
CFP National Championship 2022: ESPN, Game Creek Video Overcomes Cold Weather, Tight Timelines To Erect Mega-Compound Trucks needed extra spacing at Lucas Oil Stadium, fiber-only connectivity in case of snow By Brandon Costa, Director of Digital
Monday, January 10, 2022 - 2:33 pm
Print This Story | Subscribe
Story Highlights
Monday night's College Football Playoff National Championship Game marks the first cold weather final in the CFP era.
In the eight-year history of the tournament, the champion has been crowned in such locales as New Orleans, Atlanta, Tampa, and Arizona. This year, in Indianapolis, with temperatures in the teens at night this week, there's a different feel in the air.
Now, does any of this matter to the game? Of course not. The players will be warm and toasty inside covered Lucas Oil Stadium, but don't tell that to the folks working in the production-truck compound just outside.
The television-production compound at the 2022 College Football Playoff National Championship houses 11 units outside the stadium. Engineering crews had to overcome a multitude of cold-weather challenges. (Photo: ESPN)
Frigid temperatures, the threat of snow, staffing travel delays, and a tight timeline are just a few of the major challenges that have faced the team at ESPN and its primary mobile-production-facilities provider, Game Creek Video at the 2022 edition of college football's biggest event.
The compound in Indianapolis is 11 units deep, counting production, support, and office trailers. All mobile units anchoring video production, whether for the live game coverage on ESPN or for surrounding studio coverage on the ESPN family of networks - including SEC Network - are Game Creek vehicles.
The cold has been perhaps the most pressing issue since crews began arriving at Lucas Oil. Given the parking plan for CFP and the fact that there was an Indianapolis Colts home game on Jan. 2, the compound was unable to use any indoor space beneath the stadium and needed to be completely outside.
Parking was unable to begin until the morning of Jan. 3, and the compound was not able to get power until Jan. 4 as the power generators' fuel lines needed to be winterized. It then took engineers and drivers approximately five hours to get the trucks warm enough to begin powering up any of the video equipment inside.
From left: ESPN operations manager Tommy Mitchell, Director, Remote Production Operations John LaChance, and Remote Operations Specialist Brian Ristine from inside one of the production vehicles at the 2022 College Football Playoff National Championship at Lucas Oil Stadium in Indianapolis. (Photo: ESPN)
Between the initial delays with power and the closed practices and rehearsals, we had less than four days to pull together a show that is close in size to the Super Bowl, says Game Creek Video Engineering Manager Brian Nupnau, who built out this project. This is a testament to the talented and hardworking engineers and technicians that pulled this off in such a short time. They are the best at what they do, and it shows.
Although it hasn't snowed, the threat of snow has shaped the CFP production compound. To ensure a clear path for snow removal, trucks needed to be spaced out a bit more than usual, and the vast majority of interconnects had to be done with fiber only. According to Nupnau, that included the vast amount of networking, which comprised trunking together all truck intercoms, tying together all truck networks and the Calrec Hydra network, and tying together the signal-distribution grid that allows any truck to get any signal.
All the mobile units supporting live game production are supplied by Game Creek Video. (Photo: Brian Nupnau, Game Creek Video)
All in all, Game Creek has some of its top facilities onsite to support the event. Game Creek 79 A/B, Peacock A/B, and Edit 1, 3, and 4 are all supporting the main game telecast, as well as operations for various forms of ESPN's MegaCast offerings. GC Maverick is home to College GameDay onsite studio coverage, which was broadcasting hits throughout the weekend, including its own show on Saturday morning and during Sunday NFL Countdown on Sunday morning. Game Creek Webby is anchoring studio coverage exclusive to the SEC Network.
The Game Creek Video crew outside Lucas Oil Stadium in Indianapolis for the 2022 College Football Playoff National Championship. (Photo: Brian Nupnau, Game Creek Video)
We have an excellent technical offering this year, and I think that's hats off to this tech crew here, says John LaChance, director, remote production operations, ESPN. This is a marquee event that has the shortest setup window. With any type of travel or weather impact, you need to get a great plan and a great crew that's going to put it together and offer an awesome lineup of gear, too.
The compound came together quickly from major events from across the country. 79 A/B, Maverick, and Edit 4 all came straight to Indy from one of the CFP semifinals: the Orange Bowl in Miami on New Year's Eve. Edit 3 was on semifinal duty at the Cotton Bowl in Dallas on New Year's Eve. Peacock A/B was at the Fiesta Bowl in Arizona on New Year's Day.
The compound supports about 115 cameras deployed in and around the stadium for game, studio, and reporter coverage for tonight's big game. Game Creek has also brought additional resources: 24 EVS servers, a pair of Calrec Apollo consoles, three Calrec Artemis consoles, and a Calrec Brio console.
In all, Game Creek's presence in Indy is 22 engineers strong along with 14 drivers.
More from Sports Video Group
11/11/2026
Hornets Sports & Entertainment (HSE) and Spectrum have installed WiFi 7 as part of Spectrum's Managed WiFi solution within Charlotte's recently renovate...
11/11/2026
As 4K displays normalize in living rooms and economy flights, aging minor league...
11/11/2026
Northwestern University has deployed Grass Valley production switching and camera technology at its new Ryan Field stadium in Evanston, Illinois. The installati...
11/11/2026
Central Christian Church has transformed communication across its live productio...
11/11/2026
Monumental Sports & Entertainment developed the new Cisco Command Center for all of the building's technology
Prior to the start of the busy October schedu...
11/11/2026
The new Manhattan set is the latest addition to a network of studios, home setup...
11/11/2026
With a remodeled set, an expanded camera package, and a Steve Aoki performance, MLB Network's production team raises the bar again at The Chelsea...
10/11/2026
ENCO provided live stage captioning, multilingual translation and new audio pass-through services at NAB Show New York, held Oct. 21-22 at the Javits Center, an...
10/11/2026
Vizrt has built a proof-of-concept integration with the Story Object Model (SOM), shown at IBC 2026 in Amsterdam as part of the Smart Stories Accelerator projec...
10/11/2026
Gravity Media's Creative and Managed Services team produced a dedicated live 9:16 vertical broadcast workflow for Meta Connect 2026. Meta asked for more tha...
10/11/2026
Blue Stream Fiber has standardized its OTT streaming services on Ateme's end-to-end video platform for its high value linear channels, providing more effici...
10/11/2026
Haivision has opened the survey for its 2027 Broadcast Transformation Report, inviting broadcast, media, and production professionals worldwide to share their p...
10/11/2026
The League of Live Stream Theater (LOLST), the nonprofit organization partnering...
10/11/2026
USA Sports and The Horse Racing League (HRL) has announced a partnership to air ...
10/11/2026
Matrox Video has launched The Sync, a new video podcast series bringing together Matrox Video experts, customers, and partners to explore the technical and busi...
10/11/2026
The CW Network and Professional Bull Riders (PBR) have announced a new multi-yea...
10/11/2026
There is a certain irony that Chip Adams was turned down when he first looked in...
10/11/2026
Pliant Technologies' CrewCom Flex product line is now shipping in the United States. As a frameless matrix intercom system and complete matrix IP-based inte...
09/11/2026
In a new home, the show had its traditional focus on music production, but broadcast themes received significant emphasis
The Audio Engineering Society (AES) c...
09/11/2026
Content creation and rights, YouTube archive, production workflows, investment, ...
09/11/2026
Industry leaders from Prime Video, NASCAR, FOX Sports, and more discuss the tech...
09/11/2026
SMT (SportsMEDIA Technology) is delivering on-air graphics and shot data for the Women's Team Golf League (WTGL), which made its debut Sunday, Nov. 8, at So...
09/11/2026
BKB Bare Knuckle Boxing has appointed Michael Ridout Managing Director, UK. He will lead BKB's operations in the United Kingdom and take on wider operationa...
09/11/2026
SMPTE's Media Technology Summit (MTS2026) takes place Nov. 16-19 at the Pasadena Convention Center. The schedule:
Media Tech Business Forum (Monday, Nov. 1...
09/11/2026
The Audio Engineering Society (AES) held AES Show Nashville 2026 Oct. 30-Nov. 1 at the Gaylord Opryland Resort & Convention Center. AES reports nearly 3,000 reg...
09/11/2026
Analyst Josh Stinehour will share results Jan. 26 in Mountain View, Calif.
Devo...
09/11/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
09/11/2026
Permanent mixed-reality activation debuted against the Brooklyn Nets at Rocket A...
09/11/2026
The new agreement brings the Playoff to 23 games, including 16 on-campus matchup...
09/11/2026
SMT provided production technology and graphics support for all three NASCAR nat...
06/11/2026
It's been a big week in Australia horse racing as the Victoria Racing Club (...
06/11/2026
Additional gear includes a second, outside drone; a second slo-mo unit; and a wi...
06/11/2026
The University of Alabama has installed a new Daktronics display system at Coleman Coliseum in Tuscaloosa. It includes a 360-degree centerhung with four underbe...
06/11/2026
NEP Americas, part of NEP Group, has expanded its remote production offering with new IP-based flypack production kits deployed from the U.S. and available to c...
06/11/2026
Telestream has appointed Joseph Hopkins Chief Revenue Officer. He has more than two decades of executive experience in media technology. In the role, he will fo...
06/11/2026
In-venue and creative video staffers at the professional and collegiate level ha...
06/11/2026
It's been nearly two years since MLS Productions made the move to WWE's ...
06/11/2026
All 30 clubs take the field Saturday, and every camera, graphic, and feed runs t...
05/11/2026
The Chicago native has emerged as a leader at Marquette's student-run production operation, directing broadcasts, mentoring peers, and building toward a car...
05/11/2026
Sky Sports will broadcast the inaugural 2026 and 2027 seasons of the women's TGL (WTGL) exclusively in the UK, as part of an expansion of its golf rights th...
05/11/2026
CP Communications worked with Gravity Media to bring Gravity's SMARThead rob...
05/11/2026
Gravity Media developed a remote production solution for Beyond Productions'...
05/11/2026
Canon U.S.A. has announced a firmware update for its Cinema EOS cameras, includi...
05/11/2026
Canon Inc. is celebrating the 15th anniversary of the Cinema EOS System this month, Canon U.S.A. announced. Launched in 2011 for professional video production, ...
05/11/2026
Canon U.S.A. has announced new Cinema EOS Lens Kits and an EOS C50 Videographer Kit. Sales are scheduled to begin in mid-November 2026.
The lens kits pair the ...
05/11/2026
Dick Stockton's broadcasting career was marked by longevity, versatility, an...
05/11/2026
The United Football League Draft is set to take place at Ball Park Village in St. Louis on beginning on November 18 and the UFL today announced that players fro...
04/11/2026
The company's chief revenue officer shares its new messaging emphasizing its...
04/11/2026
Gravity Media has brought its SMARThead robotic camera technology to the United ...
04/11/2026
WWE and The Walt Disney Company have announced a two-day takeover of ESPN Wide W...