Sony Pixel Power calrec Sony

2019: a transformative year

20/12/2018

By Stuart Almond, head of marketing and communications, Sony Professional, Europe

Author:

ContributorPublish date:

Dec 20, 2018

2019 is going to be a transformative year and this transformation is a direct reflection of how current trends are reshaping our industry. However, you don't need me to tell you what you already know; yes, the media landscape is changing. But in the last year, we've not seen industry predictions change. What we've seen is the speed of that change accelerate.

The significance of traditional TV is decreasing as consumers are starting to favour on-demand streaming services. SVoD subscriptions have overtaken pay-TV for the first time ever, and nearly 765 million people worldwide are expected to watch content on platforms such as Netflix and Amazon Prime. In addition, by the end of this year, the global OTT market is expected to grow by a staggering 24 per cent. The appetite for OTT services has clearly exploded.

And disruption continues as viewing habits of modern audiences continue to change. Globally, about 20 per cent of content viewed on Netflix is currently accessed through mobile devices, with 20-25 per cent of that viewing happening across mobile networks. And with 5G networks just around the corner, these numbers are only going increase.

But swim up the supply chain and there you will find a big difference as 4K production has become the de facto industry standard, as more and more consumers are demanding 4K content in their own homes. In fact, the Worldwide TV Market Report from Futuresource Consulting highlights 4K UHD TV sets will ship over 80 million this year alone, whilst high dynamic range is present in 60 per cent of those. Content will remain king, with rights owners taking back more control.

So where do we go in 2019?

1. Deeper audience engagement / Consumer-driven change

Mixed reality will continue to be a big area of exploration for content providers as they look to engage audiences at a deeper level especially around live content. The VR market is quickly transforming into an entertainment and productivity platform, and when we look at the introduction of mixed reality in this last year, we can see why the fastest growing revenue segments will be VR and OTT.

In 2018 we've helped customers achieve deeper audience engagement through second screen services; for example, Sony helped Sky and the BBC connect with their audiences in a much deeper way, delivering live sports through VR with PlayStation VR. The success of this shows the demand for unique and personal experiences will continue.

2. Content is emperor! / A rethink of commercial models

As 4K HDR content becomes a demanded de facto benchmark in people's homes, the width and breadth of quality content will continue to grow. Access to technology that will allow for big budget content in an agile and cost-effective way will open new market players and strengthen partnerships like the Netflix Post Technology Alliance Program which Sony is already proud to be part of.

At the same time, when this is mixed with a change in consumption platforms we will see more non-traditional brands creating content to engage the same audiences that M&E companies are after, meaning the future of content control will sit with the rights owners more so than the traditional commissioning/buying supplier.

3. Streaming services 2.0 / Connected devices and IoT in M&E

With the signs of early introduction of 5G and the move of an industry that will depend on virtualised production and streaming services, mobile connectivity changes what's possible in terms of the experiences faster broadband will facilitate. And in response, we will see a boom in services offered in this space!

As a rapid growth area now that cloud services and opex models become clear advantages for production speed, cost efficiency and audience reach, more and more productions will benefit from decentralised curation as content can be created, shared, collaborated on, and published from anywhere, anytime. This means teams will be free to work in a more decentralised way, creating advantages, specifically in news production, allowing for more field-based journalism. This will reinstate traditional news providers with the ability to produce and quickly deliver content from wherever it's happening, supporting the integrity of the brand in the age of fake news'.

4. Data. Data. Data - and the acceleration of AI

As PwC predicts data traffic levels will grow by 22.3 per cent reaching 398 trillion megabytes in 2022, we know that the amount of data produced is going to drive even more insights about audiences, consumption, content and production methodologies. However, the key, and maybe obvious prediction, will be the continued acceleration of how this data will feed more AI adoption across the industry in 2019.

2019 will see the increased use of AI in the content creation side of the supply chain, not only automating more processes and workflows, but used in acquisition and pre-post production to both speed up delivery time across multiple platforms and pre-create content for a desired audience data preference.

5. Knowledge economy / The skills cliff edge is coming!

Finally, 2019 will see the need for knowledge, as a whole range of new roles are required across the industry. The desire for broadcast engineers who understand IT as well as video over IP, who understand digital distribution, who understand multi-platform audiences, is the utopia role many are seeking.

As the industry continues to transition in 2019, associations, bodies and partnerships to not only define standards, but collaborate on knowledge, will be essential. Individual content and media organisations will be looking for partners to consult, support and, very honestly, go on this journey with them together. It's a transformative ho
LINK: https://www.tvbeurope.com/tvbeverywhere/2019-a-transformative-year...
See more stories from tvb

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

06/09/2026

Dolby and MagentaTV Bring Fans Closer to the FIFA World Cup 2026 in Germany with Dolby Vision and Dolby Atmos

June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

16/06/2026

Neumann MT 48 Receives Major Firmware 2.0 Update

Neumann.Berlin has released firmware version 2.0 for the MT 48 audio interface, adding plugin compatibility, expanded Dante networking options, broadcast encode...

16/06/2026

TVNewsCheck Opens Nominations for 2027 Women in Technology Awards

TVNewsCheck has announced that nominations are now open for its 2027 Women in Technology Awards, to be presented at NAB Show 2027 on Tuesday, April 6 in the Med...

16/06/2026

Clear-Com Introduces Avalon IP Intercom Platform

Clear-Com has announced Avalon, a 1RU IP intercom platform for broadcast, live events, and production environments. Designed for IP-only workflows, Avalon suppo...

16/06/2026

SNS EVO Enables Remote and Distributed Video Editing Workflows

SNS has published a guide to remote video editing workflows using its EVO shared storage platform and companion tools, covering use cases ranging from home edit...

16/06/2026

Richmond Flying Squirrels Deploy Grass Valley LDX 110 Cameras at CarMax Park

Grass Valley has announced that the Richmond Flying Squirrels, a Minor League Baseball affiliate of the San Francisco Giants, have deployed five Grass Valley LD...

16/06/2026

AIMS Launches Free Official IPMX Training Series Online

The Alliance for IP Media Solutions (AIMS) has announced the launch of the Official IPMX Training Series, a free online program covering the design, configurati...

16/06/2026

Swerve Womens Sports Announces Distribution Deals with Fubo, Plex, Amazon Fire TV, and Anoki AI

Swerve TV has announced distribution agreements with Fubo, Plex, Amazon Fire TV,...

16/06/2026

ATP and TikTok Expand Global Content Partnership

ATP and TikTok have announced an expansion of their global content partnership, extending the ATP's TikTok hub powered by TikTok GamePlan to cover all nine ...

16/06/2026

FOX Sports Turns Los Angeles Pico Lot Into Its FIFA World Cup Production Nerve Center

Network's LA facility serves as the heart of a sprawling operation built to ...

16/06/2026

300+ Records a Day, 150 TB Daily, and a Relentless Content Avalanche: Inside FOX Sports' World Cup Media Engine

At Pico, the network's media-management team is supporting a flood of HBS fe...

16/06/2026

NHL Games Leaving CBC in Canada as Sublicense With Rogers Sportsnet Ends

The NHL will no longer air on CBC after the pulic broadcasters and national rights-holder Rogers Sportsnet were unable to come to agreement. After a successfu...

16/06/2026

SVG New Sponsor Spotlight: Virtual Eye's Ben Taylor on Making Live Sports More Valuable and Entertaining Through Data-Driven Graphics

As live sports broadcasters continue to seek new ways to make complex action mor...

16/06/2026

Thats BRISK, Baby! FOX Sports' Broadcast Remote IP Studio Kits Bring World Cup Fan Energy Back to Pico

Built with the 2026 FIFA World Cup in mind, these small but mighty IP-based tran...

16/06/2026

Rumble three-band soft synth by UVI

Boasts individual synths for each band UVI's latest synth takes an interesting approach to synthesis, offering a trio of synth engines that each operate...

16/06/2026

PSP Levelizer: auto level adjustment plug-in from PSPaudioware

New intelligent auto-fader plug-in unveiled PSPaudioware's latest release offers automatic level adjustment and provides more detailed control than many...

16/06/2026

The Crow Hill Company launch Crystal Pads

New performance-focused library announced Crystal Pads is the latest addition to The Crow Hill Company's ever-growing product range, and according to th...

16/06/2026

GForce launch official Prophet-5 soft synth

Developed in partnership with Sequential In recent years, GForce Software have branched into official emulations of classic hardware synths, delivering a ha...

16/06/2026

DT 30 IE: New in-ears from beyerdynamic

Designed specifically for live performance monitoring beyerdynamic's latest announcement sees the company introduce an affordable in-ear monitoring syst...

16/06/2026

Cherry Audio recreate the Ensoniq ESQ-1

Official emulation celebrates iconic synth's 40th anniversary Cherry Audio have just introduced Ensoniq ESQ-1, an official recreation of the 1986 polyph...

16/06/2026

Australians place growing trust in SBS News

Australians place growing trust in SBS News 16 June, 2026 Media releases SBS has been recognised as one of Australia's most trusted news providers, ran...

16/06/2026

Rohde & Schwarz achieves highest number of GCF validated 3GPP NR NTN test cases for RF, RRM and PCT domains

Rohde & Schwarz achieves highest number of GCF validated 3GPP NR NTN test cases ...

16/06/2026

Hitachi and PESA Announce Strategic Partnership to Drive Growth in Poland's Rail Market

Bydgoszcz to Become a Local Centre of Excellence for Advanced Rail Technologies....

16/06/2026

Chyron Unveils Chyron Weather 2.4

Share Copy link Facebook X Linkedin Bluesky Email...

16/06/2026

Historic Zhuque-3 Reusable Rocket Test Mission Captured with URSA Cine Immersive

Historic Zhuque-3 Reusable Rocket Test Mission Captured with URSA Cine Immersive Brie Clayton June 16, 2026 0 Comments Apple Immersive Video puts view...

16/06/2026

SMPTE Plans ST 2110 Education Summer Programs

Share Copy link Facebook X Linkedin Bluesky Email...

16/06/2026

Rise Awards Returns for 2026 to Celebrate Excellence in B...

Rise WIB, the award-winning advocacy group championing gender diversity and career progression across the broadcast and media technology industry, today announc...

16/06/2026

Limecraft Expands its Media Production Platform with Team...

Limecraft today announced the availability of Limecraft 2026.4, the fourth of eight planned platform releases this year. The update introduces Team-Based Access...

16/06/2026

Perry Sook: Big Tech Poses 'Very Urgent Threat to Broadcast Stations

Share Copy link Facebook X Linkedin Bluesky Email...

16/06/2026

FIFA World Cup Delivers Record Ratings on Fox

Share Copy link Facebook X Linkedin Bluesky Email...

16/06/2026

AIMS Launches the Official IPMX Training Series Online

Free Program Supports IPMX Education from Foundational Concepts Through System and Network Design The Alliance for IP Media Solutions (AIMS) today announced t...

16/06/2026

Share your views on Screen Australia and the future of the industry

Share your views on Screen Australia and the future of the industry 15 June 2026 Your feedback matters. Following the instrumental insights provided in 2025,...

16/06/2026

Techtel Supports T-Motion RCCP-2A Controller Upgrade for Major Australian Broadcaster

Techtel Supports T-Motion RCCP-2A Controller Upgrade for Major Australian Broadc...

16/06/2026

Record audiences tune in for opening weekend of ICC Womens T20 World Cup 2026 on Sky Sports

Tuesday 16 June 2026 Record audiences tune in for opening weekend of ICC Women&...

16/06/2026

Fastest, Largest, Strongest: NVIDIA Blackwell Sweeps MLPerf Training 6.0

Every breakthrough AI model starts the same way: with a training run. The infrastructure running those training jobs shapes everything: how fast teams can itera...

15/06/2026

University of South Carolina's Valerie Gerfin on Gamecock Productions' Growth, Upgrades at Williams-Brice Stadium

One of the more exciting internal video production divisions within a college at...

15/06/2026

Fox Corp. To Acquire Roku, Pairs Live Sports Powerhouse With Major CTV Platform

The deal valued at $22 Billion is expected to close in the first half of 2027...

15/06/2026

Golf Channel Mobile to Live Stream 2026 Arnold Palmer Cup Beginning July 13th

Golf Channel and the Arnold Palmer Cup have announced a partnership to livestream the 2026 Arnold Palmer Cup on Golf Channel Mobile and GolfChannel.com. The tou...

15/06/2026

TikTok and Panini Launch Digital Collectible Card Experience for FIFA World Cup 2026

TikTok and Panini have announced a partnership to bring a digital collectible ca...

15/06/2026

Cosm and Monster Energy Launch First Full-Dome Immersive Advertisement in Shared Reality Venues

Cosm and Monster Energy have announced the debut of the first full-dome immersiv...

15/06/2026

Fox Nation and Real American Freestyle Sign International Media Rights Deal

Real American Freestyle (RAF) and Fox Nation have announced an exclusive streaming agreement for three RAF international events, beginning with RAF Georgia on J...

15/06/2026

FanConnect and Extreme Networks Announce IPTV Integration for Large Venue Deployments

FanConnect has announced a partnership with Extreme Networks integrating FanConn...

15/06/2026

2026 Sundance Institute Ignite x Adobe Fellows Named

Ten Emerging Filmmakers Ages 18 to 25 Will Start Fellowship Year at Ignite Lab from June 14-19 LOS ANGELES, CA, June 15, 2026 - The nonprofit Sundance Institut...

15/06/2026

Rumble from UVI

Innovative three-band soft synth introduced UVI's latest synth takes an interesting approach to synthesis, offering a trio of synth engines that each op...

15/06/2026

Oram Awards 2026: Open call announcement

Applications now open for 2026 The Oram Awards have returned for 2026 to celebrate the unusual, unique and unfiltered creative worlds of women and gender-di...

15/06/2026

PSPaudioware release PSP Levelizer

New intelligent auto-fader plug-in revealed PSPaudioware's latest release offers automatic level adjustment and provides more detailed control than many...