
Red Bull implements a workflow with ATEM 4 m/e Broadcast Studio and Declink 8K in its Gaming ShereA fin de fin de llevar a cabo producciones en directo desde su espacio Gaming Sphere en Londres, Red Bull emplea Ursa Mini Pro, Micro Studio Camera 4K, ATEM 4 M/E Production Studio 4K y DeckLink 8K Pro de Blackmagic Design
Red Bull ha implementado una din mica de trabajo con unidades Ursa Mini Pro, Micro Studio Camera 4K, ATEM 4 M/E Production Studio 4K y DeckLink 8K Pro of Blackmagic Design, a fin de llevar a cabo producciones en directo desde su espacio Gaming Sphere en Londres.
Para ello, se ha creado un estudio multiuso con el prop sito de perfeccionar las destrezas de los jugadores y las personas que trabajan tras bastidores en la organizaci n de torneos, talleres y eventos educativos. La empresa Dreamtek, especializada en la integraci n de sistemas, dise e implement una din mica de trabajo flexible para producciones en directo, a fin de ofrecer im genes de alta calidad que se transmiten mediante pantallas gigantes o plataformas tales como Twitch, YouTube y Facebook.
Kashaan Butt, jefe de ingenier a en Dreamtek, comenta que la cuesti n principal era poder captar las im genes de los videojuegos desde cualquier lugar del recinto y transmitirlas a una frecuencia que resultara aceptable para los aficionados a este tipo de competiciones. A tales efectos, concebimos un sistema IP y SDI que permite grabar y reproducir las im genes de cualquier c mara, consola o PC .
The n cleo de la red es una matriz Smart Videohub, que no solo transmite las im genes de los videojuegos, sino tambi n aquellas grabadas por una serie de c maras Ursa Mini Pro y Micro Studio Camera 4K, y otras 12 unidades de menor tama o que capturan las reacciones y las emociones de los jugadores. Por su parte, las tarjetas DeckLink 8K Pro permiten reproducir contenidos en alta definici n mediante las conexiones SDI 12G.
En las producciones de deportes electr nicos, es fundamental poder transmitir a una mayor frecuencia de imagen. La tarjeta DeckLink 8K nos brinda la flexibilidad y las prestaciones que necesitamos, sin importar la cantidad de consolas que tengamos durante un determinado evento , a ade a adi Kashaan.
Codificaci n H.264En el sistema se emplean diversos medios de captura, inclusive unidades SSD de las c maras Ursa Mini Pro, varios grabadores HyperDeck Studio Mini y codificadores H.264 multicanal que env an las se ales a un servidor de transmisi n. La compatibilidad con el formato H.264 era particularmente importante a la hora de simplificar la din mica de trabajo. Las competiciones de videojuegos pueden durar varias horas, y antes ten amos que realizar una transcodificaci n con el fin de aprovechar al m ximo el espacio de nuestras unidades de almacenamiento , indica Kashaan.
Por otra parte, la capacidad del mezclador ATEM 4 M/E Broadcast Studio 4K para generar m ltiples se ales principales permite a Red Bull cubrir varios eventos simult neos en distintas partes del recinto. Adem s de los cuatro bancos M/E, los controles para composiciones por crominancia son fundamentales, ya que tenemos un estudio con un fondo azul donde podemos superponer la imagen del locutor o presentador a la del videojuego , explica Kashaan.
Red Bull es reconocida internacionalmente por ofrecer contenidos de vanguardia, y deb amos mantener dicha reputaci n en el mbito de los deportes electr nicos. Sab amos desde un principio que los productos de Blackmagic Design cumplir an con nuestros requisitos, y podemos confiar en ellos para todos los aspectos de la producci n, desde la captura hasta el control y la distribuci n. Dados los plazos ajustados que tenemos para dise ar, preconfigurar, instalar y probar nuestras soluciones, eso es algo que vale su peso en oro , finaliza el jefe de ingenier a en Dreamtek
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