Written and directed by Zach Braff, A Good Person tells the story of Allison (Florence Pugh), who unexpectedly befriends an elder gentleman named Daniel (Morgan Freeman) during a time of deep remorse and grief following her involvement in a tragic accident. To make the movie and infuse it with an emotional heft that would outweigh its indie-sized budget, Braff enlisted a team of close collaborators that included cinematographer Mauro Fiore, ASC.
Braff and Fiore turned to Panavision New York for their camera package, which included Panavised Alexa LF and Mini LF cameras and Panaspeed large-format optics. Here, the collaborators detail their approach to crafting the movie's visual language.
Panavision: How did the two of you come to collaborate on this project?
Mauro Fiore, ASC: Zach and I had done a short film, In the Time it Takes to Get There, with the production company RSA, and Florence was in that as well. We had a really nice time working together, so when he offered me A Good Person, I accepted right away, and we headed off to New Jersey to make the movie.
Everybody was completely realistic about the goals and the approach. It was a lower-budget independent project, but that wasn't going to hold us back from telling a great story. I remember something my father told me once: A real master only needs a few tools.' That always stuck in my mind. It was a great collaborative experience, and it was an important story to tell. It was really fun for me to do this film.
How would you describe the look of A Good Person?
Zach Braff: This film is way more still than anything I've ever directed before. I love moving the camera in unique and interesting ways. Directing Scrubs was very fun because the camera itself was such a character in the show each episodes director was trying to come up with more and more wacky ways to move the lens and transition the shots. But this is the first thing I've made where I chose to be very restrained and let the incredible actors and their fascinating faces just be. Of course there are some moves, but I left many of them on the cutting room floor. I liked the stillness.
Fiore: We went really classic with it. It's a dramatic film about anxiety and trauma and addiction, but we wanted to keep an optimistic tone with what could be really tough subject matter and still have beauty in this tragedy. Specifically, we looked for as much color as we could get, filming in the fall so we could take advantage of the East Coast's autumn beauty.
Our aesthetic concept for the film was to start out with romantic backlight and very classical photography and then slowly descend into darkness until we finally come out of it with Florence's character. As you see her developing and finding the light, it was important to have sunlight that was always there as part of the frame. The sunlight would give us some hope, suggesting the possibility that she could move on after her traumatic experience.
Were there any particular visual references you looked at for inspiration?
Braff: Mauro and I talked about the loneliness in many of Edward Hopper's paintings, and we shared all types of images back and forth. But, for me, the most helpful thing was working with concept artist Joanna Bush. This is something that has really helped me on projects of all sizes. I know that most often filmmakers use concept art for large-scale films, but Joanna captured the tone of what I wanted so perfectly with a handful of keyframes. It was very helpful in conveying that tone to all the members of the creative team and to the folks at MGM.
Fiore: We would also reflect on the locations and develop ideas around them. For example, there's a scene in the park where Morgan Freeman's character and his son finally reunite, and it looked like a Seurat painting so we said, Let's make it look even more like a Seurat painting. Let's develop that feeling.'
What brought you to Panavision for this project?
Braff: When I was going to film school at Northwestern, I loved looking at behind-the-scenes pictures of my favorite films, and the filmmakers always had that beautiful, giant Panavision film magazine. Then, when I was PA'ing in NYC in the mid to late '90s, I'd be on these low-budget music videos and commercials, driving in a s----y cube truck, and we'd pass the big, red Panavision camera trucks. I remember thinking, One day I'll be on a big, cool job with a Panavision camera truck.'
It wasn't until I made Garden State with Larry Sher [ASC] that I finally got to shoot Super 35 with Panavision cameras and lenses. That was the only chance I got to shoot one of my films on film. After the industrys move to digital, I fell in love with the look of Panavision anamorphic lenses. I just love how unique each lens is. I love the flares and all the imperfections. I don't like lenses that are too perfect,' without some character.
Fiore: Im really familiar with Panavision. Their service department and their lens department are just the best to work with, and [Panavision marketing executive] Lori Killam is a great representative for me. I knew they would be able to support me in this venture.
I specifically wanted to shoot large format. I had just worked with Panavision on Spider-Man: No Way Home, and I had shot with the Alexa LF and Panaspeed lenses. I really loved that combination and wanted to bring that same sort of feel to this film. We experimented with anamorphic, but ultimately I decided to shoot with Panaspeeds and frame for the 2.39:1 aspect ratio so we could get even more out of the sensor.
What characteristics did you see in the Panaspeeds that made them the right match for A Good Person?
Fiore: One of the things that Zach and I are really interested in is contrast, and those lenses offer such great contras
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
09/05/2025
CAMBRIDGE, Mass. Studio Technologies said the Harvard University athletics department has integrated Dante-enabled equipment from the vendor into its broadcast ...
09/05/2025
NEW YORK ITN, a provider of a local linear supply side platform, and Magnite, a independent sell-side advertising company, have announced that they working toge...
09/05/2025
LEEDS, U.K. Nugen Audio has launched a new speech intelligibility plug-in, DialogCheck and offered up quotes from technologists working at places like Netflix p...
09/05/2025
AJA I/O Gear: The Heart of Broadcast Solutions' VEGO Mobile Editing Solution
Brie Clayton May 8, 2025
0 Comments
When working remotely on broadcas...
09/05/2025
What do they teach in an Advanced Adobe After Effects Course?
Roland Kahlenberg May 8, 2025
0 Comments
There aren't many advanced After Effects co...
09/05/2025
Larry Jordan Sits with Trevor Morgan of OpenDrives at NAB 2025
Brie Clayton May 8, 2025
0 Comments
Trevor Morgan, COO of OpenDrives, shares how the co...
09/05/2025
Berklee Popular Music Institute Announces UK Festival Debut and Tour Dates For the first time, BPMI will bring Berklee-affiliated artists and students to the ...
08/05/2025
A sinister fairy infiltrates a desperate family in Kenneth Dagatan's In My Mother's Skin, which premiered at the 2023 Sundance Film Festival. Photo co...
08/05/2025
As expected, continued weak demand from key sales markets and declining economic...
08/05/2025
A new three-part series is coming to BBC iPlayer and BBC One
(Image: The Christie Archive Trust)
The BBC has announced Agatha Christie's Endless Night, a...
08/05/2025
For skyward-bound operators, training focuses on the unique aspects of flying ISR missions, including the management of onboard surveillance equipment and the e...
08/05/2025
The cable industry has told the Federal Communications Commission it supports the National Association of Broadcasters' proposal to allow broadcasters to us...
08/05/2025
WASHINGTON The Consumer Technology Association has continued its opposition to mandates requiring that NextGen TV/ATSC 3.0 tuners be included in new TV sets, sa...
08/05/2025
TAG Video Systems, the leader in software-based IP end-to-end workflow monitoring, deep probing, and real time visualization, has named Paul Maroni as Vice Pres...
08/05/2025
This year's UK Pavilion in hall 5, once again managed by Tradefair, will provide visitors with the unique opportunity to discuss and be involved in cutting ...
08/05/2025
Rohde & Schwarz will showcase its latest energy-efficient transmitters and 5G Broadcast technologies, designed to support network operators and content provider...
08/05/2025
IRVING, Texas Nexstar Media Group has tapped Bill Nardi as vice president of station operations, responsible for overseeing the day-to-day broadcast operations ...
08/05/2025
SEATTLE LumaTouch is partnering with CNN Academy to improve mobile storytelling techniques and support training across all of CNN Academy's training simulat...
08/05/2025
WASHINGTON The Society of Broadcast Engineers has filed comments with the Federal Communications Commission that support a proposal by the National Association ...
08/05/2025
Senior adviser to the United States Agency for Global Media Kari Lake has announced that One America News Network (OAN) will provide newsfeed services for fre...
08/05/2025
EdMon Expands as AI-Driven Post Production Workflows Gains Traction in Sweden an...
08/05/2025
Using Luma Mattes in Adobe Premiere Pro
Graham Quince May 7, 2025
0 Comments
This very quick tutorial shows you how to take an RGB clip and apply its ...
08/05/2025
OpenDrives Unveils Free Your Data' Initiative with New Astraeus Cloud-Nativ...
08/05/2025
Student Spotlight: Grigori Balasanyan The Armenian composer, who was named Boston Conservatory at Berklees 2025 student commencement speaker, talks about his ...
08/05/2025
08 May 2025
VEON Shareholders Re-elect Board at 2025 AGM, Founder Augie Fabela ...
08/05/2025
Comedy and entertainment channel U&Dave bring back their #1 ranked programme of ...
08/05/2025
May 8th, 2025 Press Materials Available Here
Tribeca Festival 2025 Unveils New Premieres Spanning Film and Music
Slick Rick's Victory with Idris Elba a...
08/05/2025
May 8th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces Lineup for Inaugural Storytelling Summit
11-Day Industry Event Launches with Tal...
08/05/2025
SVG Sit-Down: Vizrt's Nicholas Jameson on AI in Workflows, Pushing Boundarie...
08/05/2025
Creating Alternative Brand Experiences: Live Sports in the Age of Fortnite, Meta...
08/05/2025
PGA TOUR's David Piccolo: Advanced Graphics and Virtual Production Tools are...
08/05/2025
Tech Focus: Advancing Immersion in Sports Broadcasting with AR and Virtual Produ...
08/05/2025
Expect even more chaos this July with Harriet Webb leading the returning cast, p...
08/05/2025
Back to All News
Now in Production: Comedy Action Film Husbands in Action'...
08/05/2025
TenneT relies on Arvato Systems for market communication
Energy industry: Impressive market communication know-how and system integration expertise
G tersloh...
08/05/2025
When Taiki Hamamoto, 22, came across a Hanafuda deck at his local game shop, he was intrigued. He had grown up playing the traditional Japanese card game with f...
08/05/2025
The Liveline is now open , said Joe Duffy earlier today, as he previewed this af...
08/05/2025
RT , in association with the BBC, Screen Ireland and Cineflix Rights has reveale...
08/05/2025
Artificial intelligence is helping identify and treat diseases faster with better results for humankind. Natural disasters like wildfires are next.
Fires in th...
08/05/2025
Calling all wiseguys - 2K's acclaimed Mafia franchise is available to stream...
08/05/2025
As AI use cases continue to expand - from document summarization to custom software agents - developers and enthusiasts are seeking faster, more flexible ways t...
07/05/2025
Discovering music should feel effortless and fun. That's why Spotify continu...
07/05/2025
SBS and NITV mark National Reconciliation Week with compelling premieres recogni...
07/05/2025
SBS commences search for a new Western Sydney production hub location
7 May, 2025
Media releases
SBS has today launched a Request for Expressions of Intere...
07/05/2025
Warsaw, Poland - April 28, 2025 - Nielsen, a global leader in audience measurement, data and analytics, has released its latest March All Screens Video Landscap...
07/05/2025
LONDON Movie fans hoping to save money by waiting until their favorite new films appear on streaming services will have to wait a bit longer now, according to a...
07/05/2025
MECCA, Saudi Arabia Saudi Broadcasting Authority (SBA) has selected Grass Valley to provide a major technology upgrade of its broadcast facility here....
07/05/2025
Sony and Nevion provide guidance on IP network architecture options for live pro...
Written and directed by Zach Braff, A Good Person tells the story of Allison (Florence Pugh), who unexpectedly befriends an elder gentleman named Daniel (Morgan Freeman) during a time of deep remorse and grief following her involvement in a tragic accident. To make the movie and infuse it with an emotional heft that would outweigh its indie-sized budget, Braff enlisted a team of close collaborators that included cinematographer Mauro Fiore, ASC.
