Sony Pixel Power calrec Sony

Don't Look Up': Jennifer Lawrence, Leonardo DiCaprio and Adam McKay on How Netflix's New All-Star Comedy Came Together

16/11/2021

Back to All News

Don't Look Up': Jennifer Lawrence, Leonardo DiCaprio and Adam McKay on How Netflix's New All-Star Comedy Came TogetherPlay Video

Play Video

Netflix Staff

Entertainment

16 November 2021

GlobalUnited States

What if you discovered that a comet was on a collision course with Earth? And what if no one really seemed to care? That's the premise of Don't Look Up, the upcoming Netflix comedy written and directed by Academy Award winner Adam McKay. The film uses subversive humor to reflect and underscore some of the most absurd elements of the current moment we live in, and stars Oscar winners Jennifer Lawrence and Leonardo DiCaprio as two low-level astronomers who must go on a giant media tour to warn mankind of an approaching comet that will destroy planet Earth. Timed to the film's official trailer premiere today, we talked with Lawrence, DiCaprio and McKay about the inspiration for the film, improvising on set, and the all-star cast.

What were some of the sources of inspiration?

Adam McKay: I knew the movie needed to be laugh-out-loud funny, not just clever or wry, so I turned to the all-time greats. Comedies like Office Space and Idiocracy that really capture the weird way we live in the modern world. (Both of those Mike Judge films were north stars for me.) But also movies like Dr. Strangelove, Network, and Wag the Dog. Ive always been intrigued with the idea of finding a way to encapsulate these giant looming threats that we're faced with in this world, but to show it in a way that has a bit of fun with it.

What drew you to the film?

Jennifer Lawrence: I've always wanted to work with Adam McKay, I'm a huge fan. When I read the script, I thought it was genius. It's maybe the funniest script I've ever read, and I thought it was such a poignant way to get such an important point across, that people don't need to be fighting each other over science. We need to be fighting this collective war to save humanity together.

Leonardo DiCaprio: Adam McKay is a director that I'd been wanting to work with for a long time. His ability to combine comedy with incredibly pertinent issues, especially with this film having the undertone of the climate crisis, so it was a unique opportunity to work with somebody that really allowed all of us as actors to collaborate and improvise. Adam is somebody that values everyone's opinion and allows you as an actor to take a scene in any direction that you see fit.

What was your preparation process like?

Lawrence: I spoke to a brilliant astronomer named Amy Mainzer. I was mostly curious about what the world for a female astronomer looks like since they're so outnumbered. That helped shape Kate's personality, how she dresses, how she carries herself. I tried to learn about astronomy as well, but I don't know how much of it I retained. Leo, of course, learned all of it.

DiCaprio: Amy Mainzer is our consultant and astronomer whom I had hundreds of conversations with. She helped me incredibly in playing Dr. Randall Mindy just to be able to articulate this science and basically almost gave me a Carl Sagan-like download on what astronomy is, what it means to be an astronomer, what you look for and the importance of what that means for my character. She was probably one of the most helpful elements to my character that I could've imagined.

McKay: Amy was incredible. She was really a major ingredient in this movie. She was constantly fact-checking the script. Honestly, I cant imagine us being able to pull it off without her. And, and on top of it all, she had a great sense of humor. I just heard the other day she saw the movie, and she was so excited by it. And in a way, that may be the reaction I value the most. Because scientists these days have been under such attack. And the idea that she felt heard seeing the movie was really exciting for me.

What was it like working with Adam McKay?

Lawrence: He's a comedy writer so he's just coming up with hilarious material as we're going. It was so fun to get pitched one hilarious line after another.

DiCaprio: I've been a fan of his work, gosh, ever since Anchorman and Step Brothers. Then right up to Vice and seeing this transition in how he's taken on these incredibly complex political issues, but retained this dark, shrewd, intelligent comedic undertone to a lot of them. This film is, in a lot of ways, the full fruition of what he's been able to mend together thematically and tonally in his movies. Not having had a lot of experience in that space, Adam really helped guide me through balancing the comedic elements in this role.

Did you improvise during any of your specific scenes?

Lawrence: There was a lot of improv in the film. Adam made us feel very free to move with whatever you're feeling.

DiCaprio: Adam gave us an interesting opportunity to try anything. And so, right off the bat, Jen and I really developed our characters on camera. It was done through a lot of different improv. There were so many different actors who came in and were given free rein to really delve into their characters. It was incredible to work alongside such amazing talent.

McKay: They all have a really great sense of the emotional line of their character. Because one of the big ways youll see people go wrong with improv is theyll suddenly start doing things that arent consistent with their character. Theyll start doing things that are just so far afield of the tone of the script. And the great thing with actors like this is they just have a built-in compass for that. They never shattered the reality. So all the actors we had in this film, even though some people may think of some of them as very dramatic, they all were just great with improvising. They jumped right in the water and started swimming.

Can you give any e
LINK: https://about.netflix.com/en/news/dont-look-up-trailer-jennifer-lawren...
See more stories from netflix

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

20/04/2026

Pro Sound Effects Launches the Industry's First and Only Native Sound Effects Integration for Avid Media Composer at NAB 2026

Pro Sound Effects Launches the Industry's First and Only Native Sound Effect...

20/04/2026

SBE Elevates Fred Willard to SBE Fellow

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update Brie Clayton April 20, 2026 0 Comments New update adds camera control and monitoring ...

20/04/2026

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D Brie Clayton April 20, 2026 0 Comments Cinema 4D brings professional 3D workfl...

20/04/2026

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environment

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environm...

20/04/2026

Register now - Market & Audience Department Ask Me Anything (AMA) Session

Register now - Market & Audience Department Ask Me Anything (AMA) Session 11 February 2026 Screen Australia Head of Market & Audience Rakel Tansley Talking to...

20/04/2026

Screen Australia appoints Tanya Phegan as Narrative Content Head of Development

Screen Australia appoints Tanya Phegan as Narrative Content Head of Development 17 March 2026 Tanya Phegan Screen Australia has today announced the appointmen...

20/04/2026

Applications Open for Skip Ahead 11

Applications Open for Skip Ahead 11 19 March 2026 Past Skip Ahead recipients (L-R): Macfarlane Bros, Rainbow Bop, Lyanna Kea. Screen Australia and YouTube Aus...

20/04/2026

Screen Australia empowers the next games generation, including new creatives from neighbouring disciplines

Screen Australia empowers the next games generation, including new creatives fro...

20/04/2026

Official Co-production Ask Me Anything (AMA) Session

Official Co-production Ask Me Anything (AMA) Session 26 March 2026 Image (L-R): Mix Tape, Michele McDonald, Flower & Flour. Interested in international Co-pro...

20/04/2026

Screen Australia announces Narrative Content funding for 91 projects, including four short films paired with industry mentors

Screen Australia announces Narrative Content funding for 91 projects, including ...

20/04/2026

Production Infrastructure and Capacity Analysis (PICA) pinpoints four key workforce challenges in the Australian screen industry

Production Infrastructure and Capacity Analysis (PICA) pinpoints four key workfo...

20/04/2026

Australians in Film and Screen Australia Announce the 2026 Participants in the Talent Gateway and Global Producers Program

Australians in Film and Screen Australia Announce the 2026 Participants in the T...

20/04/2026

Screen Australia relaunches website with new tools and improved user experience

Screen Australia relaunches website with new tools and improved user experience 16 April 2026 Screen Australia relaunches website Screen Australia has relaun...

20/04/2026

Ikegami Announces VFE-P07D Monocular OLED Viewfinder

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

EVS Launches Choreon Robotic Control Solution

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Ross Video Showcases End-To-End Production Ecosystem at 2026 Nab Show

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Heidi Steffen to Become President of TitanTV

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

NVIDIA and Partners Showcase the Future of AI-Driven Manufacturing at Hannover Messe 2026

Manufacturing is at an inflection point. Across every major industrial economy, ...

20/04/2026

Autonomous AI at Scale: Adobe Agents Unlock Breakthrough Creative Intelligence With NVIDIA and WPP

AI agents are transforming how work gets done across all industries, acceleratin...

19/04/2026

NAB Show 2026 Is Here! Follow All of our Live Coverage!

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Live From NAB 2026: Grass Valley CEO Jon Wilson on AMPPs Explosive Growth, Hybrid Workflows, and Whats New at the Show

Grass Valley is finding the right balance between its hardware heritage with an ...

19/04/2026

Live From NAB 2026: Oracles Kip Schauer on Why OCI Is Doubling Down on Media, Sports, and Broadcast

Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...

19/04/2026

Live From NAB 2026: Program Productions Jess Kowatch on Whats New with ProCrewz and the Impact of AI on Crewing

Program Productions, the live sports production industry's leading crewer, i...

19/04/2026

Live From NAB 2026: Aggrekos Joe Scionti on Powering the Super Bowl, PGA Championship, and the Road to the FIFA World Cup

At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...

19/04/2026

NAB 2026: Evertz to highlight evertz.io XChange for live event management and market switching

Evertz (Booth N817) is set to present new services within its evertz.io platform...

19/04/2026

NAB 2026: Evertz to showcase IPMX-certified NUCLEUS and MMA platforms for AV and ST 2110 integration

Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...

19/04/2026

NAB 2026: Evertz to showcase ENX media core for hybrid SDI and IP facilities

Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...

19/04/2026

NAB 2026: Evertz introduces Studer VistaVUE Touch for broadcast control

Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...

19/04/2026

NAB 2026: Evertz highlights X-CALIBER high-density encoding platform for media transport

Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...

19/04/2026

NAB 2026: Cobalt Digital introduces blueCORE standalone processors for SDI and ST 2110 workflows

Cobalt Digital (Booth N1340) will introduce the blueCORE family of standalone si...

19/04/2026

NAB 2026: Chyron and Asport to demonstrate AI-driven end-to-end sports production and distribution workflows

Chyron and Asport (Booth N2441) will demonstrate an integrated sports video work...

19/04/2026

NAB 2026: MediaKind outlines growth of Multiview deployments as Charter rollout expands in North America

MediaKind (Booth W1743) provided an update on its Multiview deployments at NAB S...

19/04/2026

NAB 2026: Calrec and Grass Valley announce partnership to integrate ImPulseV with AMPP platform

Calrec (Booth C6907) and Grass Valley (Booth C2408) announced a long-term broadc...

19/04/2026

NAB 2026: Oracle and partners to demo MoQ-based streaming ecosystem

Oracle is bringing a multi-partner demonstration of Media over QUIC (MoQ)-based live streaming to NAB Show 2026, showcasing how independent systems from multipl...

19/04/2026

NAB 2026: Encompass Digital Media and Oracle Cloud Infrastructure expand partnership for cloud-native broadcast operations

Encompass Digital Media announced an expanded partnership with Oracle Cloud Infr...

19/04/2026

SportsTechBuzz at NAB 2026, Day 1: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

19/04/2026

NAB 2026: Blackmagic Design Announces ATEM 4 M/E Constellation IP Switchers

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Waves update Sync Vx

Now available in VST3, AU and AAX formats Waves have recently released an update that extends their vocal-alignment plug-in's capabilities to all DAWs -...

19/04/2026

TV and Radio HQ Moves Closer to the Conversation

Share Copy link Facebook X Linkedin Bluesky Email...

19/04/2026

Expanded Creator Lab Seeds Digital Synergies

Share Copy link Facebook X Linkedin Bluesky Email...

19/04/2026

Why Streamers Are Seizing the Now

Share Copy link Facebook X Linkedin Bluesky Email...