
The worldwide content distribution industry - from traditional cable, telco and satellite TV providers to the growing number of direct-to-consumer (DTC) players - will go through a transformation phase in the coming years. As digital transformation and greater consumer choice take hold, existing offerings have to rush to keep up with new entrants, differentiating themselves to create a compelling offering for the consumer.
Part of that offering has and continues to be the range of content they give to consumers, and that has relied on partnerships with the content owners. However, as the owners, such as HBO and Disney launch their own services, they're increasingly reserving that content for themselves. Disney for example, has pulled its content from Netflix, encouraging consumers to sign up and get access its movies.
But with so many providers, consumers are forced to effectively create their own bundles - often at greater cost than if it was still available through one provider. For some this content stacking will simply be too expensive, and they will look for substitutes - including pirate services. The problem is that, until operators re-aggregate and re-bundle content and services that can be more cost-effective to the consumer, the issue will only get worse as consumers will just pick up their smartphones, search for what they want to watch and find illicit options.
And it's not just lone wolves, sharing with their friends. Commercial pirates pose a two-pronged threat of stealing the content and enticing subscribers away with cheap offerings that mimic legitimate pay-TV services. Usually found as apps on Android devices, or even on set-top boxes and smart TVs available to purchase in store, pirate services can look legitimate to the average user, making this the real competition as they steal the content for free while enticing subscribers away from legitimate services.
The problem doesn't lie with one type of content either, now that we are fully operating in a globally-connected consumer market, where the internet can be easily misused by pirates. But that doesn't mean it all has the same value, live and premium shows will obviously have greater value for consumers and therefore for the pirates too. Even free-to-air is at risk as, when stolen, pirates can remove advertising or time restrictions, all packaged in what appears to be a convenient service for subscribers.
According the 2019 Pay-TV Innovation Forum, industry executives estimate that 17 percent of households worldwide now use illegal TV services on a regular basis, up from 11 percent in 2017. This significant acceleration in pirate services consumption is driven by apps and devices that can give easy access to the so-called grey-market services, which creates a business risk for the whole content creation industry. Ultimately, it hurts the consumer too, as operators and content providers will have less finance to develop new shows.
And, like the open internet, piracy doesn't recognise country borders, meaning containing international distribution rights is also an issue. Saturday afternoon football distributed in the USA are re-streamed back to Europe and around the world - all for free. With live sports one of the most expensive and greatest revenue generators, such activities are a major thorn in operators' sides, and anyone around the world is potentially at risk of having their content stolen. And, with the growth of 5G, executives expect to see this trend continue according to the Global Market for Premium Sports OTT Services report. As content security specialists, we're seeing the growing trend of innovative pirate services stealing content and subscribers, and it's clear that content owners and distributors should be concerned. Not that security technology isn't used, but the new nature of pirate services is calling for a holistic response that goes beyond what has been done in the past.
For the casual pirates, a mix of hardware and software solutions, from encryption technology in chipsets, to an intelligence-based approach comprising of content watermarking, monitoring and taking down infringing services, can prove powerful deterrents.
For the more organised criminal groups stronger actions is required, focusing on a three-pronged, intelligence-based approach that focuses on:
Identifying and shutting down leaks using technologies such as watermarking, which adds an invisible digital signature' to the content that enables us to track any illegal redistribution
Monitoring streaming servers and removing any illegal services with the help of hosting companies
Disrupting pirate services through blocking access to specific servers needed by the pirates
From our experience, we believe that all stakeholders such as content owners, governments, service providers and consumer groups all have a part to play in addressing the piracy problem. Through challenging the pirates from multiple angles such as, investing in consumer education, legislation and anti-piracy technologies alongside creating smart packages of products which address consumer needs, should create a landscape which is increasingly difficult for pirates to operate.
We need to come together. Addressing the piracy challenge has now become an executive level issue for the technology, media and telecoms industries. It is no longer a question of asking should I do something? but am I doing the right thing? and is this being reviewed on a consistent basis that will ensure my business model is being preserved?
As we stated in a recent Newsweek article: All valuable content is at risk. Consumers want to have access to content, and if they cant, they just pick up their phones and search for it. Competing with free is just not sustainable.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
06/06/2026
Check Out Leading Monitor Brands
We'll have monitors of all shapes and sizes at GearExpo UK, so whether you're looking to upgrade or expand your set...
06/06/2026
Two Originals offerings join MPC line-up
Following on from their partnership announcement at NAMM 2026, Spitfire Audio and Akai Pro have announced the relea...
06/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/06/2026
Matrox Video today announced the launch of the Matrox Maevex MGX Series, a new lineup of IPMX-ready video encoders and decoders with USB support that is enginee...
06/06/2026
Atomos (booth# S1006) announced immediate availability of Sumo PRO-19, a new 19-inch 4K HDR monitor-recorder-switcher designed as a central production hub for m...
06/06/2026
Cine Gear Expo 2026 DoPchoice introduces a complete light-shaping system for the new Creamsource Vortex2, further expanding the fixture's wide versatility...
06/06/2026
SmallHD will debut a new OLED 4K production monitor with a 16 display, the OLED 16, that combines OLED's industry-benchmark contrast ratio, exceptional col...
06/06/2026
Ed Lachman ASC, Caleb Deschanel ASC, and M. David Mullen ASC Being Honored at the 30th Annual Cine Gear Expo LA
Cine Gear Expo has announced the recipients of ...
06/06/2026
World premiere at Cine Gear Expo Los Angeles, June 5-6...
06/06/2026
See it first at Cine Gear Expo LA, Booth #S1703
DoPchoice introduces the latest addition to its inflatable AIRGLOW series the 8 2 Frame for RuPixel Canvas. ...
05/06/2026
The university-wide initiative has pushed their creative content to a new level
Although collegiate athletics at a single institution can contain numerous spo...
05/06/2026
In-venue and creative video staffers at the professional and collegiate level ha...
05/06/2026
Synamedia has announced that Lumine Group has agreed to acquire its Video Network business. The company is positioning the transition as the start of a new phas...
05/06/2026
Ateme, Broadcasting Center Europe (BCE), and Scaleway have announced a strategic partnership to deliver a cloud-based media supply chain covering ingest through...
05/06/2026
Audinate has announced three new additions to its Dante AVIO Install adapter series: a 4-Channel Analog Input, a 4-Channel Analog Output, and a 2-Ch In/2-Ch Out...
05/06/2026
Sportradar Group AG has announced a multi-year extension of its exclusive global...
05/06/2026
The M6 Group will broadcast FIFA World Cup 2026 matches live and in Ultra High D...
05/06/2026
The Athletic has announced that PGA TOUR highlights will be integrated into its golf coverage beginning with the Memorial Tournament presented by Workday. PGA T...
05/06/2026
When the FIFA World Cup arrives in North America in 2026, it will bring more tha...
05/06/2026
FIFA and DAZN have announced the launch of FIFA exclusively on DAZN, consolidating FIFA's content portfolio within DAZN's sports platform. The move fol...
05/06/2026
Telemundo's exclusive Spanish-language coverage of the FIFA World Cup 2026 G...
05/06/2026
Dolby Laboratories and NBCUniversal have announced that Peacock will stream Tele...
05/06/2026
Formula 1 has announced a 10-year extension to keep the Las Vegas Grand Prix on the F1 calendar through 2037. Las Vegas Grand Prix, Inc., Clark County, and the ...
05/06/2026
The broadcast-engineering team overcomes wind, speed, and salt water - and dista...
05/06/2026
Deploying both onsite and remote crews, the company is providing calibrated-came...
05/06/2026
With Inter&Co Stadium unavailable, ESPN's UFL team rebuilt its broadcast pla...
05/06/2026
One of the most exciting and informative events on the SVG annual event calendar is the Regional Sports Production Summit, an annual gathering of industry profe...
05/06/2026
For the race's third year at the historic racetrack, the broadcaster has added cameras and will incorporate multiple drones
The 158th edition of the Belmon...
05/06/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
05/06/2026
Built from the same recordings as flagship library
Sonuscore's LUX Orchestral Strings has been met with widespread praise since its launch in late 2025,...
05/06/2026
High-end converter, interface & headphone amp upgraded
Said to represent the next evolution of RME's all-in-one reference converter concept, the all-new...
05/06/2026
Win a Soundgas Type 636P & Type G preamps
Soundgas, one of the UK's leading vintage and boutique audio equipment specialists have just announced the lau...
05/06/2026
New leadership of Technology Systems Division at Rohde & Schwarz On July 1, 2026, Hansj rg Herrbold and Andreas H gele will take over as Executive Vice Presid...
05/06/2026
Hitachi and Intel announced a strategic collaboration to explore opportunities t...
05/06/2026
MRI-Simmons and S&P Global Mobility are expanding advanced audience capabilities...
05/06/2026
New Nielsen data shows insurance ad spend grew 11%, while consumers remain highl...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
ASG Promotes Joe Marchitto to Western Regional CTO
Brie Clayton June 5, 2026
0 Comments
Appointment to Support Engineering Alignment and Client Experi...
05/06/2026
Stargate Studios Colombia Uses DaVinci Resolve Studio for Vertical Microdramas
Brie Clayton June 5, 2026
0 Comments
End to end post in one platform al...
05/06/2026
People Need to Come First When We Use AI
Andy Marken June 5, 2026
0 Comments
It's just surviving. Life's very existence requires destruction....
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...