
27 02 2018 - Media release Report released: Australian trends in online and on demand viewing
Miss Fisher's Murder Mysteries, Lion and Dance Academy were all named amongst VOD users' favourite titles
The 2017 Online & On Demand report, based on research conducted by Nielsen on behalf of Screen Australia, has been released today. The report finds streaming services have completely changed how Australians view content, yet broadcast TV remains popular and piracy levels have declined drastically.
The global screen industry is in a rapid period of change, driven by technology. Consumer hunger for content is immense, and the report makes it plain that if creators allow device-neutral access to their content at a reasonable price, people will get their wallets out, said Fiona Cameron, COO of Screen Australia.
Free-to-air television remains king, but AVOD services like YouTube are nearly as widely used and SVOD platforms such as Netflix have seen incredible audience growth. The report also confirms that younger Australians are frequent users of new content platforms, including social media outlets like Facebook to access video.
The speed of change in our industry is not going to slow down, so undoubtedly there is pressure on producers to stay abreast of where their audience is, and for regulators to form policy that meets the market.
For Screen Australia, the findings show that Australian content is still immensely popular, and when you have platforms like broadcaster catch-up services housing a lot of local content, they're rewarded with viewership.
THE REPORT In the three years since the study was previously conducted (2014), the video-on-demand (VOD) landscape has changed considerably and has seen the introduction of subscription video-on-demand (SVOD) services such as Amazon Prime, Netflix and Stan into the Australian market.
The report is based on an online survey of 1,683 Australians aged 14 who watch professionally produced screen content online. User generated content such as self-recorded videos or the classic cat video' style of online content were not counted.
SECTOR MIX The report reveals that the SVOD sector including the likes of Netflix, is a clear growth area with 68% of 2017 respondents using such services, compared to 37% in 2014. Use of broadcaster catch-up services has also increased to 87% (from 74% in 2014).
Use of Other AVOD' services like YouTube and video on Facebook continues to grow, with 82% of respondents accessing professionally produced content via these platforms (up from 70% in 2014).
VOD users are still watching content via traditional platforms, with the percentage of people watching broadcast TV each week remaining fairly stable (86% in 2017 vs 90% in 2014, although the 2017 did include time-shift viewing). However the amount of people accessing content via transactional video-on-demand (TVOD) services like the iTunes store, has decreased considerably (14% in 2017 vs 41% in 2014).
--
YouTube remains the most used VOD platform, followed by Netflix. ABC iview, Plus7 (now called 7Plus) and Tenplay remain in the top 5 as was the case in 2014.
-- VIEWING BEHAVIOURS People who watched VOD reported they still spend most of their viewing time (14 hours per week) watching broadcast TV, although the growing popularity of SVOD is evident with 8.75 hours viewed per week.
SVOD users reported changing attitudes and viewing behaviours, with 52% saying they watch less free-to-air and 46% saying they are now less likely to download films and TV programs to rent or own through TVOD services like iTunes or Google Play.
Behaviours also change with age, with broadcast television being most popular with those aged 60 (96%), whereas SVOD is most used with those aged 18-34 (81%). Despite being a new way to access content, broadcaster catch-up services are also popular with 45-59 year olds (88%) and those aged 60 (92%).
The study shows that 80% of VOD viewers are watching content at home at least weekly, whilst 27% of VOD viewers report watching remotely at least once a month. Smart and connected TVs (e.g. using an Apple TV) have overtaken computers as the most popular device to access VOD content, whilst 25% are now using their smartphones, compared to just 10% in 2014.
Viewing remains a predominantly solitary activity, with 58% of respondents saying they watch more screen content by myself than I used to. The 2017 survey revealed that 75% of respondents believed that they watch online screen content on my own if others in my household are not interested.
-- VIEWING SCREEN CONTENT VIA SOCIAL MEDIA 90% of active VOD users are also active on social media, and 74% have viewed screen content via social platforms. YouTube (50%) and Facebook (41%) are currently the most popular social media platforms for accessing screen content. Facebook has recently flagged its intention to grow this space.
YouTube was the most popular social media platform to view content across all demographics, although Facebook came close in the 25 -34 age range (53% YouTube vs 49% Facebook). Using Instagram and Snapchat to view content was far more likely for those aged 34 or less.
CONTENT DISCOVERY Recommendations from family and friends have the most influence on viewing choices, with 65% of respondents rating such conversations as one of their top five influencers.
Viewers aged 45 were the most likely to consult professional news and reviews, whereas younger viewers (18-34s) were most likely to use online recommendations based on past choices (e.g. YouTube's recommended' feature or Netflix top picks for ') and from social media personalities and bloggers.
CONTENT CHOICES The country-of-origin trends in viewing across broadcaster catch-up and SVOD services are generally reflective of the volume of that content on those platforms e.g.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
14/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/02/2026
Boston Conservatory Orchestra Helps Peter and Leonardo Dugan Complete Their Dre...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...
13/02/2026
Partnering with Worldwide Olympic Partner TCL, OBS deploys connected Athlete Mom...
13/02/2026
The men's figure skating long-form program is tonight, and it promises to be an exciting night for fans in the stands, fans at home, and even the production...
13/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
13/02/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
13/02/2026
Teradek announces the launch of RF-X Auto Switcher, a revolutionary appliance designed to deliver flawless, uncompromised signal integrity for the world's m...
13/02/2026
Globecast and Synamedia announces that Pitch International (Pitch), the leading London-based sports marketing agency, has gone live with cloud-based distributi...
13/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
13/02/2026
Far from the action in the snow and on the ice, the team controls the production...
13/02/2026
The Daytona 500 is called The Super Bowl of Racing for a reason. Whether it's the culmination to five days of action on the track, the sheer size and scop...
13/02/2026
For the Milano Cortina Games, Olympic Broadcasting Services (OBS) is delivering more than 6,500 hours of content, with more than 900 hours of live action, sprea...
13/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
13/02/2026
By Jessica Herndon
We may have just wrapped an unforgettable 2026 Sundance Film...
13/02/2026
By Jessica Herndon
One of the most exciting things about the Sundance Film Fest...
13/02/2026
This Wednesday in Los Angeles, Spotify brought together a group of podcast creat...
13/02/2026
Yesterday, Spotify and LoveShackFancy hosted a Galentine's and Gents Lunch a...
13/02/2026
The upgrade to a Project 25 network provides state agencies communicating on the Statewide Law Enforcement Radio System flexibility to tailor the network to the...
13/02/2026
Riedel Communications has officially opened a new office in Kuala Lumpur, Malaysia, marking a strategic expansion of its global Customer Success and IT software...
13/02/2026
Two of ES Broadcast Hire's longest-serving employees recently celebrated a decade working for the company.
Annie Breislin, Operations Manager, and Charles ...
13/02/2026
Disguise, the award-winning technology company powering global experiences, today unveils a new 8,000-square-foot office and Experience Center in Atlanta, creat...
13/02/2026
At BSC Expo 2026, Mavis announced full support for the Accsoon SeeMo series of iOS camera adapters across Mavis Camera and Mavis Monitor apps. This new integrat...
13/02/2026
Executing technically ambitious live streams, virtual productions, and immersive media today requires talent, creativity, and the right supporting technology. L...
13/02/2026
Michal Miskin-Amir, Jonathan Stanton and Bobby Bond to lead technical advances amid surge in demand for LTN's IP video transport services as satellite capac...
13/02/2026
Grass Valley, the pioneering media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO'...
13/02/2026
Wireless IP intercom underpins agile, multi-location live production workflows
Digital Azul, the independent production powerhouse specialising in complex liv...
13/02/2026
Actus Digital, a LiveU company, will unveil major new enhancements to its Actus X Intelligent Monitoring Platform at NAB Show (LiveU booth N1740), reinforcing i...
13/02/2026
Globecast, a worldwide leader in broadcast services, and leading video software provider, Synamedia, today announced that Pitch International (Pitch), the leadi...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
What can I watch on UKTV this week?What can I stream on U this week?
This guide highlights romantic dramas for Valentine's Day, alternative relationship t...
13/02/2026
New RT series tells stranger-than-fiction stories of Irish con artists
Swindlers airs Wednesday 18 February, 9.35pm on RT One and RT Player
Swindlers, a...
12/02/2026
Chyron unveils PRIME 5.3, the latest software release of the company's powerful engine for live production graphics. PRIME 5.3 delivers the first official i...
12/02/2026
The vendor's VP of Product Management explains how quality assurance, monito...
12/02/2026
LTN announces the appointment of three experienced executives to lead its new Technology organization: Michal Miskin-Amir as EVP and Head of Technology, Jonatha...
12/02/2026
Riedel Communications has officially opened a new office in Kuala Lumpur, Malays...