
CFP National Championship 2022: ESPN, Game Creek Video Overcomes Cold Weather, Tight Timelines To Erect Mega-Compound Trucks needed extra spacing at Lucas Oil Stadium, fiber-only connectivity in case of snow By Brandon Costa, Director of Digital
Monday, January 10, 2022 - 2:33 pm
Print This Story | Subscribe
Story Highlights
Monday night's College Football Playoff National Championship Game marks the first cold weather final in the CFP era.
In the eight-year history of the tournament, the champion has been crowned in such locales as New Orleans, Atlanta, Tampa, and Arizona. This year, in Indianapolis, with temperatures in the teens at night this week, there's a different feel in the air.
Now, does any of this matter to the game? Of course not. The players will be warm and toasty inside covered Lucas Oil Stadium, but don't tell that to the folks working in the production-truck compound just outside.
The television-production compound at the 2022 College Football Playoff National Championship houses 11 units outside the stadium. Engineering crews had to overcome a multitude of cold-weather challenges. (Photo: ESPN)
Frigid temperatures, the threat of snow, staffing travel delays, and a tight timeline are just a few of the major challenges that have faced the team at ESPN and its primary mobile-production-facilities provider, Game Creek Video at the 2022 edition of college football's biggest event.
The compound in Indianapolis is 11 units deep, counting production, support, and office trailers. All mobile units anchoring video production, whether for the live game coverage on ESPN or for surrounding studio coverage on the ESPN family of networks - including SEC Network - are Game Creek vehicles.
The cold has been perhaps the most pressing issue since crews began arriving at Lucas Oil. Given the parking plan for CFP and the fact that there was an Indianapolis Colts home game on Jan. 2, the compound was unable to use any indoor space beneath the stadium and needed to be completely outside.
Parking was unable to begin until the morning of Jan. 3, and the compound was not able to get power until Jan. 4 as the power generators' fuel lines needed to be winterized. It then took engineers and drivers approximately five hours to get the trucks warm enough to begin powering up any of the video equipment inside.
From left: ESPN operations manager Tommy Mitchell, Director, Remote Production Operations John LaChance, and Remote Operations Specialist Brian Ristine from inside one of the production vehicles at the 2022 College Football Playoff National Championship at Lucas Oil Stadium in Indianapolis. (Photo: ESPN)
Between the initial delays with power and the closed practices and rehearsals, we had less than four days to pull together a show that is close in size to the Super Bowl, says Game Creek Video Engineering Manager Brian Nupnau, who built out this project. This is a testament to the talented and hardworking engineers and technicians that pulled this off in such a short time. They are the best at what they do, and it shows.
Although it hasn't snowed, the threat of snow has shaped the CFP production compound. To ensure a clear path for snow removal, trucks needed to be spaced out a bit more than usual, and the vast majority of interconnects had to be done with fiber only. According to Nupnau, that included the vast amount of networking, which comprised trunking together all truck intercoms, tying together all truck networks and the Calrec Hydra network, and tying together the signal-distribution grid that allows any truck to get any signal.
All the mobile units supporting live game production are supplied by Game Creek Video. (Photo: Brian Nupnau, Game Creek Video)
All in all, Game Creek has some of its top facilities onsite to support the event. Game Creek 79 A/B, Peacock A/B, and Edit 1, 3, and 4 are all supporting the main game telecast, as well as operations for various forms of ESPN's MegaCast offerings. GC Maverick is home to College GameDay onsite studio coverage, which was broadcasting hits throughout the weekend, including its own show on Saturday morning and during Sunday NFL Countdown on Sunday morning. Game Creek Webby is anchoring studio coverage exclusive to the SEC Network.
The Game Creek Video crew outside Lucas Oil Stadium in Indianapolis for the 2022 College Football Playoff National Championship. (Photo: Brian Nupnau, Game Creek Video)
We have an excellent technical offering this year, and I think that's hats off to this tech crew here, says John LaChance, director, remote production operations, ESPN. This is a marquee event that has the shortest setup window. With any type of travel or weather impact, you need to get a great plan and a great crew that's going to put it together and offer an awesome lineup of gear, too.
The compound came together quickly from major events from across the country. 79 A/B, Maverick, and Edit 4 all came straight to Indy from one of the CFP semifinals: the Orange Bowl in Miami on New Year's Eve. Edit 3 was on semifinal duty at the Cotton Bowl in Dallas on New Year's Eve. Peacock A/B was at the Fiesta Bowl in Arizona on New Year's Day.
The compound supports about 115 cameras deployed in and around the stadium for game, studio, and reporter coverage for tonight's big game. Game Creek has also brought additional resources: 24 EVS servers, a pair of Calrec Apollo consoles, three Calrec Artemis consoles, and a Calrec Brio console.
In all, Game Creek's presence in Indy is 22 engineers strong along with 14 drivers.
More from Sports Video Group
19/02/2026
The Canadian rightsholder deploys its most complex' Olympics setup an ever,...
19/02/2026
Suite Studios, a cloud-native platform that connects creative teams to their med...
19/02/2026
Guitar Center and the Tennessee Titans announce a first-of-its-kind partnership ...
19/02/2026
DAZN is reinforcing its leadership in global boxing through a new five-year deal with Matchroom Boxing in the United States and the United Kingdom. The deal ext...
19/02/2026
PTZOptics announces the launch of its visual reasoning initiative that makes vid...
19/02/2026
Influencer Positions, AI-driven vertical video, and platform-native creators res...
19/02/2026
Host broadcaster evolves from world-feed producer to global content orchestrator, unlocking hidden moments for every platform...
19/02/2026
Custom drones raise expectations for bringing viewers closer to the action in new ways
2026 is not the first time OBS has used drones or event First Person Vie...
19/02/2026
Comcast's Xfinity announces record-setting performance from its new RealTime4K technology during Super Bowl LX, delivering the game to customers' homes ...
19/02/2026
The Women's Monobob turned out to be a historic event: Team USA's Elana Meyers Taylor captured the gold at age 41, making her the oldest Bobsleigh gold ...
19/02/2026
The senior from Georgia has found his calling as a technical director and video engineer
In the live-sports-video industry, the future is bright. Our series SV...
19/02/2026
Cosm announces the appointment of two new leaders - Jeff Hughes (President, Sports and Entertainment) and Rob Laycock (Vice President, Head of Venues Marketing)...
19/02/2026
Two main sets feature Unreal Engine environment, LED architecture, camera-tracked virtual windows; a third, in the TV Tower,' overlooks the Duomo...
18/02/2026
Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...
18/02/2026
The Olympic Games are not only a showcase of athletic excellence, they are also ...
18/02/2026
Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side.
Most Valuable Promotions and Netflix ...
18/02/2026
Grass Valley announces that Network18 Media & Investments Ltd., one of India'...
18/02/2026
Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...
18/02/2026
Production is divided between a studio in the mountains and a brand-new studio i...
18/02/2026
At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...
18/02/2026
The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...
18/02/2026
At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen
We are exactly where we want to be, Karl Malone,...
18/02/2026
With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...
18/02/2026
Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...
18/02/2026
A typical Winter Olympics day - or should I say evening - inside the Warner Bros...
18/02/2026
The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...
18/02/2026
At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure
Into the second week of Milan Cortina 2026, eigh...
18/02/2026
AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...
18/02/2026
DNA Inc. specializes in crafting next level digital experiences in the Media, St...
18/02/2026
Conflicts have increased, but so have solutions, driven chiefly by pragmatism and the threat of AI music
The only persons on the Figure Skating ice at the 2026...
18/02/2026
Canadian rightsholder deploys its most complex setup at an Olympics ever with ...
18/02/2026
A crew of 1,685 people and 13 control rooms produce nearly every on-air minute f...
17/02/2026
Eutelsat announces the renewal of multiple capacity agreements with Viewsat, rei...
17/02/2026
At Milano Cortina 2026, one statistic stood out across industry reporting: 70% of global signal distribution is now happening over public cloud. What began as e...
17/02/2026
CP Communications provided broadcast support for Super Bowl LX in Santa Clara, Calif. at Levi's Stadium, marking 27 years of working around the Big Game. Th...
17/02/2026
Street-level images of iconic Los Angeles landmarks are incorporated into the regular-season look
With NBC Sports just months into its return to NBA coverage a...
16/02/2026
The production infrastructure scaled seamlessly from regular-season games to the...
16/02/2026
The operations team reimagined traditional workflows were reimagined and built a...
16/02/2026
Once again an in-house operation, the league's network is producing shows fr...
16/02/2026
The league is producing its first All-Star with NBC, Intuit Dome, and, once agai...
16/02/2026
When a customer in London needed a 4K video wall that could take 12G input, the media company found no video wall suppliers that could meet their specs and time...
16/02/2026
Grass Valley, a media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadc...
16/02/2026
Comcast Business announces it is again partnering with NBCUniversal to architect and manage critical components of the linear and digital broadcast for three of...
16/02/2026
Week two of the 2026 Milano Cortina Winter Olympics are underway and crucial to the NBC Sports efforts has been the NEP Group which is providing a full range of...
15/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
15/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
15/02/2026
New to NBA coverage, the viewer experience offers several angles in addition to ...
15/02/2026
Coverage features 4X-slo-mo Supracam and Steadicam, Nucleus 4K cameras, closer play-by-play angle, 10 player mics
NBC Sports is in the midst of its first NBA A...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...