
Cromorama's Pablo Garcia Sees Ennio as a Solution to HDR/SDR Complexity The color-conversion tool manages switching between formats across multiple channels By Ken Kerschbaumer, Editorial Director
Tuesday, January 14, 2025 - 10:01 am
Print This Story | Subscribe
Story Highlights
The transition to HDR broadcasting has presented numerous challenges for the industry. The diversity of formats, the complexity of LUTs (lookup tables). and the need to cater to both SDR and HDR audiences from a single production have created a tangled web of workflows. To address these issues, Warsaw-based Cromorama has developed what founder Pablo Garcia says is a game-changing application: Ennio, a color-conversion-orchestration tool designed to streamline HDR and SDR workflows.
The Ennio user interface makes HDR/SDR conversions as simple as dragging and dropping formats.
With Ennio, says Garcia, Cromorama is redefining how broadcasters approach HDR and SDR workflows. By prioritizing user-friendly interfaces, powerful algorithms, and scalable solutions, it offers an accessible and efficient path to high-quality broadcasts that meet the demands of modern audiences. For broadcasters navigating the challenges of HDR adoption, Ennio promises to be a transformative tool.
The application, he explains, handles color conversion and HDR/SDR orchestration, integrating with leading hardware like Imagine Selenio Network Processor, AJA Colorbox and FS-HDR, Bridge Technologies VB440, and Cobalt 9904-UDX-4K and 9905-MPx.
Ennio is a powerful yet intuitive solution that brings simplicity to a complex process, he adds. By employing an innovative interface, users can manage HDR and SDR conversions across multiple channels with ease. Whether working in OB trucks, master-control environments, or remote-production facilities, the software enables seamless switching between formats for hundreds of channels, regardless of resolution.
Ennio's core strength lies in its intuitive interface, which allows users to assign conversion roles, adjust presets, and manage connected devices with a few simple clicks. The device-manager feature connects all involved hardware, consolidating control into a single application. Users no longer need to access each device's individual interface.
In an OB truck, for example, Ennio can reconfigure workflows within minutes, adds Garcia. A truck set up for one format can switch to another for a different client and return to the original configuration with minimal effort.
Ennio is designed to make HDR/SDR workflows simpler for users across the production chain.
For remote-production scenarios, Ennio's flexibility extends to adjusting exposure, contrast, and other visual parameters using Look modification tools. These tools enable balancing different sources, which is not possible with fixed conversion LUTs, ensuring visually consistent results.
Drag-and-drop functionality makes setting up channels and managing conversions straightforward, whether for individual feeds or global broadcasts. This is especially valuable, Garcia notes, for league or host broadcasters providing world feeds with a variety of deliverables for HDR and SDR.
The software is built on ORION-CONVERT technology, Cromorama's proprietary three-step HDR/SDR-conversion algorithm, which is also available as an Adobe plugin and a standalone SDK. This advanced algorithm ensures mathematically defined, invertible conversions, enabling seamless roundtrip processing from HDR to SDR and back. Presets - for example, NBC, British TV, and Japan's Mild-Live (HLG and SLog3) - eliminate the need for constant adjustment during live broadcasts.
Key to Ennio flexibility is the ability to integrate new devices, something Garcia says makes it adaptable for future workflows.
Additionally, Cromorama is opening a remote-production facility in Warsaw to provide HDR- and SDR-workflow management for events of all sizes. The facility uses the same equipment and experienced crew deployed at events like the Olympics, World Cups, and UEFA Euro.
Notes Garcia, Our remote-production facility allows us to manage projects at a fraction of the cost by eliminating logistical challenges like travel.
More from Sports Video Group
12/12/2025
SVG Summit 2025 Preview: Everything You Need to Know for Next Week's Big Sho...
11/12/2025
ESPN's Aims for Spectacular With Heisman Trophy ShowEvent firsts include 1080p HDR production airing on both national broadcast and cableBy Dan Daley, Audio...
11/12/2025
SVG Students To Watch: Frankie Patton, University of ColoradoThe 2025 grad is hitting the ground running as a PA on national broadcastsBy Brandon Costa, Directo...
11/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 3By SVG Staff
Thursday, December 11, 2025 - 7:24 am
Print This Story | Subscribe
Story Highlights
The 2...
11/12/2025
SVG Sit-Down: What Makes Gen Z, X, and Y Fans Tick? Dave Gavant of WSC Sports Go...
11/12/2025
SVG Summit 2025 Preview: 5G, MXL, Spectrum Loss, and Outerspace on Tap for Tues...
11/12/2025
2025 Sports Broadcasting Hall of Fame: David Levy, Turner Titan and Master of Al...
11/12/2025
SVG Launches Follow the Money' Podcast: Go Inside the Sports Media Biz with...
11/12/2025
A Deep Dive Inside Game Creek Video's Bird and Magic Mobile Units, Home to A...
11/12/2025
How Sound Effects for Monsters Funday Football' Emulated the Sonic Soul of ...
11/12/2025
SVG New Sponsor Spotlight: CSP Mobile Productions' Len Chase on Upgrading Tr...
10/12/2025
Sound-Alike Commercials Are Part of Sports' Soundtrack Johnny Cash for Coca-Cola is the latest in a long litany of sonic approximationsBy Dan Daley, Audio ...
10/12/2025
Immersive Sound Is Logical Next Step for Sports VenuesSound-systems suppliers are sanguine, but the market has its challengesBy Dan Daley, Audio Editor
Wednes...
10/12/2025
The Romans Built Arenas for Immersive Sound 2,000 Years AgoThe historic Arena of Nimes in France is still in use todayBy Dan Daley, Audio Editor
Wednesday, De...
10/12/2025
SVG Summit 2025 Preview: Audio Workshop Hits on Immersive, Virtualized, and Next...
10/12/2025
SVG Summit 2025 Technology Exhibits Preview: Audio SpotlightBy SVG Staff
Wednesday, December 10, 2025 - 8:21 am
Print This Story | Subscribe
Story Highlig...
10/12/2025
SVG Europe Audio: Listening to the sounds of powder and ice at Milano Cortina wi...
10/12/2025
Advancements in audio technology: Capturing the atmosphere of live sports By David Davies
Tuesday, November 25, 2025 - 09:27
Print This Story
Although wor...
10/12/2025
Everything smelled of popcorn: The art of bringing the complex sound of esports ...
09/12/2025
2025 Sports Broadcasting Hall of Fame: Pam Oliver, Sideline Icon Who Redefined t...
09/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 2By Jason Dachman, Editorial Director, U.S.
Tuesday, December 9, 2025 - 7:17 am
Print This Story | Subscr...
09/12/2025
SVG Summit 2025 Preview: Cloud Production Workshop Spotlights Live and Non-Live ...
09/12/2025
Next-generation content protection: Multi-technology security is integral to com...
09/12/2025
CBS Sports Provides One-of-a-Kind Production' for UEFA Champions League Cro...
09/12/2025
Spanish Professional Basketball League Relies on NETGEAR AV, MAM Tech for Seamle...
09/12/2025
SVG Sit-Down: St. Thomas's Mike Gallagher and Casey Eakins on the Tommies...
09/12/2025
Free Registration for the 2025 SVG Summit Closes Today at 5 p.m. ET!After the deadline, tickets will cost $150 to attend the eventBy SVG Staff
Tuesday, Decemb...
09/12/2025
University of St. Thomas Ushers in Division I Era With New Arena and a Broadcast...
08/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 1By SVG Staff
Monday, December 8, 2025 - 6:56 am
Print This Story | Subscribe
Story Highlights
The 2025...
08/12/2025
2025 Sports Broadcasting Hall of Fame: Bill Rasmussen, the Entrepreneur Who Drea...
08/12/2025
SVG Summit 2025 Preview: Live Production Innovation Workshop Goes Deep on ST 211...
08/12/2025
#GALSNGEAR Announces East, West Leadership Retreats for 2026By Ken Kerschbaumer
Monday, December 8, 2025 - 9:10 am
Print This Story | Subscribe
Story High...
08/12/2025
MediaKind Acquiring Harmonic's Video Business to Create New Streaming-Video ...
08/12/2025
Platinum White Paper: Sony HDR/SDR Camera Shading Techniques for Live Production...
08/12/2025
SVG Sit-Down: NESN's Kenny Elcock and Harmonic's Jean Macher Talk Next-G...
08/12/2025
Monsters Funday Football,' ESPN's Latest Live Animation Effort, Advances...
08/12/2025
SVG Sit-Down: ESPN Director Jeff Nelson on Calling the (Animated) Action on Mon...
08/12/2025
Monsters Funday Football': Louisiana Philharmonic Delivers Again With Orches...
05/12/2025
2025 Sports Broadcasting Hall of Fame: Curt Gowdy Jr. - Master Storyteller, Nati...
05/12/2025
SVG Sit-Down: Veritone's Sean King on the Power of Mining Video, Audio DataThe company's Data Refinery offers users total control and governance over da...
05/12/2025
Platinum White Paper: Inside the Nashville Predators' Unified, Flexible, Sca...
05/12/2025
Netflix Reaches Agreement To Acquire Warner Bros. Following Planned WBD SplitThe deal does not include WBDs sports assets like TNT Sports (US, UK, LatAm), Euros...
05/12/2025
FOX Sports Returns to Indianapolis for Primetime Broadcast of Big Ten Championsh...
05/12/2025
SVG Summit 2025 Preview: Digital Engagement & Monetization Workshop Tackles the ...
05/12/2025
Atlanta United Lights Up New Emory Healthcare Studio With First Live Broadcast f...
05/12/2025
As Messi Takes the Pitch, MLS, Apple, NEP Roll Out Largest MLS Cup Production Ev...
05/12/2025
ESPN Enters College Football's Most Intense Month With Elevated Workflows fo...
04/12/2025
SVG Sit-Down: ProximaVision's Claudio Lisman on Why Tethered Drones Could Be...
04/12/2025
SVG Campus Shot Callers: Imry Halevi, Senior Associate Director of Athletics, Co...
04/12/2025
Platinum White Paper: LiveU Lightweight Sports Production: A Step Change in Spor...