Sony Pixel Power calrec Sony

Twitter Releases Video-Clipping Tool LiveCut. What Does It Mean for Sports-Video Pros?

23/07/2019

Twitter Releases Video-Clipping Tool LiveCut. What Does It Mean for Sports-Video Pros? The social-media platform will also be shutting down SnappyTV at the end of the year By Brandon Costa, Director of Digital

Monday, July 22, 2019 - 1:09 pm

Print This Story

Story Highlights

Twitter grabbed the attention of many in the content-creation game last week with the announcement of its new live-video-editing and -distribution tool, LiveCut. The cloud-based web application allows quick editing and sharing of video highlights of a live stream occurring from one's own Twitter account.

It's a move that the social-media giant has been chatting about since acquiring a similar technology in SnappyTV back in 2014. It was in 2017, however, that Twitter actively spoke about shutting down Snappy and introducing its own replacement.

Last week, Twitter introduced LiveCut, a web-based application for editing of highlight clips from a live stream on the social platform.

Now that time has come. So, what does the move mean for sports-video content creators?

At first glance, users will find a video clipper very similar to that of SnappyTV but one baked seamlessly into a more comprehensive video ecosystem offered by Twitter, known as Media Studio. For that reason, Twitter Product Manager Kevin Cohen, who is overseeing LiveCut, recommends it not be considered simply a like-for-like replacement of SnappyTV.

I think LiveCut brings a lot more to the table in comparison to SnappyTV, he says. All of your broadcasts [in Media Studio] are going to be available to be clipped in LiveCut, which is very different from SnappyTV, where you needed to send a stream to Twitter and another stream to SnappyTV in order to clip from it. That was too much of a burden, especially for groups like [sports teams], who in their postgame press conferences needed to do two streams at once. We're bringing that functionality, and I think that's going to be really beneficial for partners.

The usability of LiveCut sticks to the roots of what made SnappyTV popular with digital and social-video content distributors: its no-frills UX was easy to learn (or teach), and it's free. Those factors became very obvious to the design team as they worked through user research with partners who were heavy users of SnappyTV. Sure, Twitter could have loaded LiveCut up with a world of new features, but much of the user feedback received indicated that clients wanted them to keep it simple.

Using LiveCut, as with SnappyTV, is fairly straightforward. You can set an in and an out on your live timeline, add in some metadata (such as a title and short description), compose your tweet, and quickly publish a video to your account. We wanted to honor some of those design principals such that there was some familiarity with clipping in this new product, says Cohen.

It's the integration within Twitter's Media Studio where content distributors will find some new value to play around with. With LiveCut, users can live-clip any piece of video content that either is currently live or has been either posted to one's Twitter account or captured using a Twitter-based means, like Twitter's new camera or Periscope. LiveCut will also house all consumption metrics, like video views, time spent watching, completion rate for videos on an account.

The integration of the whole thing, I think, is the game-changer, says Cohen. Media Studio really becomes that one-stop shop for all of your publishing needs across Twitter. Media Studio for a long time has been a great source for managing all of your content across Twitter for monetizing it and analyzing it. Over the last year or so and now with the introduction of LiveCut, we have really bolstered the efficacy of our live product within Media Studio, and we've started to feel the impact of that not just from sports partners but also those on the advertiser side who are becoming more and more content creators in and of themselves.

Are there plans to expand on LiveCut and offer more tools and options for super-users, who might want to get more bang for their buck in their live clipping for Twitter? Sure. According to Cohen, this version of LiveCut is definitely a version 1.0, and Twitter believes deeply in the value the product brings to content creators of its platform. Investment in LiveCut will continue. Next iterations will depend on user feedback after a few months of use in the field.

There were critical principles to the product that we heard from our partners on and learned from our usability sessions; we wanted LiveCut to be fast, simple, and free, says Cohen. We chose to invest in that as early as possible. Keeping in mind, we have super-users like big sports leagues and collegiate athletic departments that want the robust features and functionality, but we knew we needed to nail those principles off the bat, and that's where we focused our attention at first with the understanding that we will continue to iterate on the product.

Twitter also found it very important to release the product over the summer, most notably to allow its many collegiate-sports partners to get their hands on it prior to the start of the new athletics season in August. Also, although SnappyTV will be shutting down, it won't go dark until the end of the calendar year.

We wanted to ensure that our partners had a really long lead time in getting familiar with LiveCut and slowly transitioning over to using LiveCut from SnappyTV, says Cohen. I felt it was really important that we offer our partners around six months or so to have that opportunity to transition.
LINK: https://www.sportsvideo.org/2019/07/22/twitter-releases-video-clipping...
See more stories from svg

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

22/05/2026

Study: AI Labeling Does Not Hurt Video Ad Performance

Share Copy link Facebook X Linkedin Bluesky Email...

22/05/2026

NAB Show Makes 200+ Sessions Available on Demand

Share Copy link Facebook X Linkedin Bluesky Email...

22/05/2026

Torneos Upgrades Multichannel Playout with Imagine's Versio

Share Copy link Facebook X Linkedin Bluesky Email...

21/05/2026

CBS Sports Expands WNBA Tip-Off Show To Cover Half of 20-Game, Regular-Season Package

Game Creek Video Columbia and Celtic, NEP Supershooter 8 will house onsite produ...

21/05/2026

SVG Students To Watch: Christina Zelin, Rowan University

Freshly graduated, this upstart producer, director, and camera operator is already working as an AP on videoboard shows for the Philadelphia Phillies In the li...

21/05/2026

Media Links Announces Channel Partnership with Clearcast Asia Ahead of BroadcastAsia 2026

Media Links has announced a channel partnership with Clearcast Asia, a broadcast...

21/05/2026

SiriusXM and NASCAR Announce Multi-Year Broadcasting Agreement Renewal

SiriusXM and NASCAR have announced a multi-year renewal of their broadcasting agreement. SiriusXM will continue to carry live broadcasts of every NASCAR Cup Ser...

21/05/2026

Audio-Technica Hosts High-Density Wireless Microphone Demo at Technica House in New York City

Audio-Technica held a demonstration event at its Technica House location in New ...

21/05/2026

RTL Deutschland Selects Ateme Frame-Rate Conversion Technology for Live Event Workflows

Ateme has announced that RTL Deutschland has selected Ateme's software-based...

21/05/2026

BCC Live Deploys LiveU LU900Q for Record-Breaking IRONMAN Texas Broadcast

LiveU has announced that BCC Live deployed the LU900Q intelligent production unit for the first time during the 2026 Memorial Hermann IRONMAN Texas North Americ...

21/05/2026

Mark Aitken to Receive 2026 ATSC Mark Richer Industry Leadership Medal

ATSC has announced that Mark Aitken, President of ONE Media and Senior VP of Advanced Technology at Sinclair Broadcast Group, will receive the 2026 Mark Richer ...

21/05/2026

BBright Outlines MXL Integration Strategy for Software-Defined Broadcast Workflows

BBright has published a technical analysis of the Media eXchange Layer (MXL), de...

21/05/2026

Esports World Cup 2026 to Be Held in Paris, France

The Esports Foundation has announced that the 2026 Esports World Cup (EWC) will be hosted in Paris, France, from July 6 through August 23. The event marks the f...

21/05/2026

Chyron Announces PRIME Scorebug and Expanded Chyron LIVE Scorebug Capabilities

Chyron has announced PRIME Scorebug, a scorebug solution built on the PRIME Platform for on-premises sports production, and has expanded Chyron LIVE with purpos...

21/05/2026

Media Links Integrates Xscend Platform with DataMiner at BroadcastAsia 2026

Media Links has announced the integration of its Xscend IP transport platform with Skyline Communications' DataMiner xOps platform. The integration will be ...

21/05/2026

SVG New Sponsor Spotlight: Nova Lume CEO Jim Casey on Bringing Flexible IP Intercom to Live Production

As live sports productions continue to demand more flexible, scalable, and cost-...

21/05/2026

SVG Rewind: ESPN's Use of POVORA Wireless Tilt Control CapCam Gives College Football Fans a First-Person View of the Game

In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...

21/05/2026

Join Shade in Miami and Atlanta for Post-Production Networking Events

Hey Miami & Atlanta post-production folks! Shade is hosting a free private suite at a Braves game (6/2) and Marlins game (6/5) and have about a dozen extra tic...

21/05/2026

Phoenix Suns, Mercury, and Gray Media Extend Broadcast Partnership Through 2030

The Suns and Mercury become the first NBA and WNBA teams to make games available under a single broadcast partner across both over-the-air and streaming....

21/05/2026

Apple TV, MLS to Produce First Major Pro Sporting Event Shot Entirely on iPhone 17 Pros

iPhones are part of the the regular production rotation for Friday Night Baseba...

21/05/2026

SVG Rewind: AIQ: Where Data Meets Dirt Technology Brings Real-Time Data Analysis to Rodeo

In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...

21/05/2026

Filmmakers' Favorites: Sundance Film Festival Alums on Welcome to the Dollhouse

Heather Matarazzo as Dawn Wiener in Todd Solondz's Welcome to the Dollhouse...

21/05/2026

Create, Control, and Personalize Your Listening Across Every Moment

Spotify has always been about helping you find something you want to listen to. And over the years, we've learned your taste and the moments that matter to ...

21/05/2026

You Know Every Song. We Saved You Two Tickets. Introducing Reserved.

Getting concert tickets today can feel like a race you're set up to lose. You show up at the right time, refresh endlessly, and still miss out. Too often, ...

21/05/2026

Books on Spotify: New Updates for Listeners and Authors

In 2022, Spotify entered a new chapter by introducing audiobooks to our platform. Since then, we've grown our catalog to include more than 700,000 titles, e...

21/05/2026

Investor Day 2026 Remarks From Spotify Co-CEOs Alex Norstrm and Gustav Sderstrm

Opening remarks ALEX Good morning everyone, I'm Alex [Norstr m]. GUSTAV And I'm Gustav [S derstr m]. ALEX Whether you've been following our j...

21/05/2026

Spotify's 2026 Investor Day Recap: Raising Ambition for the Next Era of Media

Today, Spotify hosted our third Investor Day in New York City, offering the fina...

21/05/2026

Spotifys Investor Day 2026: Ambitioniert in die nchste ra der Medien

Spotify hat heute seinen dritten Investor Day in New York City veranstaltet und der Finanzwelt tiefere Einblicke in das Gesch ft, die Produktstrategie und die l...

21/05/2026

Rcapitulatif de l'Investor Day 2026 de Spotify : Des ambitions renouveles pour la prochaine re des mdias

Aujourd'hui, Spotify a organis son troisi me Investor Day New York. En pl...

21/05/2026

Il riepilogo dell'Investor Day 2026 di Spotify: eleviamo le ambizioni per la prossima era dei media

Oggi, a New York City, Spotify ha presentato il suo terzo Investor Day, offrendo...

21/05/2026

Resumen del Investor Day 2026 de Spotify: elevando la ambicin para la prxima era de los medios

Hoy Spotify celebr su tercer Investor Day en Nueva York, donde ofrecimos a la c...

21/05/2026

Rangkuman Investor Day Spotify 2026: Meningkatkan Ambisi untuk Era Media Berikutnya

Hari ini, Spotify menyelenggarakan Investor Day yang ketiga di New York City, me...

21/05/2026

2026 (Investor Day):

2026 : (Investor Day) , , . ...

21/05/2026

2026 :

20 2026 ...

21/05/2026

Resumo do Investor Day 2026 do Spotify: elevando a ambio para a prxima era da mdia

Hoje, o Spotify realizou seu terceiro Investor Day em Nova York, oferecendo co...

21/05/2026

2026: Spotify

Spotify Investor Day ...

21/05/2026

Spotify'n 2026 Investor Day zeti: Medyann Yeni a in Byk Hedefler

Spotify bug n, 20'nci y l d n m m z kutlad m z bu y lda, finans camias na, i modelimiz, r n stratejimiz ve uzun vadeli vizyonumuz hakk nda daha detayl ...

21/05/2026

Cinematic Motion & Ethereal Flows for Sonuscore's The Score

Two new Story Packs join orchestral instrument line-up Sonuscore have just introduced two new additions to The Score, marking the instrument's first maj...

21/05/2026

Heavyocity release Oblivion Drums

30,000 samples, 99 presets & 504 loops Heavyocity are well known for their hard-hitting cinematic instruments, and their latest release is no exception to t...

21/05/2026

Rohde & Schwarz AI powered voice to data: The future of air traffic control takes flight at Airspace World 2026

Rohde & Schwarz AI powered voice to data: The future of air traffic control take...

21/05/2026

Redefining Persistent and Affordable Airpower for Special Operations Forces

SKY RAIDER II INTERNATIONAL's modular open systems architecture delivers expanded operational reach and mission flexibility....

21/05/2026

From Payload to Platform: Autonomous ISR Where It Actually Matters

ASO-enabled WESCAM MX-10 systems conduct systematic wide-area maritime search patterns, autonomously managing sensor scan operations to expand coverage, reduce ...

21/05/2026

Sports content accounts for fastest-growing portion of top global SVOD catalogs

HBO Max, a new addition to Gracenote Data Hub, is home to the most sports programming among major streamers NEW YORK May 21, 2026 New analysis by Gracenote...

21/05/2026

Study: Nearly Half of U.S. Viewers Watch Video With Captions

Share Copy link Facebook X Linkedin Bluesky Email...

21/05/2026

Apple TV to Capture MLS Game Entirely on iPhone 17 Pro

Share Copy link Facebook X Linkedin Bluesky Email...

21/05/2026

MPTS 2026 Draws Record Numbers for Landmark 10th Annivers...

The UK's leading event for the creative industries united thousands of professionals for two days of networking, debate, industry insight and getting hands-...