Sony Pixel Power calrec Sony

NBA Playoffs 2025: As Play-In Tourney Continues, TNT Sports Preps Escalated Game-Day Tech for Postseason

17/04/2025

NBA Playoffs 2025: As Play-In Tourney Continues, TNT Sports Preps Escalated Game-Day Tech for Postseason Opening rounds to feature regular-season setup; later rounds to get more gear By Kristian Hern ndez, Senior Editor

Thursday, April 17, 2025 - 11:52 am

Print This Story | Subscribe

Story Highlights

With the 2024-25 NBA season hitting crunch time, TNT Sports is rallying its production and operations teams to deliver another compelling postseason of top-tier professional basketball. Beginning with two games in the 2025 NBA Play-In Tournament on Tuesday night and one more to go on Friday night at State Farm Arena in the broadcaster's hometown, the productions have served as a warmup for the playoffs, with Round 1 games on Sunday, April 20 in Cleveland and Houston and on Monday, April 21 in New York City and Denver.

The first games went extremely well on Tuesday night, says Chris Brown, VP, technology and operations, TNT Sports. [The Play-In Tournament] gives our ops teams a little ramp-up to the start of the playoffs run.

Follow the Narrative: Production Team Can Enhance the Tech To Match Game Intensity The NBA postseason is habitually a long sprint to the finish. Taking place over multiple weeks in numerous cities across the country, the broadcasts ask a lot out of TNT Sports' staffers dedicated to showcasing the league's biggest games of the year. To ease into the playoffs and ensure that each game receives the utmost attention in terms of coverage and quality, the broadcaster is rolling out a technological arsenal deployed during the six-month regular season.

It does follow a certain sort of format that we've managed year over year, Brown explains. The first two rounds will pretty much mimic our regular-season coverage, especially in the first round since those games aren't exclusive and we'll be compressed for space in many of the main camera areas and the loading dock.

During the regular season, the production effort also contributed to the TNT Overtime digital-centric offering, which requires a higher level of tech to cater to that specific audience. The effort, which exceeds the tech that other broadcasters use for the regular season, will continue in the postseason as well.

We do a whole lot more in this very short time during the year, adds Brown. The goal is essentially to maintain that base level of coverage for the national audience.

Riding with a formula that has proved successful in recent seasons, the production team will pay attention to the narrative of each series and follow its progress. In the later stages of a Game 6 or 7 for a particular matchup, for example, the team will decide whether to break out more tech enhancements to capture the high intensity of win-or-go-home contests.

It will be at our production team's discretion to enhance their coverage as they see fit, says Brown.

In the Compound: A Quartet of NEP Mobile Units To Cover Four Arenas With workflows increasing as the bracket unfolds, a large chunk of these productions will rely on TNT Sports' crews working from within the broadcast compound. One of four NEP mobile units - Supershooter 6, 7, 8, and 9 - will be parked outside each arena, and, as each series moves along, the broadcaster will decide which city and venue each unit heads to next. After the Atlanta Hawks' final play-in game on Friday night, the four will be spread across the country: at Cleveland's Rocket Arena, at Houston's Toyota Center, New York's Madison Square Garden, and Denver's Ball Arena.

At TNT Sports' Techwood facility in Atlanta, the crew will deploy the standard remote-graphics production model. Graphics operators will continue to be located in the Remote Operations Center (ROC), where they have worked since the last time they were onsite, at the 2025 NBA All-Star Game at San Francisco's Chase Center in February. To get the feed from multiviewers on the onsite trucks to Atlanta, the crew will rely on the services of Haivision.

We've had a couple occasions, Brown notes, when our regular production trucks couldn't get from city to city in time, so our remote graphics kit wasn't installed in time, and we'd have to send a graphics team out [to the venue]. We plan on continuing our remote-graphics workflow into the playoffs because, no matter where we are or how quick the turnaround is, we always know that our graphics operators are in the same place for every game.

In addition to graphics' being controlled from Atlanta, a handful of EVS operators will be controlling replay from the ROC.

Sports-Filled Spring: TNT Sports Faces Long Stretch of Postseason Play A tradition that continues every year, TNT Sports will be producing a large slate of high-leverage games. That includes coverage not only of the NBA Playoffs but also simultaneous productions of the NHL Playoffs and MLB Tuesday games. The effort requires coordination between various production and technical teams at Techwood, as well as an understanding of the logistics and pacing of each league's action. It's a ferocious, unrelenting, and fast-paced time of the year, but Brown is surrounded by technical experts to handle it all.

For the NBA productions, he notes, the crew includes Technical Operations Manager Brent Brown; Tech Managers Dean Koenig and Brian Irrizarry, who worked the Play-In game between the Orlando Magic and Atlanta Hawks at Orlando's Kia Center; and Tech Managers Debra Zouvas and Shaun Reid, who worked the other Play-In game between the Memphis Grizzlies and Golden State Warriors in the Bay Area.

We're excited that the company at large has leaned into the retooling of Techwood with the addition of control rooms and infrastructure in the ROC that's able to accommodate some of these remote workflows, says Brown. The investment
LINK: https://www.sportsvideo.org/2025/04/17/nba-playoffs-2025-as-play-in-to...
See more stories from svg

More from Sports Video Group

21/04/2026

Live From NAB 2026: BitFires Colin Bonzey on Growing Spark Platform for Live Cloud-Based Productions

Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...

21/04/2026

Live From NAB 2026: AWSs Jason Dvorkin, Regina Rossi on Driving Innovation With Al-Based Workflows

The topic of artificial intelligence has a stranglehold on the sports-video-prod...

21/04/2026

Live From NAB 2026: T-Mobile for Business' Jason Schnellbacher on Enhancing 5G for Sports Fans, Broadcasters

5G is still a hot topic in live event production, and this workflow continues to...

21/04/2026

Live From NAB 2026: Appears Ed McGivern on Fox Sports Deal, New XM Platform, and VX Software Debut

At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...

21/04/2026

NAB 2026: Studio Network Solutions launches on-premise AI suite for media production workflows

Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...

21/04/2026

NAB 2026: Suite Studios integrates file-streaming technology into Frame.io Drive

Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...

21/04/2026

NAB 2026: Net Insight integrates InSync FrameFormer into Nimbra Edge for media processing

Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...

21/04/2026

NAB 2026: Fox Sports selects Appear X Platform for live production infrastructure

Fox Sports has selected Appear as a technology partner to support the next phase...

21/04/2026

NAB 2026: Diversified appoints Tyler Affolter as Chief Revenue Officer

Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...

21/04/2026

NAB 2026: Layercake integrates Bitmovin into Streamcake platform for end-to-end media orchestration

Layercake has formalised the integration of Bitmovin's video streaming infra...

21/04/2026

NAB 2026: International Judo Federation extends global content distribution partnership with SES

The International Judo Federation (IJF) has extended its distribution partnershi...

21/04/2026

NAB 2026: Glookast integrates Cinnafilm Tachyon plugin to enable GPU-accelerated video processing

Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...

21/04/2026

NAB 2026: Cadena Tres selects Eutelsat for television signal distribution in Mexico

Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...

21/04/2026

NAB 2026: Dolby and TV Azteca deploy Dolby Atmos for free-to-air broadcast

Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...

21/04/2026

Verizon and FOX Entertainment leverage 5G and AI for remote production of Extracted

FOX Entertainment partnered with Verizon to overcome significant production hurd...

21/04/2026

NAB 2026: Osprey Video to showcase expanded IP infrastructure and orchestration at NAB Show 2026

Osprey Video has announced its technology showcase for the NAB Show 2026, highli...

21/04/2026

NAB 2026: Riedel introduces IP-based production updates including multiviewer, commentary control and audio connectivity solutions

Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...

21/04/2026

SportsTechBuzz at NAB 2026, Day 3: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

21/04/2026

NAB 2026: Blackmagic Design Announces URSA Cine Immersive 100G and URSA Cine Live Encoder

Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...

21/04/2026

Live From NAB 2026: Clark Wire & Cables David McCarthy Showcases New Connectivity, Enclosure Solutions for Modern Broadcast Workflows at NAB Show 2026

Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...

20/04/2026

NAB 2026: IABM rebrands as IAMT and launches AI discovery platform and global alliance

International Association of MediaTech (IAMT), formerly known as IABM, announced...

20/04/2026

NAB 2026: Harmonic supports DIRECTV DTH platform upgrade with VOS Media Software

Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software. The deployment is...

20/04/2026

NAB 2026: Wasabi Technologies acquires Seagate Lyve Cloud business

Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...

20/04/2026

NAB 2026: EVS introduces Choreon robotics orchestration platform for unified production control

EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...

20/04/2026

SportsTechBuzz at NAB 2026, Day 2: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

20/04/2026

NAB 2026: Skyline Communications launches DataMiner packages on Grass Valley AMPP App Store

Skyline Communications announced the availability of its DataMiner xOps platform...

20/04/2026

NAB 2026: SNS launches Outpost, Trio and AI Suite for connected post-production workflows

Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...

20/04/2026

NAB 2026: Dell Technologies and NVIDIA present AI data platform for media workflows

Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...

20/04/2026

NAB 2026: Blackmagic Design Announces Fairlight Live Software Audio Mixer

Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...

20/04/2026

Live From NAB 2026: Imagine Comms Jimbo Haneklau Talks Prismon, Hybrid IP/SDI Workflows, and Cloud Playout

At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...

20/04/2026

Live From NAB 2026: LiveUs Phillip Broaddus on LU900Q Launch, Nexus Cloud Platform, and REMI Growth

At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...

19/04/2026

NAB Show 2026 Is Here! Follow All of our Live Coverage!

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Live From NAB 2026: Grass Valley CEO Jon Wilson on AMPPs Explosive Growth, Hybrid Workflows, and Whats New at the Show

Grass Valley is finding the right balance between its hardware heritage with an ...

19/04/2026

Live From NAB 2026: Oracles Kip Schauer on Why OCI Is Doubling Down on Media, Sports, and Broadcast

Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...

19/04/2026

Live From NAB 2026: Program Productions Jess Kowatch on Whats New with ProCrewz and the Impact of AI on Crewing

Program Productions, the live sports production industry's leading crewer, i...

19/04/2026

Live From NAB 2026: Aggrekos Joe Scionti on Powering the Super Bowl, PGA Championship, and the Road to the FIFA World Cup

At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...

19/04/2026

NAB 2026: Evertz to highlight evertz.io XChange for live event management and market switching

Evertz (Booth N817) is set to present new services within its evertz.io platform...

19/04/2026

NAB 2026: Evertz to showcase IPMX-certified NUCLEUS and MMA platforms for AV and ST 2110 integration

Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...

19/04/2026

NAB 2026: Evertz to showcase ENX media core for hybrid SDI and IP facilities

Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...

19/04/2026

NAB 2026: Evertz introduces Studer VistaVUE Touch for broadcast control

Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...

19/04/2026

NAB 2026: Evertz highlights X-CALIBER high-density encoding platform for media transport

Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...