Billy Childs Named Visiting Scholar at Berklee
07/06/2019
Were thrilled to have Billy Childs join our community this fall. He is a master musician whose work transcends stylistic boundaries, says Tom Hojnacki, the departments assistant chair. Our students will surely benefit from his perspective as one of the foremost composer/arranger/pianists currently in the field. Having Billy on campus regularly for the entire academic year will bring an electric energy to an already dynamic program.
As a visiting scholar, Childs will be in residence for one week each month throughout the academic year, working with advanced jazz composition students and offering his perspective on their work. In addition, hell be coaching a student ensemble, working with faculty, and offering master classes open to the entire Berklee community.
Billy Childs A native of Los Angeles, Childs grew up immersed in jazz, classical, and popular music influences. By age 6, he was giving public performances as a pianist, and at 16 he was admitted to the Community School of the Performing Arts (now the Colburn School), sponsored by the University of Southern California (USC). He later attended and graduated from USC, earning a Bachelor of Music degree in composition.
Discovered by jazz trumpet legend Freddie Hubbard, Childs is one of the foremost American composers of his era. Like Aaron Copland, he successfully married the musical products of his heritage with the Western neoclassical traditions of the 20th century in a powerful symbiosis of style, range, and dynamism.
Over the course of his career, Childs has earned five Grammy Awards and 16 nominations, most recently winning in the Best Jazz Instrumental Album category for 2017s Rebirth. The pianist and composer has collaborated with a variety of musicians, including Yo-Yo Ma, Gladys Knight, Sting, Claudia Acu a, Chick Corea, Ren e Fleming, Wynton Marsalis, and numerous others.
About the Department Berklees Harmony and Jazz Composition Department, under the leadership of George W. Russell Jr., chair, and Tom Hojnacki, assistant chair, offers three programs: core music studies in harmony for all students, a minor in the theory of jazz and popular song, and a major in jazz composition. The departments philosophy is to understand and learn from the past, evolve the present, and create the future. That philosophy is put into practice through Berklees tradition of teaching the fundamental techniques and concepts of the musical language of American popular song and jazz.
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