
NAB 2019 Reflections: Object Matrix's Jonathan Morgan on the Power of Object-Based Storage for M&E Storage pioneer launches Sense analytics, monitoring, and stats tool By Jason Dachman, Chief Editor
Friday, April 19, 2019 - 11:39 am
Print This Story
Story Highlights
One of the big buzz items at NAB 2019 was the increasing use of object-based storage by M&E organizations. Although the migration from file-based to object-based storage has been a major trend in other industries for years, broadcasters have yet to jump on the bandwagon in a big way. However, that appears to be gradually changing, and Object Matrix is waiting with open arms.
The organization helped to pioneer media-focused object storage and hybrid cloud solutions, including its flagship product, MatrixStore. At NAB 2019, Object Matrix launched an analytics, monitoring and statistics tool dubbed Sense. As broadcasters' storage infrastructure extends into the cloud and multiple sites, Sense enables collection of real-time statistics of storage-infrastructure use, real-time monitoring of hardware and analytics of both usage and the types of information being stored.
SVG sat down with Object Matrix CEO Jonathan Morgan to discuss the new Sense tool, how he sees the migration to object storage accelerating in M&E, and how object storage enables organization's move to the cloud.
Object Matrix's Jonathan Morgan: Object storage is particularly relevant in the sports arena. These organizations want to be able to monetize their archive.
Can you tell me a bit about the new Sense tool and how it helps media-organizations looking to migrate to object storage?
We're seeing more and more people migrating from LTO into object-based-storage solutions. That could be because you want to migrate everything on-prem, or you may want to have a hybrid cloud workflow for your storage. We provide not only the safe, scalable place to keep all of the data but also the HSM piece that can allow you to migrate to object-based storage so you can manage the data from a single place. We can provide that single-pane-of-glass interface with our object storage.
We also provide analytics around the data, which is what we're [highlighting at NAB 2019]. With [Sense]: you're not just controlling where data is; you also have a view of the analytics around that to monitor long after you have stored it and make sure it is being [stored] on the most cost-appropriate platform. We can offer migration to a proven, scalable object-storage platform with a single pane of glass and all the analytics and monitoring around it that you will need.
What are the primary advantages of shifting from file-based to object-based storage for media organizations?
If it's content you're never going to use, it likely belongs on tape or [Amazon S3] Glacier. But if you're going to use it, we believe our [object-storage platform] offers a lot of extra value.
You want to be able to extract value out of that data in various different ways in order to monetize it. You want to be able to do things like image recognition and enhanced content discovery. In order to do that, you need to get that [content] onto a platform where you can access it quickly and reliably, and that is not tape.
Or, if you're going to push everything down to a Glacier [deep-archive] layer and train the database with all the images of a famous sports player, you can do that, but it will be a very expensive exercise to be able to analyze that data.
Being able to put your active [media] on an appropriate layer of storage, that's where Object Matrix fits in.
Do you believe the M&E industry - and sports organizations specifically - is finally opening up to the concept of using object-based storage on a larger scale?
Yes, absolutely. We've been selling object storage for 16 years. And we've been coming to the desert [for NAB Shows] for several years. But, [in the past], it truly felt like we were in the desert in terms of the messaging. Nobody knew what object storage was or was asking, Why do we need this instead of a file-based system? But now people are really beginning to understand its value. We've signed up three different sports organizations in just the last couple of weeks, which is great.
I think object storage is particularly relevant in the sports arena. These organizations want to be able to monetize their archive. Until now, that archive has always been a large cost that has been difficult to dig the benefit out of. The reality is, you need to make money off of that content to maximize what you've got. It's truly a gold mine; it can't just be a cost [center].
How does migrating to object storage help media organizations create an on-ramp to the cloud and create hybrid cloud/on-premises environments?
One of the main selling points about an object-storage platform is that the object is transportable. You can move an object with the metadata through different platforms, backwards and forwards. And you will still have that object in five years' time without relying on whatever the file-system structure was to store that file all those years ago. You can build metadata around that object and augment the metadata over time, rather than just the metadata when you capture it, and then you keep all that metadata together with the object.
You want to [store] that object in a non-proprietary way as part of a seamless workflow. And that's what we're helping to achieve for the customer. We're allowing that transportability of the data through many different use cases with all or some of the metadata [attached].
How do you see the media landscape changing as a result of object storage?
I think the days of having a digital-asset manager with a proprietary database are becoming a thing of the past because now you have
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
How Chris Bolte Builds the Sound of PlayStation Games Chris Bolte '16 is a technical sound designer at Sucker Punch Productions, where he helps create the...
18/03/2026
Newly named chief product officer (CPO), Larissa G rner Meeus will return to Net Insight on May 4.
Larissa G rner Meeus will become CPO of Net Insight on May 4...
18/03/2026
SVG Europe's The Football Summit 2026 explored how the sports broadcasting i...
18/03/2026
The 2026 NAB Show kicks off one month from today and SVG is once again set to cover the show from every angle. SVG's SportsTech@NAB Show Blog is now live - ...
18/03/2026
(L-R) The cast and crew of Dead Lover at The Ray Theater for its premiere at the 2025 Sundance Film Festival. (Photo by Robin Marshall/Shutterstock for Sundan...
18/03/2026
Yamaha C7 captured in Nashville
Wiltone Productions have announced the release of Music Row Piano, a deeply sampled Yamaha C7 piano library that's been ...
18/03/2026
Bass-enhancement plug-in upgraded
Along with a steady stream of new releases, Techivation have recently been revisiting some of the older plug-ins in their ...
18/03/2026
Mix-reference plug-in overhauled
iZotope's powerful mix-referencing plug-in has just reached its third major version, and now boasts a new capture proce...
18/03/2026
Latest EZKeys 2 expansion arrives
Toontrack's staggering collection of EZKeys 2 expansions has grown once again, and the latest instalment delivers a on...
18/03/2026
Jess Ho explores the politics of food in new SBS Audio podcast For The Culture
18 March, 2026
Media releases
New SBS Audio podcast For The Culture, hosted ...
18/03/2026
Future-ready broadcasts with ATSC 3.0 and enhanced services from Rohde & Schwarz...
18/03/2026
London Calling - When The Industry Convened to Help Streaming Find its MoJo In this blog, Laura Rognoni reflects on key discussions from the Connected TV World...
18/03/2026
SMPTE Unveils 2026 NAB Show Educational Presentations
Brie Clayton March 18, 2026
0 Comments
SMPTE , the home of media professionals, technologists, a...
18/03/2026
Auditel Ad Campaign Shot on Blackmagic PYXIS 12K
Brie Clayton March 18, 2026
0 Comments
LED wall virtual production blends 12K open gate acquisition w...
18/03/2026
Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
THIS ANNOUNCEMENT RELATES TO THE DISCLOSURE OF INFORMATION THAT QUALIFIED OR MAY HAVE QUALIFIED AS INSIDE INFORMATION WITHIN THE MEANING OF ARTICLE 7(1) OF THE ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched on Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
18/03/2026
X-Rite Pantone Demonstrates Advanced Color Management Solutions to Support Smart...
18/03/2026
Wednesday 18 March 2026
BAFTA winner James McAvoy to star in Sky Original serie...
18/03/2026
Wednesday 18 March 2026
Sky Sports and Zuffa Boxing announce multi-year agreement for the UK and Ireland
Sky Sports and Zuffa Boxing have announced a new mult...
18/03/2026
Wednesday 18 March 2026
Sky Unveils Poster and Trailer for Original Feature Fil...