![](//www.4rfv.com/images/no_image.jpg)
Editor's Note: In honor of his 86th birthday, we're looking back at a profound interview with our founder Robert Redford. In 2007, Redford spoke with us about the power and future of documentary filmmaking and his words are as important today as they were 15 years ago.by Cara Mertes
The Sundance Film Festival's longstanding commitment to documentary has been driven by the personal connection founder and president Robert Redford feels for the form. Leading up to the premiere of Chicago 10, the second doc to ever open the Festival, we talked to Redford about the past, present, and possible future of documentaries.
You made an early commitment to documentary. Why was that?
A lot of what Sundance is today has to do with my early impressions as a kid. I grew up in a working-class neighborhood in Los Angeles, and our main entertainment was going to the movie theater on Saturday night. I remember being impressed by the Pathe newsreels, which were really an early form of documentaries.
They brought you information, including images of the Second World War that was going on, and if you had relatives in the war there was a personal connection that probably hooked me. There was also something about the grainy sense of reality that really stood out against the feature presentations of narrative films and animation. So the early genesis of this goes back to being very impressed with those newsreels.
When did you start to think of documentary as something other than straight journalism?
In the 1950s, I remember the McCarthy hearings on television, and it was all extremely dramatic and it really struck me. Then, in the '60s I saw Emile DeAnontio's films on the same hearings, and it was suddenly clear how a filmmaker could work with real events and also tell you more of the whole story. And I realized that documentaries could carry a weight that fiction films didn't seem to have, and I started to get hooked on them.
But at that time, almost all documentaries were in the talking-head style and were primarily academic. And then they started to take a new turn with the work of people like Drew Associates, Lee Pennebaker, the Maysles. Suddenly, the camera was moving, and they were covering live things that were so dramatic that I began to think, This drama of reality is as strong, if not stronger, than the narrative theatrical films in the marketplace.
And this was the impetus for you to become involved in the making of documentaries?
That's right. In the late '60s and early '70s, as a sidebar to my own career, I began to think that I wanted to get into documentaries in some way. I started by supporting documentarians by either narrating or producing or co-producing or arranging money for them.
It started out with smaller films about the threats to the environment or Native American issues on Indian lands where developers were coming in trying to wipe them out. My interest continued to build until finally in the mid-'70s, I began to feel that there would be a future for documentaries as they evolved and that someday they would evolve to a place where they would be equivalent to mainstream, narrative filmmaking. I just really had that belief.
You started the Sundance Film Festival in 1984. How did documentaries fit into the idea for the Festival?
From the very first Festival, we've screened documentaries. And by the early '90s, the Festival had formed enough of a visible platform that we could start leveraging it more aggressively to promote nonfiction work. So we started pushing documentaries by positioning them more highly, giving them more screenings, showing more of them.
In 2001, the Institute began giving grants to documentarians when the Soros Documentary Fund became the Sundance Documentary Fund. How did this come to fruition?
By that time we had a solid platform to show documentaries at the Festival, we could see the potential for audiences to grow, and we wanted to provide resources to get more of these films made. By providing both funding and a strong platform for exhibition, we hoped we could raise awareness about international issues of human rights.
We went to Diane Weyermann, who had been instrumental in starting up the Soros Documentary Fund at the Open Society Institute, and we worked out how the fund could come over to Sundance. A lot of the pieces came together at the right time. And now, we also provide labs for documentarians to support the creative side of their work.
Are you surprised at the level of success that documentaries are now achieving?
I've always believed in these films and have always been committed to them. I'm very surprised by many other things, but not that documentaries are catching on.
Do you consider documentary as a way to directly approach deeply political and urgent questions?
Definitely. I want Sundance to be a forum for cultural exchange and for political dialogue. We're not hearing the truth about a lot of issues and I'm worried that people are giving up and getting numb and not even bothering to look for the truth. It's often in documentaries-when the focus is on personal stories-that we learn the truth of current situations and events. They're not just a cultural force for storytelling; they're also political truth. If you look at Born into Brothels and Hoop Dreams and Super Size Me, these kinds of films really are a huge channel to get back to the truth. So, yeah, it is political.
Do you think that documentaries can inspire change?
I do think it's possible for a film to inform, to wake people up to the real truth of our situation. Al Gore's film [An Inconvenient Truth, directed by Davis Guggenheim] is a great example of a documentary that creates real impact-it just happens to fortunately coincide with facts about the state of our environment being publi
Most recent headlines
04/08/2024
Dalet, a leading technology and service provider for media-rich organizations, is excited to announce Santiago Solanas as its new Chief Executive Officer (CEO)....
27/07/2024
CLEVELAND Telos Alliance has introduced StudioCore and StudioEdge both members of the company's Axia lineup of AoIP studio consoles and accessories....
27/07/2024
NEW YORK The saga for rights to NBA games continues, with Warner Bros. Discovery filing a lawsuit in state court in New York against the NBA. The lawsuit claims...
27/07/2024
NEW YORK While YouTube recently reported slower than expected growth in its ad revenue for Q2 2024, a new survey indicates that many advertisers still have a re...
27/07/2024
QuickLink StudioPro 4K Video Production Platform to Make its IBC 2024 Debut
Brie Clayton July 26, 2024
0 Comments
QuickLink, the leading global provid...
27/07/2024
Amazon Prime Video said that global viewership for its superheroes gone bad series The Boys grew by 20% from Season 3....
27/07/2024
Dermot Mulroney has been cast as Chief Dom Pascal in the upcoming season of Chicago Fire on NBC. Season 13 begins September 25....
27/07/2024
The Hispanic TV Summit, which happens September 11 in New York and is presented by Next TV, Broadcasting+Cable and Multichannel News, will give out awards to th...
27/07/2024
Media companies like to warn marketers about the perils of cutting their ad spending, and they may have a cautionary tale in Pepsi, which slid into third place ...
26/07/2024
by Ianeta Le'i
I honestly don't remember the first time I met Bryson Ch...
26/07/2024
(L-R) Louise (Karen Gillan) and Antonina (Margaret Sophie Stein) strike up an un...
26/07/2024
Last month, Spotify's annual Songs of Summer predictions made their return, ...
26/07/2024
Summer is peak season for some of our favorite sports and events. Whether you're rooting for the home team at the ballpark or cheering for your country as i...
26/07/2024
Nine talented young professionals completed their vocational training at SGL Carbon in Meitingen from the beginning of June to mid-July, achieving an overall gr...
26/07/2024
Orders1 of $5.2 billion; book-to-bill of 1.0x
Revenue of $5.3 billion, up 13%
...
26/07/2024
(Editor's note: TVTech reached out to several station groups to determine the impact of the CrowdStrike outage on operations. Many, including NextStar Media...
26/07/2024
NEWPORT BEACH, Calif. Bitcentral has integrated Pixalate's ad fraud protection, privacy and compliance analytics solution Post-Bid Analytics and Reporting i...
26/07/2024
Aldous Huxley's classic novel Brave New World is a science fiction thriller set in a murky future with a highly ordered society. While Huxley and other sc...
26/07/2024
Hollyland Adds Pyro 7 All-in-one Video Monitor, TX and RX to Pyro Series
Brie Clayton July 26, 2024
0 Comments
Seven-inch 2.4/5GHz wireless monitor wi...
26/07/2024
Geddy Lee Asks Are Bass Players Human Too? Graded Using DaVinci Resolve Studio
Brie Clayton July 26, 2024
0 Comments
Blackmagic today announced that t...
26/07/2024
Another reminder of the popularity of ad-supported connected TV comes in a survey by Premion and Advertiser Perceptions which found that 61% of the marketers th...
26/07/2024
Nielsen's Gracenote unit said it is selling its metadata about the content of television shows and movies for use in targeting connected-TV advertising camp...
26/07/2024
CBS premieres 13 Days in Ferguson, a special about the aftermath of a police shooting of a young Black man in 2014, on Friday, August 9. The special features Ce...
26/07/2024
Disney and Warner Bros. Discovery announced the launch of their long-awaited premium streaming bundle for the United States. For $16.99 per month, subscribers w...
26/07/2024
It provides multi-voltage output (14.4V, 28V, and 48V) through two XLR4 outputs and one XLR3, offering power to cameras, monitors, and lighting equipment
By Je...
26/07/2024
The lawsuit submitted by investor Scott Baker claims the deal would cost Paramount shareholders $1.65 billion
By Jenny Priestley
Published: July 26, 2024
...
26/07/2024
Florida-based Video Village Miami provides on-set video assist for local commercials and music videos. Frank Collins established the outfit in 2019 after a 20-y...
26/07/2024
QuickLink, the leading global provider of multi-camera video productions and remote contribution solutions, will present QuickLink StudioPro at IBC 2024 (Stand ...
26/07/2024
Relo Metrics (formerly GumGum Sports), the leading AI-powered sponsorship analytics platform for real-time data decisions, today launched an industry-leading in...
26/07/2024
Anton/Bauer, a leading provider of mobile power systems for the film and television industry, has announced the launch of the VCLX LI 1600. The latest evolution...
26/07/2024
Bitcentral, the leading provider of professional media solutions for broadcast and digital video, today announces that it has integrated Pixalate, the ad fraud ...
26/07/2024
Cobalt Iron Inc., a leading provider of SaaS-based enterprise data protection, today announced that Secure Automated Backup with Compass , a cloud backup-as-a-s...
26/07/2024
VisualOn IBC2024 Exhibitor Preview
Sept. 13-16
Amsterdam
Stand 5.A52
As video streaming consumption surges, service providers face significant challenges wi...
26/07/2024
Quanteec
IBC2024 Exhibitor Preview
Sept. 13-16
RAI Amsterdam
Stand 1.A05
Quanteec, a global provider of video delivery technology for broadcasters, will s...
26/07/2024
Witbe
IBC2024 Exhibitor Preview
Sept. 13-16
Amsterdam
Stand 5.F84
At IBC2024, Witbe will showcase the power of its automated testing and proactive monitori...
26/07/2024
WASHINGTON, D.C. The Federal Communications Commission has announced the launch of its new Mobile Speed Test app. The new app features an enhanced user interfac...
26/07/2024
LONDON In a notable landmark for the use of cloud-based services at the Olympics, Alibaba Cloud and Olympic Broadcasting Services (OBS), has today announced the...
26/07/2024
NEW YORK As part of a $2.5 billion media rights deal with the NBA announced on July 24, NBCUniversal and the NBA have also announced an 11-year agreement for ri...
26/07/2024
BEAVERTON, Ore. Versatile Video Coding (VVC) promises to play a pivotal role in driving advancements in video compression technology, with organizations across ...
26/07/2024
COLUMBUS, Ohio The political news channel PurpleTV has expanded it reach with news that it has launched on Channel 25.1 in Columbus, Ohio on TV Station WXOH, wh...
26/07/2024
NEW YORK As part of a push into the contextual advertising business, Nielsen's Gracenote has announced that it is developing new contextual categories to gi...
26/07/2024
Puget Systems Returns to SIGGRAPH 2024 to Demonstrate its On-Premises Generative...
26/07/2024
Dreamtek Delivers Innovative A/V, Live Production and Post Workflows with Blackm...
26/07/2024
Dejero to bring even smarter' mobile internet connectivity solutions to IBC...
26/07/2024
The 2024 Paris Olympic Games are about to begin, and Capitol Broadcasting is rea...
26/07/2024
Berklee Alumni Nominated for 2024 Emmy Awards Twenty-one Berklee alumni received Emmy nominations this year for music composition, sound mixing, and sound editi...
26/07/2024
Jennifer Lyons, president and general manager of WBBM Chicago, is moving into a ...
26/07/2024
Kennan Oliphant has been named VP of news and station manager at WWJ Detroit. He will report to Jennifer Lyons, who has added a regional GM role that gives her ...
26/07/2024
Charlie Hustle & The Matter of Pete Rose, a four-part docuseries, debuts on HBO and Max July 24. The series details the life of the baseball superstar, includin...
26/07/2024
By Craig Anderton
It's been a while since we've had a post for sound design fans. So, let's create some crazy FX for sci-fi/suspense/horror movies,...