
RANCHO MIRAGE, Calif. A Broadcasters' Panel has been a fixture at the HPA Tech Retreat program for years, with representatives from networks, station groups and industry organizations sharing their thoughts on contemporary TV industry developments and issues. This year was no exception, with Dave Folsom from Pearl TV; Fox TV's Richard Friedel; Del Parks from the Sinclair Broadcast Group; and the NAB's Skip Pizzi assembling to field questions from moderator Matthew Goldman of MediaKind in a Wednesday morning session.
Topics this time ranged from the Phoenix Model Market project to the evolution of IP and cloud for broadcasters.
Goldman kicked off the discussion by asking Folsom to describe the Phoenix Model Market and explain why it was important in the effort to rollout NextGen TV.
It's the result of the FCC in the late fall of 2017 coming out with a Report and Order allowing broadcasters to make use of the newly-developed ATSC 3.0 standard, replied Folsom. How do you make that [initiation of 3.0 service] happen? Pearl, which is made up of nine large station groups, decided to create a model market, or model station, in Phoenix to see how this transition could be done without adding spectrum. We also provide a forum for manufacturers of technical equipment for the new standard to test their equipment, as well as for receiver manufacturers to test their products.
Goldman asked how NextGen TV would be implemented, as TV broadcast spectrum space is at a premium now with the loss of channels in connection with the current repack.
Matthew Goldman served as moderator of the Broadcasters Panel' discussion. (Image credit: James ONeal) When we went from analog to ATSC 1.0, this was mandated by the government, said Goldman. That's not happening now. Without the aid of additional channels and bandwidth, how will the transition to the new service be possible without negatively impacting over-the-air service?
It's going to take a little bit of legerdemain, said Folsom. There is a little bit of extra bandwidth in [the ATSC 1.0] signal that we have now. If we can, by market, essentially clear one channel at a time of those individual services and move them and share them on other channels, to the viewer there will not be any difference.
This will free up a channel, and this channel can carry up to five services because new codecs are much more efficient, Folsom continued. This will provide the mechanism on a rolling basis to clear spectrum for new services without losing your ATSC 1 audience.
With so many options for video delivery available now, why should consumers even care about a new over the air broadcast standard, Goldman asked the panel.
For the consumer, one of the largest impacts that [NextGen TV] will have is that it finally addresses the idea of broadcast and broadband convergence, Pizzi said. Today, smart TV's are already connected to the internet and a conventional television source, but you're switching between the two. ATSC 3.0 puts those two together in a continuously variable way.
It's about better pictures and sound, Friedel added. This is really going to impact the industry. There will also be a bunch of new business opportunities to capitalize on.
Sinclair's Parks thought that NextGen TV would return television broadcasting to a more local and live presence.
When you look at where entertainment syndicated television is going, it's really not going anywhere, said Parks. Much of the shows produced are for streaming services. Linear TV is migrating to live broadcast very local and very live sports, news and local programming. It's just not viable for Hollywood to produce syndicated programs like they used to. It just doesn't work.
OTT is anything but live and local, said. Pizzi. This live, local-focused service [brought about by NextGen TV] can co-exist on a more even parity in terms of quality and interactivity with those other services said Pizzi. NextGen TV really gives broadcasters a level playing field going forward.
THE MOVE TO DATA
The discussion then shifted to the relationship of NextGen TV to cloud and its relevance to broadcasting.
I think the cloud is very important, replied Sinclair's Parks. I don't believe we'll get to a NextGen TV distribution system without moving to the cloud. NextGen is not just about delivering pictures, but about delivering data. The cloud is extremely important to our operation.
Pizzi added that NextGen TV was about delivering data both to and from the consumer and he saw the cloud serving as a collection point for this data, which could be used for rating programs and other functions.
The panel then turned to the difficulty in finding qualified broadcast engineering personnel, as stations and production facilities alike move further and further into IP.
They aren't making broadcast engineers anymore, said Friedel. The truth is that we're really building our own, and I think everyone else is too. We try to find bright young people and we teach them. We don't have much of a choice.
The good news is that it's allowing us to change the diversity of our employment too, he continued. A lot more women are attracted to the IP industry [than to broadcasting]; the same is true of minorities too. This will help us create better programming and better serve our communities.
The discussion ended with Goldman asking how broadcasters were faring in light of the move to streaming and away from conventional television.
Business is still pretty strong, said Friedel, citing viewership for the recent Super Bowl. The economics are there. We're still delivering an audience. I hate to bring up politics, but Bloomberg is spending a lot of money in targeting his advertising, and you see his poll numbers are just
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
You've seen the headlines, now it's time to go Behind the Story
RT News has today (Wednesday) launched a brand-new news podcast, Behind the Story, h...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...