AFRIFF 06: the Africa International Film Festival

21 October, 2016 - 09:33

This season, the annual Africa International Film Festival (AFRIFF) returns for its sixth year of cinematic celebration with an impressive line-up of movie premieres, film screenings, industry sessions, master classes and other festival programmes holding in Lagos, Nigeria, from November 13 to 20, 2016.

Announcing the festival programmes at the Intercontinental Hotel, Victoria Island, Lagos on Friday, 14th of October 2016, AFRIFF Founder/Executive Director Ms. Chioma Ude said Lagos will, once again, wear the tourism ambiance, playing host to filmmakers and actors from around the world, with over 100 films showing at the newly opened Filmhouse-IMAX and Genesis Cinema, both in Lekki, Lagos.

Ude appeared to have struck the right cord when she announced Nate Parker's Oscar hopeful, The Birth of a Nation and Izu Ojukwu's celebrated film on the first Nigerian military coup, 76 as the opening and closing films respectively, a disclosure which was received with loud ovation.

Canon Europe Ltd, leading provider of digital cameras, and Diageo Nigeria, world's premium beverage company join the list of resourceful partners and developmental agencies like Ford Foundation, British Institute, Lagos State, Africa Magic, MultiChoice Nigeria, Access Bank, Bank of Industry, Peugeot Automobile Nigeria (PAN), Afrinolly, African Film Consortium (AFC), Filmhouse-IMAX, Genesis Cinemas and Silverbird Group, at the press parley and cocktail launch.

According to the AFRIFF boss, festival guests are up for the best of times during the festival, as all the films in official line-up are products of the new narratives for African cinema and Black films world over.

The selection includes, 93 Days (Nigeria) by Steve Gukas, The CEO (Nigeria) by Kunle Afolayan, Vaya (South Africa) by Akin Omotoso, The Cursed Ones (U.K) by Nana Obiri, The Wedding Ring ( Niger) by Rahmatou Keita, Kati Kati (Kenya) by Mbithi Masya, If Tomorrow Never Comes (Ghana) by Pascal Amanfo, Remember Me (Nigeria) by Izu Ojukwu, Breathe (South Africa) by Mark Dornford-May, The Missing God (Nigeria) by Ubaka Joseph, Unspoken (Nigeria) by Remi Vaughan-Richards, Green White Green (Nigeria) by Abba Makama, The Unseen (Namibia) by Perivi Natjavivi, N.G.O (Uganda) by Arnold Aganze, Gidi Blues (Nigeria) by Femi Odugbemi, Daggers of Life (Ghana) by Paapa Otoo, Shadow of the Passion (Burkina Faso) by Ado Bambara, Ojukokoro (Nigeria) by Dare Olaitan, Bala Bala Sese (Uganda) by Lukyamuzi Bashir and The Arbitration (Nigeria) by Niyi Akinmolayan.

In addition to the wide range of films, the festival, according to Ude, will also offer industry platforms for skill acquisition, financing, pitching, symposia on alternative revenue streams and piracy.

Ude noted that one of the core objectives of the festival is talent development where AFRIFF has been engaging with its partners in creating opportunities for young people to explore filmmaking. Amongst our Shorts programme are films made by young people, selected from last year's training and talent development programmes, she said.

Speaking on Canon's partnership with AFRIFF, Managing Director of CCNA, Roman Troedthandl, said: It is incredible to see how far AFRIFF has come in the past 6 years in terms of receiving acknowledgement within the international film industry. The festival has grown from strength to strength in these years. CCNA is proud to partner with AFRIFF and contribute to this success. We are looking forward to this year's festival and the world class cinema that will be screened.

Executive Producer of 76, Prince Tonye Princewill who responded from London where the film is being screened at the London International Film Festival said the honour of our film being chosen to close the Africa International Film Festival cannot be described with words. The film has been honoured around the world, but recognition at home means everything to us. The field for Nigerian films is very strong this year, so it is especially rewarding for 76 to receive this nod. We are proud of the AFRIFF organizers and hope we can do them justice.

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