
By Stuart Almond, head of marketing and communications, Sony Professional, Europe
Author:
ContributorPublish date:
Dec 20, 2018
2019 is going to be a transformative year and this transformation is a direct reflection of how current trends are reshaping our industry. However, you don't need me to tell you what you already know; yes, the media landscape is changing. But in the last year, we've not seen industry predictions change. What we've seen is the speed of that change accelerate.
The significance of traditional TV is decreasing as consumers are starting to favour on-demand streaming services. SVoD subscriptions have overtaken pay-TV for the first time ever, and nearly 765 million people worldwide are expected to watch content on platforms such as Netflix and Amazon Prime. In addition, by the end of this year, the global OTT market is expected to grow by a staggering 24 per cent. The appetite for OTT services has clearly exploded.
And disruption continues as viewing habits of modern audiences continue to change. Globally, about 20 per cent of content viewed on Netflix is currently accessed through mobile devices, with 20-25 per cent of that viewing happening across mobile networks. And with 5G networks just around the corner, these numbers are only going increase.
But swim up the supply chain and there you will find a big difference as 4K production has become the de facto industry standard, as more and more consumers are demanding 4K content in their own homes. In fact, the Worldwide TV Market Report from Futuresource Consulting highlights 4K UHD TV sets will ship over 80 million this year alone, whilst high dynamic range is present in 60 per cent of those. Content will remain king, with rights owners taking back more control.
So where do we go in 2019?
1. Deeper audience engagement / Consumer-driven change
Mixed reality will continue to be a big area of exploration for content providers as they look to engage audiences at a deeper level especially around live content. The VR market is quickly transforming into an entertainment and productivity platform, and when we look at the introduction of mixed reality in this last year, we can see why the fastest growing revenue segments will be VR and OTT.
In 2018 we've helped customers achieve deeper audience engagement through second screen services; for example, Sony helped Sky and the BBC connect with their audiences in a much deeper way, delivering live sports through VR with PlayStation VR. The success of this shows the demand for unique and personal experiences will continue.
2. Content is emperor! / A rethink of commercial models
As 4K HDR content becomes a demanded de facto benchmark in people's homes, the width and breadth of quality content will continue to grow. Access to technology that will allow for big budget content in an agile and cost-effective way will open new market players and strengthen partnerships like the Netflix Post Technology Alliance Program which Sony is already proud to be part of.
At the same time, when this is mixed with a change in consumption platforms we will see more non-traditional brands creating content to engage the same audiences that M&E companies are after, meaning the future of content control will sit with the rights owners more so than the traditional commissioning/buying supplier.
3. Streaming services 2.0 / Connected devices and IoT in M&E
With the signs of early introduction of 5G and the move of an industry that will depend on virtualised production and streaming services, mobile connectivity changes what's possible in terms of the experiences faster broadband will facilitate. And in response, we will see a boom in services offered in this space!
As a rapid growth area now that cloud services and opex models become clear advantages for production speed, cost efficiency and audience reach, more and more productions will benefit from decentralised curation as content can be created, shared, collaborated on, and published from anywhere, anytime. This means teams will be free to work in a more decentralised way, creating advantages, specifically in news production, allowing for more field-based journalism. This will reinstate traditional news providers with the ability to produce and quickly deliver content from wherever it's happening, supporting the integrity of the brand in the age of fake news'.
4. Data. Data. Data - and the acceleration of AI
As PwC predicts data traffic levels will grow by 22.3 per cent reaching 398 trillion megabytes in 2022, we know that the amount of data produced is going to drive even more insights about audiences, consumption, content and production methodologies. However, the key, and maybe obvious prediction, will be the continued acceleration of how this data will feed more AI adoption across the industry in 2019.
2019 will see the increased use of AI in the content creation side of the supply chain, not only automating more processes and workflows, but used in acquisition and pre-post production to both speed up delivery time across multiple platforms and pre-create content for a desired audience data preference.
5. Knowledge economy / The skills cliff edge is coming!
Finally, 2019 will see the need for knowledge, as a whole range of new roles are required across the industry. The desire for broadcast engineers who understand IT as well as video over IP, who understand digital distribution, who understand multi-platform audiences, is the utopia role many are seeking.
As the industry continues to transition in 2019, associations, bodies and partnerships to not only define standards, but collaborate on knowledge, will be essential. Individual content and media organisations will be looking for partners to consult, support and, very honestly, go on this journey with them together. It's a transformative ho
Most recent headlines
09/11/2025
Dalet today announced a transformative leap forward for media operations: Agentic Artificial Intelligence (AI) that unifies the Dalet ecosystem under one natura...
05/11/2025
WASHINGTON Despite the ongoing government shutdown, Federal Communications Commission Chairman Brendan Carr has announced a tentative agenda for the agency'...
05/11/2025
The College Football Playoff (CFP), ESPN and TNT Sports have announced kick times and broadcast information for the 2025 CFP First Round, which will launch the ...
05/11/2025
NEW YORK IAB Tech Lab, the global digital advertising technical standards-setting body, has announced the release of device attestation support in the industry ...
05/11/2025
SINGAPORE Appear, an Oslo-based provider of live production technology, is opening a new facility in Singapore as part of the company's expansion into the A...
05/11/2025
DALLAS Parks Associates has released new data showing just how far the dramatic shift to streaming services has gone in recent years. Currently, more than nine ...
04/11/2025
SVG Sit-Down: Why Professional Fight League CEO John Martin Believes Growth Is I...
04/11/2025
SVG All-Stars: David Koppett, Executive Producer, Live Sports and Studio, NESN a...
04/11/2025
From concept to kick-off: How TAMS could transform sports workflows By Paul Markham
Tuesday, October 28, 2025 - 09:43
Print This Story
Techex tx darwin pr...
04/11/2025
College Hoops Preview 2025: The CW Tips Off Third Season of ACC Men's/Women&...
04/11/2025
College Hoops Preview 2025: Big Ten Network Heats Up for Busy Season With 500 Me...
04/11/2025
College Hoops Preview 2025: CBS Sports Readies 300+ Game Broadcasts Across Its P...
04/11/2025
College Hoops Preview 2025: NBC Sports Slate Features 200+ Big Ten, BIG EAST, an...
04/11/2025
College Hoops Preview 2025: ESPN Remote-Ops Team Preps for Massive Slate of 7,40...
04/11/2025
Never-before-seen footage of Selena Quintanilla and her family's band offers...
04/11/2025
Joel Edgerton at Train Dreams Park City premiere (photo by Soul Brother / Shutterstock for Sundance Film Festival)...
04/11/2025
Today, we announced our third quarter 2025 earnings, marking strong momentum as we surpassed 700 million Monthly Active Users and achieved double-digit subscrib...
04/11/2025
Idag rapporterar vi v rt resultat f r det tredje kvartalet 2025, vilket markerar en stark och fortsatt tillv xt d vi passerade 700 miljoner m natliga aktiva an...
04/11/2025
SBS calls for bold, thought-provoking factual ideas: up to $50,000 in developmen...
04/11/2025
Tomorrow's fight will demand networks that deliver both capacity and survivability, the speed to move mission applications at scale, and the resilience to e...
04/11/2025
New York, NY - November 3, 2025 - Neptune BidCo US Inc. (the Issuer or the Co...
04/11/2025
WASHINGTON The National Association of Broadcasters took aim at YouTube TV and its owner Google in a blog post for its heavy hand in deciding what viewers can ...
04/11/2025
HACKENSACK, N.J. The European Broadcasting Union (EBU) has awarded LiveU a five-year contract to deliver 24/7 live news content through its Eurovision News Exch...
04/11/2025
Bob Dylan Awarded Honorary Doctorate from Berklee College of Music The songwriter, performer, and cultural icon is recognized for a six-decade career that redef...
04/11/2025
SAN JOSE, Calif. Roku has launched Roku Ads API, a fully open, self-serve developer platform for connected TV (CTV) advertising. The Roku Ads API gives develope...
04/11/2025
Harmonic (NASDAQ: HLIT) today announced an expanded partnership with Spectrum to extend the company's industry-leading cOS vCMTS and advanced network and o...
04/11/2025
The inauguration of Empresa de Meios Audiovisuais' (EMAV's) first virtual studio in Lisbon marks a major technological milestone for the Portuguese audi...
04/11/2025
ZTransform, a leader in transformational system design, integration, and launch services for broadcasters, sports venues, educational facilities, and corporate ...
04/11/2025
Fred Baumgartner's op-ed (ATSC 3.0: I Cant Imagine Anyone Defending Our Current Adoption Strategy) on the broadcast industry's transition to ATSC 3.0 dr...
04/11/2025
Q&A with Music Alum Andrew van der Paardt The oboist and English horn player reports back from the pit of the New York City Ballet Orchestra, and tells how he...
04/11/2025
Damien Moloney as Jim Bergerac
As filming wraps on the highly anticipated second series of Bergerac(6x60'), UKTV today unveils a selection of first look im...
04/11/2025
Tuesday 4 November 2025
To view this content, please enable our use of cookies....
04/11/2025
Back to All News
Netflix and Embratur launch audiovisual tourism guide at the W...
04/11/2025
Back to All News
Frankenstein' Sightings Grip Hollywood With Halloween Wee...
04/11/2025
From the recent SMPTE Media Technology Summit in Pasadena, with FilmLight Image Engineer, Daniele Siragusano, and Research Engineer, Julius Tschannerl.
Matchin...
04/11/2025
Begins Thursday November 6 on RT One and RT Player at 10:15pm
Camogie: Inside...
04/11/2025
In Berlin on Tuesday, Deutsche Telekom and NVIDIA unveiled the world's first...
04/11/2025
When inspiration strikes, nothing kills momentum faster than a slow tool or a frozen timeline. Creative apps should feel fast and fluid - an extension of imagin...
04/11/2025
Douglas W. Phillips and Steven M. Paul join Scripps Research Board of Directors Finance and biomedical leaders bring decades of experience in investment strateg...
03/11/2025
SVG Sit-Down: Inside the Sports Rights Landscape (and the new IMG) with Andrew D...
03/11/2025
Challenging the norm: How TNT Sports is evolving coverage of the men's and w...
03/11/2025
Inspired storytelling: TNT Sports' Pete Thomas on creating opportunities out...
03/11/2025
NBA 2K League Returns With New Format Featuring NBA Players, Creators, and FansSeason will include online tournaments, in-person events, and open-ladder fan com...
03/11/2025
Live on the Water: The Rowing Channel Pulls Off Historic Production at Head Of T...
03/11/2025
Strategic partnership to expand specialized testing equipment, advance national security and support regional economic growth...
03/11/2025
In less than two weeks during late September and early October, the Federal Communications Commission acted on two proposed rulemakings that could have an enorm...
03/11/2025
Josh Miely is returning to a more hands-on radio and TV role with the National Association of Broadcasters....
03/11/2025
Broadcasters have spent years trying to integrate different vendor technologies in their facilities. As the industry has moved closer to software, that struggle...
03/11/2025
As the malevolent siege against broadcasters' interests intensifies from the far reaches of artificial intelligence misuse to relentless innovation in the m...
03/11/2025
Wheatstone founder and owner Gary Snow will retire from the company by the end of next year....