
Written and directed by Zach Braff, A Good Person tells the story of Allison (Florence Pugh), who unexpectedly befriends an elder gentleman named Daniel (Morgan Freeman) during a time of deep remorse and grief following her involvement in a tragic accident. To make the movie and infuse it with an emotional heft that would outweigh its indie-sized budget, Braff enlisted a team of close collaborators that included cinematographer Mauro Fiore, ASC.
Braff and Fiore turned to Panavision New York for their camera package, which included Panavised Alexa LF and Mini LF cameras and Panaspeed large-format optics. Here, the collaborators detail their approach to crafting the movie's visual language.
Panavision: How did the two of you come to collaborate on this project?
Mauro Fiore, ASC: Zach and I had done a short film, In the Time it Takes to Get There, with the production company RSA, and Florence was in that as well. We had a really nice time working together, so when he offered me A Good Person, I accepted right away, and we headed off to New Jersey to make the movie.
Everybody was completely realistic about the goals and the approach. It was a lower-budget independent project, but that wasn't going to hold us back from telling a great story. I remember something my father told me once: A real master only needs a few tools.' That always stuck in my mind. It was a great collaborative experience, and it was an important story to tell. It was really fun for me to do this film.
How would you describe the look of A Good Person?
Zach Braff: This film is way more still than anything I've ever directed before. I love moving the camera in unique and interesting ways. Directing Scrubs was very fun because the camera itself was such a character in the show each episodes director was trying to come up with more and more wacky ways to move the lens and transition the shots. But this is the first thing I've made where I chose to be very restrained and let the incredible actors and their fascinating faces just be. Of course there are some moves, but I left many of them on the cutting room floor. I liked the stillness.
Fiore: We went really classic with it. It's a dramatic film about anxiety and trauma and addiction, but we wanted to keep an optimistic tone with what could be really tough subject matter and still have beauty in this tragedy. Specifically, we looked for as much color as we could get, filming in the fall so we could take advantage of the East Coast's autumn beauty.
Our aesthetic concept for the film was to start out with romantic backlight and very classical photography and then slowly descend into darkness until we finally come out of it with Florence's character. As you see her developing and finding the light, it was important to have sunlight that was always there as part of the frame. The sunlight would give us some hope, suggesting the possibility that she could move on after her traumatic experience.
Were there any particular visual references you looked at for inspiration?
Braff: Mauro and I talked about the loneliness in many of Edward Hopper's paintings, and we shared all types of images back and forth. But, for me, the most helpful thing was working with concept artist Joanna Bush. This is something that has really helped me on projects of all sizes. I know that most often filmmakers use concept art for large-scale films, but Joanna captured the tone of what I wanted so perfectly with a handful of keyframes. It was very helpful in conveying that tone to all the members of the creative team and to the folks at MGM.
Fiore: We would also reflect on the locations and develop ideas around them. For example, there's a scene in the park where Morgan Freeman's character and his son finally reunite, and it looked like a Seurat painting so we said, Let's make it look even more like a Seurat painting. Let's develop that feeling.'
What brought you to Panavision for this project?
Braff: When I was going to film school at Northwestern, I loved looking at behind-the-scenes pictures of my favorite films, and the filmmakers always had that beautiful, giant Panavision film magazine. Then, when I was PA'ing in NYC in the mid to late '90s, I'd be on these low-budget music videos and commercials, driving in a s----y cube truck, and we'd pass the big, red Panavision camera trucks. I remember thinking, One day I'll be on a big, cool job with a Panavision camera truck.'
It wasn't until I made Garden State with Larry Sher [ASC] that I finally got to shoot Super 35 with Panavision cameras and lenses. That was the only chance I got to shoot one of my films on film. After the industrys move to digital, I fell in love with the look of Panavision anamorphic lenses. I just love how unique each lens is. I love the flares and all the imperfections. I don't like lenses that are too perfect,' without some character.
Fiore: Im really familiar with Panavision. Their service department and their lens department are just the best to work with, and [Panavision marketing executive] Lori Killam is a great representative for me. I knew they would be able to support me in this venture.
I specifically wanted to shoot large format. I had just worked with Panavision on Spider-Man: No Way Home, and I had shot with the Alexa LF and Panaspeed lenses. I really loved that combination and wanted to bring that same sort of feel to this film. We experimented with anamorphic, but ultimately I decided to shoot with Panaspeeds and frame for the 2.39:1 aspect ratio so we could get even more out of the sensor.
What characteristics did you see in the Panaspeeds that made them the right match for A Good Person?
Fiore: One of the things that Zach and I are really interested in is contrast, and those lenses offer such great contras
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
09/09/2026
Sony Electronics has announced the SEL814G, the company's first fisheye zoom G Lens for full-frame Alpha E-mount cameras. The lens will be available in Octo...
09/09/2026
Telestream has announced an expansion of its Practical AI capabilities across th...
09/09/2026
Haivision and Chyron have announced a technology partnership integrating Haivisi...
09/09/2026
Omaha Productions has released ManningCast: Heist, a short film featuring Peyton and Eli Manning attempting to break into NFL Commissioner Roger Goodell's o...
09/09/2026
Imagine Communications will demonstrate the next evolution of XVR at IBC2026 (Stand 1.B73, RAI Amsterdam, September 11-14).
XVR is Imagine's channel-in-a-b...
09/09/2026
swXtch.io has announced abbe, an AI-based orchestration layer for live media workflows, making its world premiere at IBC2026 (Meeting Room 5.MR13, Hall 5, Septe...
09/09/2026
NFL Films has announced the second season of Inside the NFL on X as an X Original, premiering Wednesday, September 9. The series marks Inside the NFL's 50th...
09/09/2026
LiveU has announced an expanded partnership with The Associated Press, deploying the largest fleet of LU900Q intelligent production units in the industry as par...
09/09/2026
Diversified has announced plans to consolidate its four existing New Jersey locations into a new facility in Newark, expected to be fully operational by the end...
09/09/2026
Wisycom will exhibit new RF products at IBC2026 (Stand 8.D60, September 11-14), including the MATF Wideband Antenna Matrix, PFL Portable RF over Fiber Box, and ...
09/09/2026
Guntermann & Drunck (G&D) and VuWall, both Panoptec companies, will introduce vsNEO at IBC2026 (Stand 8.B63, September 11, RAI Amsterdam). Pre-orders open in ea...
09/09/2026
Mo-Sys has completed a business restructuring and relocated to a new facility in Canada Water, London. As part of the reorganization, Selin Kemal has been promo...
09/09/2026
Aicox has integrated TAG Video Systems' Core monitoring platform into Telef nica's TSAmediaHUB audiovisual contribution and distribution infrastructure....
09/09/2026
Blackmagic Design has released DaVinci Resolve 21.1, a free update available now through the Blackmagic Design website. The release adds new AI tools, workflow ...
09/09/2026
ESPN and Apple Music have announced a collaboration on music curation for Monday...
09/09/2026
Sacramento Production Services has completed a wireless audio overhaul at Sutter Health Park, home of the Athletics during their three-year residency in Sacrame...
09/09/2026
NDI and NVIDIA have announced a collaboration to develop AI-powered workflows enabling broadcasters to create and distribute multilingual content from a single ...
09/09/2026
Christopher Chip Adams, Troy Aikman, Jim Dove, Jim Eady, Bucky Gunts, Robert A. Iger, Charlie Jablonski, Robert Kraft, Tom Rinaldi, and Dick Stockton to be ho...
09/09/2026
ND2 returns as the primary unit, While FNIA gets SSQC and new flexible Rover...
09/09/2026
New parts aimed at hip-hop and pop productions
The latest update to Celemony's innovative virtual session musician expands the collection of built-in in...
09/09/2026
Save up to 40% until 21 September 2026
Sonarworks are currently running their Autumn Sale, with discounts of up to 40% currently available across their rang...
09/09/2026
Upcoming title officially launches in September 2026
Bjooks' celebrations for this year's 909 Day will be welcome news amongst drum machine lovers, ...
09/09/2026
NITV to bring First Nations netball to audiences nationwide
9 September, 2026
Media releases
Every match of the 2026 First Nations Tournament will be live ...
09/09/2026
The National Film and Video Foundation (NFVF) invites eligible Tier 1 and 2 South African production companies to submit proposals to serve as the Facilitating ...
09/09/2026
Italy launch follows UK and Germany as Nielsen expands product across EMEA
Milan, Italy, September 9, 2026 - Nielsen, a global leader in audience measurement, ...
09/09/2026
Planned solutions tackle accuracy, cost and latency barriers to deploying AI at ...
09/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/09/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, introduces its new Model 791 Control Console at IBC 2026 (N...
09/09/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects and visualization, is headin...
09/09/2026
NUGEN Audio unveils DialogCheck v1.2, the latest evolution of its intelligent dialog intelligibility and compliance tool, at IBC 2026 (Pod P27). With a sharpene...
09/09/2026
Trusted Partner Network Launches Fix It or Risk It to Help the Entertainment Industry Tackle Everyday Security Risks
Industry-Wide Campaign Launches at IBC2...
09/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/09/2026
AI has moved firmly beyond experimentation in UK advertising, with more than eight in ten marketers (83%) now actively using or piloting AI in production, accor...
09/09/2026
IBC2026 - Stand 7.D22
At IBC2026, Pixitmedia by DataCore will showcase its latest capabilities designed to simplify distributed production, accelerate workflow...
09/09/2026
Stockholm, Sweden September 9th, 2026 At IBC2026, on booth 1.B47, Net Insight will showcase Open Live Media, its architecture for delivering resilient live ...
09/09/2026
Net Insight today announced that DMC Production Norway is continuing the use of its Open Live Media technology for premium European football, deploying Nimbra 5...
09/09/2026
Amagi, the media industry cloud platform for unified broadcast, streaming, and monetization, will showcase four new AI-native capabilities at IBC2026, Hall 5, S...
09/09/2026
Limecraft today announces version 2026.6 of its AI-powered production platform, extending capabilities for connected media operations. An AI-assisted approach t...
09/09/2026
Telestream, a global leader in media workflow technologies, today announced the next evolution of its Practical AI strategy, evolving its comprehensive portfoli...
09/09/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the appointment of Brian Doheny as Chief Executive Officer (CEO)....
09/09/2026
LiveU is now a Clarus Integrated Reseller, bringing Starlink's fast, reliable broadband directly into LiveU's cellular bonding EcoSystem through a singl...
09/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/09/2026
Wisycom is showcasing the latest additions to its ecosystem of professional RF technologies at IBC 2026 (Stand 8.D60). This includes its new MATF Wideband Anten...
09/09/2026
AMSTERDAM, IBC2026 VisualOn, Inc. and Cires21 today released an updated joint whitepaper at IBC 2026 demonstrating measurable, high-impact improvements in visu...