Sound guy: NEP's Neville Hooper on innovating and developing audio wherever possible By Paul Mac
Monday, May 17, 2021 - 15:13
Print This Story
Neville Hooper is deputy head of sound at NEP, one of the biggest jobs in broadcast audio. He must ensure top quality delivery of primetime sports for a variety of high-profile network clients with equally high-profile broadcast rights.
Hooper is an active member of SVG Europe and can be spotted getting stuck in at most of our audio events. Moreover, right from his teenage years, Hooper has always been a sound guy.
Bands to broadcasting
Graduating from Solent University having made an early start in bands and touring after finishing school, Hooper says: I did have a choice. One of the bands I was in could have had a bit of success, but I knew it wouldn't have been for long. I also had a look at studying popular music and recording at university, but in the end I took a last minute opportunity to join a new broadcast course. It was one of those happy accidents; I've had a long and happy career.
There was a defining moment during his studies, when Hooper got a chance to ride along on a couple of jobs with a BBC OB unit out of Kendal Avenue. That confirmed it for me. I thought this is what I'd like to do'.
After his studies, Hooper got a job with Global in the UK, which was created from the OB properties of Yorkshire, Anglia, and Thames Television, and subsequently merged with Visions in 2000.
At its heart, great audio engineering is creative and it's nice to see young people coming through from a variety of different fields
He had several roles at Visions, but possibly the biggest thus far came when Visions won the Premier League contract with Sky in 2001, prompting the build of a new truck and the refurbishment of another. Hooper became the main guarantee engineer on that project.
Since then, he has specialised in football coverage, including the Premier League for Sky, and as host broadcaster on a number of Champions League finals.
He notes: I was the lead audio engineer on the Wembley Champions League finals in 2011 and 2013 for Sky and for ITV. I also did host broadcast at the 2006 world cup. We covered the Gelsenkirchen and Dortmund stadiums there.
High pressure situation
Being the host broadcaster for any event is a high-pressure situation, but for Hooper and for NEP, it is an opportunity to push standards further. We like to set the benchmark high, he says. We go to a lot of events where there are other host broadcasters, and we know what we like and what we don't. At Wembley in 2011 our aim was to make ours the best host broadcast we'd ever seen. So, for example, we had spoken idents on every audio source and picture idents on every video source; that was in the days with MADI and so on. Of course, now with things like the JoeCo devices, that's relatively straight forward. Hopefully, we set the standard for future events; we do try and go the extra mile to deliver the best service we can.
When we went from discreet audio routers to embedded routers, that was massive change and cut the amount of cable we needed by half. The next big step is losing the router completely
NEP has a set of carefully crafted core values that guide its services, which Hooper says is part of what makes the NEP worldwide offering so attractive. The same level of service can be expected wherever you go to any of around 100 offices and bases in 21 countries and counting. We see ourselves giving the top end offering, he says. To innovate and develop wherever possible, and practical.
These days, Hooper has less time on the road and delegates more events, collaborating with other senior engineers at NEP. There's myself, Stuart Cruice, and Rob Jackson, says Hooper. Stuart is delivering the Olympics for Discovery, so he will be off to Japan for nine weeks at the beginning of June. We're deploying four trucks to the Euros, and for that I've handed over responsibility to one of the guarantee engineers on that; he's one of our rising stars and has done a brilliant job.
Fostering new talent
Again, NEP puts effort into giving new talent responsibility and the opportunity to grow. According to Hooper, that is one of the things that keeps the craft alive in the face of so much technological upheaval.
At its heart, great audio engineering is creative and it's nice to see young people coming through from a variety of different fields. People who have grown up with the new generation of technologies are coming through and are extremely comfortable with it; but in the end, a microphone is still a microphone and it's still analogue. You cannot forget about first principles. If a mic's buzzing, you need to be able to deal with it.
Interestingly, of all the emerging technologies and recent advances, Hooper sees networking as possibly the most significant shift in recent times, and in particular the move to SMPTE 2110 and NEP's move to using the Dante audio networking protocol.
Everything is moving to a network-based environment. We had a dabble in Dante, and found it to be virtually bomb-proof, so we stuck with it and invested in more and more Dante kit. That paid dividends when it came to post lockdown football, for example. All the commentary on the Premier League for Sky has been done with Dante for a couple of seasons now, and it's worked very well.
It's interesting; I had a discussion recently about how we can move things forward, and I think there are limitations that even now we still accept that we don't have to live with anymore thanks to networking. A broadcast ends up being one big network with everything just sat on it and everyone taking and giving what they need to. That's the Nirvana. When we went from discreet audio routers to embedded rou
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
01/06/2026
Designed to solve a common problem in broadcasting, the automated workflow detects, identifies, removes, and documents copyrighted music
AudioShake has introdu...
01/06/2026
The sports-analytics company combines its data with proprietary AI to help leagu...
01/06/2026
Category line-up & sponsors announced
Photo: Paul Clarke
The Production Music Awards (PMA) have announced that submissions are now officially open ahead of...
01/06/2026
New hybrid sample/synthesis instrument revealed
Excite Audio have just released the latest instalment in their Evolve series, which has been developed in co...
01/06/2026
Latest TONEX expansion captures three rare vintage amps
The newest addition to IK Multimedia's ever-growing TONEX line-up introduces a set of three incr...
01/06/2026
Musically intelligent soft synth gets upgraded
Scaler Music will be probably be best known to many for their music theory tools, but their product range al...
01/06/2026
SBS confirms its broadcast sponsors for FIFA World Cup 2026
1 June, 2026
Media releases
SBS has secured Hyundai, Hisense, Macca's, Rexona, bet365, Com...
01/06/2026
Rohde & Schwarz Satellite Industry Days 2026 guided by the motto From Earth to ...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Marshall Electronics is showcasing a comprehensive lineup of next-generation POV cameras, purpose-built to power today's connected AV environments, at InfoC...
01/06/2026
Adobe Announces Concept to Vector
Deepa Subramaniam June 1, 2026
0 Comments
One of the biggest frustrations we hear from designers is how difficult it...
01/06/2026
Vampire Feature Night Patrol Graded with DaVinci Resolve Studio
Brie Clayton June 1, 2026
0 Comments
Colorist shapes dark, gritty tone for horror thri...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Mardi 2 juin 14h00
FilmLight (ARRI), 10 rue Ren Boulanger, 75010 Paris
Rejoignez-nous pour d couvrir comment FLAPI (l'API FilmLight) peut transformer e...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
31/05/2026
Olivia P rez-Collellmir to Premiere Original Work at Gaud Centennial in Barcelona The Berklee graduate and faculty member will debut her choral symphony with...
31/05/2026
Back to All News
Netflix Wins 15 Awards at the Canadian Screen Awards - See Pho...
31/05/2026
Taiwan is home to more than 500 NVIDIA ecosystem partners. More than 1 million N...
31/05/2026
As factories move from isolated automation to plant-wide intelligence, manufacturers need AI systems that can connect live machine signals, quality systems, wor...
31/05/2026
The NVIDIA AI Cloud ecosystem is accelerating the global buildout of AI factory infrastructure. Partners are expanding capacity to meet growing demand from ente...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
Sound guy: NEP's Neville Hooper on innovating and developing audio wherever possible By Paul Mac 
