
Oklahoma State University Gets New Baseball Home in O'Brate Stadium The venue boasts a Daktronics LED videoboard, connects to centralized control room By Kristian Hernandez, Associate Editor
Thursday, February 27, 2020 - 10:54 am
Print This Story | Subscribe
Story Highlights
Over the past two weeks, NCAA Division I baseball teams across the nation began their march on the Road to the 2020 College World Series in Omaha, NE. In the American heartland, more specifically in Stillwater, OK, Oklahoma State University is off to a 7-2 start and sits at No. 28 in the National Collegiate Baseball Writers Association poll. Having started the season in 38-year-old Allie P. Reynolds Stadium, the Cowboys will play their first-ever game in the new $60 million O'Brate Stadium when they open Big 12 Conference play on March 20.
Oklahoma State University is using this logo to commemorate the first season at O'Brate Stadium.
The construction is still ongoing but has been a smooth process, says C.J. Lickert, executive producer, Orange Power Studios, the athletic department's video-production unit. This brand-new stadium comes with new technology and connectivity that will enable better coverage for our fans inside of the venue as well as those watching on Big 12 Now on ESPN+.
From Fixed Digital to LED: OSU Crew Adapts to Modern Videoboard
To students or fans attending a ballgame for the first time, the amenities at O'Brate Stadium may seem like the standard, but, when the 1981 season opened at Allie P. Reynolds Stadium, fans in attendance were dazzled by what was then the latest and greatest in in-venue technology. Though upgraded over the years, the scoreboard's two-dimensional imaging and mostly stationary information like statistics and out of town scores severely limited Orange Power Studios' productions.
Fast forward to 2020, and this antiquated scoreboard has become obsolete. When the crew fires up content for the first pitch in O'Brate Stadium, the focal point will be a 28.8-ft.-high by 67.2-ft.-wide Daktronics LED videoboard beyond the left-field wall.
Construction having begun in March 2018, the exterior shell of the venue begins to take shape after a year's worth of work.
The biggest change in technology will be the move from a fixed-digit scoreboard to the use of a Daktronics LED board for scoring and video, says Lickert. This will give us the ability to display more statistical information as well as provide even more replays.
With the videoboard, which covers 2,000 sq. ft. of digital real estate, combining visual elements with the customary facts and figures will set O'Brate apart from the previous digs. In a fresh, more modern environment, the entire OSU baseball fanbase will benefit from this project, which broke ground in March 2018.
Overall, O'Brate Stadium will greatly improve our in-venue productions of Oklahoma State Baseball, Lickert says. Since OSU started playing in Allie P. [Reynolds Stadium] in 1981, there has been a number of upgrades along the way for the fan experience as well as in the locker room and the coaches offices. As for the older facility, it does not compare with what O'Brate will be able to provide in terms of technology.
The structure for the LED videoboard was set in place by late August 2018, past the outfield wall above the left-field concourse.
Besides enhanced technology, the new stadium will feature 3,500 permanent seats, 11 suites, and 400 premium seats in club and suite areas. The park has the ability to expand to 8,000 seats when necessary. Inside, a 7,400-sq.-ft. locker room will give players a home away from their dorms, and, on the educational end of the spectrum, a 50-person classroom with tiered seating will allow optimal film sessions or other visual presentations.
Midseason Move: Orange Power Studios' Relies on Two Centralized Control Rooms
Having opened its doors on April 4, 1981, Allie P. Reynolds Stadium has been the campus cathedral of baseball for nearly four decades. With its closure a month into the 2020 campaign, there will be a bit of a transition period between the final game in the old confines on March 15 and the first game in the new place five days later.
To ease the chaos that accompanies such a transition, Orange Power Studios' central hub in the west end zone of football's Boone Pickens Stadium will be at the ready. The centralization will come in handy during this stressful process.
We have preexisting, centralized control rooms with fiber connecting [them] to our sports facilities, says Lickert. We use these two control rooms for both our in-house and Big 12 Now on ESPN+ productions.
A 50-person classroom can accommodate a multitude of uses from team film sessions to other visual presentations.
In the broadcast-control room, Ross Video is at the center of operations with an Acuity production switcher, Xpression graphics, Abekas Mira replay systems, and Tria servers for video playback. In addition, ChyronHego's Duet CGs are on hand to deliver graphics to the screen. In the videoboard-control room, Daktronics Show Control will handle graphics needs for each baseball game.
Since being created in 2013, the production department's improved working space has allowed it to further expand its staff. The turning point came with the introduction of in-venue-production responsibilities.
We use a mix of freelancer, full-time [staffers], and students for our crew, notes Lickert. In previous years, without the big screen, the broadcast productions had an 18- to 20-person crew with eight to 10 freelancers, six to eight students, and two full-timers. With the addition of the in-house shows, this number rose to 26-28 crew members with a slightly more student-heavy ratio.
Show and Tell: New Venue Sweetens Recruitment, Campus-Wide Support
More from Sports Video Group
03/12/2025
MLS Cup 2025 Production To Feature Four iPhone 17 Pros as Game-Coverage CamerasStay tuned to SVG on Friday for our in-depth story on this year's MLS Cup pro...
03/12/2025
SVG LIVE! 2025: All Sessions Now Available to Watch on SVG PLAYThe inaugural event placed a spotlight on the exciting world of live entertainmentBy SVG Staff
...
02/12/2025
Case Study: How Mid-Atlantic Sports Network Moved to All-IP Distribution in 60 D...
02/12/2025
2025 Sports Broadcasting Hall of Fame: Lee Corso, Coach, Commentator, FirebrandBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 7:00 am
Print This Story | S...
02/12/2025
SVG All-Stars: Dan Nabors, Senior Director, Remote Engineering, TNT SportsThe veteran tech leader is helping guide Warner Bros. Discovery's at-home' re...
02/12/2025
Epic rematch: DAZN on bringing Eubank Jr v Benn II to spectacular life with 1080...
02/12/2025
National Lacrosse League Opens Season With New Cloud-Based Official Replay-Revie...
02/12/2025
Platinum White Paper: The Cinematic Look in Live Production - Bridging Aesthetic...
02/12/2025
SVG India Announces Advisory Board; JioStar's Prashant Khanna Named ChairmanBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 11:15 am
Print This Story |...
02/12/2025
SVG Summit 2025 Preview: New AI Production Tools Workshop' Features ESPN, F...
26/11/2025
SVG Sit-Down: Prime Video EP Mike Muriano Previews Massive Black Friday Slate Fe...
25/11/2025
SVG All-Stars: Blayke Scheer, Senior Director, Creative Content, YES NetworkThe Indiana alum has turned storytelling into an artform for more than two decadesBy...
25/11/2025
Op-Ed: With FCC's C-Band Auction on the Horizon, Broadcasters Need Proven, C...
25/11/2025
Analysis: Is Baller League really the future of sport? By Callum McCarthy, Editor-at-Large
Tuesday, November 25, 2025 - 10:10
Print This Story
With KSI on...
25/11/2025
Platinum Whitepaper: The Growth of Broadcast in the World of Major Large Scale E...
25/11/2025
SVG Summit 2025 Preview: SVG Women's Sports WorkshopBy Samantha Gabay
Tuesday, November 25, 2025 - 10:27 am
Print This Story | Subscribe
Story Highlig...
25/11/2025
SVG New Sponsor Spotlight: CacheFly's Matt Levine on the Evolving Role of th...
25/11/2025
Peacock's EA SPORTS Madden NFL Cast Levels Up on Thanksgiving With SkyCam as...
24/11/2025
HBO's The Shuffle' Reveals Longtime Connection of Sports and Entertainm...
24/11/2025
2025 Sports Broadcasting Hall of Fame: Hiroshi Kiriyama, Sony Broadcast (and Ind...
24/11/2025
SVG Summit 2025 Preview: FIFA, NBC Olympics, Fox Sports, CBS Sports, Netflix, NF...
24/11/2025
Case Study: YES Network Streamlines Broadcast Operations with Beam DynamicsBy SVG Staff
Monday, November 24, 2025 - 11:18 am
Print This Story | Subscribe
...
24/11/2025
Platinum White Paper: More of Everything: How Broadcasters are Changing Their Ap...
24/11/2025
Versant Media USA Sports President Matt Hong on How Versant Has Best of Both Wor...
24/11/2025
SVG Sit-Down: NABA Director-General Rebecca Hanson on How FCC's C-Band Aucti...
24/11/2025
SVG New Sponsor Spotlight: Bolin Technology's Sapan Doshi on the Proliferati...
21/11/2025
Platinum White Paper: Appear Shares Why Media Exchange Is the Missing Link in So...
21/11/2025
NWSL Championship 2025: CBS Sports To Deploy Two-Point FlyCam for Match Coverage...
21/11/2025
NWSL Caps 2025 Season With Awards Show, Skills Challenge ProductionsA team of 70 is on the ground in California to produce both eventsBy Mark J Burns, SVG Contr...
21/11/2025
USL and NEP Ready for Largest USL Championship Final Production EverThe broadcast from Tulsa, OK, will air CBS and TUDN on Saturday at 12 p.m. ETBy Jason Dachma...
21/11/2025
With Two New Teams, PWHL Boosts Production Workforce and Central Review for Seas...
20/11/2025
MLB Media-Rights Shakeup: NBC's New Three-Year Deal Covers Sunday Night Bas...
20/11/2025
MLB Media-Rights Shakeup: New Deal Will Bring 30 National Games to ESPN's Li...
20/11/2025
MLB Media-Rights Shakeup: Netflix Lands Opening Night, Home Run Derby, Field of ...
20/11/2025
MLB Media-Rights Shakeup Overview: ESPN, NBCU, Netflix Ink Three-Year DealsESPN gets new 30-game package, MLB.TV; NBC extends Sunday nights; Netflix adds tentpo...
20/11/2025
SVG Students To Watch: Henry Thuss, Indiana UniversityThe Southern California product has his goals set on the front benchBy Brandon Costa, Director of Digital ...
20/11/2025
Done+Dusted's Guy Carrington on Creating the Spectacular League of Legends W...
20/11/2025
FIA Extreme H World Cup Host Broadcaster Aurora Goes Inside the Production of th...
20/11/2025
Platinum White Paper: Amagi Utilizes Cloud Production for Sports Events - Multi-...
20/11/2025
2025 Sports Broadcasting Hall of Fame: Marc Herklotz, Steady Hand Behind the Sce...
20/11/2025
NFL Deep Dive: How 32 Cameras at Each Stadium Drive Virtual Measurement, Boundar...
19/11/2025
Sphere Sound Kicks Up Its Heels at Radio City Music HallUltra-immersive system from the singular Las Vegas venue is also ready for sportsBy Dan Daley, Audio Edi...
19/11/2025
The Future of Stadium and Arena Video Control Rooms: Tech Leaders Talk 4K, IP, a...
19/11/2025
One Year at Intuit Dome: Walking Through the Stunning Arena's Advanced Video...
19/11/2025
SVG Sit-Down: IMG's Francois Westcombe Goes Inside IMG's Annual Digital ...
19/11/2025
Inside Brighton & Hove Albion's fan-first media machine By George Bevir
Tuesday, November 18, 2025 - 10:10
Print This Story
Brighton & Hove Albion'...
19/11/2025
Rock Chalk Rebuild, Part 1: Kansas Athletics Brings New Production Power to Rebu...
19/11/2025
Rock Chalk Rebuild, Part 2: A Pro's Guide to Kansas Athletics' New Video...
19/11/2025
MLB Media Rights Shakeup: NBC Inks Three-Year Deal for Sunday Night Baseball, Pe...
18/11/2025
NBA Debuts New Comms Infrastructure and Systems for RefereesTwo-phase rollout is intended to improve game flow, enhance officiating accuracyBy Dan Daley, Audio ...