
TVBEurope speaks to a cinematic lens manufacturer, service provider and leading sports broadcaster to get their thoughts on why cinematic technology is seeing broader adoption, how it enhances the viewing experience, and how the trend will continue
By Jenny Priestley
Published: September 14, 2023 Updated: September 22, 2023
TVBEurope speaks to a cinematic lens manufacturer, service provider and leading sports broadcaster to get their thoughts on why cinematic technology is seeing broader adoption, how it enhances the viewing experience, and how the trend will continue
target=_blank title=Share on LinkedIn class=share-linkedin>
In recent years the use of cinematic lenses and cameras has become more prevalent in live sports broadcasting.
The Super Bowl, La Liga and next year's Olympic Games are among the tier-one sports employing cinematic technology to bring their viewers closer to the action.
But why is the technology seeing broader adoption, how does it enhance the viewing experience, and how will the trend continue? TVBEurope spoke to a cinematic lens manufacturer, service provider and leading sports broadcaster to get their thoughts.
The lens manufacturer: Carey Duffy , director of product experience, Cooke Optics Why do you think using cinematic technology has become so important to sports broadcasters in recent years? Cinematic technology of one sort or another has always been present in capturing sports. If the question relates to the quality of the image. My personal opinion is that sporting bodies and broadcasters are understandably trying to enhance their offering. Certain cinematic techniques add a layer of emotion that goes beyond just recording an image. If we are talking about the use of lenses. One has to know about the characteristics of a lens series and how they can add dimensionality and texture to the image, which will have a bearing on the outcome of the images captured. This is what cinematographers spend their working lives trying to perfect for the stories they are employed to capture.
How do you think it enhances the viewing experience? For me that only happens when the correct tech is used sympathetically to enhance the brief. For example in the FIFA World Cup, fast lenses were used at wide open T stop, to separate the players in the tunnel pre-match from the background and add dimensionality. To me the images looked plastic! There was no organic dimensionality because they were using cheap auto-focus photographic lenses that don't have soul or character in them. Obviously the idea was to make it look cinematic, so someone decided that this tech was good enough . That's where using the wrong tech which delivers a poor version of the nuanced look of a cinema lens causes issues.
Cooke's new SP3 range, which can be used to film sport Shallow Depth of Field when used sensitively is a great tool, but used for the sake of using it without craft and technique, is not cinematic. It can even be detrimental to what you are trying to capture, as cutting between shallow depth of field and deep depth of field can be visually off-putting. Also one has to consider the environment you are filming in and how cinematic techniques can enhance the viewing experience. One thing for certain is that people want to look good or have a flattering representation of themselves portrayed on screen this is where our lenses excel.
How do you see this trend continuing? I see sensitive people embracing the technology to do great work, whilst others will use simple tricks to try and attempt to deliver what they see as a cinematic image.
Tell us about your cinematic technology. Cooke lenses are renowned for capturing motion images in an organic and flattering way, especially faces. After all, when someone is speaking we tend to spend our time focusing on their face. In that environment, our lenses offer a unique look. That's the design philosophy we employ in our lens series, it's to lesser or greater degrees depending on the optical design of a series but that's what defines the Cooke Look.
The production company: Martyn Edwards, project director, EMG Why do you think using cinematic technology has become so important to sports broadcasters in recent years? New technological developments make it a possibility now, including RF technology. Shooting on film had its advantages in the old days, such as sharpness, depth of field, and colour gamut, but it also had disadvantages, such as time and cost for development. In the case of live sport, using film was extremely challenging and multi-camera switching was out of the question. With today's cameras and technology we can use cinematic lenses as part of a regular' multicamera environment. In particular we can now use cinematic cameras and lenses for depth of field and so-called bokeh' to create interesting effects.
How do you think it enhances the viewing experience? It enhances the viewing experience with dramatic effects and adds perhaps a little bit of artistry to the world of live sport. Within the last decade producers have tried to push the boundaries of what is possible to achieve a cinematic representation within broadcast. This approach offers a live event the same sense of visual gravitas as a cinematic experience. Surely a live event deserves that attention to detail? Especially when you think of the impact that key moments in sport have had on a fan's life. The shift towards a more cinematic approach enhances the viewer experience and sets milestone moments apart from traditional coverage.
How do you see this trend continuing? Historically technology suppliers have been limited by what is suitable to integrate into the broadcast environment. For us at EMG, a more cinematic method started out in concerts and one-off events, using cameras like the Alexa in a st
More from TVB Europe
15/04/2025
Jan Krupp, VFX supervisor at Scanline VFX, tells TVBEurope how the company created a range of environments for the Netflix film
By Matthew Corrigan
Published...
15/04/2025
Ateliere said that due to the current, unforeseen turbulence in the US and in the global business and financial markets the company is no longer in a position t...
14/04/2025
Stanley has been promoted to the role following seven years as general manager with the company
By Matthew Corrigan
Published: April 14, 2025 Updated: Apri...
14/04/2025
StreamAMG delivers more than 15,000 live events each year, with over 52,000 hours of content watched in 200 countries
By Matthew Corrigan
Published: April 14...
14/04/2025
TVBEurope content director Jenny Priestley sums up her 2025 NAB Show experience, from the end of AI hype to the impact of tariffs, trying out virtual production...
11/04/2025
Two creative projects will receive awards of £35,000 aiming to boost innovation in 5G across the media and entertainment sector
By Matthew Corrigan
Published...
11/04/2025
The London VFX studio has strengthened its pipeline team with two promotions and a new appointment
By Matthew Corrigan
Published: April 11, 2025 Updated: A...
10/04/2025
The report outlined a package of proposed measures to ensure domestic production...
10/04/2025
Attendees travelled from 160 countries around he world to the media and entertainment industrys Super Bowl event
By Matthew Corrigan
Published: April 10, 202...
10/04/2025
Kitty Higinbotham, president of Wall Street Communications, tells TVBEurope why communication skills are essential in an ever-changing industry
By Matthew Corr...
09/04/2025
Located across from Panavision London's camera and optics rental business, the new site is nearly 10,000 sq ft larger than the previous facility
By Matthew...
09/04/2025
The project aims to enable flexibility and integration to ensure consistent graphics experiences across diverse platforms
By Matthew Corrigan
Published: Apri...
09/04/2025
The proposal includes an investment of £20 million in local industry and could create up to 4,000 jobs
By Matthew Corrigan
Published: April 9, 2025 Updated...
09/04/2025
Andy Sumner also joins the company supporting its recent expansion into Liverpoo...
09/04/2025
TVBEurope celebrates the stand-out products on show in Las Vegas
By Jenny Priestley
Published: April 9, 2025 Updated: April 13, 2025
TVBEurope celebrate...
08/04/2025
Channel 4's Top Guns: Inside the RAF puts viewers at the heart of the action, following the service as it carries out operations around the world. Mark Tatt...
08/04/2025
DPP CEO Rowan de Pomerai and CCO Mark Harrison talk to TVBEurope about the organisations first decade, plans for the future and challenges facing the media indu...
08/04/2025
Reports say ProSiebenSat is lining up the investment bank to repel the Berlusconi-owned company as it seeks to retain independence
By Matthew Corrigan
Publi...
08/04/2025
Jodi Morelli, acting head of external communications for Globecast, and growth manager, North America at RISE talks to TVBEurope about the need to stay curious,...
07/04/2025
The company debuted new products, accessories and upgrades ahead of NAB 2025
By Matthew Corrigan
Published: April 7, 2025
The company debuted new products...
07/04/2025
Production company Fulwell 73 and financiers Cain International plan to build 20 premium sound stages at the complex
By Matthew Corrigan
Published: April 7, ...
06/04/2025
TVBEurope content director Jenny Priestley sits down with new Grass Valley CEO Jon Wilson to discuss his vision for the company going forward, what that means f...
04/04/2025
In our latest article on a piece of broadcasting history, Vizrts Russell Leak tells TVBEurope how his Dad created the motor used in a BBC 1 ident from the 1980s...
04/04/2025
The agency aims to bridge gaps in product strategy, development, and go-to-market programmes for media tech companies around the world
By Matthew Corrigan
Pu...
04/04/2025
Carole Pigeard, SVP of global sales at Moments Lab tells TVBEurope how diverse perspectives fuel evolution in the media and entertainment space
By Matthew Corr...
03/04/2025
Innovations across Premiere Pro and After Effects deliver AI-powered upgrades and workflow improvements, said the company
By Matthew Corrigan
Published: Apri...
03/04/2025
The new upgrades aim to enable smarter tracking, greater control, and faster workflows while expanding interoperability across robotic systems
By Matthew Corr...
03/04/2025
From a trip to space to the inaugural Sports Summit, and a look behind the camera of Wicked, this is whats on the TVBEurope teams radar at the 2025 NAB Show
B...
03/04/2025
Because of the nature of this sort of sliding scale of tariffs, there are opportunities that werent there before, analyst Alice Enders tells TVBEurope
By Jenny...
02/04/2025
Sally Wallington, SVP of sales at Pebble, explores the mission-critical considerations broadcasters should make when choosing a playout provider
Sponsored Cont...
02/04/2025
TVBEurope meets Tim Claman, chief product officer at Avid, to discuss the compan...
02/04/2025
Submissions will be accepted up until 23:59 PST on 2nd April
By Jenny Priestley
Published: March 24, 2025 Updated: April 3, 2025
Submissions will be acc...
02/04/2025
Leclerc will work with group members to explore and champion UK digital media distribution via broadcast, IP, mobile or hybrid delivery
By Jenny Priestley
Pu...
01/04/2025
Adopting open standards, the solution aims to provide workflow standardisation, allowing for automation and other innovations across a diverse range of markets
...
01/04/2025
Submissions will be accepted up until 23:59 PST on 2nd April
By Jenny Priestley
Published: March 24, 2025 Updated: April 1, 2025
Submissions will be acc...
01/04/2025
The AI issue takes a look at how AI is reshaping broadcasting, including areas such as sports commentary and archiving and storage, plus we discover how Norways...
01/04/2025
Joining the company with more than two decades of experience forging and scaling alliances in the industry, Wastcoats role will support TVUs strategic developme...
31/03/2025
Submissions will be accepted up until 23:59 PST on 2nd April
By Jenny Priestley
Published: March 24, 2025 Updated: March 31, 2025
Submissions will be ac...
31/03/2025
The company is said to be working with KPMG on a deal that could include the sale of a majority or minority stake
By Jenny Priestley
Published: March 31, 202...
31/03/2025
The confidential agreement ends multi-jurisdictional litigation between the parties over the issues
By Matthew Corrigan
Published: March 31, 2025 Updated: ...
31/03/2025
Em Bell, senior client services coordinator at dock10, tells TVBEurope why a can-do attitude and problem-solving mindset is ideal for the TV industry
By Matthe...
28/03/2025
TED-Ed series Ada fuses storytelling with eye-catching animation. The Should We ...
28/03/2025
Rita Madeira, content producer at Digital Azul, tells TVBEurope how the industry thrives on connections and welcomes curiosity
By Matthew Corrigan
Published:...
27/03/2025
The Mini has a footprint equal to the size of an average smartphone and can be placed side by side for use in stereoscopic or volumetric video
By Jenny Priestl...
27/03/2025
The teams behind House of the Dragon, Masters of the Air, Silo and The Lord of t...
27/03/2025
The initiative aims to help young women pursue higher education in broadcast and media technology, offering financial assistance and networking opportunities
B...
27/03/2025
We believe that ProSiebenSat.1 needs a strong shareholder that can provide expertise and experience in the industry, making an active contribution to its growth...
26/03/2025
The Chancellor presented her speech in the House of Commons today
By Matthew Corrigan
Published: March 26, 2025 Updated: March 27, 2025
The Chancellor p...
26/03/2025
The council will guide key focus areas to help grow a more secure, interoperable and effective media creation ecosystem, said the organisation
By Matthew Corri...
26/03/2025
Donna Thomas, executive vice president, Vubiquity talks to TVBEurope about how nurturing an early entrepreneurial streak paved the way for her career
By Matthe...