Written and directed by Zach Braff, A Good Person tells the story of Allison (Florence Pugh), who unexpectedly befriends an elder gentleman named Daniel (Morgan Freeman) during a time of deep remorse and grief following her involvement in a tragic accident. To make the movie and infuse it with an emotional heft that would outweigh its indie-sized budget, Braff enlisted a team of close collaborators that included cinematographer Mauro Fiore, ASC.
Braff and Fiore turned to Panavision New York for their camera package, which included Panavised Alexa LF and Mini LF cameras and Panaspeed large-format optics. Here, the collaborators detail their approach to crafting the movie's visual language.
Panavision: How did the two of you come to collaborate on this project?
Mauro Fiore, ASC: Zach and I had done a short film, In the Time it Takes to Get There, with the production company RSA, and Florence was in that as well. We had a really nice time working together, so when he offered me A Good Person, I accepted right away, and we headed off to New Jersey to make the movie.
Everybody was completely realistic about the goals and the approach. It was a lower-budget independent project, but that wasn't going to hold us back from telling a great story. I remember something my father told me once: A real master only needs a few tools.' That always stuck in my mind. It was a great collaborative experience, and it was an important story to tell. It was really fun for me to do this film.
How would you describe the look of A Good Person?
Zach Braff: This film is way more still than anything I've ever directed before. I love moving the camera in unique and interesting ways. Directing Scrubs was very fun because the camera itself was such a character in the show each episodes director was trying to come up with more and more wacky ways to move the lens and transition the shots. But this is the first thing I've made where I chose to be very restrained and let the incredible actors and their fascinating faces just be. Of course there are some moves, but I left many of them on the cutting room floor. I liked the stillness.
Fiore: We went really classic with it. It's a dramatic film about anxiety and trauma and addiction, but we wanted to keep an optimistic tone with what could be really tough subject matter and still have beauty in this tragedy. Specifically, we looked for as much color as we could get, filming in the fall so we could take advantage of the East Coast's autumn beauty.
Our aesthetic concept for the film was to start out with romantic backlight and very classical photography and then slowly descend into darkness until we finally come out of it with Florence's character. As you see her developing and finding the light, it was important to have sunlight that was always there as part of the frame. The sunlight would give us some hope, suggesting the possibility that she could move on after her traumatic experience.
Were there any particular visual references you looked at for inspiration?
Braff: Mauro and I talked about the loneliness in many of Edward Hopper's paintings, and we shared all types of images back and forth. But, for me, the most helpful thing was working with concept artist Joanna Bush. This is something that has really helped me on projects of all sizes. I know that most often filmmakers use concept art for large-scale films, but Joanna captured the tone of what I wanted so perfectly with a handful of keyframes. It was very helpful in conveying that tone to all the members of the creative team and to the folks at MGM.
Fiore: We would also reflect on the locations and develop ideas around them. For example, there's a scene in the park where Morgan Freeman's character and his son finally reunite, and it looked like a Seurat painting so we said, Let's make it look even more like a Seurat painting. Let's develop that feeling.'
What brought you to Panavision for this project?
Braff: When I was going to film school at Northwestern, I loved looking at behind-the-scenes pictures of my favorite films, and the filmmakers always had that beautiful, giant Panavision film magazine. Then, when I was PA'ing in NYC in the mid to late '90s, I'd be on these low-budget music videos and commercials, driving in a s----y cube truck, and we'd pass the big, red Panavision camera trucks. I remember thinking, One day I'll be on a big, cool job with a Panavision camera truck.'
It wasn't until I made Garden State with Larry Sher [ASC] that I finally got to shoot Super 35 with Panavision cameras and lenses. That was the only chance I got to shoot one of my films on film. After the industrys move to digital, I fell in love with the look of Panavision anamorphic lenses. I just love how unique each lens is. I love the flares and all the imperfections. I don't like lenses that are too perfect,' without some character.
Fiore: Im really familiar with Panavision. Their service department and their lens department are just the best to work with, and [Panavision marketing executive] Lori Killam is a great representative for me. I knew they would be able to support me in this venture.
I specifically wanted to shoot large format. I had just worked with Panavision on Spider-Man: No Way Home, and I had shot with the Alexa LF and Panaspeed lenses. I really loved that combination and wanted to bring that same sort of feel to this film. We experimented with anamorphic, but ultimately I decided to shoot with Panaspeeds and frame for the 2.39:1 aspect ratio so we could get even more out of the sensor.
What characteristics did you see in the Panaspeeds that made them the right match for A Good Person?
Fiore: One of the things that Zach and I are really interested in is contrast, and those lenses offer such great contras
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
18/05/2026
Despite a bumpy start to the year, the provider of event-production support and ...
18/05/2026
Daktronics has partnered with the University of North Carolina to manufacture and install 11 LED displays totaling more than 10,000 square feet and more than 14...
18/05/2026
CBS LA has announced a multi-year partnership with the Los Angeles Rams, covering exclusive local broadcasts of Rams preseason games, weekly year-round programm...
18/05/2026
Skyline Communications has announced an integration between its DataMiner xOps p...
18/05/2026
eCLUTCH, the hybrid esports platform powered by iKOMG, has announced an expansion of its distribution across Europe, MENA, Africa, and Asia, along with new cont...
18/05/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
18/05/2026
With 22 games this season, the production team looks forward to tweaking and enhancing the coverage
After 8,660 days off the air, the WNBA returned to NBC yest...
18/05/2026
(L-R) Midori Francis and Natalie Erika James attend the Saccharine premiere during the 2026 Sundance Film Festival at The Ray Theatre on January 22, 2026, in ...
18/05/2026
Last night, the Spotify Podcast Awards in Mexico returned to the country's capital. Now in its second year, the evening honors creators whose voices are hel...
18/05/2026
ZEN-Core synth goes mobile
Roland's powerful ZEN-Core software synthesizer has just been introduced to the iPad, offering a convenient entry point into ...
18/05/2026
Versatile new limiter plug-in announced
Based in Sheffield, UK, fedDSP offer a range of plug-ins that span the music production, live sound and high-end med...
18/05/2026
A new use for convolution?
Viiri Audio's debut plug-in aims to do something a little different with convolution processing, allowing users to adjust all...
18/05/2026
Delta Goodrem shines for SBS as more than 3.27 million Australians tune in for E...
18/05/2026
The Australian Defence Force uses L3Harris T4 and T7 robots for explosive ordnan...
18/05/2026
Continued investment across Europe and Germany is expanding local teams and improving access to stock, regional expertise, and specialist broadcast support.
CV...
18/05/2026
18 May 2026
Dubai and New York, May 18, 2026 - VEON Ltd. (NASDAQ: VEON), a glob...
18/05/2026
Monday 18 May 2026
Sky News offers ad-free podcasts and bonus episodes for just...
18/05/2026
Comscore March 2026 Consumer AI Chatbot Usage Rankings Show Claude Gaining Share OpenAI's ChatGPT maintains lead while Anthropic's Claude continues to c...
17/05/2026
Delta Goodrem's Eurovision Eclipse marks end of a stellar run
17 May, 2026
Media releases
Bulgaria wins Eurovision 2026
Relive every spellbinding mome...
17/05/2026
Back to All News
Oasis Premieres on Netflix June 19
Entertainment
17 May 2026
GlobalSpain
Link copied to clipboard
Summer, sunshine, the beach, parties. T...
16/05/2026
Helps to deliver a clean, balanced midrange
Developed alongside Newfangled Audio, the latest plug-in in Eventide's software collection has been designed...
16/05/2026
Brings onboard stem rendering to RANE System One
Engine DJ have just released Engine DJ 5.0, a free update for their Engine DJ OS embedded hardware and Engi...
16/05/2026
Boris FX Continuum Pairs AI Precision and Advanced Creative Controls
Jessie Electa Petrov May 16, 2026
0 Comments
The 2026.5 release adds automatic de...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Seattle Sounders FC and Seattle Reign FC, in partnership with RAVE Foundation an...
15/05/2026
Dan Brumm has served as sound designer on Bluey, the Australian children's t...
15/05/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are accepting applications for the 6th annual Mark Brunner Professional Audio Schola...
15/05/2026
Netflix has announced an expanded NFL schedule for 2026 and beyond under a four-year partnership extension with the NFL through the 2029-30 season. Each season,...
15/05/2026
Ateme is supporting TVRI (Televisi Republik Indonesia) with a contribution and d...
15/05/2026
Concacaf has announced the launch of a new website and mobile app built on Deltatre's FORGE platform. Concacaf.com and the mobile app, available on iOS and ...
15/05/2026
Eutelsat has announced the launch of QBC Business Economic Channel by Qatar Media Corporation, broadcasting in 4K/UHD via Eutelsat's 7/8 West video neighbo...
15/05/2026
Major League Soccer has announced four original content series timed to the 2026...
15/05/2026
The Alliance for IP Media Solutions (AIMS) has announced it will exhibit and present at InfoComm 2026, taking place June 13-19 at the Las Vegas Convention Cente...
15/05/2026
InfoComm 2026 will take place June 13-19 (exhibits June 17-19) at the Las Vegas Convention Center. The show will include sessions and exhibits covering broadcas...
15/05/2026
Tracy McGrady's Ones Basketball League (OBL) and FuboTV Inc. have announced ...
15/05/2026
Disguise has partnered with Creative Technology (CT) to deliver visual playback ...
15/05/2026
Sony Electronics has announced two new products for professional imaging: the Alpha 7R VI full-frame mirrorless camera and the FE 100-400mm F4.5 GM OSS super-te...
15/05/2026
In-venue and creative video staffers at the professional and collegiate level ha...
15/05/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
15/05/2026
For sports organizations, the most valuable assets are often the most sensitive:...
15/05/2026
The NFL's broadcast partners released their 2026 regular season schedules ye...
15/05/2026
Besides drawing on experience with boxing, the production integrates specialty c...
Written and directed by Zach Braff, A Good Person tells the story of Allison (Florence Pugh), who unexpectedly befriends an elder gentleman named Daniel (Morgan Freeman) during a time of deep remorse and grief following her involvement in a tragic accident. To make the movie and infuse it with an emotional heft that would outweigh its indie-sized budget, Braff enlisted a team of close collaborators that included cinematographer Mauro Fiore, ASC.
