
NASCAR President Steve Phelps Sounds Off on Navigating the Pandemic, Rising Ratings, Tech Innovation New venues, new markets, more diverse audience are part of the organization's transformation By Jason Dachman, Chief Editor
Thursday, October 21, 2021 - 1:34 pm
Print This Story | Subscribe
Story Highlights
Since being named president of NASCAR in September 2018, Steve Phelps has overseen the organization's dramatic commercial, cultural, and technological transformation. Most notably, in 2020, he guided NASCAR through a pandemic-afflicted season, during which it became the first sport to return to competition and bring back fans to the venue.
At SportsBusiness Journal's World Congress of Sports last week, Phelps discussed how NASCAR has navigated the pandemic, its improving TV ratings and efforts to expand its audience, its commitment to racial equality and social justice, this year's dynamic new race schedule (featuring new venues, markets, and track layouts), the highly anticipated launch of the Next-Gen car next year, and more.
On NASCAR's being the first major league to come back during the pandemic:
We were dark for 71 days while we devised a plan that worked to get back to racing. On May 17, 2020, we went back to racing in Darlington with no fans. And then, in mid June, we started slowly bringing back fans, and that felt good. It was a lot of work. All the sports should be congratulated for the work that they did to get back to competing. It was hard.
We have some advantages in NASCAR with our crews wearing built-in PPE and our drivers in their cars with their uniforms, head socks, helmets, and head-to-toe [protection]. We took advantage of that. Now we are growing as a sport, and we're stealing share which was intentional and was a stated goal.
On growing the fanbase and how partnerships can drive interest:
We understand that not everyone's going to be a fan of NASCAR. But exposing it through different partnerships is really important for us. We've been very deliberate about making sure that we are finding the right partnerships because we want to serve that potential fan wherever they are. If we [participate in] programs that are reaching different audiences then we're not going to grow. I think we have a foundation to grow the sport, but the partnerships are critical for us. We can't be all things to all people, but we can certainly be smart about how we're going to market or target specific segments of the population.
On NASCAR's upward trajectory since Phelps took over as president:
It's a different NASCAR than it was [when I became president]. We're at a period now where our share this year vs. 2019 [is] plus 20%. Our engagement numbers on digital and social are the highest that they've ever been. Sponsorship is coming back.
We had a tough go for a decade. If you'd said to me in 2018 that NASCAR was going to win League of the Year [at the 2021 Sports Business Awards], I wouldn't have taken that bet. We clawed back, and the sports community said we did it better and deserve to win. That felt fantastic for every person that works at NASCAR. And I'm not just talking about the sanctioning body where I work but [about] teams, drivers, auto manufacturers, our broadcast partners. They were all part of the growth to bring NASCAR back. It's an exciting time.
On the upcoming debut of NASCAR's Next-Gen car in 2022:
It has been a long time coming. This car is a panacea for everything that is still ailing NASCAR. It's going to be great for the teams, great for our OEM partners, and, most important, it's going to be great for the fans. It will have all kinds of really cool innovation pieces and cameras in every car, which will be phenomenal. Innovation for us is important.
It debuts at the L.A. Coliseum, which is where we will have an exhibition event called the Busch Clash. We are not going to race around the Coliseum; we actually are going to pave a track inside, which is going to be really cool. It will be a week before the Super Bowl, which is also in L.A.
On innovative scheduling for the 2021 and 2022 seasons:
This year, we had the boldest schedule that we've had in 50 years, so we're going to build on that. All the venues that we went to for the first time this year, we will go back to next year. We added the Coliseum in L.A. and Worldwide Technology Raceway in St. Louis. In 2023, I don't know what the schedule is going to look like, but it won't look like 2022. We'll continue to innovate and we have to go to new markets.
In 2022, our Xfinity series is going to go to Portland, OR. We are underserved in the Pacific Northwest, so we are going to continue to showcase [NASCAR]. We have to go to different places. That's what we need to do to grow this sport. We need to make sure that fan experience is like none other. [We] need to have schedule variation and go to different parts of the country - or, frankly, internationally - to expose us to a new audience.
On NASCAR's esports efforts and the future of iRacing:
After we shut down, we partnered with iRacing and Fox [Sports], and iRacing created something called the NASCAR Pro Invitational. The five highest-rated esports [events] on television of all time are all NASCAR races. The country wanted to watch something that was not a rerun, and it was fun.
We have a young African-American kid named Roger Carruth, who is going to be a star at NASCAR, and he was the only one in his Drive for Diversity program that got his start in iRacing. Or you look at a guy like William Byron, who was in our playoffs; he started his career in iRacing. It's true sim racing. It's very cool, and it's very lifelike - so lifelike that you actually can go race and get into a car and be competitive. Ther
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
COW Jobs: Editor de V deo - Direct Response, Performance Ads - Brazil, Remote
Brie Clayton March 11, 2026
0 Comments
Editor(a) de V deo (Direct Respon...
12/03/2026
Avatar: Fire and Ash Graded with DaVinci Resolve Studio
Brie Clayton March 11, 2026
0 Comments
Colorist delivers premium cinematic color across 2D, 3D...
12/03/2026
Boston Conservatory to Timoth e Chalamet: We Care About Ballet and Opera Boston Conservatory at Berklee students and faculty respond to the actors recent comm...
12/03/2026
The Late Late Show Show St Patrick's Day special
Dancing with the Stars f...
12/03/2026
GeForce NOW is bringing the game to the Game Developers Conference (GDC), running this week in San Francisco. While developers build the future of gaming, GeFor...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Matrox Video will showcase its vision for the future of live production at NAB 2026 in Las Vegas, April 19-22, highlighting how broadcasters and media organizat...
11/03/2026
Geneva-based technology company, GlobalM SA, is presenting its GMX Distributed Video Gateway, a software-defined IP media transport platform designed to replace...
11/03/2026
Backlight (booth #N2829), the company behind Iconik and Wildmoka, which power video workflows for large media and entertainment organizations, has released the ...
11/03/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, presents its latest StudioEdge models at The NAB Show ...
11/03/2026
Telestream, a global leader in media workflow technologies, today announced the expansion of Telestream Cloud Services with the introduction of UP, a new cloud-...
11/03/2026
Operative, the preferred advertising management provider for the world's leading media brands, today announced the launch of AOS for digital media, an AI-po...
11/03/2026
Calrec will be located in Central Hall, on Booth C6907
Choice without compromise
The broadcast industry is going through a rapid evolution that s signalling a...
11/03/2026
The new service is hosted and operated entirely in the Netherlands, combining data sovereignty, resilience, scalability, and predictable costs without relying...
11/03/2026
Ease Live, an Evertz company and leader in interactive graphical overlays, today announced the successful deployment of its platform on Red Bull TV for Premier ...
11/03/2026
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, is advancing its Semantic Intelligence cap...
11/03/2026
Emergent, a leading provider of AI-enhanced media production solutions, today announced the official launch of Fusion, a powerful, no-code application builder d...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Utah Scientific today announced the expansion of its Technology Partner Program with the addition of Audinate, Bitfocus, and Skaarhoj, three industry leaders wh...
11/03/2026
DigitalGlue, creator of the creative.space on-premise managed storage platform, today revealed plans to launch creative.space Intelligence (CSI) at NAB 2026 (Bo...
11/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, has annou...
11/03/2026
Composer and Re-recording Mixer Michael Phillips Keeley has built his career around immersive storytelling. Working from his Dolby Atmos-equipped studio, Sound ...
11/03/2026
Leading video software provider Synamedia today announced that YES, the pay-TV subsidiary of the telco Bezeq (TASE: BEZQ), has selected Synamedia Iris to delive...
11/03/2026
As media companies face increasing cost pressures and operational complexity, at the 2026 NAB Show in Las Vegas, Viaccess-Orca (VO), a global leader in OTT / TV...
11/03/2026
Digital Alert Systems, a global leader in emergency communications solutions for media providers, today announced the release of Version 6 software for its DASD...
11/03/2026
First Medium-Earth Orbit (MEO) deployment of the emergency.lu platform for refugees and their host communities' use provides dependable broadband for humani...
11/03/2026
Foundry releases Nuke 17.0
Brie Clayton March 1, 2026
0 Comments
Native Gaussian Splat support, new 3D system based on USD, expanded machine learning ca...
11/03/2026
Preserving UNESCO World Heritage with URSA Cine Immersive
Brie Clayton March 1, 2026
0 Comments
The Explorers turned to France's cultural landmark...
11/03/2026
I Clicked This By Accident And It Made After Effects SO Much Faster
Graham Quince March 1, 2026
0 Comments
Discover how Region of Interest in Adobe A...
11/03/2026
Cine Gear Connect Brings a Focused All-Day Experience to Industry City, NY
Brie Clayton March 4, 2026
0 Comments
Registration is now open for Cine Gea...
11/03/2026
La Vor gine Edited and Finished with DaVinci Resolve Studio
Brie Clayton March 4, 2026
0 Comments
One of Colombia's most ambitious projects goes g...
11/03/2026
SoundMarket Launches 18,000 Tracks of Real Music by Award-Winning Composers for...
11/03/2026
Capta Center Supports NOVO19 Remote Production with Blackmagic Design
Brie Clayton March 5, 2026
0 Comments
The facility provides production and playo...
11/03/2026
DigitalGlue Ends the Post-Production Tax: creative.space Intelligence (CSI) Unif...