Live From Wimbledon: ESPN's Jamie Reynolds on the Challenges in Broadcasting a Grand Slam Keeping ahead of the dramatic storylines keeps the team on their toes By Ken Kerschbaumer, Editorial Director
Friday, July 12, 2019 - 12:20 pm
Print This Story
Story Highlights
The two finals at Wimbledon are shaping up to be epic battles between arguably the biggest names in the sport. That is just fine with Jamie Reynolds, VP, production, ESPN, and nearly everyone else in the Wimbledon Broadcast Centre, portending great interest and ratings. Reynolds took a few minutes out of his schedule to speak with SVG Editorial Director Ken Kerschbaumer about this year's tournament, the current season, the challenge of broadcasting a Tennis Grand Slam event, and what lies ahead for the ESPN team as it gears up for the US Open in August.
ESPN's Jamie Reynolds: You need the time and the commitment to figure out the subtle nuances that would change the coverage. That requires investment of time, energy, and resources.
How have things been going here at Wimbledon for you and the team?
It's great. We got 175 people here, and it's one of those events where you bring people across from the U.S. and you tell them it's like 14 days in a submarine. We go down on day one, we resurface in 14 days; we're going offshore, you're living with everybody 10-15 hours a day. You've got to know how to line up with each other, recognize the creative disparity, possible tension, harmonize with ideas, and just kind of keep the whole click-clack running with everybody. That's the best thing.
It's always great to use this chance to recap the season so far. Starting from the Australian Open, how have things gone?
The whole tennis year continues to evolve at a very rapid pace. Tennis Australia has done a really nice job with that venue, and, [with] what they've rolled out in their long-term plan, it's clear they've invested in this category, in this sport. What they're doing with Melbourne Park, what they're turning that whole venue into, and what they've done with the satellite tour around it, you just know there's a lot of energy, and there's an investment. So that's a good sign.
As a broadcaster, we're still trying to figure out, with that event, how can we balance our investment onsite versus the rapidly emerging technology that they're offering to their customers. But, in that, how do you differentiate? What's still unique between ESPN, BBC, Wowow, any other onsite broadcaster? What access, what discovery can we still harvest and turn into neat content that doesn't necessarily look and feel like what's being distributed? Then we have to find that balance for it, right? How they manage the event, how they're efficient with it, but what's still accessible that's unique and fresh, other than just the talent roster?
How do you find that balance? What's the tension there? Is it just because there are only so many access points to the players or interviews?
I think it's kind of that three-dimensional chessboard of lining up player access and not being so invasive, establishing some level of priority between broadcasters. You can't have everybody running around the venue at once looking out for the same athletes or the same courts. So you have to manage that. There's a safety issue in terms of that access at the end of the day. And then you have to figure out what the different brand identity might be and how do you land all of these converging interests so everybody gets a piece that's unique to them and that they can say, This is why we're a little better than the others.
Is that a challenge for all the Slams?
It's interesting because all four have differences and different types of business models. Australia is heavily backed by the state. The French have their own unique operation. This is a private club at Wimbledon. USTA is a different organization [whose] mission statement is to promote the message of tennis. They all have very different financial drivers, business models, the way that they are stewards of the support and the event. So the dynamics might be slightly different in each one of those venues.
You start with a competition at the base level, and you know you're trying to service the brand and get it out to the world, so there's a great deal of priority [on] that base level. You have the ATP influence, you have the WTA influence, you have the players' access points. Has it reached the saturation point? Yes. It's probably overcorrected a little bit to be very, perhaps, measured in how much access players are responsible for giving to keep an event going. And that is so they can still stay competitive and stay on their regular schedule. But now that there's so much time available and so many courts being covered and so many hours devoted to coverage that the players are becoming a finite resource.
With so much on-court coverage, is it a challenge finding time for things like player features?
If there are 18 courts offered here and play begins at 11 and they'll go through the end of the order of play per day, there's an incredible volume of live action. That's great because everybody has figured out how that ought to get out to the fan base.
But now you have to add that new layer of what's accessible, gratifying, meeting the fan expectations of access and discovery of the players. What can you get other than just press-conference sound? What kind of personality element can you continue to deliver that's at the same scale as the 18 courts for 10 hours a day? And then you're fighting the clock because, every second day, the field is cut in half. Now they start dwindling. How do you manage putting all of those ingredients toge
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/07/2026
Broadcast Management Group (BMG) has announced the appointment of Kathy Samuels ...
01/07/2026
Shade has announced Custom Objects and Automations, a platform expansion releasing June 29, 2026, that adds database and workflow automation capabilities direct...
01/07/2026
FOR-A America has announced the addition of Jaz Wray and Fernando Cruz to its U.S. sales team. Both report to Ernie Leon, Senior VP and Head of Sales and Strate...
01/07/2026
NBC Sports will air all 15 MLB games nationally on Sunday, July 5, across NBC, P...
01/07/2026
Clear-Com has announced a wireless communications upgrade for Jeopardy! and Wheel of Fortune, deploying FreeSpeak II and FreeSpeak Icon systems across both prod...
01/07/2026
England's performance team will use Sony's STATSports APEX GPS tracking system to monitor player physical data in real time during FIFA World Cup 2026 m...
01/07/2026
Adder Technology has announced the appointment of Neil Hillier as Chief Executive Officer, effective July 1, 2026. Hillier succeeds Adrian Dickens, who transiti...
01/07/2026
Bitcentral, Inc. has announced a strategic transaction creating two separate companies. The Production and Playout business will continue as Bitcentral, now own...
01/07/2026
DAZN has announced results from DAZN48, its creator initiative for the FIFA World Cup 2026. Launched in April 2026, the program received thousands of applicatio...
01/07/2026
Sarah Rose, VP, global services, Daktronics (NASDAQ: DAKT), will be inducted into the Information Display and Entertainment Association (IDEA) Hall of Fame at t...
01/07/2026
Gravity Media and the World Economic Forum's production team provided broadc...
01/07/2026
Insight Productions has announced the launch of Insight Storm, a 53-foot mobile broadcast unit built for esports production. The truck is built around a Ross Vi...
01/07/2026
ESPN has announced several content initiatives marking America's 250th anniversary, as part of The Walt Disney Company's Disney Celebrates America pro...
01/07/2026
Eleven production kits, REMI workflows, and cloud distribution bring 40 World Cu...
01/07/2026
The conference also discussed the opportunities offered an industry that is endu...
01/07/2026
The Mountain West Conference has announced the launch of MW , a direct-to-consumer streaming platform powered by Kiswe. The platform will carry live Mountain We...
01/07/2026
New AI Assistant, Multi-channel Audio, ARA2 improvements & more
Tracktion's DAW software has just received its latest major update, gaining a selection ...
01/07/2026
Stammering, stuttering, strangulated tones
The Crow Hill Company's latest creation promises to be the most original sound set they've produced to d...
01/07/2026
Exclusive run of limited-edition modelling pedals
Sweetwater and Andertons M...
01/07/2026
The National Film and Video Foundation (NFVF) is pleased to announce that the ca...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Manfrotto Introduces UNCOVER, the new premium camera bag collection for modern h...
01/07/2026
Blackmagic Design Powers Houston Tamil Sangam Literacy Competition
Brie Clayton July 1, 2026
0 Comments
Volunteers use ATEM Mini Pro, Blackmagic Desig...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
PlayBox Technology has published State of Broadcast Infrastructure 2026, an in-depth industry research report examining the technologies, operational challenges...
01/07/2026
LONDON, UK, 1 JULY Jigsaw24 has appointed Alan Henry as Head of Sales for Media and Entertainment, reinforcing its continued investment in helping broadcaster...
01/07/2026
Content Vault, the patent-pending secure content distribution platform protecting high-value media from disclosures, theft and unauthorised access, today announ...
01/07/2026
Bitcentral, Inc. a leading provider of enterprise software and digital media solutions for news, sports and entertainment broadcasters, as well as streaming pla...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Groundbreaking First Nations Screen Business Accelerator launched through nation...
01/07/2026
Chyron Launches the All-New Chyron Academy: A Reimagined, Hands-On Learning Expe...
01/07/2026
Amplium Captures Kawasaki Brave Thunders Game with Blackmagic URSA Cine Immersiv...
01/07/2026
Boris FX Optics Expands Plugin Support to Apple Photos, Capture One, and Affinit...
01/07/2026
UKTV has today announced the appointment of Matt Berry to the newly created role of General Manager - Marketing, effective 1 July.
Matt will take on this senio...
01/07/2026
Sky Zero Footprint Fund-backed TV campaign featuring Deborah Meaden challenges consumers to rethink everyday bathroom wasteWednesday 1 July 2026
Fussy asks Bri...
01/07/2026
Constituency-level analysis reveals where girls miss out most on sport - and where targeted action could unlock more than £640 million in economic and health be...
01/07/2026
Wuppertal July 1, 2026
Riedel and SKAARHOJ Expand Collaboration With SimplyLive IntegrationRiedel Communications today announced an expanded collaboration wit...
01/07/2026
Apple today introduced power-packed updates to Apple Creator Studio, a groundbre...
Live From Wimbledon: ESPN's Jamie Reynolds on the Challenges in Broadcasting a Grand Slam Keeping ahead of the dramatic storylines keeps the team on their toes By Ken Kerschbaumer, Editorial Director 
