Written and directed by Zach Braff, A Good Person tells the story of Allison (Florence Pugh), who unexpectedly befriends an elder gentleman named Daniel (Morgan Freeman) during a time of deep remorse and grief following her involvement in a tragic accident. To make the movie and infuse it with an emotional heft that would outweigh its indie-sized budget, Braff enlisted a team of close collaborators that included cinematographer Mauro Fiore, ASC.
Braff and Fiore turned to Panavision New York for their camera package, which included Panavised Alexa LF and Mini LF cameras and Panaspeed large-format optics. Here, the collaborators detail their approach to crafting the movie's visual language.
Panavision: How did the two of you come to collaborate on this project?
Mauro Fiore, ASC: Zach and I had done a short film, In the Time it Takes to Get There, with the production company RSA, and Florence was in that as well. We had a really nice time working together, so when he offered me A Good Person, I accepted right away, and we headed off to New Jersey to make the movie.
Everybody was completely realistic about the goals and the approach. It was a lower-budget independent project, but that wasn't going to hold us back from telling a great story. I remember something my father told me once: A real master only needs a few tools.' That always stuck in my mind. It was a great collaborative experience, and it was an important story to tell. It was really fun for me to do this film.
How would you describe the look of A Good Person?
Zach Braff: This film is way more still than anything I've ever directed before. I love moving the camera in unique and interesting ways. Directing Scrubs was very fun because the camera itself was such a character in the show each episodes director was trying to come up with more and more wacky ways to move the lens and transition the shots. But this is the first thing I've made where I chose to be very restrained and let the incredible actors and their fascinating faces just be. Of course there are some moves, but I left many of them on the cutting room floor. I liked the stillness.
Fiore: We went really classic with it. It's a dramatic film about anxiety and trauma and addiction, but we wanted to keep an optimistic tone with what could be really tough subject matter and still have beauty in this tragedy. Specifically, we looked for as much color as we could get, filming in the fall so we could take advantage of the East Coast's autumn beauty.
Our aesthetic concept for the film was to start out with romantic backlight and very classical photography and then slowly descend into darkness until we finally come out of it with Florence's character. As you see her developing and finding the light, it was important to have sunlight that was always there as part of the frame. The sunlight would give us some hope, suggesting the possibility that she could move on after her traumatic experience.
Were there any particular visual references you looked at for inspiration?
Braff: Mauro and I talked about the loneliness in many of Edward Hopper's paintings, and we shared all types of images back and forth. But, for me, the most helpful thing was working with concept artist Joanna Bush. This is something that has really helped me on projects of all sizes. I know that most often filmmakers use concept art for large-scale films, but Joanna captured the tone of what I wanted so perfectly with a handful of keyframes. It was very helpful in conveying that tone to all the members of the creative team and to the folks at MGM.
Fiore: We would also reflect on the locations and develop ideas around them. For example, there's a scene in the park where Morgan Freeman's character and his son finally reunite, and it looked like a Seurat painting so we said, Let's make it look even more like a Seurat painting. Let's develop that feeling.'
What brought you to Panavision for this project?
Braff: When I was going to film school at Northwestern, I loved looking at behind-the-scenes pictures of my favorite films, and the filmmakers always had that beautiful, giant Panavision film magazine. Then, when I was PA'ing in NYC in the mid to late '90s, I'd be on these low-budget music videos and commercials, driving in a s----y cube truck, and we'd pass the big, red Panavision camera trucks. I remember thinking, One day I'll be on a big, cool job with a Panavision camera truck.'
It wasn't until I made Garden State with Larry Sher [ASC] that I finally got to shoot Super 35 with Panavision cameras and lenses. That was the only chance I got to shoot one of my films on film. After the industrys move to digital, I fell in love with the look of Panavision anamorphic lenses. I just love how unique each lens is. I love the flares and all the imperfections. I don't like lenses that are too perfect,' without some character.
Fiore: Im really familiar with Panavision. Their service department and their lens department are just the best to work with, and [Panavision marketing executive] Lori Killam is a great representative for me. I knew they would be able to support me in this venture.
I specifically wanted to shoot large format. I had just worked with Panavision on Spider-Man: No Way Home, and I had shot with the Alexa LF and Panaspeed lenses. I really loved that combination and wanted to bring that same sort of feel to this film. We experimented with anamorphic, but ultimately I decided to shoot with Panaspeeds and frame for the 2.39:1 aspect ratio so we could get even more out of the sensor.
What characteristics did you see in the Panaspeeds that made them the right match for A Good Person?
Fiore: One of the things that Zach and I are really interested in is contrast, and those lenses offer such great contras
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
12/05/2026
Beyond the Hype: A Strategic Post-Hoc Analysis of NAB 2026 If NAB Show 2026 had an underlying theme, it was a quiet, industry-wide pivot from the high-energy sp...
12/05/2026
Guntermann and Drunck (G&D), a Panoptec Technologies Group company, and CT Square, led by Chandresh Shah, have announced a joint venture to distribute G&D and V...
12/05/2026
With 30 days until the start of the FIFA World Cup 2026, Telemundo, the exclusive Spanish-language home of the tournament in the United States, has announced th...
12/05/2026
The NHL has announced the return of Stanley Pup for its third consecutive year, a 90-minute special featuring adoptable rescue dogs competing on a miniature rin...
12/05/2026
NBCUniversal presented its 2026 Upfront to advertisers at Radio City Music Hall, detailing upcoming programming across NBC, Peacock, Bravo, and Versant properti...
12/05/2026
FOX Sports has announced funding for the Fandom and Social Connection Initiative at Harvard Kennedy School's Shorenstein Center on Media, Politics, and Publ...
12/05/2026
TNDV and Live Media, both divisions of Live Media Group, supported live broadcast coverage around NCAA Final Four weekend in Indianapolis, including the March M...
12/05/2026
The European Football Alliance (EFA) has announced a content distribution agreement with Fubo Sports Network, the free ad-supported streaming TV (FAST) channel ...
12/05/2026
For the first time, Spanish-speaking fans in the U.S. will have two separate tel...
12/05/2026
CP Communications led a comprehensive spectrum management initiative on behalf of Churchill Downs during Kentucky Derby week, coordinating RF assets across the ...
12/05/2026
LiveU has announced a strategic partnership with DRONERESPONDERS, a 501(c)3 non-...
12/05/2026
Open Broadcast Systems has announced that BMC TV, a specialist in IP transport of broadcast content, has selected the Open Broadcast Systems 5G Flyaway solution...
12/05/2026
NEP Europe, part of NEP Group, has announced it will deliver broadcast solutions...
12/05/2026
Grass Valley has announced continued collaboration with Ravensbourne University ...
12/05/2026
Stats Perform has announced the launch of Opta Pulse, an AI-assisted video creation and distribution platform for leagues, rights holders, and broadcasters. The...
12/05/2026
FOX Sports has announced a collaboration with Sesame Workshop to integrate Sesame Street characters into FOX Sports' FIFA World Cup 2026 programming. Conten...
12/05/2026
To date, NHL Productions has produced 19 broadcasts with commentary in American Sign Language
NHL in ASL (American Sign Language) may be just one show, but the...
12/05/2026
Google's Brian Albert: creators, athletes, highlights, nostalgia, second-scr...
12/05/2026
A still from Past Lives by Celine Song, an official selection of the Premieres program at the 2023 Sundance Film Festival. (Courtesy of Sundance Institute | p...
12/05/2026
Spotify is where fans and artists come together, turning discovery into somethin...
12/05/2026
Features patented Marco-MMC clocking technology
Black Lion Audio's latest release combines the company's expertise in clocking with their renowned p...
12/05/2026
New Track Panel, sequencer upgrades & more
Following their recent public beta release, Reason Studios have announced the full release of Reason 14. With the...
12/05/2026
One month to go! SBS reveals expansive FIFA World Cup 2026 lineup beyond the pi...
12/05/2026
Rohde & Schwarz presents its advanced solutions for power electronics testing at...
12/05/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, has developed a modified fund raising p...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/05/2026
Tyrell Corporation, specialists in high-end live sports and entertainment broadcasts, was tasked with delivering compelling broadcast coverage of premier equest...
12/05/2026
Registration is now open for IBC2026 as the global media, entertainment and technology community prepares to converge on the RAI Amsterdam from 11 14 September ...
12/05/2026
Ross Video, a global leader in live video production technology, will present its latest innovations and integrated production workflows at BroadcastAsia 2026, ...
12/05/2026
500 selected leaders from around the world across start-ups, corporates, and venture capital. Over 50bn in assets under management among attending investors, a...
12/05/2026
CVP, one of Europe's leading suppliers of professional video and broadcast solutions, has appointed Randy Koeman as Sales Manager, Netherlands, marking anot...
12/05/2026
Taiwan Television has expanded its HD content ingest workflow capabilities by investing in the PlayBox Neo Suite - a leading multi-channel multi-server UHD/HD/S...
12/05/2026
Jigsaw24 is strengthening its media team with the appointment of Tom Laker as Client Director and Ashish Chauhan as Project Manager. These strategic hires bring...
12/05/2026
Broadcast playout leader showcases hybrid IP infrastructure and workflow automation with Videoland deployment as regional benchmark...
12/05/2026
dzjinius, the all-in-one production management platform for the media and entertainment industry, will showcase its centralised approach to production workflows...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/05/2026
NUGEN Audio will debut Version 1.1 of DialogCheck, its intelligent dialog intelligibility and compliance tool, at the 2026 Media Production & Technology Show (S...
12/05/2026
The reactive visuals can adapt to any stage or screen setup and comprise 50 layers of Notch content
Today, Disguise announced that its high performance GX 3 m...
12/05/2026
Snapgrid , Snapbag & Airglow Expand Creative Control for the ARRI Modular LED BarFollowing the launch of the ARRI Omnibar, DoPchoice introduces a dedicated li...
12/05/2026
May 12th, 2026 Press Materials Available Here
TRIBECA FESTIVAL UNVEILS 2026 GAMES PROGRAM
Tribeca Celebrates Its 25th Anniversary With World Premieres and Pl...
12/05/2026
May 12th, 2026 Press Materials Available Here
MADONNA BRINGS THE WORLD PREMIERE OF CONFESSIONS II TO 2026 TRIBECA FESTIVAL
The Global Icon Will Unveil a Cine...
12/05/2026
Customer demand for data continues to grow in the first quarter of 2026 at Magya...
Written and directed by Zach Braff, A Good Person tells the story of Allison (Florence Pugh), who unexpectedly befriends an elder gentleman named Daniel (Morgan Freeman) during a time of deep remorse and grief following her involvement in a tragic accident. To make the movie and infuse it with an emotional heft that would outweigh its indie-sized budget, Braff enlisted a team of close collaborators that included cinematographer Mauro Fiore, ASC.
