One of the largest high-profile deployments of the cloud in a broadcast environment is Fox Sports 1's use of a cloud video production platform developed by Aframe.
SAN FRANCISCO At its simplest, cloud technology is seen as a straightforward means to a wondrous end place media up into the Ethernet, and then with a few clicks, see it pulled down by someone else half-way around the world.
The reality is much more complicated, of course. The cloud craze that made headlines in 2013 was overshadowed by a long list of concerns: Copyright fears, format struggles, redundancy and security woes.
Looking at those big events over the last 12 months that relied on cloud technologies, it's clear the industry is still struggling with issues like architectural limitations and workflow bottlenecks.
There's still a perception in the industry because of these failures, that maybe online streaming is still a risk, that there's still too much drama. Will it work or will it not? said Kurt Michel, director of product marketing for Media Solutions at Akamai. We need to make sure people understand that [this technology] is robust, he said.
ASKING QUESTIONS
The first place to start is by asking questions. How robust is the solution? What is the strategy for redundancy? How do you make sure that this is going to meet 100 percent of my availability requirements?
The recently wrapped 2014 NAB Show tried to answer some of those questions, sprinkling cloud-focused sessions and speakers across the convention and showing ways that broadcasters can begin to rely on the cloud.
Cloud services have enabled media and entertainment companies to tackle distribution challenges and the complexities of offering consumers content anytime, anywhere and on any device, said Mark Ramberg, general manager of Media and Entertainment for Amazon Web Services, who offered the keynote address at the convention's two-day Media Management in the Cloud conference.
Expanding beyond the original business-to- consumer scenarios that first lit up the cloud, the technology is maturing to a point where it has begun to be leveraged for professional media workflows in both broadcast and post productions.
If you combed the NAB Show floor, it seemed that every other booth was touting a cloud-this-and-cloud-that. But in discussions with experts and manufacturers, the technology is beginning to show a maturity that is capable of handling large-scale content like 3D, HD and 4K, as well as more complex scenarios like second-screen distribution and complex content personalization.
Media industry companies are realizing that they can't keep up with the IT needs [required to handle some of these next-generation offerings], and are looking at the scalability and elasticity of the cloud, Ramberg said.
There are certainly benefits: scalable bandwidth, open storage opportunities and transcoding solutions, to name a few.
In response, the real-world examples continue to expand. One of the largest is the high-profile cloud solution being used by Fox Sports 1, a cable channel launched by Fox Sports in the summer of 2013 that includes football, baseball, NASCAR and soccer programming. To handle a number of basic workflow issues dozens and dozens of freelance stringers submitting hundreds of video files in a range of disparate formats the network created a news media submission system that allows contributing videographers to upload content to a cloud video production platform developed by Aframe, a U.K.-based developer of cloud technology for media enterprises.
Broadcast workflows today still contain steps where manual intervention, such as transcoding, is essential, [but] in competitive TV formats like sport, that simply can't exist any longer, said David Peto, CEO of Aframe.
The Aframe platform is being used to automatically transcode formats at the time of ingest, and then converts media to a DVCPRO format for editing or playout. An H.264 proxy viewing copy is created that can be viewed by stringers or editors in the field.
[It] provides an easy mechanism for making content easily accessible for people who need it immediately, in a self-service model, said Wendy Allen, vice president of media engineering at Fox Sports. It's a new paradigm shift that will save Fox time and money.
The approach makes it feasible to use a global set of freelancers, many of whom are contributing media files with different professional equipment. The solution also allows the network to save bandwidth because a proxy is created at the time of ingest, instead of requiring all material to be downloaded prior to transcoding. At the NAB Show, the company released Aframe 3.0 and announced partnerships with Sony and Panasonic to integrate cloud capabilities directly into new wireless cameras and adapters, allowing for a completely wireless workflow.
IS THIS THE YEAR?
Companies like Signiant are pointing to cloud technologies as a key reason for its recent success: an uptick in customers is directly attributable to the adoption of Signiant's hybrid SaaS solution, said Margaret Craig, CEO of Signiant.
Cloud technologies have taken off for a number of reasons, she said, including improvements in storage, advancements in speed and upgrades in security. Companies are also leaning toward the cloud's track record on redundancy issues. That's one of the things that the cloud is good at: allowing you to keep multiple files and keep them safely, she said.
This is really the year that [cloud adoption] becomes very real, Craig added, whose company has seen adoption of cloud technologies all around the world, most vociferously in the United States. The company recently introduced the new software application CloudSpeX, which validates media file formats prior to transfer, and introduced file sharing capabilities to the compan
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
08/10/2026
Modern venues have come a long way since the tinny, echoing audio of the mid 20t...
08/10/2026
ESPN's first Super Bowl production will stream in English and Spanish on Disney+, while the ESPN App carries the full slate of game, ManningCast, studio, an...
08/10/2026
From high-school videoboards to War Eagle Productions, the Opelika native is learning how to lead shows and capture big moments
The future of live sports produ...
08/10/2026
The Television Academy and Prime Video have announced a six-year agreement making Prime Video the exclusive global home of the Emmy Awards beginning with the 20...
08/10/2026
Techex will exhibit at NAB Show New York 2026 (Booth 623, Javits Center, October...
08/10/2026
X Games has announced the appointment of Steve Rogers as Chief Operating Officer. Rogers previously served as COO of World Supercross and spent nearly a decade ...
08/10/2026
Fonn Group has appointed Trevor Spielmann as Sales Director for Germany, Austria, and Switzerland. Spielmann joins from EVS, where he held sales and business de...
08/10/2026
The flagship program will originate from major PG events with a four-camera production, live distribution across PGTV, social platforms
Perfect Game is bringin...
08/10/2026
Innovation rarely happens in a vacuum. More often, it happens at the point of collision: when worlds that have run on separate tracks begin to converge. That is...
08/10/2026
For decades, the production and broadcast services business has run on a familia...
08/10/2026
Uplynk, Zixi, BroadView Software, and Grass Valley have published The IP Converg...
08/10/2026
The NFL has announced the return of the Big Data Bowl, the league's analytics competition, now in its ninth year and again powered by AWS. Registration is o...
08/10/2026
Eutelsat has renewed its partnership with T l diffusion d'Alg rie (TDA), Algeria's national broadcasting network operator, for continued distribution of...
08/10/2026
Disney will livestream Super Bowl LXI on February 14, 2027, alongside the game's broadcast on ESPN and ABC. All Disney subscribers in the United States wi...
08/10/2026
RHStv and Red House Streaming have announced an expansion of their partnership w...
08/10/2026
Gray Media has announced a distribution agreement with TEGNA and DAZN to simulca...
08/10/2026
SVG readers can save 10% on registration and receive a complimentary Solutions H...
08/10/2026
PROTON Camera Innovations GmbH has been named a recipient of a 2026 Technology a...
08/10/2026
Industry leaders discuss real-world cloud workflows for live game production, pl...
08/10/2026
The next-gen audio technology joins Dolby Vision as part of Apple TV's immersive F1 experience...
08/10/2026
David France, Jesse Short Bull, Mato Wayuhi, N. Bird Runningwater, Jodi Archambau, Jhane Myers, Paul McGuire, Amber Morning Star Byars, Holly Macarro, Nick Tils...
08/10/2026
Dynamic panning plug-ins get an upgrade
Sound Particles have just announced major updates for two of their popular dynamic panning plug-ins. Energy Panner 2...
08/10/2026
New expandable instrument boasts full DMNO engine
UDO Audio have just announced the upcoming release of a new, expandable synth that packs the power of the ...
08/10/2026
Two new subwoofers added to monitoring line-up
ADAM Audio's monitoring range has just been expanded with two new DSP-equipped subwoofers, the Sub8 PRO a...
08/10/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
08/10/2026
Calrec gives broadcasters freedom of choice at NAB Show New York We're looking forward to meeting up with you all at NAB New York on 21st-22nd October.
Cal...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Globecast, a leading provider of broadcast, media and entertainment managed services, will showcase its next generation of media orchestration services at NAB S...
08/10/2026
Clear-Com played a critical role in the production communications infrastructure for Rock in Rio 2026, one of the world's largest and most recognized music...
08/10/2026
Sohonet Launches ClearView Rush: A Leap Forward in Studio Review, Built for Crea...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Ikegami announces a major expansion to its range of broadcast-quality live production cameras. Scheduled for introduction on Ikegami booth 708 at NAB New York, ...
08/10/2026
Calrec will be located at Booth 444.
Freedom to choose
The media landscape is evolving quickly, and the broadcasters best placed for what comes next will be...
08/10/2026
LiveU has announced that CRD Audiovisuel relied on LiveUs LU900Q intelligent production unit, with built-in native LiveU IQ (LIQ ) connectivity, to deliver live...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Marshall Electronics, a globally recognized provider of high-performance video solutions for broadcast, streaming, AV and professional production, will exhibit ...
08/10/2026
14-hour package also includes A Remarkable Place to Die season 2 as well as libr...
One of the largest high-profile deployments of the cloud in a broadcast environment is Fox Sports 1's use of a cloud video production platform developed by Aframe. 
