
Gravity Media makes significant summer of sport investment in Sony equipment
Brie Clayton July 13, 2021
0 Comments
New cameras and monitors have been added to support major broadcast events.
Ahead of, and to cater for, this year's summer of sport, Gravity Media - the leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors has made a significant investment into new equipment from long-time technology partner Sony.
In order to produce the highest-quality live images required from this year's major global sporting events, Gravity Media has purchased 11 HDC-P50 cameras, 11 BVM-HX310 4K professional master monitors and nine LMD-A170 Full HD LCD monitors.
The HDC-P50 is a POV camera with a lightweight, compact camera body. It provides Gravity's OB technology teams with the flexibility to operate in a fixed camera position, or in any number of space-limited situations such as crane jibs or helicopter camera mounts.
Complementing the cameras is the addition of new Sony monitors which supplement Gravity Media's already-impressive arsenal of both 4K and Full HD monitoring equipment. The 4K HDR picture accuracy and quality provided by Sony's BVM-HX310 TRIMASTER HX Professional Master Monitor means Gravity Media's operators know that what they're seeing on site is true to the picture being output.
And twinning a high dynamic range and wide colour gamut with a lightweight body, compact design and low power consumption, the LMD-A170 is the perfect addition to the outside broadcast workflows that Gravity Media will deploy to produce this year's summer sporting calendar.
Once this summer's sporting events come to a close, these monitors' versatility means they will return to Gravity Media's base in Watford where they'll be ready to go out on on-set, into a studio or can be used for any number of post-production applications including 4K digital cinematography.
Ed Tischler, Managing Director of Gravity Media in EMEA, commented:
Every good live broadcast has to start with the best-quality camera systems available. That's one of the reasons why we continually return to Sony; we know the build quality that goes into their systems and the image quality that's captured on location. This is especially important ahead of what's one of the busiest periods for our teams.
The addition of these cameras and these monitors from Sony to our world-leading live production workflows means we're able to deliver the best-quality live programming from the world's most important live events. That's what our clients expect from our teams and it's what this investment ensures we're delivering.
More from Creative COW
19/06/2026
Mavis Studio Makes iPad Production More Powerful
Brie Clayton June 19, 2026
0 Comments
InfoComm update brings new NDI Preview, PTZ control, USB audio ...
19/06/2026
Immersive Studio Metaverse Stage Tackles Post with Blackmagic Design
Brie Clayton June 19, 2026
0 Comments
New narrative projects rely on DaVinci Reso...
19/06/2026
How to Run the Original 1993 After Effects
Graham Quince June 19, 2026
0 Comments
How to the original After Effects v1 in an emulator, and you don'...
19/06/2026
Adobe Unveils Major Expansion of Creative Agent Across Firefly and Creative Clou...
19/06/2026
Immersive Studio Metaverse Stage Innovates Storytelling with URSA Cine Immersive
Brie Clayton June 18, 2026
0 Comments
Two new narrative short films c...
17/06/2026
The Immersive Supervisor Emerges as Hollywood's Next Production Role
Brie Clayton June 17, 2026
0 Comments
Above image: On set live immersive revi...
17/06/2026
Vertical Musical Playback Shot with Blackmagic PYXIS 6K
Brie Clayton June 17, 2026
0 Comments
Large format sensor and DaVinci Resolve workflow used fo...
17/06/2026
DAZ 3D Launches New Game-Ready Character Assets Built for Modern Engines and Pro...
16/06/2026
87 Percent of Creators Who Use Creative AI Say It Is Growing Their Business and ...
16/06/2026
Historic Zhuque-3 Reusable Rocket Test Mission Captured with URSA Cine Immersive
Brie Clayton June 16, 2026
0 Comments
Apple Immersive Video puts view...
15/06/2026
Detach from Direct-Attached: How Remote Editing with EVO Keeps Creative Teams Mo...
14/06/2026
HBO Comedy Rooster Shot with URSA Cine 17K 65
Brie Clayton June 14, 2026
0 Comments
Large format brings viewers intimately close to characters.
Black...
12/06/2026
AJA Announces KONA IP25 Integration with Colorfront Software
Brie Clayton June 12, 2026
0 Comments
Collaboration enables uncompressed SMPTE ST 2110 I/O ...
12/06/2026
URSA Cine 12K LF Used to Create Visuals for STUTS' K-Arena Concert
Brie Clayton June 12, 2026
0 Comments
Organic visuals projected on a giant scre...
12/06/2026
MTI FILM Acquires Mango New Edit, Expanding its Global Post-Production Services ...
12/06/2026
AI Point Tracking Speeds Up Complex VFX Tracks in Mocha Pro
Jessie Electa Petrov June 12, 2026
0 Comments
The 2026.5 release adds automatic point trac...
11/06/2026
Maxon Brings Real-Time Architectural Visualization to AIA26 With New Redshift fo...
11/06/2026
ABC Kid's Caper Crew Shoots Australian Adventure with Blackmagic Design
Brie Clayton June 11, 2026
0 Comments
DP Judd Overton and team bring Wes A...
08/06/2026
DaVinci Resolve Used For Global Collaboration on Tony Foster Documentary
Brie Clayton June 8, 2026
0 Comments
DaVinci Resolve Studio and Blackmagic Cl...
07/06/2026
How to Recreate the Star Trek TNG jump to warp in After Effects
Graham Quince June 7, 2026
0 Comments
In 1987, John Knoll at ILM had to use labor-inte...
07/06/2026
Filming Coffee Communities with Blackmagic PYXIS
Brie Clayton June 7, 2026
0 Comments
Remote travel, fast setups and hard sun shaped this documentary ...
05/06/2026
ASG Promotes Joe Marchitto to Western Regional CTO
Brie Clayton June 5, 2026
0 Comments
Appointment to Support Engineering Alignment and Client Experi...
05/06/2026
Stargate Studios Colombia Uses DaVinci Resolve Studio for Vertical Microdramas
Brie Clayton June 5, 2026
0 Comments
End to end post in one platform al...
05/06/2026
People Need to Come First When We Use AI
Andy Marken June 5, 2026
0 Comments
It's just surviving. Life's very existence requires destruction....
04/06/2026
NVIDIA and Microsoft Reinvent Windows PCs for the Age of Personal AI
Brie Clayton June 3, 2026
0 Comments
RTX Spark - a 1-Petaflop Superchip, the Full...
04/06/2026
Inside the Peaky Blinders: The Immortal Man Grade
Brie Clayton June 3, 2026
0 Comments
Simone Grattarola discusses shaping the look in DaVinci Resolve...
04/06/2026
Cine Gear Expo Announces 2026 Awards of Excellence Recipients
Brie Clayton June 3, 2026
0 Comments
Ed Lachman ASC, Caleb Deschanel ASC, and M. David M...
03/06/2026
Faster, More Flexible AI Matting Fuels Boris FX Silhouette
Jessie Electa Petrov June 2, 2026
0 Comments
The 2026 release helps artists tackle complex ...
03/06/2026
La T l 's National League Hockey Expansion Powered by Blackmagic Design
Brie Clayton June 2, 2026
0 Comments
Blackmagic Videohub 120 120 12G provi...
03/06/2026
ZY Optics to Offer Exclusive First Look at Zone T1 Cine Kit at Cine Gear Expo 20...
01/06/2026
Adobe Announces Concept to Vector
Deepa Subramaniam June 1, 2026
0 Comments
One of the biggest frustrations we hear from designers is how difficult it...
01/06/2026
Vampire Feature Night Patrol Graded with DaVinci Resolve Studio
Brie Clayton June 1, 2026
0 Comments
Colorist shapes dark, gritty tone for horror thri...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
Comparing 5 AI Video Enhancers for Restoring Old Video Quality
Kate Luvis May 29, 2026
0 Comments
Digitizing VHS, MiniDV, and other legacy formats doe...
29/05/2026
Studio Hamburg Builds New Post Pipeline with DaVinci Resolve Studio
Brie Clayton May 29, 2026
0 Comments
Workflow replaces a patchwork of legacy tools...
28/05/2026
Cool Concentric Text for Cavalry
Simon Ubsdell May 27, 2026
0 Comments
In this tutorial I'll show you how to make this popular text effect that is...
27/05/2026
Star Trek VFX: Recreating John Knoll's Iconic Warp Stars without a Slitscan ...
27/05/2026
Adventure World Uses Blackmagic Replay for Marine Live
Brie Clayton May 27, 2026
0 Comments
Large screen displays and slow motion replays dynamically ...
26/05/2026
CETA Software releases Morpheus, an AI tool for real-time post-production projec...
25/05/2026
Conform.Tools Brings Order to Post-Production Delivery
Brie Clayton May 25, 2026
0 Comments
New platform helps colorists, editors, and conform artists...
25/05/2026
Chyron Announces Powerful Scorebug Solutions
Brie Clayton May 25, 2026
0 Comments
PRIME Scorebug Offers On Prem or Virtual Solution for Superior Score...
25/05/2026
Introducing OWC Stack AI - The World's First Thunderbolt 5 AI Accelerator an...
25/05/2026
Wooden Camera Releases New Accessories for Blackmagic URSA Cine Immersive
Brie Clayton May 25, 2026
0 Comments
Wooden Camera today announced the relea...
24/05/2026
Documentary Meets Fashion with Matching 12K Sensors
Brie Clayton May 24, 2026
0 Comments
DP Troy Edige matches sensors across documentary and fashion ...
22/05/2026
An nima Post Relies on Cintel to Revive Classic Mexican Films
Brie Clayton May 22, 2026
0 Comments
Film scanner and DaVinci Resolve Studio help manage...
22/05/2026
Boris FX Sapphire Adds Optical Beauty and Hypnotic Textures
Jessie Electa Petrov May 22, 2026
0 Comments
The 2026.5 release introduces advanced defocu...
21/05/2026
Recreating Doug Trumbull's Slitscan VFX - After Effects Mastery
Graham Quince May 21, 2026
0 Comments
In this After Effects tutorial, I'm divi...
21/05/2026
Cavalry: An Array of Fun Stuff
Simon Ubsdell May 21, 2026
0 Comments
Arrays are a really powerful feature of Cavalry and here we'll go over some o...
21/05/2026
OWC Launches Dads and Grads Promotion with Exclusive Savings
Brie Clayton May 21, 2026
0 Comments
The gifts they'll actually use - save on cutting...
21/05/2026
Beeble launches Canvas, a node-based AI compositor for VFX and Virtual Productio...