production unit for the first time during the 2026 Memorial Hermann IRONMAN Texas North Americ...

21/05/2026

Mark Aitken to Receive 2026 ATSC Mark Richer Industry Leadership Medal

ATSC has announced that Mark Aitken, President of ONE Media and Senior VP of Advanced Technology at Sinclair Broadcast Group, will receive the 2026 Mark Richer ...

21/05/2026

BBright Outlines MXL Integration Strategy for Software-Defined Broadcast Workflows

BBright has published a technical analysis of the Media eXchange Layer (MXL), de...

21/05/2026

Esports World Cup 2026 to Be Held in Paris, France

The Esports Foundation has announced that the 2026 Esports World Cup (EWC) will be hosted in Paris, France, from July 6 through August 23. The event marks the f...

21/05/2026

Chyron Announces PRIME Scorebug and Expanded Chyron LIVE Scorebug Capabilities

Chyron has announced PRIME Scorebug, a scorebug solution built on the PRIME Platform for on-premises sports production, and has expanded Chyron LIVE with purpos...

21/05/2026

Media Links Integrates Xscend Platform with DataMiner at BroadcastAsia 2026

Media Links has announced the integration of its Xscend IP transport platform with Skyline Communications' DataMiner xOps platform. The integration will be ...

21/05/2026

SVG New Sponsor Spotlight: Nova Lume CEO Jim Casey on Bringing Flexible IP Intercom to Live Production

As live sports productions continue to demand more flexible, scalable, and cost-...

21/05/2026

SVG Rewind: ESPN's Use of POVORA Wireless Tilt Control CapCam Gives College Football Fans a First-Person View of the Game

In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...

21/05/2026

Join Shade in Miami and Atlanta for Post-Production Networking Events

Hey Miami & Atlanta post-production folks! Shade is hosting a free private suite at a Braves game (6/2) and Marlins game (6/5) and have about a dozen extra tic...

21/05/2026

Phoenix Suns, Mercury, and Gray Media Extend Broadcast Partnership Through 2030

The Suns and Mercury become the first NBA and WNBA teams to make games available under a single broadcast partner across both over-the-air and streaming....

21/05/2026

Apple TV, MLS to Produce First Major Pro Sporting Event Shot Entirely on iPhone 17 Pros

iPhones are part of the the regular production rotation for Friday Night Baseba...

21/05/2026

SVG Rewind: AIQ: Where Data Meets Dirt Technology Brings Real-Time Data Analysis to Rodeo

In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...

21/05/2026

Filmmakers' Favorites: Sundance Film Festival Alums on Welcome to the Dollhouse

Heather Matarazzo as Dawn Wiener in Todd Solondz's Welcome to the Dollhouse...

21/05/2026

Redefining Persistent and Affordable Airpower for Special Operations Forces

SKY RAIDER II INTERNATIONAL's modular open systems architecture delivers expanded operational reach and mission flexibility....