
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Director of Digital
Friday, April 18, 2025 - 9:57 am
Print This Story | Subscribe
Story Highlights
Saturday (4 p.m. ET) marks the fifth consecutive year that ESPN will broadcast the finals of the NCAA Women's Gymnastics Championships on ABC.
Throughout that half decade, the broadcaster has introduced a wave of innovations to improve the live-viewing experience of this rapidly growing sport. From live leaderboards (which, in gymnastics, is far more complicated than it sounds) to graphical enhancements that illustrate the elite athleticism of the student-athletes, ESPN has revolutionized the presentation of women's gymnastics.
The trend continues this year with the debut of 4DREPLAY on two apparatuses: vault and uneven bars. The technology produces volumetric, time-slice frozen moment replays that immerse viewers in a previously impossible perspective of the sport's most dynamic moments. The image is produced by stitching together images from 30 cameras arranged in a semicircle around the apparatus.
Gymnastics delivers a perfect environment for volumetric replays provided by 4DReplay, says Phil Orlins, VP, production technology and innovation, ESPN. The vault and uneven bars offer close proximity and an eye-level shot of the athlete that is ideal for showcasing the dynamic action. These time-slice freezes give us the tools to provide in-depth analysis of fast-moving content like never before.
Orlins and ESPN have plenty of experience with 4DREPLAY, having used it most recently on events like the 2024 MLB Home Run Derby.
--
Video clip courtesy of ESPN.
Tech That Bridges the Gap
Beyond the 4DREPLAY integration, ESPN's broadcast team stationed at Dickies Arena in Fort Worth, TX, continues to enhance the understanding of gymnastics with such tools as height meters and protractors providing relatable metrics for viewers.
The enhancements are valuable also for the analysts on the broadcast: Olympic gold medalist Aly Raisman, silver medalist Samantha Peszek, and three-time Olympian John Roethlisberger.
Tech tools, like the protractors and the height meters, create a relationship between what is happening and what [the fans] already know, says Roethlisberger, a member of the U.S. Olympic Team in 1992 (Barcelona), 1996 (Atlanta), and 2000 (Sydney) while competing collegiately at the University of Minnesota. Everyone knows how high a basketball hoop is. When we show the height meter on vault or bars and it goes 6 ft. above the high bar, which is already 8 ft. off the ground and we say that [the gymnast's] head is 14 ft. above the floor, every human in the world goes, 14 ft., that's 4 ft. higher than a basketball hoop. That's 4 ft. higher than Anthony Edwards can dunk a basketball.' There's a lot of those things that have helped make [the sport] more understandable and relatable to the audience.
Roethlisberger also credits women's collegiate gymnastics for developing a set of rules and a scoring system that make it much easier for the audience to follow compared with other disciplines of the sport.
Women's college gymnastics has figured out how to make the rules the most understandable rules on the planet Earth, he says. Because of that, along with all the things that networks like ESPN have done to bring it to your living room and make it understandable and visually appealing, every person that watches gymnastics, by the third night, [is watching a routine and] going, That's 9.9. I remember, two nights ago, she got a 9.8 when she took a big step forward on her landing and Aly and Sam said that cost her two-tenths. Now she stuck it, and that's going to be a 9.9.' That is what women's college gymnastics has done and no other version of gymnastics has done.
All the tech enhancements, including slow-motion-capable cameras and in-depth replay, do create an interesting dynamic for the sport.
It's a blessing and a curse in some ways, says Peszek, who was a member of the U.S. Olympic Team in 2008 and competed collegiately at UCLA. We have the ability to show replays in slow motion, and guess who doesn't get to see the replays in slow motion: the judges. To John's point about the [fan] conversation of I thought she should have scored this' while watching a side-by-side replay and the only people that don't have the luxury of watching it are the judges, I think we're getting a lot of heated conversation around judging. We have the ability to take a microscope to everybody's routine and each skill and the protractor, and we replay it to see if it was actually vertical. I think what a lot of fans don't take into account is where the judges are sitting, the angle that they're at. Also, they're seeing it in real time, and humans have the ability to make errors.
Enhanced Fan Engagement With Stream Team Beyond the championship on ABC, ESPN+ will again feature its popular Stream Team coverage, bringing personality and insight directly from a lineup of NCAA greats. This year's team comprises Olympic silver medalist and Florida legend Bridget Sloan, Oklahoma's four-time NCAA champion Anastasia Webb, 11-time All-American Kennedy Baker, and ESPN newcomer Trinity Thomas, an 11-time NCAA All-American and two-time Honda Award winner.
In a fresh twist for 2025, instead of traditional apparatus-only streams, viewers can follow specific teams throughout the arena on dedicated feeds with tailored commentary. Each stream pairs two teams with expert analysis, letting fans personalize their experience in unprecedented ways.
Immediately following the women's final, the NCAA Men's Championship takes center stage on ESPN2
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
15/05/2026
Join Calrec at MPTS 2026 | May 13-14 | Stand A40 | Olympia, London We're looking forward to meeting up with customers and partners at this year's Media ...
15/05/2026
86% of media planners would move more linear TV budget to CTV if they had show-level targeting and reporting - and 65% would also shift dollars from programmati...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Clear-Com will showcase new communications solutions and major platform updates at InfoComm 2026 (Booth N7005), June 17-19, in the North and Central Halls of t...
15/05/2026
Following an outstanding inaugural year in 2025, Rise AV is proud to announce the return of its flagship leadership initiative, Elevate. The programme continues...
15/05/2026
Berklee Announces Lineup for Inaugural AI Music Summit The three-day event puts musicians at the center of the future of music creation, ethics, and the indus...
15/05/2026
Lightware returns to InfoComm 2026 with a focused showcase of scalable USB-C connectivity, next-generation AV-over-IP solutions, and technologies that help over...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Delivering a live, arena-scale production of a massively popular band is no small feat. Between expansive in-arena LED walls and a global live stream fed to onl...
15/05/2026
Connection is the heartbeat of any strong community, and with live streaming becoming more accessible in the modern era, it's much easier for faith-based or...
15/05/2026
Powered by GX 3 media servers, optimised IP-VFC workflows and on-site engineering expertise, the production delivers high-performance visuals for one of the wor...
15/05/2026
Against that backdrop, IAB UK has added retail media to its Gold Standard. Jan Pitt, Commercial Director at ABC, spoke with Liv McCullagh, Retail Media Lead at ...
15/05/2026
Further to RT 's statement released yesterday and in the interest of full transparency, with the full permission of Derek Mooney, we are now publishing the ...
14/05/2026
Sweetwater and Airstream have announced a custom-built Dolby Atmos mobile recording studio inside an Airstream trailer, set to tour music festivals, schools, tr...
14/05/2026
The American Association of Professional Baseball (AAPB) has announced a new par...
14/05/2026
ESPN has announced plans to transform Santa Monica Beach into a broadcast hub du...
14/05/2026
Amagi has announced a significant update to Amagi CLOUDPORT, its cloud-based broadcast playout platform. The update includes 250-plus features shipped in FY25-2...
14/05/2026
Clear-Com will exhibit at InfoComm 2026 (Booth N7005, June 17-19, Las Vegas Convention Center), introducing a new product that builds on Arcadia Central Station...
14/05/2026
Ikegami will exhibit at BroadcastAsia 2026 (Stand 5D3-1, Singapore Expo, May 20-22), introducing two new viewfinders alongside its existing camera, control, and...
14/05/2026
Grass Valley has announced that dB Broadcast has delivered new IP-based outside ...
14/05/2026
NAGRAVISION, a Kudelski Group company, has announced a partnership with the World Professional Billiards and Snooker Association (WPBSA) to launch Play Snooker,...
14/05/2026
Belden Inc. has announced a definitive agreement to acquire RUCKUS Networks from Vistance Networks for approximately $1.85 billion. The transaction has been app...
14/05/2026
NVIDIA has released the Content Localization Blueprint, a modular reference arch...
14/05/2026
Disney has announced that Disney will be the exclusive U.S. streaming home of the Banana Bowl, the Banana Ball league season championship, streaming live this ...
14/05/2026
Arkona technologies and technology partner manifold will demonstrate their production solutions on the Magna Systems and Engineering stand (Booth 5D1-1) at Broa...
14/05/2026
Haivision will host a webinar on Thursday, May 21 at 10 a.m. ET / 4 p.m. CET cov...
14/05/2026
The CW Network and ESPN have announced a sublicense broadcast agreement for The CW to televise ACC football and men's and women's college basketball gam...
14/05/2026
The agreement marks Scripps Sports' first NBA local rights deal...
14/05/2026
A new report from education-technology company Wiingy testing post-ChatGPT predictions against three years of real-world data has identified broadcasting as one...
14/05/2026
Global Citizen and FIFA have announced that Madonna, Shakira, and BTS will headl...
14/05/2026
LOS ANGELES, CA, May 14, 2026 - The nonprofit Sundance Institute announced today the cohort selected for the 2026 Episodic Lab program, taking place at Dunaway ...
14/05/2026
At Spotify, we're focused on making every listening experience feel intentio...
14/05/2026
Spotify recently welcomed songwriters, artists, executives, and music students t...
14/05/2026
New articulations, ostinatos, Motion Scoring Articulation Sets & more
Sonuscore's flagship cinematic string library has just been treated to a significa...
14/05/2026
World-class studio opens on T rkiye's Aegean coast
P r Recording & Residence have announced their official opening, introducing a new world-class reside...
14/05/2026
Now supports channel layouts up to 9.1.6
Nugen Audio have just released an update for their AI-powered dialogue intelligibility and compliance tool. Set to ...
14/05/2026
New recordings & one-key chord tool
UVI have just announced the release of Orchestral Suite 2, a ground-up redesign of their all-in-one symphonic orchestra ...
14/05/2026
Two new arrivals & expanded factory content
Rob Papen's all-encompassing plug-in and virtual instrument collection has just been treated to another upda...
14/05/2026
Embed QR codes into DAW sessions
FSK Audio's latest plug-in doesn't process audio, but serves as an organisational tool that allows QR codes to be e...
14/05/2026
SBS Board appoints Jane Palfreyman Managing Director
13 May, 2026
Media releases
The Special Broadcasting Service (SBS) Board of Directors is pleased to an...
14/05/2026
Transforming bold ideas into market-ready productions: Digital Originals returns
14 May, 2026
Media releases
SBS, NITV and Screen Australia have announced ...
14/05/2026
Australia Uncovered Returns to SBS with Bold New Season Featuring John Safran on...