
RANCHO MIRAGE, Calif. A Broadcasters' Panel has been a fixture at the HPA Tech Retreat program for years, with representatives from networks, station groups and industry organizations sharing their thoughts on contemporary TV industry developments and issues. This year was no exception, with Dave Folsom from Pearl TV; Fox TV's Richard Friedel; Del Parks from the Sinclair Broadcast Group; and the NAB's Skip Pizzi assembling to field questions from moderator Matthew Goldman of MediaKind in a Wednesday morning session.
Topics this time ranged from the Phoenix Model Market project to the evolution of IP and cloud for broadcasters.
Goldman kicked off the discussion by asking Folsom to describe the Phoenix Model Market and explain why it was important in the effort to rollout NextGen TV.
It's the result of the FCC in the late fall of 2017 coming out with a Report and Order allowing broadcasters to make use of the newly-developed ATSC 3.0 standard, replied Folsom. How do you make that [initiation of 3.0 service] happen? Pearl, which is made up of nine large station groups, decided to create a model market, or model station, in Phoenix to see how this transition could be done without adding spectrum. We also provide a forum for manufacturers of technical equipment for the new standard to test their equipment, as well as for receiver manufacturers to test their products.
Goldman asked how NextGen TV would be implemented, as TV broadcast spectrum space is at a premium now with the loss of channels in connection with the current repack.
Matthew Goldman served as moderator of the Broadcasters Panel' discussion. (Image credit: James ONeal) When we went from analog to ATSC 1.0, this was mandated by the government, said Goldman. That's not happening now. Without the aid of additional channels and bandwidth, how will the transition to the new service be possible without negatively impacting over-the-air service?
It's going to take a little bit of legerdemain, said Folsom. There is a little bit of extra bandwidth in [the ATSC 1.0] signal that we have now. If we can, by market, essentially clear one channel at a time of those individual services and move them and share them on other channels, to the viewer there will not be any difference.
This will free up a channel, and this channel can carry up to five services because new codecs are much more efficient, Folsom continued. This will provide the mechanism on a rolling basis to clear spectrum for new services without losing your ATSC 1 audience.
With so many options for video delivery available now, why should consumers even care about a new over the air broadcast standard, Goldman asked the panel.
For the consumer, one of the largest impacts that [NextGen TV] will have is that it finally addresses the idea of broadcast and broadband convergence, Pizzi said. Today, smart TV's are already connected to the internet and a conventional television source, but you're switching between the two. ATSC 3.0 puts those two together in a continuously variable way.
It's about better pictures and sound, Friedel added. This is really going to impact the industry. There will also be a bunch of new business opportunities to capitalize on.
Sinclair's Parks thought that NextGen TV would return television broadcasting to a more local and live presence.
When you look at where entertainment syndicated television is going, it's really not going anywhere, said Parks. Much of the shows produced are for streaming services. Linear TV is migrating to live broadcast very local and very live sports, news and local programming. It's just not viable for Hollywood to produce syndicated programs like they used to. It just doesn't work.
OTT is anything but live and local, said. Pizzi. This live, local-focused service [brought about by NextGen TV] can co-exist on a more even parity in terms of quality and interactivity with those other services said Pizzi. NextGen TV really gives broadcasters a level playing field going forward.
THE MOVE TO DATA
The discussion then shifted to the relationship of NextGen TV to cloud and its relevance to broadcasting.
I think the cloud is very important, replied Sinclair's Parks. I don't believe we'll get to a NextGen TV distribution system without moving to the cloud. NextGen is not just about delivering pictures, but about delivering data. The cloud is extremely important to our operation.
Pizzi added that NextGen TV was about delivering data both to and from the consumer and he saw the cloud serving as a collection point for this data, which could be used for rating programs and other functions.
The panel then turned to the difficulty in finding qualified broadcast engineering personnel, as stations and production facilities alike move further and further into IP.
They aren't making broadcast engineers anymore, said Friedel. The truth is that we're really building our own, and I think everyone else is too. We try to find bright young people and we teach them. We don't have much of a choice.
The good news is that it's allowing us to change the diversity of our employment too, he continued. A lot more women are attracted to the IP industry [than to broadcasting]; the same is true of minorities too. This will help us create better programming and better serve our communities.
The discussion ended with Goldman asking how broadcasters were faring in light of the move to streaming and away from conventional television.
Business is still pretty strong, said Friedel, citing viewership for the recent Super Bowl. The economics are there. We're still delivering an audience. I hate to bring up politics, but Bloomberg is spending a lot of money in targeting his advertising, and you see his poll numbers are just
North America Stories
25/06/2026
Launching a Career in Broadcast Engineering: Academic Paths and Essential Certif...
25/06/2026
This superstar shooter/storyteller from Central Indiana hopes to make his mark in the blossoming sports-documentary and -features space
In the live-sports-vid...
25/06/2026
Presidio and the National Hockey League have announced a multiyear renewal of their North American partnership. Presidio will remain an Official Technology Inno...
25/06/2026
Strike Fighter League (SFL) is the world's first professional air combat digital sport that combines elite human performance and physical immersion with cut...
25/06/2026
Rise, the award-winning advocacy group for gender diversity in the broadcast and media technology sector, is pleased to announce the global mentoring cohort for...
25/06/2026
The 2026 American Association of Professional Baseball (AAPB) All-Star Game will...
25/06/2026
Mediaproxy has named Heartland Video Systems (HVS) as its exclusive partner for US television broadcasting. The Wisconsin-based systems integrator will represen...
25/06/2026
Backblaze has formed an agreement with CoreWeave to create The Essential Cloud for AI.
Under the multi-exabyte, $335 million agreement, Backblaze will provide...
25/06/2026
Clear-Com has announced the successful deployment and testing of FreeSpeak Cell by RTL Deutschland during a live event production at the N rburgring race circui...
25/06/2026
Mobile TV Group (MTVG) has announced the launch of the MTVG Production Platform,...
25/06/2026
Sony Pictures Entertainment (SPE) has announced a $100 million strategic investment in Cosm as lead investor in the company's Series C financing round, acqu...
25/06/2026
FOX Sports and Concacaf have announced a multi-year media rights agreement making FOX Sports the U.S. English-language home of the Concacaf Gold Cup and Concaca...
25/06/2026
Daktronics and Grass Valley have received the rAVe Pubs Best Solution for Large ...
25/06/2026
Cable Gains Share for Second Consecutive Month in Six-Month-High Finish, Boosted...
25/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/06/2026
The Eurovision Song Contest 2026 in Vienna was a significant success for the Austrian public broadcaster ORF. In Austria, more than 1.5 million viewers tuned in...
25/06/2026
Wisycom has further strengthened its ecosystem of professional wireless solutions with the MPR60 Wideband IEM/IFB Receiver with expanded multichannel IFB mode, ...
25/06/2026
Ease Live, the interactivity expert, today announced that its graphics overlay platform is powering a new interactive experience on Rally.TV, the official video...
25/06/2026
VFX History: the origin of After Effects
Graham Quince June 25, 2026
0 Comments
Before it was Adobe, it was CoSA. This is the VFX history of Adobe Aft...
25/06/2026
Creative Remote, the provider of remote and hybrid offline editing infrastructure, today announced the opening of 41, its new offline edit facility located at 4...
25/06/2026
Rise, the award-winning advocacy group for gender diversity in the broadcast and media technology sector, is pleased to announce the global mentoring cohort for...
25/06/2026
Emergent, a pioneer in browser-based, AI-enhanced content production environments, today announced a strategic partnership with ROCKET, a premier media-centric ...
25/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/06/2026
Summer savings are heating up. From the Steam Summer Sale to GeForce NOW membership discounts, this week's GFN Thursday delivers double the deals and more w...
25/06/2026
Immune molecule may drive excessive drinking in alcohol use disorder Scripps Research scientists showed that blocking an immune molecule tied to inflammation r...
24/06/2026
Streaming sets record high of 46.6% of ad supported TV viewing, driven by Super Bowl and Winter Olympics; overall share of ad supported TV remains steady
NEW Y...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
RE:Vision Effects Announces Twixtor Standalone v 8.1 and a Sale!
Brie Clayton June 24, 2026
0 Comments
Twixtor v8.1 Standalone adds support for variab...
24/06/2026
Dreamtek Uses Full Blackmagic Workflow for Vercel Next JS Event
Brie Clayton June 24, 2026
0 Comments
Blackmagic cameras, switchers, routers, recorder...
24/06/2026
Chyron LIVE Unveils New Features: Haivision StreamHub Integration, SCTE-35 Ad In...
24/06/2026
Mapping an Education How composer Chloe Clarke Smith navigated her Boston Conservatory experience and brought new meaning to her work
June 24, 2026
By
Sara...
24/06/2026
The Next Act Dean Krisha Marcano's vision for a connected Theater Division, and the fund making it possible
June 24, 2026
Photo by Eric Antoniou
The Or...
24/06/2026
Announcing STAGES Magazine 2026 Marking a decade since Boston Conservatory and Berklee College of Music joined forces, this issue spotlights some of the groun...
24/06/2026
In Brazil's TV 3.0 Trials, Appear's X5 is transporting live signals from Bras lia to S o Paulo over the public internet using secure, reliable next-gene...
24/06/2026
Melbourne, Australia - 24 June 2026: Mediaproxy, the global standard for software-based IP compliance monitoring and multiviewing solutions, has named Heartland...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
First Rush Brings SDI Multicam ProRes Recording to Apple Silicon Macs
Brie Clayton June 23, 2026
0 Comments
First Rush is a native macOS application d...
24/06/2026
Vertical Drama Beneath Crimson Sails Created with Blackmagic Design
Brie Clayton June 23, 2026
0 Comments
Thunder Child Productions relies on cameras&...
24/06/2026
Why Dynamic Media Facilities Matter In this series, we explore the technologies, architectures and operational realities shaping modern media operations. Along ...
23/06/2026
When we began planning our transition from an SDI-based infrastructure to a new ...
23/06/2026
Imagine Communications has announced the appointment of Greg Garmon as Senior Vice President, Americas Video Sales. Garmon will oversee account growth and busin...
23/06/2026
Snap has promoted Emma Wakely to Head of Sports and Media Partnerships, Americas, succeeding Anmol Malhotra, who has been elevated to Global Head of Content and...
23/06/2026
YES Network and The Gotham Sports App will air MI New York's Major League Cr...
23/06/2026
The Universal Talent Identifier (HAND) has issued HAND IDs to 34 top projected prospects in the 2026 NBA Draft class, including AJ Dybantsa, Cameron Boozer, and...