
The post-production process involves so many important aspects from cutting raw film, combining that footage, to adding music, sound effects, and colour grading. And, depending on the size of the project, this process can take anywhere from a few months to even a year!
Storage is a key component that underpins the entire setup of a post-production house, their workflows and infrastructure. Some use portable hard drives or disposable media as a storage solution. And whilst these options are well-established solutions, they are not reliable or secure, especially as you grow and expand.
So what storage options are available? During the COVID-19 global pandemic, organisations were forced to move to remote working, resulting in a major shift towards cloud storage. Post-production houses were no exception to this transition and as we continue on this journey into the new norm' of hybrid working, cloud storage still remains a popular choice.
For a small post-production house who's storage demands can be a bit unpredictable in terms of growth and client requirements, there comes a point when they need to consider migrating to an object storage solution that's a bit more reliable, secure, and scalable but which option is best? Public or private cloud?
What is the difference between public cloud and private cloud storage? Private Cloud storage offers a platform that is highly supported and addresses a given workflow or problem that needs to be solved. It is possible to have private cloud platforms that are dedicated to one organisation or shared by many.
Public cloud is designed for hyper scale with global reach and requires third party expertise to implement and support the desired workflow or outcome.
Public Cloud vs. Private Cloud If you're considering a transition to public cloud, there are a few things to keep in mind:
Unpredictable Costs The cost of public cloud in creative workflows is far too unpredictable and those lovely large corporate discounts are not available to everyone, especially if your business is a small or medium-sized one.
For the vast majority of production organisations, predicting future content access patterns is impossible and as such the costs of data access is extremely unpredictable. Ironically, businesses are paying for access to their own content and when it comes to exit planning they are faced with steep, almost prohibitive, charges to move to 3rd party platforms.
Access Speed If you need access to your archive content you normally need it pretty quickly so having decent, reliable and affordable bandwidth can be an issue. If your content is sat in the coldest of archive tiers then content will be returned to you according to given SLAs and chosen cost structures. Again, unpredictable and unhelpful to production companies.
But wait, that's your data, isn't it? It is our mantra that our customers' content belongs to them, not us! Yet even today, there are storage vendors-MAM, DAM, and PAM vendors-and also cloud providers out there who force you to always use their tools or protocols to retrieve the content you own!
In the worst cases, they put the data into proprietary formats that ensure you are locked into them for data access and workflows. Your providers' SLAs are in their best interest, not yours, so be aware! Always read the small print.
If you are going to move content to the cloud, make sure every step of the supply chain adheres to the format rules you set. Data portability is not only important for moving to new platforms but also for using the data you own for multiple purposes. Content archived in one workflow should be available in all other workflows.
It is also important to consider a multi-solution, multi-cloud approach to not only protect against vendor lock-in but also against SPOF (Single Point of Failure), cyber-attack, or any other massive outages. Don't put all your eggs into one basket.
Metadata In many ways, the content and metadata are equally significant. If you can't find it, then you don't have it!
When possible, metadata should be transferable throughout the supply chain, maintained in an open format, and accessible via open APIs. Sadly, many content management services hold onto their metadata quite firmly because they view it as their crown jewels. Even if they don't transfer it when archiving to public cloud platforms, not all of those cloud storage platforms can support or handle more than a few items, so you must use a third-party programme to locate and access your own stuff.
Additionally, data analytics are more crucial than ever, but a lot of the material that is archived is dark media. Dark media is archival content that hasn't been indexed or categorised, making it impossible to search. The full archive must be accessible to analytics and metadata generating tools in order to make it searchable. Using deep cloud archiving platforms, it is either impossible or prohibitively expensive.
Media Archive Workflows To make public cloud platforms affordable, they have to be generic across all verticals. Many offer a just another me-too service. Specialisation needs people and expertise, which costs money. Some of the bigger players have media services they provide themselves, but there is, of course, an associated cost per play, and in the main, third-party applications are needed to make media work in that environment.
The biggest issue, though, is that content producers in post production need access to their entire archive, right now! This wouldn't be commercially viable (or likely possible) with public cloud alone.
Not forgetting PFR (partial file restore) - this wouldn't be possible from public cloud! Not ideal for a post production house who needs to sub-clip a section of content.
What Next? Whilst public cloud isn't the most suitable option
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
19/08/2026
As the cost of IP nears price parity with traditional SDI, Reynolds argues that ...
19/08/2026
A private 5G bubble was chosen instead of traditional broadcast RF for the race ...
19/08/2026
(L-R) Rafael Manuel and Isabel Sicat attend the Filipi ana premiere during the 2026 Sundance Film Festival at The Ray Theatre on January 23, 2026, in Park Cit...
19/08/2026
Studio owners invited to have their say on rates cuts
The Music Producers Guild (MPG) are inviting UK-based studios to take part in an in-depth survey that ...
19/08/2026
Vintage-inspired desktop interface revealed
Harrison's latest hardware offering sees them head into the world of audio interfaces, delivering a 10-in/12...
19/08/2026
Granular effect remains locked to scale and tempo
Described as your dream granular effect , Minimal Audio's latest creation is capable of turning any s...
19/08/2026
First polyphonic SWAM instrument incoming
Audio Modeling's latest physical-modelling orchestral instrument is just around the corner, and is now availab...
19/08/2026
World Cup Games Generate 84 Billion Minutes Across FOX, Fox Sports 1 and NBCU...
19/08/2026
July brought typical peak-holiday drops in viewership, driven primarily by viewers stepping away from screens and a visible decline in reach across both traditi...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Henry joins BCE as the company accelerates its commercial strategy and expands its international presence across the media, broadcast and technology markets. He...
19/08/2026
iWedia, a leading provider of software solutions for connected TV devices, today announced a major milestone in Android platform optimization with the successfu...
19/08/2026
NTP Technology announces that ST 2110-30 audio-over-IP connectivity with AES67 and RAVENNA capabilities is now available for the brand's world-class audio i...
19/08/2026
Net Insight has been selected to provide its Nimbra platform by the service provider Big Blue Marble, formerly ORS Group, as the core media transport solution f...
19/08/2026
LiveU has supported Coventry City FC and several other top-flight UK football clubs through one of their most demanding live production challenges of the year, ...
19/08/2026
Nature Seekers Documentary Shot with Blackmagic URSA Cine 12K LF
Brie Clayton August 18, 2026
0 Comments
Filming endangered turtles required camera...
19/08/2026
Neyrinck Brings D-Control Consoles Back to Life on Apple Silicon with D-Control ...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Riedel Communications today announced that Edith Cowan University (ECU) in Perth, Australia, implemented a comprehensive communications infrastructure that brin...
19/08/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, will spotlight a major leap forward in remote guest con...
19/08/2026
Integrated platform melds media asset management, playout automation and newsroom workflows
EMAM, PlayBox Neo and SNEWS have officially launched Nuvex, a conne...
19/08/2026
Screen Australia releases the Private Investment Toolkit to strengthen screen in...
19/08/2026
Do Aussies truly value local content? Unpacking Screen Currency 2026 with Deirdr...
19/08/2026
There's an early Christmas gift for Bookish fans, as UKTV confirms the re-commission of the hit U&alibi drama, created by and starring Mark Gatiss. Viewers ...
19/08/2026
Wednesday 19 August 2026
Sky gives sports fans the chance to watch multiple liv...
19/08/2026
On Saturday September 5 Katie Taylor will step into the ring for the fight of her life against Flora Pili in front of 80,000 fans in Croke Park. A legendary fig...
18/08/2026
SportStream 2026, a free three-day virtual event, will take place September 15-17. One registration provides access to all three days of live programming and on...
18/08/2026
BeckTV will introduce BeckFlow to the European market at IBC2026, demonstrated on the Providius stand (10.F53).
BeckFlow is a web-based schematic documentation...
18/08/2026
Boland Communications will introduce a SMPTE ST 2110 input option for its 4K monitors at IBC2026, along with a new 55-inch super-narrow bezel display for video ...
18/08/2026
Dolby Laboratories and the Seattle Seahawks have announced a partnership integrating Dolby OptiView into the Seahawks' live streaming coverage, making the S...
18/08/2026
For BMG Executive Producer of Sports Production, Graham Taylor, producing live s...
18/08/2026
TMRW Sports has appointed Rufus Hack as President of Golf, a newly created role in which he will lead the company's golf businesses including TGL presented ...
18/08/2026
SMT will provide race technology for FOX Sports' coverage of the Freedom 250 Grand Prix of Washington, D.C. on August 23, when the NTT INDYCAR SERIES races ...
18/08/2026
The live, YouTube-native roundtables combine fan voices, credentialed reporters,...
18/08/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
18/08/2026
The industry legend sounds off on replacing the Heat's iconic Medusa score...
18/08/2026
William F. Rasmussen, the sports fan-turned broadcaster and entrepreneur whose out-of-the-box idea of a 24-hour cable sports network, ESPN, changed forever the ...
18/08/2026
DAZN Group has completed its acquisition of ViewLift, a provider of streaming and digital solutions for sports content owners. The acquisition was first announc...
18/08/2026
The American Association of Professional Baseball (AAPB) has added SI TV, Sports Illustrated's 24/7 streaming channel, as a broadcast partner for the remain...
18/08/2026
The Esports Foundation has announced that the inaugural Esports Nations Cup (ENC), originally scheduled for November 2026 in Riyadh, will be postponed to Novemb...
18/08/2026
Diversified has announced a new Global Managed Services Practice, consolidating the company's managed services capabilities into one organization. Rob Mello...
18/08/2026
Appear has completed a proof of concept with Thoroughbred Racing Productions (TRP), demonstrating multi-camera remote live production over bonded 5G cellular an...