Sony Pixel Power calrec Sony

Twitter Releases Video-Clipping Tool LiveCut. What Does It Mean for Sports-Video Pros?

23/07/2019

Twitter Releases Video-Clipping Tool LiveCut. What Does It Mean for Sports-Video Pros? The social-media platform will also be shutting down SnappyTV at the end of the year By Brandon Costa, Director of Digital

Monday, July 22, 2019 - 1:09 pm

Print This Story

Story Highlights

Twitter grabbed the attention of many in the content-creation game last week with the announcement of its new live-video-editing and -distribution tool, LiveCut. The cloud-based web application allows quick editing and sharing of video highlights of a live stream occurring from one's own Twitter account.

It's a move that the social-media giant has been chatting about since acquiring a similar technology in SnappyTV back in 2014. It was in 2017, however, that Twitter actively spoke about shutting down Snappy and introducing its own replacement.

Last week, Twitter introduced LiveCut, a web-based application for editing of highlight clips from a live stream on the social platform.

Now that time has come. So, what does the move mean for sports-video content creators?

At first glance, users will find a video clipper very similar to that of SnappyTV but one baked seamlessly into a more comprehensive video ecosystem offered by Twitter, known as Media Studio. For that reason, Twitter Product Manager Kevin Cohen, who is overseeing LiveCut, recommends it not be considered simply a like-for-like replacement of SnappyTV.

I think LiveCut brings a lot more to the table in comparison to SnappyTV, he says. All of your broadcasts [in Media Studio] are going to be available to be clipped in LiveCut, which is very different from SnappyTV, where you needed to send a stream to Twitter and another stream to SnappyTV in order to clip from it. That was too much of a burden, especially for groups like [sports teams], who in their postgame press conferences needed to do two streams at once. We're bringing that functionality, and I think that's going to be really beneficial for partners.

The usability of LiveCut sticks to the roots of what made SnappyTV popular with digital and social-video content distributors: its no-frills UX was easy to learn (or teach), and it's free. Those factors became very obvious to the design team as they worked through user research with partners who were heavy users of SnappyTV. Sure, Twitter could have loaded LiveCut up with a world of new features, but much of the user feedback received indicated that clients wanted them to keep it simple.

Using LiveCut, as with SnappyTV, is fairly straightforward. You can set an in and an out on your live timeline, add in some metadata (such as a title and short description), compose your tweet, and quickly publish a video to your account. We wanted to honor some of those design principals such that there was some familiarity with clipping in this new product, says Cohen.

It's the integration within Twitter's Media Studio where content distributors will find some new value to play around with. With LiveCut, users can live-clip any piece of video content that either is currently live or has been either posted to one's Twitter account or captured using a Twitter-based means, like Twitter's new camera or Periscope. LiveCut will also house all consumption metrics, like video views, time spent watching, completion rate for videos on an account.

The integration of the whole thing, I think, is the game-changer, says Cohen. Media Studio really becomes that one-stop shop for all of your publishing needs across Twitter. Media Studio for a long time has been a great source for managing all of your content across Twitter for monetizing it and analyzing it. Over the last year or so and now with the introduction of LiveCut, we have really bolstered the efficacy of our live product within Media Studio, and we've started to feel the impact of that not just from sports partners but also those on the advertiser side who are becoming more and more content creators in and of themselves.

Are there plans to expand on LiveCut and offer more tools and options for super-users, who might want to get more bang for their buck in their live clipping for Twitter? Sure. According to Cohen, this version of LiveCut is definitely a version 1.0, and Twitter believes deeply in the value the product brings to content creators of its platform. Investment in LiveCut will continue. Next iterations will depend on user feedback after a few months of use in the field.

There were critical principles to the product that we heard from our partners on and learned from our usability sessions; we wanted LiveCut to be fast, simple, and free, says Cohen. We chose to invest in that as early as possible. Keeping in mind, we have super-users like big sports leagues and collegiate athletic departments that want the robust features and functionality, but we knew we needed to nail those principles off the bat, and that's where we focused our attention at first with the understanding that we will continue to iterate on the product.

Twitter also found it very important to release the product over the summer, most notably to allow its many collegiate-sports partners to get their hands on it prior to the start of the new athletics season in August. Also, although SnappyTV will be shutting down, it won't go dark until the end of the calendar year.

We wanted to ensure that our partners had a really long lead time in getting familiar with LiveCut and slowly transitioning over to using LiveCut from SnappyTV, says Cohen. I felt it was really important that we offer our partners around six months or so to have that opportunity to transition.
LINK: https://www.sportsvideo.org/2019/07/22/twitter-releases-video-clipping...
See more stories from svg

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

07/10/2026

Dalet Flex LTS Delivers Smarter Media Operations from Ingest to Distribution

Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...

06/09/2026

Dolby and MagentaTV Bring Fans Closer to the FIFA World Cup 2026 in Germany with Dolby Vision and Dolby Atmos

June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

15/07/2026

Inside DAZNs Multi-Market World Cup Effort With CTO Sandeep Tiku

The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...

15/07/2026

SVG New Sponsor Spotlight: Qumulo's Chris Horn on Powering Global Media Workflows Across Edge, Core, and Cloud

As sports-media organizations manage rapidly growing content libraries and incre...

15/07/2026

FIFA World Cup 2026: Inside the HBS Non-Live London Production Hub

HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...

15/07/2026

IBC2026 to Spotlight AI, Live Sports Production, Creator Economy, and Trust in Media

IBC has unveiled the conference program for IBC2026, with this year's event ...

15/07/2026

Vanessa Paradis Tour Adopts Sennheiser Spectera Wireless Ecosystem for 2026 Production

Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...

15/07/2026

Telos Alliance Integrates AudioShake Source Separation Into Minnetonka AudioTools Server

New AI-powered module enables broadcasters and content owners to extract dialogu...

15/07/2026

AIMS Schedules Second IPMX Product Certification Event for August

Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...

15/07/2026

Force Tech Appoints Bryan Adams as Vice President of Integration

Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...

15/07/2026

USA Sports and Bundesliga Announce Exclusive Multi-Year U.S. Media Rights Agreement

USA Sports has announced an exclusive English-language agreement with the Bundes...

15/07/2026

Inside ITV Sport's Stunning FIFA World Cup Studio in New York City With Paul McNamara

ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...

15/07/2026

CatchLight, Sony Launch Equipment Initiative for Local Visual Journalists

Program will provide professional camera kits, training, and technical support to participating local newsrooms...

15/07/2026

CornerstoneSF Installs FOR-A HVS-Q12 Switcher in New UHD Production Facility

San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...

15/07/2026

Steve Bornstein Joins Advisory Board of Scott Cokers New Global MMA Promotion

Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...

15/07/2026

Space City Home Network Executive Producer John Valek on Leaning Into Innovation, Access, and Opportunity

The Houston-based RSN is the live-game home of the Astros and Rockets...

15/07/2026

Freqport unveil the Dual FreqInOut FO1-2RK

Launched alongside new FreqSoft installer Designed to bridge the gap between hardware and software, Freqport's FreqInOut FO1 unit provides a simple way ...

15/07/2026

Expressive E's Summer Offers

Save up to 55% on software until 23 July 2026 Expressive E have just launched their Summer Offer sale, with discounts of up to 55% now applied across their ...

15/07/2026

Peel Stems 2 from zplane

Real-time stem-separation tool updated zplane have recently released a new and improved version of their real-time stem-separation plug-in which they say ma...

15/07/2026

Baby Audio SubCulture

A new benchmark in bass enhancement Described as a new benchmark in bass enhancement , Baby Audio's latest release has been designed to augment the lo...

15/07/2026

DMC Production Reimagines Live OB with Calrec

DMC Production's AR 1 and AR 2 units reverse the conventional OB workflow, keeping all production-critical processing at the venue while operators work remo...

15/07/2026

FCC to Vote on Replacing National Broadcast Ownership Cap

Share Copy link Facebook X Linkedin Bluesky Email...

15/07/2026

ATSC Updates Industry Audio Loudness Guidance

Share Copy link Facebook X Linkedin Bluesky Email...

15/07/2026

GigaCloud and Cubbit partner to deliver sovereign and res...

GigaCloud, a leading Ukrainian cloud service provider, and Cubbit, the first geo-distributed cloud storage enabler, today announced a new Business Alliance Part...

15/07/2026

SMPTE Launches 110th Anniversary Campaign to Advance Its...

SMPTE, the global society for media professionals, technologists, and engineers, has announced the launch of the SMPTE 110th Anniversary Campaign, a fundraising...

15/07/2026

STUDIO TECHNOLOGIES UNVEILS MODEL 762 STEREO LEVEL CONTRO...

Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, unveils the new StudioComm Model 762 Stereo Level Control, ...

15/07/2026

COW Jobs: Producer, Virtual Events - Hybrid, Full Time, Salaried

COW Jobs: Producer, Virtual Events - Hybrid, Full Time, Salaried Brie Clayton July 15, 2026 0 Comments Producer, Virtual Events (Hybrid | Full-time | ...

15/07/2026

SIMBA powers new streaming delivery network with Broadpea...

Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...

15/07/2026

DHD Introduces Discovery Utility for Network-Connected Au...

DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration. Anyone w...

15/07/2026

BCNEXXT Brings Next-Generation Vipe to IBC2026 Breaking t...

BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...

15/07/2026

S&P Analysis: Three Quarters of Americans Watch Live Sports

Share Copy link Facebook X Linkedin Bluesky Email...

15/07/2026

Scripps Sports, Ion Score Women's Volleyball Rights

Share Copy link Facebook X Linkedin Bluesky Email...

15/07/2026

Screeners and press pack now available: Gomorrah: The Origins premieres on Sky and NOW on 28 July

Wednesday 15 July 2026 Screeners and press pack now available: Gomorrah: The Or...

15/07/2026

Audiences to get behind-the-scenes access to Trinity College Dublin's Old Library in new RT series

Trinity's Treasures features Ruth Negga, Eleanor McEvoy, and David Norris, a...

15/07/2026

Building Ireland explores the River Shannon region from Leitrim to Limerick in a new series

Join geographer Dr Susan Hegarty, Engineer Tim Joyce and Architect Orla Murphy a...

15/07/2026

NVIDIA and Japan Bring Full-Stack AI and Robotics to Every Industry

Home to leading manufacturers, robotics pioneers, infrastructure builders and gaming, of course, Japan is one of the world's centers of AI - building across...

14/07/2026

Bowling Green State Upgrades Doyt Perry Stadium With New Daktronics LED Display

South end zone videoboard, cloud-based control system will be ready for 2026 football season...

14/07/2026

Mizzou Athletics Launches Connected Digital Platform

Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...

14/07/2026

DePaul Athletics, Playfly Sports Agree to Multimedia Rights Partnership

Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...

14/07/2026

American Association Expands Broadcast Reach Through FanDuel Sports Network Partnership

Independent league adds 14 regional sports network affiliates, growing distribut...

14/07/2026

Euroleague Basketball Introduces Euroleague Basketball+ Digital Ecosystem Initiative

New strategy aims to unify competitions, content, fan engagement, and commercial...

14/07/2026

Professional Fighters League, ESPN Reach Multi-Year Media Rights Deal for Brazil

ESPN and Disney+ become exclusive home of PFL events in key international MMA market...

14/07/2026

TEGNA Names Scott Gill VP of Technology and Operations

Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...

14/07/2026

Guest Post: Dynamic Media Facilities Could Reshape the Future of Broadcast Workflows

Submitted by North American Broadcasters Association (NABA) As broadcasters con...

14/07/2026

Bayerischer Rundfunk Debuts Fully Software-Defined SMPTE ST 2110 Radio OB Van Built Around Lawo Technology

Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...

14/07/2026

Scripps Sports, ION Secure U.S. Rights to 2027 FIVB Womens Volleyball World Cup

Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...

14/07/2026

FloSports Lands Exclusive U.S. Rights to IIHF Mens World Championship Beginning in 2027

FloHockey to stream every game of the annual international tournament under four...