
By Stuart Almond, head of marketing and communications, Sony Professional, Europe
Author:
ContributorPublish date:
Dec 20, 2018
2019 is going to be a transformative year and this transformation is a direct reflection of how current trends are reshaping our industry. However, you don't need me to tell you what you already know; yes, the media landscape is changing. But in the last year, we've not seen industry predictions change. What we've seen is the speed of that change accelerate.
The significance of traditional TV is decreasing as consumers are starting to favour on-demand streaming services. SVoD subscriptions have overtaken pay-TV for the first time ever, and nearly 765 million people worldwide are expected to watch content on platforms such as Netflix and Amazon Prime. In addition, by the end of this year, the global OTT market is expected to grow by a staggering 24 per cent. The appetite for OTT services has clearly exploded.
And disruption continues as viewing habits of modern audiences continue to change. Globally, about 20 per cent of content viewed on Netflix is currently accessed through mobile devices, with 20-25 per cent of that viewing happening across mobile networks. And with 5G networks just around the corner, these numbers are only going increase.
But swim up the supply chain and there you will find a big difference as 4K production has become the de facto industry standard, as more and more consumers are demanding 4K content in their own homes. In fact, the Worldwide TV Market Report from Futuresource Consulting highlights 4K UHD TV sets will ship over 80 million this year alone, whilst high dynamic range is present in 60 per cent of those. Content will remain king, with rights owners taking back more control.
So where do we go in 2019?
1. Deeper audience engagement / Consumer-driven change
Mixed reality will continue to be a big area of exploration for content providers as they look to engage audiences at a deeper level especially around live content. The VR market is quickly transforming into an entertainment and productivity platform, and when we look at the introduction of mixed reality in this last year, we can see why the fastest growing revenue segments will be VR and OTT.
In 2018 we've helped customers achieve deeper audience engagement through second screen services; for example, Sony helped Sky and the BBC connect with their audiences in a much deeper way, delivering live sports through VR with PlayStation VR. The success of this shows the demand for unique and personal experiences will continue.
2. Content is emperor! / A rethink of commercial models
As 4K HDR content becomes a demanded de facto benchmark in people's homes, the width and breadth of quality content will continue to grow. Access to technology that will allow for big budget content in an agile and cost-effective way will open new market players and strengthen partnerships like the Netflix Post Technology Alliance Program which Sony is already proud to be part of.
At the same time, when this is mixed with a change in consumption platforms we will see more non-traditional brands creating content to engage the same audiences that M&E companies are after, meaning the future of content control will sit with the rights owners more so than the traditional commissioning/buying supplier.
3. Streaming services 2.0 / Connected devices and IoT in M&E
With the signs of early introduction of 5G and the move of an industry that will depend on virtualised production and streaming services, mobile connectivity changes what's possible in terms of the experiences faster broadband will facilitate. And in response, we will see a boom in services offered in this space!
As a rapid growth area now that cloud services and opex models become clear advantages for production speed, cost efficiency and audience reach, more and more productions will benefit from decentralised curation as content can be created, shared, collaborated on, and published from anywhere, anytime. This means teams will be free to work in a more decentralised way, creating advantages, specifically in news production, allowing for more field-based journalism. This will reinstate traditional news providers with the ability to produce and quickly deliver content from wherever it's happening, supporting the integrity of the brand in the age of fake news'.
4. Data. Data. Data - and the acceleration of AI
As PwC predicts data traffic levels will grow by 22.3 per cent reaching 398 trillion megabytes in 2022, we know that the amount of data produced is going to drive even more insights about audiences, consumption, content and production methodologies. However, the key, and maybe obvious prediction, will be the continued acceleration of how this data will feed more AI adoption across the industry in 2019.
2019 will see the increased use of AI in the content creation side of the supply chain, not only automating more processes and workflows, but used in acquisition and pre-post production to both speed up delivery time across multiple platforms and pre-create content for a desired audience data preference.
5. Knowledge economy / The skills cliff edge is coming!
Finally, 2019 will see the need for knowledge, as a whole range of new roles are required across the industry. The desire for broadcast engineers who understand IT as well as video over IP, who understand digital distribution, who understand multi-platform audiences, is the utopia role many are seeking.
As the industry continues to transition in 2019, associations, bodies and partnerships to not only define standards, but collaborate on knowledge, will be essential. Individual content and media organisations will be looking for partners to consult, support and, very honestly, go on this journey with them together. It's a transformative ho
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
24/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/03/2026
Intinor introduces enhanced SRT monitoring, HDR transport and NDI Advanced suppo...
24/03/2026
Miri V410 Live 4K Encoder/Decoder to Make North American Debut at 2026 NAB Show
Brie Clayton March 23, 2026
0 Comments
Powerful new solution for strea...
23/03/2026
The Professional Fighters League (PFL) has renewed its multi-year partnership wi...
23/03/2026
The Snow League has named Google Cloud as its Official Cloud and AI Partner. The...
23/03/2026
Chyron has appointed Eric Wolff as Director of Venues Sales, North America. Wolff previously served as Director of Broadcast Operations & Media Production for T...
23/03/2026
Chicago Sports Network (CHSN) and Weigel Broadcasting's WCIU (The U, ch. 26.1) will simulcast 10 Chicago White Sox games during the 2026 season, the compani...
23/03/2026
Cosm has appointed Jon Werbeck as Vice President, Head of Sponsorships. He will report to Corey Breton, Head of Venues, and will focus on corporate sponsorship ...
23/03/2026
CP Communications has announced a partnership with Mark Roberts Motion Control (...
23/03/2026
NAB Show 2026, taking place April 18-22 (exhibits April 19-22) at the Las Vegas ...
23/03/2026
Bay FC and free streaming platform Victory have announced a partnership through...
23/03/2026
Gemini AI models will surface hidden context around pitches, matchups, rare stat...
23/03/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
23/03/2026
Growing from broadcast engineer to strategic planner, this Ithaca College grad h...
23/03/2026
16 Science-Focused Nonfiction Projects Selected for Funding
LOS ANGELES, CA, March 23, 2026 - The nonprofit Sundance Institute and Sandbox Films announced toda...
23/03/2026
It's been 20 years since Miley Cyrus introduced the world to Hannah Montana,...
23/03/2026
Made entirely from real natural recordings
Aimed at sound designers and editors working in film, TV and game audio, the latest release from BOOM Library com...
23/03/2026
Transcribe sheets, tabs or MIDI from audio files
Klang.io have announced the launch of a new AI-powered software tool that's capable of detecting multip...
23/03/2026
An auxiliary target has been affixed to the Interim Cryogenic Propulsion Stage f...
23/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/03/2026
Pro8mm, the Super 8 experts, provided cameras, Super 8 movie film, and scanning services for Bruno Mars' Risk It All music video. The debut single from Br...
23/03/2026
Matthews, introduces their first aluminum grid clamp collection, engineered for the rigging needs of film, television and live production. Combining light weigh...
23/03/2026
Monday 23 March 2026
Hacks, the multi-Emmy -winning Sky Exclusive comedy, retur...
23/03/2026
Back to All News
Too Hot to Handle: Italy Reignites for a Second Season With th...
23/03/2026
Autonomous agents mark a new inflection point in AI. Systems are no longer limited to generating responses or reasoning through tasks. They can take action: Age...
23/03/2026
RT is sad today to learn of the death of legendary RT Sport broadcaster Michael Lyster, who died this morning aged 71 years.
Kevin Bakhurst, Director-General...
23/03/2026
RT Documentary On One has scooped its first ever dedicated music award. At the 2026 Icelandic Music Awards, composer lfur Eldj rn won Release of the Year in t...
23/03/2026
Inside Sport, Liveline, Morning Ireland and 2FM DRIVE will all be in Prague to bring fans to the heart of the action
Every Moment, Every GenerationRT | FIFA W...
22/03/2026
Free updates now available
VSL have just released some free updates that add some existing features to a selection of libraries in their expansive Synchron ...
22/03/2026
Back to All News
Live-Action Sins of Kujo' Premieres April 2: Main Trailer and Key Art Debut
Entertainment
22 March 2026
GlobalJapan
Link copied to cl...
21/03/2026
Presented to War Child UK's HELP(2) project
The MPG (Music Producers Guild) have announced the launch of the MPG Impact Award, a brand-new honour that w...
21/03/2026
Microtuning support for Arabic, Persian & Turkish scales
The latest release from Best Service brings together a selection of string, wind and percussion ins...
21/03/2026
New campaign from NAATI and SBS CulturalConnect highlights how we all deserve t...
21/03/2026
Statement regarding Rhoda Roberts AO
21 March, 2026
Media releases
SBS is deeply saddened by the passing of Widjabul Wia-bal woman from the Bundjalung Na...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Cine Gear Connect NY, presented by Universal Production Services, is filling in the slate for a full day of panels, peers, learning the latest, and mixing it up...
21/03/2026
Studio Technologies Debuts New StudioComm System at NAB 2026
Brie Clayton March 20, 2026
0 Comments
StudioComm Model 794 Central Controller and Model ...